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      Gallery Collectional exhibition spotlights contemporary Asian craftsmanship

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      Gallery Collectional, a collectible design gallery in Dubai, has presented its inaugural exhibition featuring furniture and lighting crafted by seven Asian designers.

      For Urban Fabric Series 001, Gallery Collectional invited seven designers to create designs informed by the urban settings from which they hail, including Tokyo, Seoul and Hangzhou.
      The Urban Fabric exhibition included recycled plastic seats by Kuo Duo. Photo by Mario Tsai StudioCurated by Yoko Choy, the collectible design exhibition features 28 pieces that showcase the diverse range of crafts honed by the designers.
      It includes 3D-printed chairs, woven sculptures, metal light sculptures and furniture made from reclaimed architectural elements.
      Teo Yang repurposed remnants of traditional Korean houses. Photo by Mario Tsai Studio”Since the inception of Gallery Collectional, its desire has always been to create a multicultural, cross-functional platform that fosters disruptive and worldly conversations across design and art,” the gallery said.

      “The 28 artworks commissioned and created for this inaugural series epitomise the juxtaposition between industrial precision and artisanal finesse, the nuanced interplay between vulnerability and resilience, and the seamless fusion of rationality and emotion,” Gallery Collectional continued.
      “They delve into the dynamic interplay of light and shadow, the relentless passage of time, and the subtle balance between ruggedness and sophistication, encapsulating the essence of contemporary urban life and inspiring our collective vision for the future.”
      Cutting Lines is a collection of 3D-printed chairsKorean designer Teo Yang used remnants of traditional Korean houses known as hanoks – including glass, rubble, marble and veneer – to create a series of furniture pieces.
      The collection, named Remaining Things, includes a room divider made from hanok panels and a table made from a repurposed column with a metal base and glass tabletop.

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      Koren design studio Kuo Duo, founded by Hwachan Lee and Yoomin Maeng, is showcasing a pair of chairs with a matching ottoman made from recycled plastic.
      The Kerf Plastic seats were designed to showcase the “untapped potential” of the material to form three-dimensional objects, according to the duo.
      The Sparks pendant light moves from side to sideThe exhibition also featured the 3D-printed Cutting Lines chair by Korean designer Kwangho Lee, with textured surfaces inspired by the act of tying knots.
      Sparks is a pendant light created by Chinese designer Mario Tsai, comprising brass chimes that sway and collide.
      A woven sculpture by Tiffany Loy hangs from the ceiling”Within this kinetic light installation, the transformative power of collision becomes palpable,” said Gallery Collectional. “It is as if the energy from each collision is harnessed and channelled, manifesting as both visible light and audible sound.”
      Also in the Urban Fabric series were tables made from white, green and pink onyx by Japanese designer Kensaku Oshiro, neon light artworks by Tokyo-based Studio Swine and a pair of woven silk and cotton sculptures by Singaporean artist Tiffany Loy.
      Gallery Collectional is located in Dubai. Photo by Mario Tsai StudioOther furniture showcases that have recently been featured on Dezeen include a furniture exhibition in a converted Bogotá townhouse and StudioTwentySeven’s newly opened flagship gallery in Tribeca.
      The photography is courtesy of Gallery Collectional.
      Urban Fabric is on show at Gallery Collectional in Dubai from 2 to 31 March 2024. For more events, talks and exhibitions in architecture and design visit Dezeen Events Guide.

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      Lissoni Architecture creates expansion for Design Holding with “melting pot attitude”

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      Local studio Lissoni Architecture has expanded the Design Holding flagship in New York City, creating an entirely new floor outfitted with light displays and curving metallic installations.

