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    Ten highlights from Design Doha exhibition Arab Design Now

    A disaster-proof chandelier from Lebanon and a towering sand dune-style stone installation feature in Arab Design Now, the main exhibition at the inaugural Design Doha biennial.

    Arab Design Now was curated by Rana Beiruti to capture the spirit of contemporary design across the Middle East and North Africa (MENA), the curator told Dezeen ahead of the opening of the first Design Doha.
    Set within the Qatari capital’s M7 building, the design biennial draws together a range of collectible design and installations.
    Selected works from 74 participants paid homage to the MENA region’s “extremely harsh and unique geography” and investigated the “use of materials as a guiding principle,” explained Beiruti.
    Here are 10 of Dezeen’s highlights from Arab Design Now, which is on display in Doha until early August.

    Sites – New Sites by Studio Anne Holtrop
    Bahrain- and Amsterdam-based architect Anne Holtrop has designed a cluster of large-scale mobiles made from vast slabs of lumpy resin.
    Holtrop took casts of a series of manmade and natural sites that he found across Qatar to create the textured pieces, which hang from bearing mechanisms and can be manually rotated by visitors to produce continuously moving formations.

    Constellations 2.0: Object. Light. Consciousness by Abeer Seikaly
    Over 5,000 pieces of Murano glass were woven together by Jordanian-Palestinian designer Abeer Seikaly to create this chandelier, which combines Bedouin weaving practices from Jordan with traditional Venetian glassmaking techniques.
    Brass and stainless steel were also integrated into the lighting, made flexible by the glass mesh.
    Once illuminated, the sculptural piece creates dramatic light patterns that nod to a starry night sky seen from the Badia desert, according to Seikaly.

    House Between a Jujube Tree and a Palm Tree by Civil Architecture
    Kuwait and Bahrain-based office Civil Architecture has designed a looming fibreglass roof proposal for a majlis – the traditional term for an Arabic gathering space.
    “It’s a 1:1 model of a roof of an actual house that we designed in Bahrain,” studio co-founder Hamed Bukhamseen told Deezen.
    Supported by steel and suspended from tension cables, the majlis features openings designed to accommodate tall trees and was created to explore the “symbiotic but blurred” relationship between indoor and outdoor settings.
    Photo courtesy of Design DohaNubia, Hathor and Gros Guillaume Stool by Omar Chakil
    French-Egyptian-Lebanese designer Omar Chakil was informed by his father’s homeland of Egypt when he chose alabaster onyx to create this monolithic shelving, a bulbous coffee table and a stool that glides across the floor on wheels.
    Taking cues from ancient practices, Chakil carved the rounded furniture from raw blocks of the material, which was sanded down over time using water rather than covered in varnish – something that the designer said had became common in Egypt, especially when making “cheap” souvenirs.
    “The whole idea of the collection was to use Egyptian alabaster, which was a healing stone,” Chakil told Dezeen.
    “The pharaohs used [the material], then it transformed it over time. It lost its soul. So I tried to put it in the contemporary context by using the shapes that healing emotions would take – so they are round and soft, even though they are very heavy,” he added.
    “I see that people are afraid to, but I want them to touch the furniture.”

    Tiamat by AAU Anastas
    Palestinian architecture office AAU Anastas is presenting Tiamat, a dune-shaped installation that forms part of the studio’s ongoing project, Stone Matters, which explores the potential of combining historical stone building techniques with modern technologies to encourage the use of structural stone.
    Positioned for visitors to walk through, the installation is a towering structure made of stone sourced from Bethlehem and informed by the Gothic-style architecture found across Palestine, Syria and Lebanon.
    According to AAU Anastas, the light, sound reverberations and climate control within Tiamat’s internal space is unique to stone construction.

    Clay in Context by Sama El Saket
    Jordan-born architect and ceramicist Sama El Saket took cues from her native landscape when creating this “taxonomy of Jordanian clays”.
    The result is a set of spindle bottle-style vessels, each made of a different natural clay found across Jordan. This gives the pieces their distinctive colours, textures and character.
    “These are all natural clays with no pigments added,” El Saket told Dezeen. “The colours are attributed to the different minerals that are found within the region. Some are sandier, some are rockier.”
    The designer noted that while Jordan features an abundance of clay deposits and a rich history of ceramic production, today most Jordanian clay is imported.
    Photo by Sabine SaadehLight Impact by Fabraca Studios
    Lebanese industrial design brand Fabraca Studios has created Light Impact, a solid aluminium lighting fixture that was designed as an alternative chandelier, resembling durable ropes.
    The piece was made to replace a glass chandelier that shattered in the aftermath of the 2020 Beiruit explosion, which destroyed a large part of Lebanon’s capital city.
    Light Impact is defined by “flexible characteristics designed to withstand another disaster,” studio founder Samer Saadeh told Dezeen. He added that the piece, which includes internal brass components, was designed as an ode to Beirut’s adaptability and resilience.

