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    Sophie Goineau adds “wave-like” timber ceiling to Malibu beach house

    Interior designer Sophie Goineau has renovated a family beach home in Malibu, California, adding a wave-like ceiling and maximising the panoramic ocean views from the living spaces.

    Goineau initially set about helping a young family that she met in Mexico incorporate stylish spaces for their kids into the house, but the project quickly turned into a full overhaul.
    Sophie Goineau took advantage of the Malibu home’s vaulted ceilings to create a wave-like wooden feature overheadBuilt in 1965 and remodelled at the turn of the millennium, the house’s exterior had to remain untouched in accordance with strict Malibu zoning laws.
    Inside, however, multiple walls were opened up to allow light from the expansive windows and skylights to flood all of the spaces.
    The main living space was opened up and can now fully utilise the sliding doors onto the terrace”Some rooms were divided by walls, there was no light coming through,” said Goineau. “We had to use all existing openings — sliding doors and skylights in vaulted ceilings — but there was no rhythm. What could we do here to create a harmonious vibe?”

    With the main entry points reconfigured and many of the internal partitions removed, the offset T-shaped building now benefits from more light and improved flow.
    The lounge area features black seating by ATRA and a media unit that echoes the slatted ceilingThrough the main volume of the dwelling, Goineau installed a dramatic curved ceiling composed of thermally modified ash wood in four layers.
    The effect is designed to mimic a “breaking wave” and not only directs the eye to the ocean view but also partially obscures the skylights from the bright overhead sun.
    A skylight over the entryway is partially shaded by the ceiling slats”The light here, while beautiful, is very strong, but we didn’t want to ruin the existing skylights with shades,” said the designer.
    This ceiling feature is most prominently expressed in the spacious open-plan kitchen, dining and living space, which has large windows on two sides and glass doors that opens onto a terrace.
    A large, teak front door continues the same visual language as the ceilingNeutrally decorated with white oak floors, clay plaster and micro-cement wall finishes, the social space is dotted with several black accents.
    These include the large Beluga sofa and armchairs from ATRA, the Gio Ponti dining table and chairs, and metal shelving suspended from the ceiling over the kitchen island.

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    “It is all a visual reference of naturalist materials,” Goineau said. “The dark materials chosen highlight the contrast between dark and light in nature, and all the pieces marry so well with everything else in the house.”
    A media unit that disguises the TV echoes the wooden strips of the ceiling and the kitchen cabinetry at the other end of the room.
    The primary bedroom at the end of the main volume opens onto the terraceAt the opposite end of the building’s T is the primary bedroom, which also opens to the terrace furnished with various soft seating options.
    Rather than a full dividing wall, a tall partition acts as a headboard extension and separates the sleeping area from a large dressing room.
    A tall partition separates the primary bedroom from the dressing roomThe entrance hall sits at an angle to the home’s main volume and continues the striped effect again across the teak front door positioned below another slatted skylight.
    Contemporary sculptures by Sébastien Léon and paintings by Damien Chabauty are displayed in this space and along the corridor that connects the remaining rooms.
    The terrace features multiple soft seating areas for the family to enjoyMalibu’s beachfront is lined with impressive properties, including Kelly Wearstler’s home adorned with “rustic and raw” decor and a building by Tadao Ando that musician Ye recently stripped back to its structure.
    Goineau is based in nearby Los Angeles and has previously refurbished a mid-century house in Beverly Hills in collaboration with Enclosures Architects.
    The photography is by Virtually Here Studios.

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    Working Holiday Studio adds hacienda-style twist to midcentury LA house

    The founders of LA-based Working Holiday Studio have renovated a midcentury home for themselves and their growing family, transforming the interiors to echo a Mexican hacienda.

    Designers Carlos Naude and Whitney Brown chose to move from their previous ranch-style home to a larger dwelling after having a second child, knowing they would need more space.
    Working Holiday Studio added arched openings and handmade brick floors to the midcentury homeThe couple found another midcentury home built in 1962 in the Granada Hills neighbourhood of Los Angeles, which they set about remodelling in “an eclectic hacienda style with Mexican and Scandinavian influences”.
    “We renovated the house because it hasn’t been updated since the first owners bought it and was in much need of a refresh,” the duo told Dezeen. “The layout didn’t make sense for modern living and the house felt dark, cold and outdated.”
    Details like iron railings with wavy balusters add a “hacienda vibe” to the interiorsThe biggest change involved opening up the wall between the dining room and kitchen, creating a large space for the family to gather and entertain under the dark-stained, mono-pitched ceiling.

