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      Cavernous restaurant by Spacemen feels like “stepping into a giant pot”

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      Architecture studio Spacemen has designed the Bar Kar restaurant in Kuala Lumpur, Malaysia, to resemble the earth ovens historically used to cook and smoke food in the ground.

      Based between Shanghai and Kuala Lumpur, Spacemen conceived the interiors for Bar Kar “around the concept of primordial community cooking”.
      Bar Kar is entered via a pathway lined with firewoodGuests enter the eatery through a winding pathway lined with the same firewood used in the restaurant’s kitchen.
      This immersive hall was bookended with mirrored walls to give the illusion of an infinite space.
      Cavernous walls were designed to evoke ancient cooking pitsA bespoke yellow onyx welcome desk with a timber base was positioned at the end of the pathway, which leads to the main dining hall through a stucco-clad tunnel illuminated by a rounded skylight.

      Cavernous, terracotta-hued walls were designed to evoke ancient cooking pits.
      The central “chef’s table” was finished in veiny grey travertine”It’s as if patrons are actually stepping into a giant pot,” Spacemen founder Edward Tan told Dezeen.
      This geometry is echoed in curved tables and banquettes as well as a U-shaped central “chef’s table” finished in veiny grey travertine.
      Arranged around an open, terracotta tile-clad kitchen, the back-lit table provides a space for guests to sit and watch their meals take shape.
      Brown slate flooring was chosen to emulate rocks”All of the elements and finishes are inspired by primordial times,” said Tan, noting the locally sourced brown slate flooring, which was chosen to resemble rocks.
      Crumpled mesh sculptures reminiscent of flames were suspended from curved holes in the undulating ceiling.

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      Bar Kar also features a private dining room informed by “the organic contours of a cave”. For this space, Spacemen chose cream-coloured stucco, stacked in ridged layers to mimic the inside of a cocoon.
      Another gold mesh sculpture hangs over the room’s central red travertine table.
      The private stucco-clad dining room mimics a cocoon”We deconstructed the elements of primordial living in ancient times and put them into an abstract composition,” Tan said. “We wanted to make the restaurant familiar but with a fun and contemporary approach.”
      Known for its bold application of colour and texture, Spacemen previously inserted an “otherworldly” moss-covered installation in a luxury bag store in Putrajaya.
      Other earthy interiors include Studio Wok’s cavernous pizzeria in Sardinia, with sandy pink plaster walls designed to reflect the island’s wind-swept granite rocks.
      The photography is by Su Ping. 

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      Bruno Mars and Yabu Pushelberg design cocktail lounge at Las Vegas casino

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      Musician Bruno Mars and design studio Yabu Pushelberg have teamed up to create the interiors of a cocktail lounge and live music venue at the Bellagio casino in Las Vegas.

      Named The Pinky Ring, the 5,000-square-foot (465-square-metre) lounge is accessible directly from the casino floor, but designed as an entirely separate experience away from the bright lights, bustle and noise.
      The stone bar at The Pinky Ring is surrounded by golden drapes that are reflected in the mirrored ceilingGrammy Award-winning artist Mars collaborated with Canadian studio Yabu Pushelberg to craft an elevated and luxurious space within the Bellagio Resort and Casino.
      The bar serves a curated collection of cocktails and hosts live entertainment by top musicians and DJs – though no phones are allowed inside.
      A huge crystal chandelier hangs in the centre of the lounge and is visible from all cornersThe entry sequence begins with a dimly lit mirrored passageway, where Mars’ collection of Grammy trophies is displayed.