      Lissoni Architecture, the US branch of Italian studio Lissoni & Partners, created an entirely new second floor and redesigned a portion of the first floor for the Design Holding showroom, which displays furniture and lighting brands including B&B Italia, Flos, Louis Poulsen, Maxalto, Arclinea and Azucena.
      Lissoni Architecture has created an expansion for the Design Holding showroom in New YorkLighting and design elements from the brands were distributed across the second-floor space, spread out amongst vertical stone-clad panels, transparent, metal showcases, and curving chrome benches and walls.
      Each area of the floor was dedicated to a specific brand and the interior architecture was tailored to each brand’s identity, according to the studio.
      The project encompasses a new second floor and an expansion and redesign of the first”We wanted to share the melting pot attitude of New York City where everyone and everything can blend together holistically so we went to the essence of the iconic brands,” said Lissoni Architecture founder Piero Lissoni.

      “[We highlighted] their DNA and proposed a common ground that could host and enhance the design codes of each identity.”
      The studio created dedicated areas for brands including Flos and B&B ItaliaFor lighting brand Flos, the studio created a series of display cases backed by a transparent mesh. A magnetized, geometric Bilboquet light by designer Philippe Malouin is on display, as well as the Almendra chandelier affixed with almond-shaped flakes by Patricia Urquiola.
      A testing room for clients was also created for the brand, which consists of a curved, metal wall that meets a series of angled panels that act as an entrance for the room.
      The various displays were informed by the “melting pot” attitude of New York CityAnother corner of the floor was dedicated to the display of the Skynest chandelier by Marcel Wanders, which resembles an inverted basket interlaced with cords of light.
      Displays for Flos and Louis Poulsen consist of inserted panels and curving planting beds that are populated with a number of lighting fixtures from both brands.
      Metallic panels, warm wood, and dark cladding were used throughout the second-floor spaceDark, metal cladding used in the Flos displays contrasts the off-white and beiges used throughout the Louis Poulsen space, but both flank a B&B Italia lounge that sits at the centre of the floor, which features a bright-red chair from the Up series by Gaetano Pesce.
      A B&B Italia wardrobe was also created for the showroom, which sits next to an Arclinea kitchen display.

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      A black ash finish was used to clad a large cabinet unit, which sits behind a Thea island topped with a quartz waterfall countertop.
      Lighting by Louis Poulsen, including the Patera Oval pendant by designer Øivind Slaatt, was tucked into the furthest corner of the space, with pieces distributed amongst wooden tables and a low-lying display unit.
      A separate entrance leads to a Maxalto space on the first floorOn the first floor, a new space dedicated to Maxalto is accessible through a separate entrance, with pieces such as the brand’s Arbiter sofa system positioned against walls clad in black.
      Design Holding, a global retailer founded in 2018, recently added furniture brands Menu, By Lassen and Brdr Petersen to its portfolio after an agreement with Denmark-based company Designers Company.
      Piero Lissoni announced the founding of the US branch of his studio last year, saying that the US has become more “open-minded” in terms of architecture.
      The photography is courtesy Design Holding.

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      Colombian designers transform Bogotá townhouse for furniture exhibition

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      Gallery NC Diseño has renovated a townhouse in Bogotá, commissioning 10 Colombian designers to redesign its bedrooms, kitchen and other spaces in different styles for an inaugural exhibition.

      NC Diseño features five floors, two of which contain previously uninhabited apartments renovated over three months for the opening Design House Colombia exhibit. It is located down the street from sister institution NC Arte studio in Bogotá.
      NC Diseño has opened an inaugural exhibit of collectible design in BogotáFor the exhibition, curator Mónica Barreneche commissioned 10 local designers and studios to select a room within the apartments to furnish with collectible design pieces, prompting each studio to design a space informed by personal experience.
      “For the first edition of Design House Colombia, the ten participating design studios were invited to delve into the typological significance that represents the space in which each one intervened,” said Barreneche.
      Martín Mendoza created a wood and steel studio clad informed by his father’s own officeThe brief was for the designers to connect personal experiences with the different spaces in the home.

