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    Atelier Échelle reimagines Montreal dental clinic with residential vibe

    Canadian studio Atelier Échelle has overhauled an orthodontic clinic in Montreal to create a “warm and inviting, residential atmosphere” with medical equipment positioned among light wood features.

    Clinique Monkland occupies the parlour level of a century-old building in the Notre-Dame-de-Grâce neighbourhood.
    The reception area at Clinique Monkland is designed to resemble a living roomThe 90-square-metre space was reimagined by local firm Atelier Échelle to make it feel less sterile and more homely.
    “[The project] reimagines the typical orthodontic clinic experience as a warm and inviting domestic environment,” said the studio.
    A compact walnut desk features a ridged front and curved cornersIn the reception area, a compact walnut desk with a ridged front and rounded corners is positioned in front of a white-painted brick fireplace.

    Millwork surrounds the brick, covering the full wall with storage and display space for styling books and artwork.
    Green velvet benches are provided for waiting patientsOn either side of the room are green velvet benches – one straight, and another that angles to fit within a large bay window – for waiting patients.
    “The reception was conceived as a living room by preserving an existing brick fireplace and adding long, custom velvet benches along the side walls,” said Atelier Échelle.
    Fluted glass panels provide privacy for the consultation roomsFluted glass provides privacy for the adjacent consultation room, which is accessed through a doorway that connects to the remaining spaces.
    “A corridor echoes the original layout of the building, distributing the technical apparatus on one side and consultation rooms on the other,” the studio said.
    Pale mint green cabinets and leather chairs add to the contemporary aestheticThe consultation rooms are warmed using white oak flooring and trim, as well as a coffered ceiling that hides electromechanical and dental equipment above.
    “This bespoke design also offers something for the reclined patients to observe as they receive dental care,” said Atelier Échelle.

    Appareil Architecture designs Montreal dental clinic to feel like “someone’s home”

    Cabinets are coloured pale mint green and the patient chairs are upholstered in brown leather, adding to the contemporary feel throughout the clinic.
    “The nuanced minimalism of the place blends period accents with comforting wood tones and domestic touches, transforming the orthodontic clinic experience through heightened design details,” Atelier Échelle said.
    A coffered ceiling hides mechanical and dental equipment aboveSeveral designers have rethought the experience of visiting a dental clinic by creating interiors more akin to residential or hospitality spaces.
    Also in Montreal, Appareil Architecture took a similar approach at the Maxillo Tandem clinic to help patients and employees feel relaxed, while Studio Author modelled Toronto’s Paste Dental on a hotel lounge.
    The bespoke ceiling provides a view for reclined patients during consultationsClinique Monkland is longlisted in the health and well-being interior category of Dezeen Awards 2024, along with 15 other projects around the world.
    These include a massage parlour in Shanghai, a dermatology clinic in Tokyo, and a spa and hammam in Dubai.
    The photography is by Maxime Brouillet.
    Project credits:
    Architect: Table ArchitectureInterior designer: Atelier ÉchelleMillwork and furniture: Mesure, Arrebeuri, Foutu Tissu

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    Studio Jean Verville Architectes adds “graphic dimension” to brutalist apartment

    Bright yellow accents stand out against concrete and metal surfaces within this “creative laboratory” that architect Jean Verville has created for himself inside a residential tower in Quebec City.

    The Canadian architect, who is currently dividing his time between practice and teaching at the School of Architecture of Laval University in Quebec City, designed the 79-square-metre apartment as a space he can both work and reside in.
    A pair of bright yellow lamps extend over the commercial restaurant furniture in the live-work apartment’s kitchenVerville, founder of Studio Jean Verville Architecte, describes the project as “an architectural experiment orchestrating a space with a graphic dimension”.
    The 1970s tower in which the residence is located was designed by architect Marcel Bilodeau and faces the Plains of Abraham Park in front of the St Lawrence River.
    The stainless steel furniture blends with the raw concrete shell of the brutalist building”Like an observation post offering breathtaking views of the Laurentian Mountains, the urban landscape, and the St Lawrence River, the interior comes alive with an immutable body-to-body relationship between transparency and reflection, while transforming realities through distancing and multiplication,” said the architect.

