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    Less than 48 hours left to secure Dezeen Awards 2023 party early-bird tickets

    Early-bird ticket sales for this year’s Dezeen Awards party end tomorrow, Tuesday 31 October, at 11:59pm London time. Hurry up and secure your place at our reduced rate and join in the celebrations.

    Tickets for the event cost £175 + VAT. However, you can save 20 per cent and book your ticket for the special early-bird price of £145 + VAT if you order before tomorrow. You can also save a further 10 per cent if you book a package of 10 tickets or more.
    Early-bird tickets selling fast
    There is limited time left to save 20 per cent on ticket prices for this year’s dazzling event at Shoreditch Electric Light Station in London on Tuesday 28 November.
    We will celebrate the winners of Dezeen Awards 2023 with food, drink, live entertainment and music throughout the night – don’t miss out!

    Winners revealed at the party
    The winners of all 39 Dezeen Awards project categories will be revealed live at the event, as well the overall architecture, interiors, design and sustainability projects of the year.
    We will also be announcing the six Designers of the Year and revealing the winner of the inaugural Bentley Lighthouse Award.
    Introduced this year, the Bentley Lighthouse Award recognises designers who are curious and courageous in their approach, and whose work has had a beneficial impact on social and environmental sustainability, inclusivity or community empowerment.
    Book your Dezeen Awards 2023 party ticket now via Eventbrite: dezeenawards2023.eventbrite.co.uk
    Email [email protected] if you have any questions. Sign up to our Dezeen Awards newsletter to get updates on the winners party and future editions of Dezeen Awards. More

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    Five days left to book early-bird tickets to Dezeen Awards 2023 party

    There are just five days left to save on tickets for the Dezeen Awards 2023 party. Book now to secure your place at our reduced early-bird rate and see this year’s winners announced.

    Early-bird tickets will be on sale until 23:59 London time on 31 October 2023. Save 20 per cent and book your ticket for the special early-bird price of £145 (excluding VAT) if you order before 23:59 on 31 October 2023.
    You can also save a further 10 per cent if you book a package of 10 tickets or more.
    Buy your early-bird tickets now!
    Taking place at Shoreditch Electric Light Station in London on 28 November, we will celebrate the winners of Dezeen Awards 2023 with food, drink, live entertainment and music throughout the night.

    The winners of all 39 Dezeen Awards project categories will be revealed, as well the overall architecture, interiors, design and sustainability projects of the year.
    We will also be announcing the six Designers of the Year and revealing the winner of the inaugural Bentley Lighthouse Award.
    Stay at One Hundred Shoreditch
    If you are travelling to London for Dezeen Awards 2023 you can save further on your stay with our hotel partner, One Hundred Shoreditch. Located just under a 10 minute walk away from the venue in the heart of Shoreditch, it is the ideal spot for your stay in London.
    Use the code Dezeen23 as a “rate access/corporate code” when booking to save an extra 20 per cent off the best available price.
    Book your Dezeen Awards 2023 party ticket now via Eventbrite: dezeenawards2023.eventbrite.co.uk
    Email [email protected] if you have any questions. Sign up to our Dezeen Awards newsletter to get updates on the winners party and future editions of Dezeen Awards. More

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    Customers exchange urine for soap at Het Nieuwe Instituut pop-up shop

    Cultural centre Het Nieuwe Instituut is rethinking the archetypal museum shop with a pop-up at Dutch Design Week, designed to encourage more ethical, resource-conscious consumption.

    Instead of offering a straightforward exchange of wares for money, New Store 1.0 gives patrons the opportunity to trade their urine for a piece of Piss Soap and encourages them to place their phones on specially designed fixtures to provide lighting for the venue once the sun goes down.
    Het Nieuwe Instituut has launched its debut pop-up shop at Dutch Design WeekTaking over Residency for the People – a hybrid restaurant and artist residency in Eindhoven – the pop-up also serves up two different versions of the same seabass dish, one made using wild locally caught fish and the other using fish that was industrially farmed and imported.
    The pop-up is the first of two trial runs for the New Store, aimed at helping Rotterdam’s Nieuwe Instituut work out how to design its own museum shop to prioritise positive social and environmental impact over mere financial gain.
    Arthur Guilleminot’s Piss Soap is among the projects on offerIn collaboration with the International Architecture Biennale Rotterdam (IABR) and research consultancy The Seeking State, the second trial will take place at next year’s Milan design week, with the aim to open the first dedicated shop in the museum’s Rotterdam location in 2025.