      “As a result, each of them left an emotional imprint of what it means to connect with space,” said Barreneche.
      NC Diseño director Estefania Neme also added locally created art pieces to each space.
      Julián Molina of Refugio Arquitectura created a minimal kitchen with a custom illusionary tiled floorArchitect Martín Mendoza outfitted an office in chocolate-coloured wooden cladding by Woodbox Colombia and steel bookshelves by Guarida, illuminating the space with lighting by Alta Estudio and La Nuit as an homage to his father’s studio.
      “When I observe a studio, my mind immediately goes to the memory of my father’s studio. That space, for me, embodies the authentic meaning of intimacy and privacy. It’s a completely personal refuge,” said the designer.
      Mendoza filled the space with furniture of leather, steel and wood. A metallic-legged daybed topped with a woven leather cushion by his studio MM & Co was centred, while a steel desk by designer Daniela Duarte sat in a corner.
      Artwork by Julian Burgoss and charred-wood figures in the shape of books as well as stools by designer Camilo Andres Rodriguez Márquez complete the space.
      Estefania Neme centred a teddy bear wrapped in the Ikea Stockholm rug for a nurseryArchitect Julián Molina of Refugio Arquitectura outfitted a kitchen for the project, which will be the one permanent space in NC Diseño.
      The designer centred a large wood-and-steel island and placed an illuminated yellow shelving unit by design studio Octubre just above it.
      Jotaele Arquitectura created an “infinite” dining room with original wood panelingThe floor was clad in a custom black-and-white tile pattern by artist Ramon Laserna, which creates an optical illusion.
      Medellín-based designer David Del Valle created a minimal living room informed by his warm, plant-filled city, taking advantage of the views from the three arched windows in the room.
      Camila Buitrago Estudio and Granada Gárces Aquitectos created a bedroom cast in greyTwo scooped metal armchairs, placed at the centre of the room face the terrace and an amoeba-shaped bronze table was placed in between them.
      The El Secreto table was designed exclusively for the exhibit to pay homage to a Colombian national park.
      Moblar created a therapist’s office with a daybed at its centre and steel bookshelves”This table represents Colombia’s best-kept anthropological and territorial treasure; Chibiriquete National Natural Park. From its natural form to all the meaning it holds, this table narrates the mystique of this natural gem,” said Del Valle.
      Upstairs, a room curated by Neme brought together a number of designers for a nursery.
      Cruz de la Pava played created a “man cave” with a light that dims when visitors sit in a central armchairA rug created by Cosí and NC Diseño and informed by tatami mats consists of off-white patches sewn together with a colourful crocheted web.
      A crib by artists Colectivo Mangle was made of wooden slats that fan out from connection points on either end with geometric, yellow chairs by Jimena Londoño y José David del Portillo placed beside it.
      Basalto Studio filled a room with interchangeable totems and concentric chandeliersA giant teddy bear wrapped and emerging from Ikea’s popular Stockholm rug by artist Ivan Castiblanco was placed on the wall.
      “When children are surrounded by a friendly, creative, imaginative and happy environment, their behaviour is undoubtedly different, and they learn to take care of their environment and value themselves,” said Neme.

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      Jotaele Arquitectura created an “infinite” dining room, which included original wood panelling and chairs by Jaime Gutiérrez Lega upholstered in wool, and Cruz de la Pava played on the idea of a “man cave” where lights dim when visitors sit in a central armchair.
      Finally, Moblar created a therapist’s office, including a daybed and steel bookcases with curved profiles by the studio.
      Pedro Bermudez created a courtyard with a green metal screen and clay pots informed by the layers of Colombian soilOther spaces throughout the exhibition include a bedroom cast in an all-grey hue, including the floors, by Camila Buitrago Estudio and Granada Gárces Aquitectos; a room filled with interchangeable totems and concentric chandeliers by Basalto Studio; and terraces by designers Pedro Bermudez, Terreno Paisajismo and Menguante.
      Similarly, designers in Mexico City outfitted a whole house with custom interiors and furniture for Design Week Mexico.
      Elsewhere in Bogotá, Lorenzo Botero and Martín Mendoza created a brick-lined restaurant and Alsar Atelier and Oscar Zamora created a translucent fog catcher.
      The photography is by Monica Barreneche
      Design House Colombia is on show from November to 14 March in Bogotá. For more events, exhibitions and talks in architecture and design visit the Dezeen Events Guide. 