    The residence was completely gutted to leave a raw concrete shell, with windows on the north and south sides ushering light into the deep space.
    Verville inserted a series of glass and mirrored partitions to divide up the space, allowing for various layout optionsInstead of solid walls, Verville installed a series of sliding partitions so he could open up or close off areas as desired.
    These glass and mirror panes are mounted on metal tracks and bounce the natural light through the apartment, allowing the compact unit to feel larger than it is.
    An area furnished as a living room contains a rust-coloured sofa and a black-lacquered chair”By addition or subtraction, this flexible system fragments the plan into six layout alternatives with undetermined functions, offering up to seven distinct sub-spaces,” said Verville. “Meanwhile, flexible blinds with a metallic finish allow the option of openwork borders, as well as total privacy.”
    Beside the south-facing balcony is a kitchen, which features stainless-steel commercial restaurant furniture that blends with the grey concrete shell.
    The partitions are mounted on metal tracks and can be opened and closed as desired to alter the layoutA central island is fitted with two sinks, each with a large balanced-arm lamp in bright yellow mounted on the wall behind.
    The lamps can be adjusted into position above any area of the kitchen counter to aid with food preparation.
    The concrete bedroom is solely furnished with a low bedRooms suggested by the partitions include a sleeping area furnished only with a simple low bed and a study where a simple metal desk faces a window.
    The living area is populated by a rust-coloured sofa and a black lacquered chair arranged around a pair of mirrored coffee tables.

    Jean Verville converts backyard shed into minimalist studio in Montreal

    “The strategic positioning of domestic equipment maintains constant physical and visual permeability to neutralise the compactness of the unit,” Verville said.
    Services, pipes and ductwork are all exposed throughout the apartment, demonstrating how it operates as a functional space.
    Verville considers the space a “creative laboratory” in which he can experimentOther eclectic items peppered through the residence give the feel of a creative laboratory, in which its occupant experiments with space and the act of living within it.
    “Glass vials of all kinds, models and various explorations, utilitarian objects, and plants rub shoulders on the shelves, revisiting the spirit of the cabinet of curiosities in a playful presentation of everyday life,” said the architect.
    Verville frequently inserts himself into the photo sets of his projectsVerville is known for its minimalist material-focused projects, as well as for playfully inserting himself into the photographs of completed – as evidenced in this set.
    He can also be seen wandering around in a cape through a Montreal apartment designed for a music composer, hanging out of a loft in a shed he converted into a workspace and balancing on the roof of an A-frame forest cabin.
    The photography is by Maryse Béland, Maxime Brouillet and Antoine Michel.
    Project credits:
    Studio Jean Verville Architectes team: Jean Verville, architect – lead designer; Gabriel Ladouceur, studio coordinator, professional and scientific MA architecture candidate; Guillaume Turgeon Solis, technical specialist; France Goneau, artistic advisor; Tania Paula Garza Rico, architectSpecial collaborations: Loïc Bard, art furniture; France Goneau, ceramic sculpturesContractor: Nomad Construction

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    Partisans sculpts limestone facade for Rolex boutique in Toronto

    Toronto architecture studio Partisans has used parametric modelling to create an undulating stone storefront for luxury watch brand Rolex.

    Partisans’ latest application of its digital modelling and fabrication technique resulted in a sculptural facade that wraps the ground floor of a high-rise on Bloor Street in Downtown Toronto.
    The flowing lines of the Rolex store’s limestone facade emanate from the building’s existing architectural featuresThe studio worked with Italian architect Arturo Tedeschi on the project, which is intended to give the store presence and allow it to stand out from others in the busy shopping district, as well as reflect the high-precision of Rolex timepieces.
    Limestone panels affixed to the building’s exterior are shaped to echo the forms and textures of the brand’s watches.
    The stone panels are shaped to curve around windows and emulate the brand’s watch designsThe material was chosen for its luxurious appearance and longevity, according to Partisans founder Josephson, who said: “Stone is future heritage, it’s having a renaissance.”

    The panels continue the geometry of the existing building features, such as the rigid vertical mullions, but flow into softer shapes that curve around large windows and over the entrance awning.
    More stone appears in the boutique’s interior. Photo by Robert Lowdon Photography”Each stone bay was cut according to measurements found through 3D scans of the existing building,” said Partisans designer Ian Pica-Limbaseanu.
    Niches are integrated into the stonework to house cove lighting that washes over the curvaceous forms at night, yet the junctions between the stone and the glass were trickiest to detail, according to Pica-Limbaseanu.
    Dark green seating matches a glass artwork, while walnut panelling and furniture contrast the paler stone. Photo by Robert Lowdon Photography”The window detailing, specifically, had a tall order of requirements to satisfy,” he said.
    “Not only did it need to meet the exterior stonework at exact locations accurate to within a quarter of an inch, but it also needed to allow for easy maintenance and proper energy performance for what was otherwise an utterly unprecedented look to glazing on Bloor Street.”