      “Inspired by contemporary museum design, the corridor was designed as a soothing and discreet exhibition space where guests can cleanse their visual palette from the outside world and begin to submerge into The Pinky Ring,” said the design team.
      A VIP area is lined with faceted mirrored panels that create infinite reflectionsGuests arrive at the main bar and lounge in front of a sunken conversation pit, wrapped with a wavy banquette and furnished with soft armchairs gathered around a series of small tables.
      The carpet, the leather and the velvet chair upholstery are shades of green – colours also found in the richly veined stone tabletops.
      Other niches with additional seating feature dark wood-veneer panelsA giant halo-like chandelier with tiers of glowing crystal hangs from the ceiling above, providing a central focal point that can be seen from every corner.
      At the rear of the space is a gently curved, dramatically patterned stone bar, topped with a row of metallic Flowerpot lamps by Verner Panton.
      In the central conversation pit, various shades of green were chosen for the carpet, chairs and banquettesThe back bar is housed within an elongated pill-shaped, mirrored recess, which displays a wide range of liquor bottles and is ringed with stepped cove lights.
      Golden drapes run floor to ceiling across the back wall and are reflected in more mirrors on the ceiling.
      The green hues of the seating are echoed in the richly veined stone tabletopsOff the main lounge are various niches and VIP areas that offer additional seating, some lined with dark wood-veneer panels.
      “See or be seen, each area is composed of its own suave and purpose that echoes into the next,” said the team.

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      One organically shaped space is lined with faceted, smokey mirrored panels that create infinite reflections, and features a banquette that wraps around a large table fitted with a giant ice bucket for chilling drinks.
      An important factor in the design was the lighting, which comprises under-seat and ceiling coves, along with wall lights with five globe-shaped diffusers attached to vertical brass rods.
      Patterned crushed velvet covers the curved banquette back, while the seat is wrapped in leather”In the pursuit of perpetual allure, where lighting not only transforms spaces, but perceptions, The Pinky Ring unveils a strategic lighting innovation, schemed to make people look and feel their best,” the team said.
      “Through a strategic interplay of low-level, contrast, and accent lighting, The Pinky Ring lighting design unveils the unseen.”
      Mars joins a long line of famous musicians to open entertainment venues. Among others is singer Justin Timberlake, who put his name behind an AvroKO-designed Nashville dining and drinking destination in 2021.
      Pink-red stone tiles across the bathroom walls nod to the lounge’s nameYabu Pushelberg was founded by George Yabu and Glenn Pushelberg in 1980, and the studio has designed some of the most recognisable hospitality interiors over the past four decades.
      Shortlisted for Dezeen Awards 2021 design studio of the year and judges for the program in 2023, Yabu Pushelberg’s recent projects include the Moxy and AC Hotel in Downtown Los Angeles – of several they’ve completed for the Moxy brand – and The Londoner hotel on Leicester Square in the UK capital.
      The photography is by Sean Davidson.

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      Home Studios refreshes The Wren pub on New York’s Bowery

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      Brooklyn-based Home Studios has remodelled a bar and restaurant in New York’s East Village, using dark wood and velvet seating to retain a “worn-in and aged appearance”.

      The Wren on the busy Bowery thoroughfare has become a neighbourhood staple since opening in 2012, but was ready for an interior revamp.
      The Wren has been remodelled in a way that retains its rustic charmHome Studios refreshed both levels of the upscale pub, including the upper-floor dining and drinking area, and private lounge downstairs.
      “Despite the changes in the city and the evolution of the neighbourhood, The Wren has maintained its timeless appeal, offering visitors a glimpse into the past and an authentic pub experience,” said Home Studios, led by founder Oliver Halsegrave.
      The L-shaped bar has a marble counter and is surrounded by GAR Products stoolsAcross the main level, dark and moody materials have been used to retain the pub-like quality of the spaces, assisted by the exposed wooden ceiling beams and columns, and hardwood floors.

      Either side of the entrance, black-painted, booth-style benches are installed against the walnut wall panelling, creating cosy nooks for pairs or small groups to occupy.
      Towards the back, a chocolate-coloured velvet banquette features ribbed cushionsThe bar area features an L-shaped marble counter surrounded by GAR Products stools, opposite black wainscoting that runs below vintage-looking wallpaper.
      Towards the back, a long banquette is dressed in ribbed cushions that form the seating and backrests, all wrapped in brown velvet.
      Custom mirrors alternate with disk-shaped sconces by In Common WithCustom arched shaped mirrors mounted on the walls alternate with disk-shaped sconces by In Common With, against a beige textured plaster backdrop.
      A variety of other sconces throughout were sourced from lighting brands including O’Lampia, Shades of Light, Allied Maker and Rejuvenation.
      Guests can choose from a variety of booths, two-tops or standing areas”With a worn-in and aged appearance, the space now exudes a moody winter-like atmosphere,” said Home Studios.
      Downstairs, the mood is even more “sultry” and intimate, thanks to darker surfaces and a variety of dim, warm lighting sources.