    The kitchen was reimagined with swing-out French doors, dark green plaster across the walls, and warm millwork for cabinets and the central island.
    The kitchen was completely transformed with dark green plaster walls and warm millworkBricks across the floor in this space and the hallways were handmade in Tijuana, Mexico, and imported across the border.
    Together with arched openings that Working Holiday Studio added throughout the home, they add a “hacienda vibe” to the property.
    A formal living room features a variety of sculptural seats arranged around a marble coffee tableBeige plaster walls, iron railings with wavy balusters and various wooden furniture pieces also lend to the contemporary Mexican aesthetic, with hints of Scandinavian minimalism.
    “We always start with a palette of colours and materials,” said Naude and Brown. “We wanted [the interiors] to feel neutral, earthy, and warm with a few pop accents.”

    Los Angeles ranch house becomes Zen Den by Working Holiday Studio

    Also on the ground floor is a space for the family to watch TV together, which features a large cushioned sectional.
    A formal living room off the dining area has a whitewashed brick fireplace in the corner, and a variety of sculptural chairs arranged around a marble coffee table.
    Bedrooms are decorated with natural materials in neutral tones”We spend a lot of time in the family and TV room because it’s very cosy and comfortable, but love looking into the formal living room because each piece feels like an artwork or sculpture,” the couple said.
    Upstairs, the bedrooms are decorated with natural materials in neutral tones, while the bathrooms are playfully lined with checkerboard or thin straight-stack tiles.
    Playful touches in the bathrooms include checkerboard tilingAcross the exterior, the house was rendered in mid-grey stucco and black-framed windows and doors were added.
    A large covered veranda stretches almost the full length of the building and is used for outdoor lounging and dining in front of the backyard swimming pool.
    The house has a large veranda for outdoor lounging and dining in front of the backyard swimming poolOther properties designed and owned by the couple – the ZenDen in LA’s Woodland Hills and Casa Mami near Joshua Tree National Park – are available as vacation rentals for guests.
    The photography is by Carlos Naude.

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    Electric Bowery renovates Big Sur house overlooking California’s coastline

    The co-founder of California studio Electric Bowery has renovated a redwood-clad house in Big Sur for her family, preserving its iconic features and adding custom furniture.

    The house, originally designed by well-known local architect Mickey Muennig, is perched high up on a bluff overlooking the dramatic coastline – famous for the scenic Route 1 that runs along it.
    The house was built in 1993 by renowned local architect Mickey MuennigCommissioned in 1993, the building features a curved copper roof and redwood exterior cladding that Electric Bowery co-founder Cayley Lambur and director of interiors Stephanie Luk used as the foundation for the remodel.
    After speaking to her neighbour, the original owner, Lambur delved into Muennig’s legacy and the property’s history for clues to approach the project.
    Electric Bowery co-founder Cayley Lambur’s updates to the property included reconfiguring the compact kitchen”Inspired by this connection, Lambur began to breathe new life into the residence while honouring its organic architectural roots,” said the studio.

    The house benefits from large windows and expanses of glazing that capitalise on the views across the landscape to the ocean.
    Custom furniture in the living room includes a curved sofa designed to “hug views into the canyon”Keeping these vistas top of mind, the renovation involved reconfiguring the internal spaces, and respectfully upgrading some of the outdated decor and fixtures.
    An entirely new custom kitchen was added within the tight existing space, designed to maximise counter space and celebrate the views of the garden and ocean.
    Vintage leather chairs surround an impressive stone hearthThe redwood millwork was created in collaboration with American furniture company Henrybuilt to blend with the rest of the interiors, while raw steel, warm-stained concrete floors and leathered natural quartzite complete the contemporary look.
    Where the roof slopes to its lowest point, the living room is furnished with custom pieces such as a curved channel-tufted sofa that “hugs views into the canyon” and an oversized claro walnut coffee table by Dusk.
    Redwood panelling continues in the bedrooms, with are decorated with a warm and earthy paletteBehind, an impressive stone hearth is accompanied by vintage black-leather armchairs and a variety of textured rugs and pillows.
    The redwood panelling continues in the bedrooms and bathrooms, where it’s complemented by custom beds dressed in deep red and green textiles.