    Partisans creates pixelated brick facade for Toronto house

    Tedeschi applied his computational design skills to create an algorithm for the parametric compositions etched into the limestone across the east facade.
    These forms follow the geometries of engravings seen on watch-face dials while also responding to the unique qualities of the structure’s elevation.
    Niches in the limestone facade house cove lights that wash over the facade at nightThe store interiors feature plenty more stone, whose creamy tone is contrasted with dark walnut panelling and furniture.
    Dark green seating matches a glass wall artwork that bears the Rolex logo, which separates the main shop floor with a more intimate lounge area tucked behind.
    The facade was designed to reflect the high-precision of Rolex timepieces and to stand out on Toronto’s high-end Bloor StreetPartisans has previously used parametric design tools to create a rolling, pixellated brick facade for a single-family home, and a high-rise informed by architectural “revision clouds” – both in Toronto.
    The firm was founded by Josephson in 2012, and has since completed a pool house in Ontario with an undulating timber roof and a lakeside sauna designed as a cavernous wooden grotto.
    The photography is by Doublespace Photography, unless stated otherwise.

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    Ivy Studio combines retro colours at Ottawa restaurant Buvette Daphnée

    The colorful retro diners of Quebec influenced the interiors of this restaurant in Ottawa, designed by Montreal-based Ivy Studio.

    Buvette Daphnée wine bar and fine dining restaurant sits in a 1,500-square-foot commercial space within an old industrial building in the city’s historic ByWard Market district.
    The Buvette Daphnée restaurant in Ottawa’s ByWard Market district takes cues from colourful retro diners”The establishment, led by a head chef with deep roots in Quebec and years of experience in Ottawa, aims to showcase a blend of both cultures through the eyes of a nostalgic francophone residing in the country’s capital,” said Ivy Studio.
    The studio therefore looked to Montreal’s vibrant retro diners for design references, pairing a caramel, brown and cream palette with contrasting blue and burnt orange accents.
    The restaurant is divided into two areas, including a space with lower ceilings on one side of the entranceHighly visible from the street, the dining area at the front is divided into two main sections.

    A lower, more intimate space with eight-foot ceilings is to the right of the entrance, while a loftier 15-foot-high space where the open kitchen, a 36-foot-long U-shaped bar and high-top counters can be found to the left.
    Exposed brickwork, natural walnut and cognac-toned upholstery all feature in the restaurantIn the taller portion, the ceilings are painted black to obscure the extra height and the walls are clad in cream-coloured, v-board panelling that continues overhead in the lower area.
    Both the bar stools and the semi-circular seats tucked into tambour-lined booths are wrapped in blue velvet, while vintage dining chairs feature orange seats and banquettes are cognac and chocolate-toned.
    Semi-circular booths with blue velvet seats are lined with tambour panellingNatural walnut was used for the majority of the millwork, and portions of the building’s original brickwork were left exposed.
    In front of the entrance, a lacquered server station with a pill-shaped plan and tiered shelves draws the eye to the restaurant’s centre.

    Ivy Studio installs colourful marble in Montreal’s Hayat restaurant

    “To tie everything together, a vibrant custom-designed mosaic with the main colours covers the entire restaurant floor,” Ivy Studio said.
    “Various light fixtures in the space each tell their own story,” added the team, which installed a 30-foot-long bespoke tubular piece by Montreal-based Hamster above the bar.
    A burnt orange host stand catches the eye, while mosaic floor tiles combine all of the hues used across the interiorMeanwhile, frosted globe-shaped pendants that are recycled by Studio Botté from Montreal’s 1960s street lamps hang from the black ceiling.
    “Much like its celebrated menu based on locally grown ingredients, Buvette Daphnée’s design offers Ottawa an authentic taste of Montreal’s rich culinary culture,” the studio concluded.
    Bespoke lighting fixtures created for the space include a tubular design by Hamster that follows the shape of the barIvy Studio has completed several restaurant interiors in its home city of Montreal, including the recently completed Middle Eastern eatery Hayat, which features a colour palette based on “the earthy tones of the Syrian deserts”.
    Earlier examples range from Piatti, an Italian spot that the studio renovated after fire damage, to the tropical-themed Jack Rose in a former auto body shop.
    The photography is by Alex Lesage.