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      Interior designer Iris Apfel dies aged 102

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      American interior designer, fashion influencer and “geriatric starlet” Iris Apfel has passed away at the age of 102.

      The death of the multidisciplinary creative, who was recognised for her flamboyant personal style, was announced on her Instagram account with an image of Apfel in her trademark oversized glasses.
      Apfel, who worked in the interiors and fashion industries throughout her career, shot to international fame in her 80s and 90s after New York’s Metropolitan Museum of Art exhibited a show of her eclectic clothes and accessories in 2005.
      Titled Rara Avis: Selections From the Iris Apfel Collection, it was the first time the museum had dedicated an exhibition to someone’s wardrobe.
      Born Iris Barrel in 1921 in Queens, Apfel studied art history at New York University and art at the University of Wisconsin.

      After graduating, she worked for fashion magazine Women’s Wear Daily before interning for interior designer Elinor Johnson.
      Together with her late husband Carl Apfel, whom she married in 1948, she set up the brand Old World Weavers – a company that specialised in striking textiles informed by things found on the Apfels’ travels.
      Under Old World Weavers, the duo completed high-profile projects such as restoring the White House interiors for nine presidents including Harry Truman and Bill Clinton.

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      The designer became a visiting lecturer at the University of Texas in 2011, where she taught fashion students about textiles and crafts.
      In later life, Apfel became a staple of the fashion industry.  In 2018, toy manufacturer Mattel created a Barbie doll in the designer’s image, although it was not for sale. At the age of 97, she signed a modelling contract with IMG Models.
      Apfel playfully called herself a “geriatric starlet” and described the prospect of retirement as “a fate worse than death” shortly after turning 100.
      Following the news of her passing, designers around the world paid tribute to Apfel’s legacy. “Iris Apfel has become a world-famous fashion icon because of her incredible talent not only as an artist but as an influencer,” said fashion designer Tommy Hilfiger.
      The photography is by Ron Adar courtesy of Shutterstock.

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      LG OLED and Shepard Fairey present digital street art at Frieze Los Angeles

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      Electronics brand LG OLED has collaborated with American street artist Shepard Fairey to exhibit digital versions of his artworks in this exclusive video produced by Dezeen.

      Called Peace and Justice, the installation is being presented at Frieze art fair in Los Angeles and features select works by Fairey that address global issues while advocating for positive change.

      Dezeen has produced an exclusive video for LG OLED
      Fairey was directly involved in the design of the installation space, which features a reimagined version of his 2018 piece Damaged Wrong Path Mural.
      Other works presented at the exhibition include Fairey’s 2023 Swan Song print, a reflection on the state of the environment, as well as a piece titled Make Art Not War, echoing the 1960s anti-war slogan “make love, not war.”
      The video explores artworks reimagined by Shepard Fairey for Frieze Los AngelesFairey is the founder of OBEY Clothing and is widely known for his Hope portrait of Barack Obama – which was widely circulated during the 2008 US presidential election campaign – as well as a series of posters called We the People that were released the day before the inauguration of Donald Trump in 2017.
      The LG OLED Art initiative invites artists to exhibit digital versions of their works using LG OLED TVs.
      The exhibit includes Fairey’s Damaged Wrong Path Mural with added digital elementsEach pixel in the OLED TVs emits its own light and can be controlled individually, creating an emissive display that was designed to produce accurate colour reproduction.
      The LG OLED TVs currently on show at Frieze Los Angeles aim to accurately express the prominent red tones in Fairey’s artwork.
      The LG OLED Art installation is on display at Frieze Los Angeles until 3 MarchLG OLED Art has collaborated with over 27 artists from around the world, including Anish Kapoor, Barry X Ball, Damien Hirst, the late Kim Whanki and Kevin McCoy.
      The photography is by LG Electronics.
      Frieze Los Angeles takes place from 29 February to 3 March 2024 at Santa Monica Airport. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.
      Partnership content
      This article was written by Dezeen as part of a partnership with LG OLED. Find out more about Dezeen partnership content here.