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      The bar counter is made from Black Portoro marble and the wood floors are also stained black, while the banquette upholstery is a lighter tone than found on the upper level.
      Between the two floors, guests can choose from a variety of seating or standing spots for enjoying their beers, cocktails and bar food.
      In the private area downstairs, the mood is more sultry and the banquette upholstery is lighter in colour”Home Studios has seamlessly blended nostalgic and rustic charm throughout The Wren’s interior, creating an inviting and distinctive ambiance that pays homage to the bar’s storied history,” said the team.
      Home Studios is no stranger to refreshing beloved establishments, having completed interiors for The Bird in Montauk and The Pearl in Nantucket.
      The downstairs area features dark-stained floors and a black marble bar counterThe firm also recently turned a conference centre in Northern California back into a luxury hotel, as originally intended by the property’s founder: the inventor of the radio.
      The photography is by Brian W Ferry.

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      ALA draws on West Village history for Talea taproom interiors

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      New York studio Alda Ly Architecture has designed a taproom for female- and veteran-owned brewery Talea in the city’s West Village neighbourhood, which includes a place for groups to “scheme”.

      Talea West Village is the beer company’s third outpost and its first Manhattan location, following two established in Brooklyn.
      The main dining and drinking area at the Talea West Village taproom is anchored by a colourful barThe space is located in a 1920s building on Christopher Street, an iconic thoroughfare that’s home to several landmarks, businesses and historic spaces associated with the LGBTQ+ rights movement.
      “This new taproom on Christopher Street reclaims the masculine identity of a West Village saloon to celebrate voices of women and LGBTQ+ communities in the Village, all while serving Talea’s popular sour brews in an elevated, vibrant space,” said Alda Ly Architecture (ALA).
      Bright hues chosen by ALA for the space include yellow for tiles, green seat backs and red dining chairsFlooded with natural light thanks to large windows along the street facade, the main space is anchored by a purple-fronted bar with a curved white quartz countertop in one corner.

      Behind, numerous beer taps are mounted onto a yellow-tiled partition, while glassware and cans are displayed on shelves above.
      Exposed brick and stone floors allude to a saloon-style aestheticThe bar is lit by Junit oak pendants from Schneid Studio and brass Dottie sconces by Visual Comfort are mounted around the perimeter.
      “We opened up the space to provide as much open area for the front dining room, and brought the bar front and centre to highlight the taps with their extensive selection of beers,” said ALA founder Alda Ly.
      The taproom was designed to celebrate its location in the West Village, which has played an important role in LGBTQ+ history”We wanted the bar to be a welcoming beacon for all people in the neighborhood,” she added.
      The other side features built-in, stained-oak seating and small circular tables against an exposed brick wall.
      Behind the bar is The Revolution Room, intended for larger groups to gatherPale green backrests and muted red Scroll dining chairs from Industry West continue the interior’s bright colour palette, which is also echoed in the works by local artists displayed on the walls.
      “It was important to us to capture the spirit of Talea in a space that felt elevated but also very warm and welcoming,” said ALA project director Marissa Feddema.