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    Reflect Architecture balances “contemporary art with family life” in Toronto house

    Canadian studio Reflect Architecture has renovated a home in Toronto for a new generation of the same family, while incorporating an extensive art collection.

    North Drive House was the childhood home of one of the owners. After stints living abroad and in Downtown Toronto, the couple were lured back to the two-acre property for the space to raise their young family.
    The home’s hallways and living spaces were renovated to feel like a gallery for the couple’s art collectionHowever, the residence’s traditional interiors were not to their taste, so Reflect Architecture principal Trevor Wallace was called in to undertake an extensive renovation.
    His approach was to create a deliberate “tension” between the need to display an extensive contemporary art collection – which includes pieces by Robert Mapplethorpe and Erik Madigan Heck – and fulfilling the needs of a family home.
    A sculptural staircase features layered bannisters, stepped profiles and curved forms”The idea of living in a gallery was always important to the owners, but the critical distinction is that they didn’t want to live in a museum,” said Wallace.

    “This is a family home above all. The owners have always imagined that their kids would one day look back on living here and think it was pretty cool that they were playing soccer or running around inside what felt like an art gallery.”
    The living room includes contemporary furniture and a ribbon-like fireplace by Brooklyn designer Leyden LewisThe team retained the existing layout and circulation while updating the spaces with fresh materials, colours and forms.
    Most in line with the gallery-like aesthetic, the living spaces, hallways and corridors feature stark white walls and minimalist detailing such as flush doors and entryways.
    A different approach is taken in the dining room, where the walls are painted dark tealAt the centre of the home is a staircase designed as if a piece of sculpture itself, comprising layered bannisters, stepped profiles and curvaceous forms.
    A similarly playful tactic was applied in the living room, which features a rippling, ribbon-like fireplace designed by Brooklyn-based designer Leyden Lewis.
    Doors and entryways throughout the home are designed to be flush with the walls”We had a lot of fun exploring and playing with the staircase’s shapes and orientations,” Wallace said. “We wanted it to feel organic and fluid, and that required being playful. That was true for the entire house from start to finish, it was important that we didn’t take the whole thing too seriously.”
    The spareness of these spaces is swapped in the cooking and eating areas, which feature darker, richer colours like the teal dining room.

    Blue slide is centrepiece of Walker house renovation by Reflect Architecture

    A knotted light fixture by Lindsey Adelman hangs over the large stone dining table, accompanied by chairs with ochre velvet upholstery.
    In the kitchen, tone-on-tone travertine cabinetry and surfaces include a new 15-foot-long (4.5-metre) kitchen island.
    Tone-on-tone travertine cabinetry and surfaces were added in the kitchenAn existing gabled skylight overhead was maintained, but its beams were updated with a copper hue to “complement the travertine”.
    The room is oriented towards a glass wall facing a Japanese maple tree in the garden, under which sits a large dining table by local furniture designer Mary Ratcliffe.
    A 15-foot-long (4.5-metre) island was also added beneath an existing skylightWallace founded Reflect Architecture in 2016, and the studio’s previous work includes a Toronto home renovation with a blue slide as its centrepiece.
    Other recently completed residential overhauls in the city include a residence connected by asymmetric brass-lined portals and a house where built-in storage volumes were added.
    The photography is by Doublespace Photography.

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    Portal House by Svima features brass details and curved oak ribbons

    Brass ribbons line the asymmetric portals that connect the kitchen and dining room of this Toronto residence, renovated by local architecture and art studio Svima.

    The Portal House was designed for a couple who had wanted to refresh their home for 10 years, but have very different aesthetic tastes.
    Two portals connect the renovated kitchen and dining areas of this Toronto homeToronto-based studio Svima found a compromise by combining his desire for “tenebrous minimalism” and her love of “bright French country kitchens” into the design.
    The resulting “denlike cosiness” pairs dark oak across the lower half of the ground-floor spaces and clean white surfaces on the upper half.
    The curved, asymmetric portal over the deep counter acts as a pass-throughThe snaked kitchen layout is tight, so Svima curved the corners of cabinetry and counter surfaces to steal extra space for circulation.