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      Ten highlights from Design Doha exhibition Arab Design Now

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      A disaster-proof chandelier from Lebanon and a towering sand dune-style stone installation feature in Arab Design Now, the main exhibition at the inaugural Design Doha biennial.

      Arab Design Now was curated by Rana Beiruti to capture the spirit of contemporary design across the Middle East and North Africa (MENA), the curator told Dezeen ahead of the opening of the first Design Doha.
      Set within the Qatari capital’s M7 building, the design biennial draws together a range of collectible design and installations.
      Selected works from 74 participants paid homage to the MENA region’s “extremely harsh and unique geography” and investigated the “use of materials as a guiding principle,” explained Beiruti.
      Here are 10 of Dezeen’s highlights from Arab Design Now, which is on display in Doha until early August.

      Sites – New Sites by Studio Anne Holtrop
      Bahrain- and Amsterdam-based architect Anne Holtrop has designed a cluster of large-scale mobiles made from vast slabs of lumpy resin.
      Holtrop took casts of a series of manmade and natural sites that he found across Qatar to create the textured pieces, which hang from bearing mechanisms and can be manually rotated by visitors to produce continuously moving formations.

      Constellations 2.0: Object. Light. Consciousness by Abeer Seikaly
      Over 5,000 pieces of Murano glass were woven together by Jordanian-Palestinian designer Abeer Seikaly to create this chandelier, which combines Bedouin weaving practices from Jordan with traditional Venetian glassmaking techniques.
      Brass and stainless steel were also integrated into the lighting, made flexible by the glass mesh.
      Once illuminated, the sculptural piece creates dramatic light patterns that nod to a starry night sky seen from the Badia desert, according to Seikaly.

      House Between a Jujube Tree and a Palm Tree by Civil Architecture
      Kuwait and Bahrain-based office Civil Architecture has designed a looming fibreglass roof proposal for a majlis – the traditional term for an Arabic gathering space.
      “It’s a 1:1 model of a roof of an actual house that we designed in Bahrain,” studio co-founder Hamed Bukhamseen told Deezen.
      Supported by steel and suspended from tension cables, the majlis features openings designed to accommodate tall trees and was created to explore the “symbiotic but blurred” relationship between indoor and outdoor settings.
      Photo courtesy of Design DohaNubia, Hathor and Gros Guillaume Stool by Omar Chakil
      French-Egyptian-Lebanese designer Omar Chakil was informed by his father’s homeland of Egypt when he chose alabaster onyx to create this monolithic shelving, a bulbous coffee table and a stool that glides across the floor on wheels.
      Taking cues from ancient practices, Chakil carved the rounded furniture from raw blocks of the material, which was sanded down over time using water rather than covered in varnish – something that the designer said had became common in Egypt, especially when making “cheap” souvenirs.
      “The whole idea of the collection was to use Egyptian alabaster, which was a healing stone,” Chakil told Dezeen.
      “The pharaohs used [the material], then it transformed it over time. It lost its soul. So I tried to put it in the contemporary context by using the shapes that healing emotions would take – so they are round and soft, even though they are very heavy,” he added.
      “I see that people are afraid to, but I want them to touch the furniture.”

      Tiamat by AAU Anastas
      Palestinian architecture office AAU Anastas is presenting Tiamat, a dune-shaped installation that forms part of the studio’s ongoing project, Stone Matters, which explores the potential of combining historical stone building techniques with modern technologies to encourage the use of structural stone.
      Positioned for visitors to walk through, the installation is a towering structure made of stone sourced from Bethlehem and informed by the Gothic-style architecture found across Palestine, Syria and Lebanon.
      According to AAU Anastas, the light, sound reverberations and climate control within Tiamat’s internal space is unique to stone construction.