    “It all started out with the idea that we don’t have a museum shop per se,” Nieuwe Instituut’s programme manager Nadia Troeman told Dezeen. “A museum shop, as we know, has books and trinkets and gadgets. And it’s not really doing well for the planet or the environment.”
    “So we were like, how can we make the act of consuming better? How can we consume differently to help not just ourselves but the environment as well?”
    Visitors are invited to donate their urine via a poster in the toilet. Photo by Jennifer HahnFor the Dutch Design Week (DDW) pop-up, Nieuwe Instituut found the three featured projects by Dutch designers Arthur Guilleminot, Brogen Berwick and Arnout Meijer via an open call.
    The aim was to help the designers trial their ideas for how the exchange of goods could be less extractive and transactional in a real-world scenario.
    This can then be placed on a shelf outside the bathroom. Photo by Tracy Metz”The project is part of a broader institutional agenda of ours to become more of a testing ground,” explained the museum’s director Aric Chen. “It’s part of rethinking the role of cultural institutions as being places that can do more than host debates, discussions and presentations.”
    “So our aim is to take some of these projects that try to think about how we can do less damage, take them out of the graduation shows, take them out of the museum galleries, take them out of the biennales and put them into the real world, with real consumers, audiences and real people to see what we can learn from it,” he continued.

    The Energy Show explores the past and future of solar energy

    Guilleminot used the opportunity to expand his ongoing Piss Soap project, with a poster in the venue’s toilet inviting visitors to donate their pee by relieving themselves into designated cups and discreetly placing them on a newly added shelf outside the bathroom window.
    This can then be exchanged for a piece of soap, made using urine donated by previous participants and other waste materials from human activities such as used cooking oil.
    The soap takes three months to cure and is entirely odourless, helping to break up dirt and grease thanks to the urine’s high ammonia content.
    Those who are eating at the New Store can choose between two kinds of fishThe aim of the project is to find a new application for an underutilised waste material and engage people in a kind of circular urine economy.
    “The idea was to revive the ancient tradition of using pee to make soap, which was done for many centuries, including in ancient Rome,” said Guilleminot.
    “Could I make a modern product using this ingredient and, in the meantime, also change our feelings of disgust about our golden organic liquid?”
    The shop’s interactive lighting fixtures were designed by Arnout MeijerThose having dinner at the New Store can choose between two iterations of the same fish dish.
    The first uses wild seabass that was caught locally by fishers Jan and Barbara Geertsema-Rodenburg in Lauwersoog while the other was farmed in Turkey and imported by seafood market G&B Yerseke.
    Devised by Berwick, who is a design researcher and “occasional fisherwoman”, the project challenges diners to ask themselves whether they are willing to pay the higher price associated with locally caught fish in exchange for its environmental benefits.
    “With the fish, they get a receipt of transparency,” Troeman added. “And one is obviously longer than the other.”
    The shop is open until 29 OctoberDiners were also asked to provide their own illumination as the sun goes down, in a bid to make them aware of our overconsumption of energy and the adverse effects our light pollution has on the natural rhythms of other animals.
    For this purpose, Meijer designed two wall-mounted fixtures inside the New Store that have no internal light source and are simply composed of discarded glass shards topped with wooden shelves made from old beams.
    If they require more light, guests have to place their phone on this ledge with the flashlight on, funnelling light onto the glass shard through a narrow slit in the wood.
    It takes over Eindhoven’s artists’ residency and restaurant Residency for the PeopleThis reflects and refracts light around the space while revealing various crescent moon shapes engraved into the glass in a nod to the circadian rhythm.
    “It’s really about our dependence on the constant supply of energy,” Troeman said. “Can we embrace the dark and hence be more environmentally friendly? It has benefits for everyone and everything.”
    Exploring more circular forms of exchange was also on the agenda at last year’s Dutch Design Week, when designer Fides Lapidaire encouraged visitors to trade their own poo for “shit sandwiches” topped with vegetables that were fertilised with human waste.
    The photography is by Jeph Francissen unless otherwise stated.
    Dutch Design Week 2023 is taking over Eindhoven from 21 to 29 October. See Dezeen Events Guide for information about the many other exhibitions, installations and talks taking place throughout the week.