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      Past the bar is a more intimate space called The Revolution Room, designed for groups of eight to 10 people to “scheme, hang and gather” according to the team.
      A large table sits below a Nuura Miira 8 Oval chandelier that’s suspended from a skylight, and more brickwork is exposed to add to the saloon-like vibe.
      At the back is the Snug, a cosy space furnished with jewel-tone piecesFurther back still, patrons will find the Snug – a much darker and cosier room decorated with jewel-toned furniture, navy limewash painted walls and a vintage fireplace mantle.
      The moody bathrooms are adorned with images of prominent local residents and gender activists through the years, further emphasising the neighbourhood’s importance to the LGBTQ+ community.
      Images of prominent local residents and gender activists are displayed in the moody bathroomsThe West Village is packed with bars and restaurants, from upscale dining spots like Cecchi’s to casual cocktail places like Donna.
      Close by, in the Union Square area, ALA has previously designed the interior for a doctor’s office and clinic with earthy and homey details.
      The photography is by Brooke Holm.
      Project credits:
      Architect and interior designer: ALA (Alda Ly, Marissa Feddema, Sheridan Treadwell, Marlee Anderson)MEP engineer: Tan EngineeringGeneral contractor: Aerial Design & Build

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      Wooden elements “take centre stage” in Japandi-style Studio Frantzén restaurant

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      Scandinavian and Japanese influences come together at Studio Frantzén, a restaurant in London’s Harrods department store designed by Joyn Studio.

      Stockholm-based Joyn Studio created the sleek interiors for Studio Frantzén – the latest restaurant opened by chef Björn Frantzén.
      Top: visitors enter via a domed reception area. Above: the bar is characterised by back-lit glass bricksThe two-storey eatery is arranged across a main restaurant and bar on the fifth floor, as well as on an additional mezzanine and rooftop terrace on the sixth floor of Harrods.
      In stark contrast to the department store’s famed Edwardian baroque terracotta facade, Studio Frantzén features a contemporary palette that takes cues from both Scandinavian and Japanese design – a trend known as Japandi.
      Studio Frantzén is located across two levels at HarrodsVisitors enter the restaurant at a domed reception area, which references Scandinavian churches and forest chapels, according to the studio.

      The curved walls were clad with blocky cherry wood while illustrations of Nordic animals by Ragnar Persson decorate the ceiling and a Swedish wooden Dala horse was perched on the welcome desk.
      “Undoubtedly, wood takes centre stage in this restaurant,” Joyn Studio founding partner Ida Wanler told Dezeen.
      The main restaurant is composed of two dining hallsThe reception area gives way to a “glowing” bar composed of stacks of glass bricks bathed in amber light, which is mirrored by a ceiling of gridded copper.
      Informed by traditional Japanese izakaya – a type of casual watering hole serving snacks – the large main restaurant is composed of two dining halls with bespoke geometric terrazzo and marble flooring.
      One features bespoke timber seatingOne hall features an open kitchen and Joyn Studio-designed chunky seating booths and sofas carved out of end-grain wood. This was sourced from a large Hungarian pine tree, cut into cubes and then glued together piece by piece.
      This double-height space is illuminated by a spindly oversized chandelier by Swedish studio Front.
      The other follows the same gridded geometry as the barThe other dining hall, tucked around the corner and connected to a wine cellar, follows the same geometry as the bar.
      Sliding timber doors and a gridded wooden ceiling are interrupted by ultramarine benches in booths and delicate, ribbed paper lampshades.

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      “To create a distinctive Nordic dining experience with Asian influences within a historic London building, we delved into the architectural and design legacy of the early 20th century,” explained Wanler.
      “Inspired by the journeys of our predecessors to the far east, where they assimilated influences and pioneered a style known as Swedish Grace, we embraced the resonances between traditional Japanese and Nordic architecture and craftsmanship,” she continued.
      Mirrored artwork by Caia Leifsdotter was included in the mezzanineOn the upper floor, the mezzanine includes three intimate dining booths accentuated by a burnt orange carpet and a wall-mounted Psychedelic Mirror by designer Caia Leifsdotter.
      Characterised by marble, rattan and wooden accents, the rooftop terrace offers expansive city views.
      The rooftop terrace offers views of London”Aiming to infuse creativity into the traditional luxury context of Harrods, we envisioned a relaxed and comfortable ambiance with sparks of richness created in unexpected ways,” said Wanler.
      In 2022, Joyn Studio was longlisted for the title of emerging interior design studio of the year at the Dezeen Awards.
      Elsewhere at Harrods, fashion house Prada recently opened a green-hued pop-up cafe that referenced one of Milan’s oldest patisseries.
      The photography is by Åsa Liffner.