      Clay in Context by Sama El Saket
      Jordan-born architect and ceramicist Sama El Saket took cues from her native landscape when creating this “taxonomy of Jordanian clays”.
      The result is a set of spindle bottle-style vessels, each made of a different natural clay found across Jordan. This gives the pieces their distinctive colours, textures and character.
      “These are all natural clays with no pigments added,” El Saket told Dezeen. “The colours are attributed to the different minerals that are found within the region. Some are sandier, some are rockier.”
      The designer noted that while Jordan features an abundance of clay deposits and a rich history of ceramic production, today most Jordanian clay is imported.
      Photo by Sabine SaadehLight Impact by Fabraca Studios
      Lebanese industrial design brand Fabraca Studios has created Light Impact, a solid aluminium lighting fixture that was designed as an alternative chandelier, resembling durable ropes.
      The piece was made to replace a glass chandelier that shattered in the aftermath of the 2020 Beiruit explosion, which destroyed a large part of Lebanon’s capital city.
      Light Impact is defined by “flexible characteristics designed to withstand another disaster,” studio founder Samer Saadeh told Dezeen. He added that the piece, which includes internal brass components, was designed as an ode to Beirut’s adaptability and resilience.

      Eleven by Sahel Alhiyari
      Eleven is a cluster of tall fluted terracotta columns by Jordanian architect Sahel Alhiyari that were made through moulding and forming rather than traditional cutting and carving.
      The architect handcrafted the segments, which are vertically stacked, using a similar technique to pottery-making,
      “As you twist and turn the material, it creates all of this stuff,” Alhiyari told Dezeen. The designer explained that the columns were deliberately created to celebrate imperfections, despite referencing classical architecture.

      Sediments by Talin Hazbar
      UAE-based Syrian designer Talin Hazbar is featuring her Sediments project, which previously gained recognition at Dubai Design Week.
      The work consists of blocky seating made from fishing ropes and fishing cage ropes extracted from the Persian Gulf with the assistance of the Dubai Voluntary Diving Team.
      Also made up of recycled rubber grains, the heavily textured seating was created to serve as a reminder of how we might attempt to clean up damaged coastlines, according to Hazbar.

      Whispers from the Deep by T Sakhi
      Lebanese-Polish sisters Tessa and Tara El Sakhi of the studio T Sakhi combined discarded metal salvaged from factories in Veneto, Italy, with Murano glass to create amorphous glassware that takes cues from underwater sea creatures.
      These pieces were arranged atop dramatic shelving inside the elevator connecting the first and second floors of the Arab Design Now exhibition.
      The result is a playful installation that draws together the Venetian lagoon and Lebanese glassblowing traditions.
      The photography is by Edmund Sumner unless stated otherwise.
      Arab Design Now takes place at Design Doha from 24 to 5 August 2024 in Doha, Qatar. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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      Get listed in Dezeen’s digital guide for NYCxDesign 2024

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      If you’re hosting an event during NYCxDesign, you can get listed in Dezeen Events Guide’s digital guide to the festival, which highlights the key events taking place across New York City’s five boroughs.

      NYCxDesign runs from 16 to 23 May 2024 and features hundreds of events including installations, exhibitions, fairs, tours, open studios and product launches.
      One of the largest events taking place during the eight-day programme is the International Contemporary Furniture Fair (ICFF) and WantedDesign Manhattan, located at the Javits Center from 19 to 21 May 2024. Each year the fair sees 10,000 visitors from the architecture, design and retail fields.
      With 2024 marking the festival’s 12th anniversary, NYCxDesign aims for its events to target themes of sustainability, inclusivity and diversity while exploring a range of design mediums.
      Get listed in Dezeen’s digital NYCxDesign guide