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    Dezeen Awards 2023 party tickets on sale!

    Tickets for the Dezeen Awards 2023 party to celebrate this year’s winners are now on sale. Book now to secure your place at our reduced early-bird rate!

    Taking place at Shoreditch Electric Light Station in London on 28 November, we will celebrate the winners of Dezeen Awards 2023 with food, drink, live entertainment and music throughout the night.
    The winners of all 39 Dezeen Awards project categories will be revealed, as well the overall architecture, interiors, design and sustainability projects of the year.
    We will also be announcing the six Designers of the Year and revealing the winner of the inaugural Bentley Lighthouse Award.

    World’s 85 best buildings shortlisted for Dezeen Awards 2023

    The party will be a chance for everyone to come together to celebrate their achievements with fellow nominees and winners, as well as our illustrious Dezeen Awards 2023 judges.

    Judges this year include Guilio Cappellini, Patrizia Moroso, Sabine Marcelis, Yves Béhar and Thom Mayne. See who they crowned as winners when they collect their trophies, and join in the celebrations.
    Tickets for the event cost £175 + VAT. However, you can save 20 per cent and book your ticket for the special early-bird price of £145 + VAT if you order before 31 October 2023. You can also save a further 10 per cent if you book a package of 10 tickets or more.
    Book your ticket now via Eventbrite: dezeenawards2023.eventbrite.co.uk
    Email [email protected] if you have any questions. Sign up to our Dezeen Awards newsletter to get updates on the winners party and future editions of Dezeen Awards. More

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    Madera displays contemporary flooring and millwork products in Los Angeles showroom

    Design and fabrication firm Madera has unveiled its latest showroom in Los Angeles, which was designed to showcase wood flooring and millwork products and has been captured in this exclusive video produced by Dezeen.

    The West Coast hub, which is Madera’s second showroom, is located in the Arts District of Los Angeles while its flagship showroom is in New York City.

    The showroom features a selection of wood products ranging from the brand’s signature wide-plank Thrasher flooring to custom cabinetry and benches.
    The space, which was converted from a former metal foundry into a showroom, aims to encourage clients to embrace wood and view it as an essential and natural element in design.
    Madera’s made-to-order Thrasher cabinetry is displayed in a living room spaceThe entryway features bespoke Douglas fir tables and benches, while the living room space has made-to-order Thrasher cabinetry showcasing the various finishes the brand offers.
    The kitchen displays a large custom island combining Madera’s Dogwood Ash and Travertine finishes, while a nearby conference room houses the brand’s Abechi Façade cladding in black.
    The showroom kitchen features a custom island that combines Madera’s Dogwood Ash and Travertine finishesMadera’s mission is to bring the natural beauty of wood into the spaces their clients inhabit to “redefine its place in the modern home”, according to the brand.
    Its Los Angeles wood shop, where custom stair parts and millwork elements are produced, is located only a short distance from its showroom.
    Madera’s showroom is located in the Arts District of Los AngelesThe brand recently launched its Seamless Wood Design system, which aims to ensure wooden products in an interior all complement each other.
    The system was created to offer designers and homeowners a customisable option that enables them to retain the character of wood throughout an interior.
    Partnership content
    This video was produced by Dezeen for Madera as part of a partnership. Find out more about Dezeen partnership content here.

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    This week we unveiled the Dezeen Awards 2023 shortlists

    This week on Dezeen, we announced the architecture, interiors, design and sustainability shortlists along with the designers of the year for the 2023 Dezeen Awards.

    We revealed the 85 buildings shortlisted in the architecture categories, which included Studio House by William Samuels Architects (above) along with buildings by Zaha Hadid Architects, Olson Kundig and Open Architecture.
    The interiors shortlist featured 47 designs by studios including Omar Gandhi Architects and Universal Design Studio, while the 47-strong design shortlist included creations by Muoto, Luceplan, Fuseproject and Tom Dixon.
    Alexander Burton designed an affordable electric car conversion kitIn design news, Australian student Alexander Burton unveiled an affordable electric car conversion kit.
    Named REVR (Rapid Electric Vehicle Retrofits), the kit, which won the country’s national James Dyson Award, was designed to provide a cheaper way to convert petrol cars into electric cars.