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      Dezeen’s top 10 restaurant and bar interiors of 2023

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      For the latest roundup in Dezeen’s 2023 review we’ve selected 10 of this year’s most popular and evocative restaurant and bar interiors, ranging from a space-themed sushi bar in Milan to a beach-style eatery in London.

      Also among this year’s eclectic roundup of restaurant and bar interiors is a renovated 16th-century brewery in Poland lined with a bold interior of red brick and ceramic tiles, as well as a bar and restaurant informed by Japanese psychedelia and cabins in Canada.
      Read on for Dezeen’s top 10 restaurant and bar interiors of 2023:
      Photo by Irina BoersmaIkoyi restaurant, UK, by David Thulstrup 
      Copenhagen-based designer David Thulstrup designed a copper and oak interior for the Ikoyi restaurant, situated within London’s 180 The Strand building.

      Drawing on spice-making processes from sub-Saharan west Africa, the interior features ceilings clad with metal-mesh panels and walls lined with oxidised copper sheets.
      Find out more about Ikoyi restaurant ›
      Photo by Alicia DubuisSando, Switzerland, by Sapid Studio
      Sapid Studio used Japanese patchwork techniques to inform the renovation of a burger restaurant in Geneva.
      Named after the Japanese word for sandwich, Sando features a largely retained interior decorated with a corrugated stainless steel bar, patched up tiled flooring, and translucent tapestries.
      Find out more about Sando ›
      Photo by ONI StudioTenczynek Brewery, Poland, by Projekt Praga
      Red brick, ceramic tiles and oak furniture define the Tenczynek Brewery interior, designed by Polish design studio Projekt Praga.
      Located outside of Krakow, the centuries-old brewery was converted into a bold-coloured restaurant and bar, with a self-service beer fountain occupying the centre of the historic brick-vaulted space.
      Find out more about Tenczynek Brewery ›
      Photo courtesy of PradaPrada Caffè, UK, by Prada
      Located in London’s luxury department store Harrods, fashion house Prada opened a cafe informed by one of Milan’s oldest patisseries.
      Contrasting with Harrods’ baroque facade, Prada Caffè’s mint green latticed storefront references the brand’s signature green hue, which extends to the interior walls, ceilings and furniture.
      Find out more about Prada Caffè ›
      Photo by Charlie McKayMilk Beach Soho, UK, by A-nrd
      London-based design studio A-nrd brought a “beachfront feel” reminiscent of an Australian beach club to this restaurant interior in Soho, London.
      Milk Beach Soho’s minimal interior has a neutral material palette featuring a polished terrazzo floor and art deco-style furniture and lighting.
      Find out more about Milk Beach Soho ›
      Photo by Luis BeltranIchi Station, Italy, by Masquespacio
      Ichi Station, by Valencian design studio Masquespacio, is a dine-in restaurant in Milan that draws on sci-fi and space tourism.
      Designed to resemble a futuristic spaceship, the cylindrical restaurant interior has a material palette of glass and micro-cement along with rounded, custom-made furniture.
      Find out more about Ichi Station ›
      Photo by Erin FeinblattDrift Santa Barbara, US, by Anacapa Architecture
      US studio Anacapa Architecture transformed a formerly closed early-1900s building into a hotel – hosting a ground-floor bar and cafe for both hotel guests and local visitors.
      Located in central California, the rustic interior accentuates the building’s historical character and is complemented by concrete and wooden furniture.
      Find out more about Drift ›
      Photo by Luís Moreira / Matilde CunhaCozinha das Flores, Portugal, by Space Copenhagen
      Located in a 16th-century building in Porto, Cozinha das Flores’ interior is decorated by a ceramic mural created by Portuguese architect Álvaro Siza.
      Designed by Space Copenhagen, the rustic interior is lined with green and burnt orange tiles, along with oak furniture and brass accents.
      Find out more about Cozinha das Flores ›
      Photo by Jack HobhouseCorner, UK, by Holland Harvey
      London-based architecture studio Holland Harvey revamped Tate Modern’s ground-floor cafe to be less “Herzog & de Meuron-y”.
      Doubling as the gallery’s first late-night spot, the interior is organised around a grey stone bar, while salvaged chairs and bespoke tables are used throughout the space.
      Find out more about Corner ›
      Photo by Chris AmatHello Sunshine, Canada, by Frank Architecture 
      Situated within the mountains of Alberta, Hello Sunshine is a bar and restaurant informed by Japanese psychedelia and cabins in collaboration with Little Giant.
      Designed by Canadian studio Frank Architecture, the wooden interior features two raised fire pits accompanied by large flues clad with glazed ceramic tiles, along with paper lanterns and textile artworks.
      Find out more about Hello Sunshine ›