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    “The consistent use of redwood paneling throughout the home offers the experience of bringing the outside inwards, contrasted and complemented by the incorporation of colour through art, tile and textiles,” said Electric Bowery.
    “A warm and earthy palette is carried through the home, layering textures and natural materials, old and new.”
    One of the bathrooms is tiled entirely in thin, straight-stacked, teal-glazed tilesOne of the bathrooms is tiled entirely in thin, straight-stacked teal glazed tiles, while another features a shower lined with square tiles in tones of blue.
    Also as part of the scope, a trailer on the property was restored and renovated for use as additional guest accommodation and an office for remote work.
    The house overlooks the dramatic Northern California coastline from its lofty perchLambur founded Electric Bowery with fellow architect Lucia Bartholomew in 2013, and the studio is based between Venice, Big Sur and Santa Barbara in California, and New York City.
    Other projects by the studio include the Wildflower Farms resort in Upstate New York, where a series of wood or Corten steel-clad cabins are nestled among meadows and woodland, and a house in Venice Beach that features an askew pitched roof.
    The photography is by Chris Mottalini.

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    Lovers Unite revives interiors of mid-century Silver Lake home

    California design studio Lovers Unite has reinvigorated a 1950s home with sweeping views of the Los Angeles hills, turning an unused balcony into an extension of the indoor social space.

    The wooden dwelling in LA’s Silver Lake neighbourhood belongs to production designer James Chinlund and artist Clare Crespo.
    Lovers Unite renovated the home for a creative couple in Los AngelesA “previously a boring, nondescript mid-century house”, according to Lovers Unite, the property required some imagination to bring its interiors up to par with its setting.
    Therefore, the studio “introduced a few carefully plotted architectural interventions and material shifts to completely reimagine the interior of the home and take full advantage of its prime site”.
    The house has expansive views over the city’s hillsThe most impactful of these interventions was to bring an underutilised balcony at the back of the house into the envelope, extending the open-plan living and dining area by several feet.

    Beneath the large windows that were installed to fill the gap, Lovers Unite placed built-in seating with teal-upholstered cushions for relaxing and enjoying the panoramic vista.
    Plenty of wood was used throughout the home, particularly in the kitchen”With a large window wall and generous built-in banquette, the room finally celebrates the expansive views that had always been there,” the studio said.
    In the kitchen, dark green soapstone used for counters and the backsplash contrasts with the honey-toned cabinetry, and a shiny copper range hood matches a panel installed at the back of a bar area on the opposite side of the room.
    The honey-toned wood contrasts with soapstone surfaces and a copper range hoodElsewhere, colourful furnishings, collectible design pieces and bold artworks stand out against the predominantly wood interiors.
    A timber-lined lounge area features the classic modular Togo sofa system by Michael Ducaroy, which is wrapped in yellow corduroy fabric.

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    Meanwhile, in the den, a purple armchair is positioned beside a giant chair that Chinlund used as a prop for a shoot by Italian fashion outfit Roberto Cavalli.
    Wood slats were employed to partially screen the staircase opening on the upper level, next to a central fireplace with a raised hearth.
    As part of the renovation, an unused balcony was incorporated into the social space and a long window seat was installed in its placeOther decor items like vintage rugs, embroidered cushions and plenty of art and design books add even more character to the spaces.
    “Ultimately, the mood of the home reflects the spirit and talents of the estimable homeowner,” said Lovers Unite, noting that Chinlund has worked as a production designer for the Avengers movie franchise.
    Colourful furniture and set props are scattered through the different roomsSilver Lake is home to a variety of architectural gems, many built on dramatically sloping sites, including residences designed by notable mid-century architects like Richard Neutra and Rudolph Schindler.
    Led by Karen Spector and Alan Koch, Lovers Unite is based close to the neighbourhood, and has previously wrapped a bar and restaurant in Pasadena with expressive drapery.
    The photography is by Chris Mottalini.

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    Ome Dezin restores 1960s California residence by A Quincy Jones

    US studio Ome Dezin has renovated a large mid-century home in Brentwood, California, using a tonal colour palette and maximising the lush hillside views.

    The six-bedroom 12221 Benmore residence was designed and constructed in 1960 by notable local architects A Quincy Jones and Frederick Emmon.
    Natural materials and neutral colours were chosen throughout the home to highlight the lush viewsWhen Jesse Rudolph and Joelle Kutner of Ome Dezin came to the project, it had undergone a 1990s remodel that had stripped away its character and style.
    The team made it their mission to revive the home’s original charm and connection to the outdoors, bringing in natural tones and materials.
    White oak and travertine are recurring materials, as seen in the bar area”We have always been fans of A Quincy Jones and familiar with his work, which is what prompted us to see the home initially,” the duo told Dezeen.