    Thomas Heatherwick said Le Corbusier was to blame for a “global blandemic”Speaking on a BBC radio series this week, British designer Thomas Heatherwick said that 20th-century architect Le Corbusier was responsible for architecture’s current “global blandemic”.
    “I think we’re living through a global ‘blandemic’ in building design,” said Heatherwick. “This age of boring has resulted in soulless, inhuman urban environments.”
    Prada is designing a space suit for NASAAlso this week, fashion house Prada revealed that it was creating lunar spacesuits for NASA’s Artemis III mission – the first crewed moon landing since 1972.
    Developed with commercial space company Axiom Space, the suits are called Axiom Extravehicular Mobility Unit (AxEMU) and will give astronauts “advanced capabilities for space exploration”, according to the brand.
    Carl Philip Bernadotte and Oscar Kylberg launched their brand this weekWe also spoke to design duo Carl Philip Bernadotte – who is Prince Carl Philip of Sweden – and Oscar Kylberg, who launched a brand this week.
    Speaking in an interview, the duo told Dezeen how public scrutiny had kept them on their toes.
    A thatched extension was one of the most popular projects this weekPopular projects this week included a thatched extension to a house in Flanders, an aluminium-clad micro home in Germany and a renovated Ibizan finca.
    Our latest lookbooks featured living rooms with low-slung furniture and restful bedrooms decorated in the colours of autumn leaves.
    This week on Dezeen
    This week on Dezeen is our regular roundup of the week’s top news stories. Subscribe to our newsletters to be sure you don’t miss anything.

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    You Can Sit With Us aims to open doors that “were firmly closed to us” says 2LG Studio

    Russell Whitehead and Jordan Cluroe of 2LG Studio have curated You Can Sit With Us, a London Design Festival show that offered “a seat at the table” to a diverse mix of emerging designers.

    The 2LG Studio founders invited 13 designers from a mix of nationalities, races, genders and backgrounds to be a part of the exhibition, which was on show at London Design Fair.
    Cluroe (top left), Whitehead (top right) and Adam Fairweather of Smile Plastics pictured with 9 of the 13 chair designersThe exhibition took the form of a dining room, featuring a long table surrounded by chairs that were each designed by a different participant.
    Whitehead and Cluroe came up with the concept based on their own experiences of trying to break into the design industry and being made to feel like outsiders.
    The chair by Anna Maria Øfstedal Eng features a black lacquer finish”When we launched our practice nearly 10 years ago, there was an inner circle that felt very out of reach to us,” Whitehead told Dezeen.

    “We were so bruised by the industry and felt blocked by certain doors that were firmly closed to us,” he continued.
    “Instead of chasing acceptance where it wasn’t forthcoming, we decided to accept the love that was coming our way and put our energy there.”
    Sam Klemick’s chair incorporates a sweater into its carved wood formThe aim of You Can Sit With Us, he said, was to give a platform to a new generation of designers who may be having similar experiences.
    The exhibition’s name is a reference to the 2004 movie Mean Girls.
    “We wanted this to be a safe space that actively welcomed new perspectives,” Whitehead explained.
    Helen Kirkum produced a lounge seat with upholstery made from trainer insolesAmong the most eye-catching designs in the show is a lounge seat with upholstery made from trainer insoles by Helen Kirkum, a footwear designer who typically crafts her designs from recycled sneakers.
    Norwegian designer Anna Maria Øfstedal Eng has contributed a CNC-cut version of a hand-crafted ash chair she first made during the pandemic in a new black lacquer finish.
    Benjamin Motoc’s piece playfully combines a sketch with a basic 3D formA backrest with a sweater slung over it is part of the carved wood form of a design by California-based Sam Klemick, who had a career in fashion before she moved into furniture.
    Rotterdam-based Benjamin Motoc created a piece that playfully combines a sketch with a basic 3D design, while Paris-based sculptor Bence Magyarlaki has produced a characteristically squidgy form.
    Bence Magyarlaki produced a characteristically squidgy formOther chairs were designed by Amechi Mandi, Divine Southgate Smith, Wilkinson & Rivera, Net Warner, Hot Wire Extensions, Byard Works, Pulp Sculptuur and Blake C Joshua.
    The participants were selected across design, art and fashion because Whitehead and Cluroe “didn’t want to enforce boundaries in that way”.
    Rob Parker of Byard Works contributed a chair made from plywood and corkTheir chairs were arranged around a table produced by Smile Plastics using recycled plastic bottles and old tinsel, which created a glittering effect.
    The exhibition was an important project for 2LG, and for Whitehead in particular, who battled mental health struggles following the pandemic.