    This theme continues to the living room millwork: a bookcase is filleted at the corner and meets the wall at an angle, while a built-in sofa beneath the window also softly angles inward.
    The other portal, mirrored in shape, forms a doorway between the two spaces”The design hinges on ‘ribbons’ flowing through the space, guiding the motion through the rooms,” said Svima.
    “The ribbons curve in areas where sharp corners would not fit, or would stop the flow of movement.”
    Brass edges around the portals were artfully installed to perfectly fit the curved drywallIn the kitchen, the curved oak doors were handmade by a cabinetmaker who created a special jig to kerf-bend the oak into a radius.
    Tiles that offer a contemporary take on Dutch Delft porcelain form the backsplash, adding small touches of blue to the otherwise neutral space.
    To add touches of colour to the dark oak and bright white palette, tiles influenced by Delft porcelain were added to the backsplashTwo portals provide connections between the kitchen and adjacent dining room, both with a mirrored asymmetric shape and edged in brass.
    One acts as a doorway, while the other over the deep counter is used as a pass-through for food, drinks and tableware.

    Studio Vaaro reconfigures House M using built-in storage volumes

    “It was an artful process for the contractor to lay the brass into the wall, as it had to fit into the curved drywall perfectly with no tolerance for error,” the architects said.
    The living room, located at the front of the house, was furnished with mid-century pieces such as a chair, a coffee table and a media console.
    Dark oak flooring throughout the home’s ground floor matches the other millworkThe closed and open shelving unit organises the family’s books and possessions, and its shape allows more light to enter from a side window.
    Opposite, the built-in sofa helps to resolve an awkward space under a bay window and orients the sitter towards the TV to one side.
    In the living room, the curved kitchen cabinetry is translated as a storage unit with a filleted side”The custom sofa sweeps into the space to provide seating at precisely the right sideways angle for viewing the media unit, for lounge reading, and for gathering,” Svima said.
    The floors throughout the home match the other millwork, grounding the spaces with a rich dark hue.
    A built-in sofa under the living room’s bay window similarly features softly curved anglesSvima, founded by architects Anamarija Korolj and Leon Lai, is not the only studio that’s had to get creative with a tight Toronto floor plan.
    When Studio Vaaro overhauled a house in the city, the firm created a series of volumes with minimally detailed millwork to form kitchen cabinetry, the staircase and a feature bookcase in the living room.
    The photography is by Scott Norsworthy.

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    Pearce+ creates temporary sub-zero restaurant in Canada

    UK architecture studio Pearce+ and Canadian designer Joe Kalturnyk have created a temporary inflatable restaurant for subzero temperatures in Winnipeg, Canada.

    The barrel-vaulted restaurant has space for 48 guests dining in temperatures as low as -30 degrees Celsius during the 10th annual RAW:almond fine dining food festival, which celebrates both Canadian cuisine and the harsh winter.
    The temporary restaurant was designed by Pearce+Each year, the food festival commissions the construction of a temporary structure that responds to its environment and incorporates sustainable reuse.
    “[The shelter] mirrors the ethos of the food served within by minimizing waste, discovering elegance in simplicity, creatively celebrating local identity, and incorporating a global outlook,” said the team.
    It featured a vaulted dining roomPearce+, based in Herfordshire and London, constructed the 220-square metre (2,370-square foot) restaurant in just a few weeks, and it was in use for 22 days early in 2024.

    The snow-surrounded structure had a cruciform plan with a 140-square metre (1,500-square foot) vaulted dining room that contained two linear tables.
    Pearce+ developed custom inflatable panelsEmploying a Diagrid framework, the vault was constructed from 18-meter-long, 15-millimetre reinforced steel bars.
    “These bars were bundled in groups of three, with varying plywood spacers, to create exceptionally lightweight trusses,” the team said.
    Interior diamond-shaped panels featured a reflective foil layerThe team – with the help of inflatable specialists at Inflate Ltd – developed custom inflatable panels that mitigated the potential pressure to decrease the cold temperature’s lower air density. It was stretched over the framework.
    The diamond-shaped panels featured a gold-coloured foil layer that reflected heat into the space.
    Festival goers entered through a smaller vaulted lobby tunnelAlong the ridge line, the gold panels were swapped with transparent ones, offering a view to the snowy sky.
    The panels were connected with Velcro – rather than glue due to the extreme temporal variation – and were disassembled and stored for future uses.
    Directly across from the entrance was the rectangular kitchenCapping each end of the dining area were trapezoidal buttressing structures, designed to resist strong winds and offer emergency egress.
    Festival goers entered through a smaller vaulted lobby tunnel at the centre of the plan. A gabled wooden vestibule transitioned into the dining area.