      Get in touch with the Dezeen Events Guide team at [email protected] to book your listing or to discuss a wider partnership with Dezeen.
      There are three types of listing available:
      Standard listings cost £125 ($160) and include the event name, date and location details plus a website link. These listings will feature up to 50 words of text about the event.
      Enhanced listings cost £175 ($225) and include all of the above plus an image at the top of the listing’s page and a preview image on the Dezeen Events Guide homepage. These listings will also feature up to 100 words of text about the event.
      Featured listings cost £350 ($450) and include the elements of an enhanced listing plus a post on Dezeen’s Threads channel, inclusion in the featured events carousel on the right hand of the homepage for up to two weeks and 150 words of text about the event. This text can include commercial information such as ticket prices and offers and can feature additional links to website pages such as ticket sales and newsletter signups.
      For more details about partnering with us to help amplify your event, contact the team at [email protected].
      About Dezeen Events Guide
      Dezeen Events Guide is our guide to the best architecture and design events taking place across the world each year.
      The guide is updated weekly and includes events, conferences, trade fairs, major exhibitions and design weeks.
      The illustration is by Justyna Green.

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      Bijoy Jain creates bamboo hut and stone furniture for Paris exhibition

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      Bijoy Jain, founder of Indian architecture practice Studio Mumbai, has created a series of structures and furniture made from natural materials for the Breath of an Architect exhibition at Paris’s Fondation Cartier gallery.

      Most of the pieces on display in the Jean Nouvel-designed building were designed by Jain specifically for the exhibition and made in his studio in Mumbai.
      Bijoy Jain designed a bamboo hut for the exhibitionUniting them is a use of natural materials, including graphite, basalt, lime, sandstone, bamboo and fired clay.
      “No material was bought,” Jain told Dezeen. “It’s all been harvested from whatever was needed to be available.”
      Pieces in the exhibition were made from natural materialsOn display until 21 April, Breath of an Architect was spread across two exhibition spaces at ground floor level – with views of the Fondation Cartier gardens through the building’s glass facade – and two rooms in the basement.

      A bamboo hut with silk thread woven into the walls forms the centrepiece of one of the ground floor spaces.
      Jain created a large chalk floor slab painted with cadmium pigmentArchitectural models and furniture made from stone, asphalt and tar surround the hut. Inside, more furniture was displayed with a bamboo sphere coated in cow dung, string and turmeric.
      A large chalk floor slab decorated with stripes of cadmium pigment was placed at the centre of the adjacent ground floor space.

      Junya Ishigami’s architectural models feature in Fondation Cartier exhibition

      On the level below, stone animal sculptures were lined up in the middle of the room, and decorative woven bamboo mats coated with cow dung, lime, and pigments were displayed on the walls.
      Turkish-Danish ceramicist Alev Ebüzziya Siesbye created ceramic bowls for the exhibition, displayed on brick tables by Studio Mumbai.
      Stone animal statues were displayed in the basementIn the other basement room were graphite drawings by artist Hu Liu, and small stone sculptures by Jain were placed around the room’s edges.
      Jain told Dezeen that he expects different visitors to come to the exhibition with different perspectives, ultimately leading to different interpretations of the work.
      Many of the pieces were made by Jain in his Mumbai studio”[The purpose] is to evoke different viewpoints, so everyone will have a different response to the work,” Jain said.
      “There’s no singularity here. This is not about being exclusive to an idea, it’s about being inclusive to the possibility of many viewpoints, many different ideas.”
      The exhibition also includes works by ceramicist Alev Ebüzziya Siesbye and artist Hu LiuMany of the pieces in the Breath of an Architect exhibition were designed to evoke Jain’s memories or hold a personal connection for him.
      “I have a relationship with every piece in the exhibition,” he said. “My creations are about transmitting ideas. Architecture has the capacity to embed sentiment.”
      Previous exhibitions at Fondation Cartier include a collection of architectural models by Japanese architect Junya Ishigami and an installation on the impact of climate change on nature by Dutch artist Thijs Biersteker and scientist Stefano Mancuso.
      The photography is by Marc Domage.
      The Breath of an Architect exhibition is on display at Fondation Cartier pour l’art contemporain in Paris, France, from 9 December 2023 to 21 April 2024. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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