    “Emerging talents require nurture” says Jan Hendzel

    The designer said the project allowed him to explore how “heart and emotion” can be a part of design.
    “A lot of healing has taken place in the lead-up to this show,” he said.
    Granite + Smoke produced blankets featuring the title, You Can Sit With UsThe project included a collaboration with textile brand Granite + Smoke, who produced colourful blankets emblazoned with the exhibition’s title message.
    Whitehead and Cluroe also worked with homeware brand Sheyn on a series of suggestive 3D-printed vases.

    “The collection we designed together is a celebration of our queerness, something we have not embraced fully in our product design output, but it felt more important than ever to put that out there right now,” added Whitehead.
    You Can Sit With Us was on show at London Design Fair from 21 to 24 September as part of London Design Festival. See Dezeen Events Guide for more architecture and design events around the world.

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    Chair of Virtue presents experimental seating at London Design Festival

    Digitally shrink-wrapped skin, armrests salvaged from parks and “frozen” resin featured in Prototype/In Process, an exhibition of seating presented by virtual magazine Chair of Virtue during London Design Festival.

    Displayed under a railway arch at Borough Yards, Prototype/In Process was made up of 1:1 scale prototypes of chairs, as well as chairs that are still works in progress, by 12 London-based designers who are either established or emerging in their field.
    Prototype/In Process features a chair by Sara Afonso SternbergSara Afonso Sternberg presented sculptural aluminium seating made of armrests salvaged from the middle of public benches in Camberwell. The armrests were originally created to make it difficult for homeless people to sleep or rest on the benches.
    “These objects are given a new form and use, inviting the public to critically engage with control mechanisms such as hostile architecture that permeate the urban landscape,” said Afonso Sternberg.
    Jesse Butterfield created a “frozen” resin pieceAnother piece on display was by Jesse Butterfield. The designer used vacuum infusion, draping and papier-mâché to create a chair covered in resin that was intended to appear “frozen”.

    Various methods of production were showcasedthroughout the show. Daniel Widrig used 3D printing to digitally shrink-wrap a rectangular chair with polylactic acid, a starch-based bioplastic.
    Daniel Widrig used 3D printing for his pieceThe result is a grey-hued chair with an undulating form, which mirrors the shared style of previous blobby stools created by the designer.
    “Its contours mimic the gentle curves and natural irregularities of body tissue, forming intricate folds and wrinkles,” explained Widrig.

    Daisuke Motogi reimagines Alvar Aalto’s iconic Stool 60 a hundred times over

    Thomas Wheller also used aluminium by folding a single piece of the material to create his chair, while Louis Gibson experimented with “regular” construction stock materials by creating casts from disused pipes.
    “I was interested in imagining how these parts could be used unconventionally,” said the designer.
    Thomas Wheller also worked with aluminium”With such large volumes, I was curious to create casts, and then evaluate the internal forms in a new light, and finally address the problem of reassembly,” added Gibson.
    “I chose plaster for the purpose of quick setting, I also felt it was in keeping with the world of builders’ merchants stock supplies.”
    Louis Gibson experimented with salvaged construction materialsWhile the exhibition concluded at the end of London Design Festival (LDF), Chair of Virtue is an ongoing project curated by Adam Maryniak.
    Prototype/In Process was on display on Dirty Lane as part of the annual festival’s Bankside Design District.
    Furniture created from the remains of a single car and a modular display system by Zaha Hadid Design were among the many other projects featured during LDF.
    The photography is courtesy of Chair of Virtue. 
    Prototype/In Process was on show as part of London Design Festival 2023 from 16 to 24 September 2023. See our London Design Festival 2023 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks that took place throughout the week.

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