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    Directly behind the structure was the rectangular kitchen.
    Separated by a small hallway, the kitchen was constructed with a Structurally Insulated Panels (SIP) flat-pack and outfitted with high-quality appliances.
    Rectangular dining tables featured insideThe structure was meant to be a demonstration of ways to conserve space by utilising temporary structures.
    “I think it’s necessary to start re-envisioning how we use space, for what and for how long,” said RAW:almond co-founder Joe Kalturnyk.
    “In the beginning I was interested in seeing if you can temporarily build a city within a city – and what better way to test the idea than with food? RAW:almond was a huge leap – would people embrace the winter and eat outdoors? Would they do it on a frozen river? And ultimately, could we even pull this off?”
    In 2015, the RAW:almond pop-up restaurant was constructed on the surface of a frozen river with an X-shaped plan lying over the connection between the Assiniboine and Red rivers.
    The restaurant was designed for subzero temperaturesAlso in Winnipeg, Canadian studio KPMB revealed a horticultural centre with a Fibonacci spiral roof.
    The photography is by Simeon Rusnak.
    RAW:almond 2024 took place from 24 January to 18 February. For more events, talks and exhibitions involving architecture and design visit Dezeen Events Guide.
    Project credits:
    Project founders: Joe Kalturnyk & Mandel HitzerArchitect/designer: Pearce+ and Joe KalturnykArchitect of record: AtLrg ArchitectureProject management: Joe KalturnykStructural engineers: Wolfrom EngineeringInflatable specialists: InflateVisualisations: Pearce+Construction: RAW:Almond team, Pearce+ and Hi-Rise

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    Ivy Studio installs colourful marble in Montreal’s Hayat restaurant

    Montreal-based Ivy Studio has chosen a variety of dramatic marble to outfit a Middle Eastern restaurant, which features a colour palette influenced by “the earthy tones of the Syrian deserts”.

    In Montreal’s Old Port neighbourhood, the 1,500-square-foot (140-square metre) Hayat restaurant is designed to reflect the cuisine served by chef Joseph Awad.
    The marble host stand at Hayat sets the tone for the restaurant’s Middle Eastern-influenced colour palette”This Middle Eastern restaurant’s colour palette was inspired by the earthy tones of the Syrian deserts and their surrounding greenery,” said Ivy Studio.
    Upon entering is a screen of black hammered-glass panels, which also conceals the kitchen in the far corner.
    In the main dining space, banquette seating runs along two walls below a fabric ceiling installationIn the main dining room, built-in benches form an L along two walls, while a pair of U-shaped booths sit against another that arches over them.

    The seat backs are upholstered in mauve velvet and the cushions are wrapped in contrasting deep green leather.
    Private booths are positioned below an arched ceiling and behind a partition of black hammered glassCloser to the kitchen is another small, semi-circular booth built into the walnut millwork.
    Here the cushioned seats are covered in ruby-toned velvet, and a metallic light fixture is suspended above.
    The bar is made from a dramatic marble variety with streaks of teal, pistachio and cream coloursIvy Studio selected a wide variety of striking, richly veined marbles, “each contributing their own touch of colour into the space” according to the team.
    The bar is made from a dramatic stone with teal, cream and pistachio striations, while the host stand and dining table tops in the main area are purple and white.
    A red-hued semicircular booth is tucked into the walnut millwork close to the kitchenThe building’s exposed brickwork is painted cream to match the other walls, while the original historic stone between the large windows is left exposed.
    “The ancient stone walls at the front and rear facades were left intact to showcase the building’s history,” Ivy Studio said.

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    Curved layers across the ceiling, which hide indirect lighting, are designed to evoke the smooth landscapes of the Middle East.
    A fabric installation suspended above the dining tables curves around more strips of lighting, diffusing the light to create a warm glow.
    The bar is made from a dramatic marble variety with streaks of teal, pistachio and cream coloursWalnut, stone and cream walls are also found in the bathrooms, which echo the colour and material scheme throughout the restaurant.
    “The overall intention of the palette was to bring together the worlds of Middle Eastern nature and Old Montreal construction,” the studio said.
    The same material palette continues in the moody bathroomsIvy Studio has completed several interiors across Montreal that include colourful marble.
    These include the Italian restaurant Piatti where the dark green stone contrasts the building’s rough walls and co-working office Spatial where purple surfaces pop against mint green millwork.
    The photography is by Alex Lesage.
    Project credits:
    Architecture and design: Ivy StudioConstruction: Groupe Manovra

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