    “This one did not disappoint — it had the typical Quincy atrium-like living space centered across from the exterior which includes a 40-foot (12-metre) waterfall.”
    The main living spaces all flow together and have expansive views onto the gardenMany of the existing fixtures were retained, including the fixed windows and doors, wherever possible.
    To keep the focus on the views from the large windows, the interior was designed with “a more muted, streamlined aesthetic”.
    Custom pieces designed for the home include a dining table and chairs created in collaboration with Ben Willett”We wanted to ensure the intention of Quincy was intact, so we aimed for a bit of brutalism and connection with nature,” said Rudolph and Kutner. “We opted for a limited material and color palette in favour of natural tones.”
    The new white oak staircase designed for the three-storey atrium features rectangular forms and has an architectural presence, echoing the shape and style of the building.
    Large windows are found in almost every room, so the decor is kept minimal and sparse so as not to draw focusIt sits at the nexus of the living room, dining area, kitchen and bar, which all flow together and enjoy expansive views out the back of the house.
    A den adjacent to these open spaces is furnished with a variety of midcentury pieces, in keeping with the building’s history.
    Dramatically patterned Cipollino stone in the bathroom echoes the grey tones of the rocks outsideTwo types of stone were used throughout the home: travertine, which appears in the kitchen, bar area and powder room, and richly patterned Cipollino in the primary bathroom chosen to pick out the colours of the mountains visible through the windows.
    In the lower-floor bedrooms and around the fireplace, flagstones and cobblestones were laid to create a grounding quality and to connect the spaces to the rocky landscape outside and pavers around the swimming pool.

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    Custom pieces designed for the project include the dining table created with furniture designer Ben Willett, which allows all of the chairs to be tucked away neatly underneath.
    Two 10-foot-high (three-metre) doors were custom-built for the living space and feature Jean Prouvé-influenced circular window cutouts that allow light to shine through.
    The garden features a swimming pool and a 40-foot (12-metre) waterfall”We paid special attention to the lighting in the home, mostly sourcing vintage lights to add charm and character,” the design team said.
    “With such a large home, and lots of windows and tall ceilings, warm mood lighting really made the spaces feel intimate and magical, particularly in the evenings.”
    The home was designed and constructed in 1960 by A Quincy Jones and Frederick EmmonRudolph and Kutner founded Ome Dezin as a design and development studio focused on residential restoration in and around Los Angeles.
    California has no shortage of mid-century properties in need of revamping. Other recently completed examples include Studio Schicketanz’s renovation of modernist architect Henry Hill’s former seaside home, and Woods + Dangaran’s overhaul of a residence that once belonged to singer Bing Crosby’s manager.
    The photography is by Nils Timm.

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    ATRA outfits Olson Kundig-designed house in West Hollywood

    This townhouse in Los Angeles by US firm Olson Kundig is outfitted by furniture brand ATRA with “the best that Mexico has to offer”.

    The Garden House, which sits between West Hollywood and Beverley Hills, was designed as one of eight single-family homes that form the Rosewood Houses development.
    The interior of the Garden House is divided into two areas by a central void, which contains the staircaseEach of the two-storey residences was designed by Olson Kundig with a unique look and layout while retaining a cohesive language across the set.
    For this particular house, which is decorated for a fictional future client, Mexico City-based design studio and furniture brand ATRA used many of its own products to create an environment that complements the architecture.
    To decorate the house, ATRA used several of its own products including the dining table, along with pieces by Mexico-based artists and designers”We wanted to sublime the minimalist architecture and the simplicity of the volumes by keeping the home versatile – imagining that the owner could be a young family as well as a Hollywood actor or a tech entrepreneur and that the design should not only fit but inspire all the above,” said the ATRA team.