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      Cake Architecture draws on Bauhaus principles for Hoxton bar

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      Cake Architecture has renovated A Bar with Shapes for a Name, an east London cocktail bar featuring “utilitarian” interiors.

      A Bar with Shapes for a Name owes its title to the yellow triangle, red square and blue circle that are emblazoned on its facade in a nod to the primary colours and understated geometry commonly associated with the Bauhaus.
      Tall tubular chairs feature on the ground floorWhen creating the bar’s minimalist interiors, Dalston-based Cake Architecture took cues from the influential German art and design school that was established in 1919 and advocated for an emphasis on functionality, among other similar principles.
      Located at 232 Kingsland Road in Hoxton, the cocktail bar was renovated by the studio to serve as a multipurpose venue.
      Cake Architecture created a smooth ground-floor bar from reddish plywoodCake Architecture doubled the bar’s capacity by adding a basement, which acts as a “kitchen-bar” room, and refurbished the ground floor’s existing seating area as well as a classroom-style space that offers a location for rotating events or workshops.

      “These spaces have specific functional requirements and we selected colours and materials to suit,” studio director Hugh Scott Moncrieff told Dezeen.
      It was positioned opposite a rectilinear light installationUpon entering the bar, visitors are greeted by the main seating area or “showroom”, which was designed to be warm and inviting.
      Tall tubular chairs finished with neutral rattan were positioned around chunky geometric tables made from birch ply stained to a rich, reddish-brown hue.
      The renovation included the addition of a new basementThe team also used the same timber to create the space’s curving bar, which is illuminated by a squat, cordless table lamp by lighting brand Flos.
      Opposite the bar, a glowing rectilinear light installation by photographer Steve Braiden was fitted to the wall underneath bench-style seating reminiscent of early Bauhaus furniture designs.
      A steel, glass-topped table sets an industrial tone”We looked in particular at projects by the Bauhaus founder Walter Gropius,” reflected Scott Moncrieff.
      “Gropius is a master of this elegant zoning through the application of colour and form,” he added.
      The “classroom” includes steel-framed tablesDownstairs, the low-lit basement was created to house additional seating as well as “all of the crazy machinery they use to prepare the drinks,” the designer said.
      The basement is characterised by a bespoke central table by Cake Architecture and furniture designer Eddie Olin.
      Red, yellow and blue accents define a sculptural lampConsisting of a steel frame that “floats” over a central leg, the table was topped with a glass surface and its base was clad in phenolic-coated plywood to match the floor and walls.
      “This new basement is predominantly a production space – so the palette reflects this with hardwearing, utilitarian and industrial materials,” said Scott Moncrieff.

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      A thick, felt curtain in ultramarine adds a pop of colour to the otherwise pared-back space.
      With its pale blue walls and Valchromat-topped, steel-framed tables, the ground-floor “classroom” pays homage to the Bauhaus as an educational institution.
      A tall blackboard provides space to learn in the classroomBrighter blue vinyl covers the floors while a sculptural lamp featuring red, yellow and blue circles echoes the bar’s logo.
      A tall blackboard and overhead strip lighting add to the classroom feel of the space, which is used for various group events.
      Thin vertical lights frame the bathroom sinkCake Architecture worked closely with the bar’s founders Remy Savage and Paul Lougrat when creating the interiors, which were primarily informed by the duo’s way of working.
      “The team has a conceptually driven ethos drawn from the theory and practice of Bauhaus embedded in everything they are doing. We found that incredibly exciting,” explained Scott Moncrieff.
      A Bar with Shapes for a Name is located on London’s Kingsland Road”The Bauhaus phrase ‘party, work, play’ was pertinent to some early ideas and this carried through all our design discussions,” noted the designer.
      “The space enables these three things. Separately as individual functions and simultaneously as a representation of the overall atmosphere of a bar!”
      Cake Architecture previously worked with interior designer Max Radford to create a curtain-wrapped speakeasy in London’s Soho. The studio also designed a workspace for London agency Ask Us For Ideas in the same part of the city.
      The photography is by Felix Speller. 

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      Mexico City restaurant by RA! arranged around upside-down pyramid bar

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      A bar counter shaped like an inverted ziggurat sits at the centre of this restaurant in Mexico City, designed by local architecture studio RA!

      Tana is a tapas spot located in the city’s wealthy Polanco neighbourhood, within a compact and intimate space facing Parque Lincoln.
      The Tana restaurant is organized around a central concrete barRA! gutted the 65-square-metre unit to make way for its cave-like concept, achieved by applying textured plaster and concrete across the four-metre-high walls.
      “The intervention began by demolishing the superimposed finishes of the old premises, in order to discover the structure and the materials that originally constituted the space,” said RA! co-founder Pedro Ramírez de Aguilar.
      The bar’s inverted ziggurat form features cove lighting along its tiered sides”The balance of the sounds, colours, textures and tones of the space creates a cave atmosphere that shelters those who inhabit it,” he contined.

      The main dining area is organised around a central bar counter, which has a stepped form reminiscent of an ancient pyramid – similar to those located at the Aztec archeological site of Teotihuacan just outside of the city.
      Cove lighting also illuminates the plaster and concrete walls and floors around the restaurant’s perimeterRough concrete also wraps the bar’s tiered sides, under which cove lighting is installed to illuminate each layer.
      “The bar questions the traditional linear organization of bars to create a square distribution that allows greater coexistence between users and the mixologist,” Ramírez de Aguilar said.
      Slender-framed metal stools provide seating for dinersFurther cove lighting encircles the room just above floor level, and about two-thirds of the way up the walls, as well as beneath the narrow drink shelves.
      Behind the bar, a copper lighting fixture comprises two concentric circles, with a soft glow emanating from behind the small, front disk.
      Cylindrical concrete pendants lamps hang above the dining areaThe copper fixture was mounted on a floor-to-ceiling shelving system built from thin metal pipes, which displays liquor bottles and holds hanging plants at the top.
      “The plate made in Michoacán, Mexico, is positioned on a large formation of rods that go from the support cabinet to the ceiling, generating a series of shelves on which the bottles and other service elements are positioned,” said Ramírez de Aguilar.

      Sofía Betancur references nearby church for Pizzeria Della Madonna

      Tall, slender-framed stools surround the bar, and provide additional seating along either side of the space.
      Above hang cylindrical concrete pendant lamps with steel caps, which direct the light downwards as a series of spots.
      RA! designed the restaurant to look and feel like a caveBehind the shelving unit is a small, omakase-style dining area that offers guests a direct view of the kitchen.
      The restaurant opens fully to the street, where more tables are placed on a covered patio surrounded by plants.
      Tana also has a covered outdoor patio surrounded by plantsRA! was founded in 2017 by Ramírez de Aguilar along with Cristóbal Ramírez de Aguilar and Santiago Sierra in Mexico City, where the dining scene is booming and many creative minds are helping to shape interiors for its chefs.
      Along with Tana, new spots include Pizzeria della Madonna in Roma Norte, which designer Sofia Betancur modelled on a neighbouring church, and Ling Ling, an Asian fusion restaurant on the 56th floor of the Chapultepec Uno skyscraper.
      The photography is by Ariadna Polo.

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