    From the street, the house presents as austere – comprising dark cladding materials and emphasised horizontally by an extended flat roofline and porch cover.
    The volcanic stone desk in the study is also designed by ATRAThe building is entered into a double-height space from the side, effectively splitting the plan into north and south areas.
    A staircase with open risers and glass balustrades rises up through the central void, its transparency allowing views from one side of the house to the other.
    Earth tones are used throughout the ground floor, including in the kitchenThe living room to the north is anchored by a large bronze feature that frames a fireplace, while ATRA’s Egge velvet sofa and pair of armchairs face one another across a low stone coffee table.
    On the other side of the staircase is the dining room, where the brand’s sculptural Pebble dining table sits below a branch-like chandelier by Isabel Moncada, and beside a highly textured artwork by Julio Rizhi.
    Upstairs, bolder colours are used to appear like “happy accidents””We curated the best that Mexico has to offer to enhance this house with unexpected artworks and thoughtful designs,” said Gabriella Kuti, ATRA’s lead designer.
    Earth-toned furniture and textured finishes are used prominently throughout the ground floor, including a volcanic stone desk in the study and warm wood cabinetry in the kitchen.

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    A slightly different colour palette was employed upstairs, where grey sheen walls and burgundy-hued chairs are found in the primary bedroom.
    “Some unusual warm and vibrant colors were introduced like a happy accident,” said ATRA.
    Works by international artists in the home include a wall piece by Ghanaian artist Serge Attukwei Clottey made from a patchwork of yellow gallon containers, and bold-striped paintings by French artist Edouard Ng.
    A private patio at the back of the house features a plunge poolTucked out of view at the back of the property, a small outdoor patio features a square plunge pool and sculptures by Pablo Arellano.
    The eventual owners of the house will also have access to the amenities of the adjacent residential tower 8899 Beverly, including a pool, a covered dining area and gardens, an indoor fitness centre and a yoga studio.
    The architecture by Olson Kundig comprises dark materials and exaggerated horizontal planesATRA also provided furniture and decor for a show apartment in New York’s One Wall Street designed by FrenchCalifornia, and launched its Nerthus-Sofa modular system in 2020.
    The company was founded by Alexander Díaz Andersson, who is also its creative director and works across furniture, sculpture, interiors and hospitality projects.
    The photography is by Michael Clifford and Nils Timm.

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    Woods + Dangaran brings warmth and light to mid-century modern home in Los Angeles

    Teak wood, travertine stone and expansive glazing all feature in Woods + Dangaran’s renovation of a mid-century modern house that once belonged to singer Bing Crosby’s manager.

    Los Angeles-based Woods + Dangaran has both upgraded the architecture and designed the interiors for Clear Oak Residence, which is located on a hillside above LA’s San Fernando Valley.
    Clear Oak Residence is located on a hillside above LA’s San Fernando ValleyThe design aims to enhance the building’s relationship with its setting while also bringing an increased sense of warmth and comfort to the living spaces.
    Doorways and windows were adjusted and enlarged to enable wraparound views of the landscape, while skylights were added to highlight key moments within the interior.
    A new swimming pool cantilevers out towards the viewTravertine creates a continuous floor surface that extends out from the living spaces to a sunset terrace, while teak provides wall panelling and in-built joinery throughout.

    “The architectural finish palette was intentionally limited to four materials: clear anodised aluminium, plaster, travertine, and teak for the wall panelling,” said Woods + Dangaran.
    “This visual restraint manifests in a serene ambiance that permeates all aspects of the residence.”
    Travertine flooring extends both inside and outClear Oak Residence is shortlisted for Dezeen Awards 2022 in the house interior category, where it will compete with four other projects – including another one by Woods + Dangaran – for the title.
    Woods + Dangaran designed this project for client Robert Galishoff, whose brief to the architects was to embrace the building’s mid-century heritage but ensure the result exudes a sense of “effortless luxury”.
    Teak provides wall panelling and custom joineryLandscaping played a big role in the transformation. By relocating the swimming pool so that it cantilevers over the hill and adjusting the topography, more terrace and deck space could be created.
    Sliding floor-to-ceiling glass doors allow the main bedroom, the living room and the dining area to open out to this terrace.

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    “Enlarged doorways and windows inside the house, including floor-to-ceiling glass doors, integrate the interior spaces with the landscape and foreground views by eliminating barriers,” said the architects.
    “Glazed openings inserted along corridors create memorable spatial experiences from new axes and vantage points.”
    Skylights create framed views of the skyThe interior furnishings include both new and retro pieces in natural materials and warm colours, which sit alongside Galishoff’s collection of objets d’art.
    The living room features a copper silk shag rug from Mehraban, a Minotti sectional reupholstered in a retro-patterned textile and a pair of the Arthur Casas-designed Amorfa coffee tables.
    “Inspired by mid-century pieces but adjusted for scale, function, and material, these pieces give the home a unique voice that mixes old and new, retro with contemporary vibes,” said Woods + Dangaran.
    The design respect’s the building’s mid-century heritageLed by architects Brett Woods and Joe Dangaran, Woods + Dangaran has developed a reputation for modernising mid-century homes but also designs new-builds with a similar character.
    Other recent projects include an upgrade of a 1960s Craig Ellwood house and a brass-clad home in Palm Springs.
    The photography is by Joe Fletcher.

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    OWIU creates tranquil environment in renovated LA home

    California studio OWIU has revamped the interior of a 1950s home, adding elements that were inspired by traditional Japanese inns to create a peaceful environment.

    The 1,516-square-foot (141-square-metre) house, called Palmero, sits within the San Rafael Hills in LA’s Mount Washington neighbourhood.
    On the exterior, OWIU applied smooth, tan stuccoThe single-storey residence was bought as an investment property by actor Kane Lim and was sold last month following a renovation by local studio OWIU, which stands for The Only Way Is Up.
    Originally built in 1955, the dwelling looks toward the city skyline in the distance.
    OWIU designed the home, which overlooks the city skyline”We were drawn to the home’s seclusion from the hustle and bustle of Los Angeles,” said Joel Wong, who leads OWIU with Amanda Gunawan.

    When the designers embarked on the mid-century renovation project, the house was in rough shape, with soiled carpets, degraded flooring and broken windows, among other issues.
    It is a mid-century renovation projectThe designers aimed to transform the neglected home into “a refuge of calm” by drawing upon the landscape and using neutral elements that would help quiet the mind.
    “If you go in strong with design, it energizes you quickly and then promptly dies out,” said Gunawan.
    Palmero takes cues from traditional Japanese inns”Much of our design leans toward the ryokan, a traditional Japanese inn, enabling us to achieve a visceral effect,” she added.
    On the exterior, the designers applied smooth, tan stucco. To create a more open atmosphere within, they removed several non-load-bearing walls and false ceilings and reconfigured part of the layout to create a main bedroom suite.
    Earthy colours give the home an organic feelEarthy colours like terracotta and beige – and materials such as light-toned oak flooring – give the home an organic feel.
    In certain rooms, walls are clad in Venetian plaster. The designers said that this material “brings the delicate texture of the surrounding mountains into the home”.
    Original wooden beams and panels were sanded down, revealing the natural colour.
    The kitchen has quartzite countertopsIn the kitchen, one finds quartzite countertops and oak cabinets, along with an island made of glass blocks. The same material was used for a partition separating the living area from a bathroom, creating privacy without obstructing flow.
    The designers noted that the glass bricks – which are structurally strong while still enabling the passage of light – are often associated with “a period of garish flash from the ’80s”.
    Retro glass bricks feature in the interior design”OWIU sought to restore the material to its original glamour and refigure what might otherwise be considered obsolete,” the team said.
    To furnish the house, the designers worked with the vintage collector Jullie Nguyen of LA’s Ban Ban Studio.
    Vintage collector Jullie Nguyen assisted on the projectNotable pieces include a modular sofa by Vladimir Kagan and a 1980s Hexa coffee table by Bernard Vuarnesson, both of which date to the 1980s.
    Lighting fixtures include three lamps by Isamu Noguchi and several George Nelson pendants.

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    “These pieces brought a distinctly modern-yet-practical touch to the home while remaining in harmony with the existing architecture and new design elements,” the team said.
    Beyond the interior, the studio reimagined the backyard by creating a sculptural, poured-concrete terrace and a custom bench around a fire pit.
    A small wooden desk takes cues from a platform in a Zen gardenMoreover, the studio added a small wooden deck off the main bedroom that is meant to evoke a platform in a Zen garden. It also takes cues from tea ceremony rooms found in ryokans.
    “The step down leads, almost imperceptibly, into the garden, easing the home dweller into the natural space,” the designers said, noting that the yard features bonsai and maple trees.
    “The action is so unassuming that one might forget this step after the routine of living, but this is precisely the goal: a ritualized transition into calming spaces.”
    Japanese ryokans informed the design of Palmero houseOther projects by OWIU include a renovated apartment in an old factory in downtown LA, which features Japanese design elements that encourage “a mindful lifestyle”.
    The photography is by Justin Chung.
    Project credits:
    Designer and builder: OWIUDesign team: Joel Wong, Amanda Gunawan, Claudia Wainer, Nathan Lin, Bonnie Wong and Leo Yang

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