    Eleven by Sahel Alhiyari
    Eleven is a cluster of tall fluted terracotta columns by Jordanian architect Sahel Alhiyari that were made through moulding and forming rather than traditional cutting and carving.
    The architect handcrafted the segments, which are vertically stacked, using a similar technique to pottery-making,
    “As you twist and turn the material, it creates all of this stuff,” Alhiyari told Dezeen. The designer explained that the columns were deliberately created to celebrate imperfections, despite referencing classical architecture.

    Sediments by Talin Hazbar
    UAE-based Syrian designer Talin Hazbar is featuring her Sediments project, which previously gained recognition at Dubai Design Week.
    The work consists of blocky seating made from fishing ropes and fishing cage ropes extracted from the Persian Gulf with the assistance of the Dubai Voluntary Diving Team.
    Also made up of recycled rubber grains, the heavily textured seating was created to serve as a reminder of how we might attempt to clean up damaged coastlines, according to Hazbar.

    Whispers from the Deep by T Sakhi
    Lebanese-Polish sisters Tessa and Tara El Sakhi of the studio T Sakhi combined discarded metal salvaged from factories in Veneto, Italy, with Murano glass to create amorphous glassware that takes cues from underwater sea creatures.
    These pieces were arranged atop dramatic shelving inside the elevator connecting the first and second floors of the Arab Design Now exhibition.
    The result is a playful installation that draws together the Venetian lagoon and Lebanese glassblowing traditions.
    The photography is by Edmund Sumner unless stated otherwise.
    Arab Design Now takes place at Design Doha from 24 to 5 August 2024 in Doha, Qatar. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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    Get listed in Dezeen’s digital guide for NYCxDesign 2024

    If you’re hosting an event during NYCxDesign, you can get listed in Dezeen Events Guide’s digital guide to the festival, which highlights the key events taking place across New York City’s five boroughs.

    NYCxDesign runs from 16 to 23 May 2024 and features hundreds of events including installations, exhibitions, fairs, tours, open studios and product launches.
    One of the largest events taking place during the eight-day programme is the International Contemporary Furniture Fair (ICFF) and WantedDesign Manhattan, located at the Javits Center from 19 to 21 May 2024. Each year the fair sees 10,000 visitors from the architecture, design and retail fields.
    With 2024 marking the festival’s 12th anniversary, NYCxDesign aims for its events to target themes of sustainability, inclusivity and diversity while exploring a range of design mediums.
    Get listed in Dezeen’s digital NYCxDesign guide

    Get in touch with the Dezeen Events Guide team at [email protected] to book your listing or to discuss a wider partnership with Dezeen.
    There are three types of listing available:
    Standard listings cost £125 ($160) and include the event name, date and location details plus a website link. These listings will feature up to 50 words of text about the event.
    Enhanced listings cost £175 ($225) and include all of the above plus an image at the top of the listing’s page and a preview image on the Dezeen Events Guide homepage. These listings will also feature up to 100 words of text about the event.
    Featured listings cost £350 ($450) and include the elements of an enhanced listing plus a post on Dezeen’s Threads channel, inclusion in the featured events carousel on the right hand of the homepage for up to two weeks and 150 words of text about the event. This text can include commercial information such as ticket prices and offers and can feature additional links to website pages such as ticket sales and newsletter signups.
    For more details about partnering with us to help amplify your event, contact the team at [email protected].
    About Dezeen Events Guide
    Dezeen Events Guide is our guide to the best architecture and design events taking place across the world each year.
    The guide is updated weekly and includes events, conferences, trade fairs, major exhibitions and design weeks.
    The illustration is by Justyna Green.

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    Bijoy Jain creates bamboo hut and stone furniture for Paris exhibition

    Bijoy Jain, founder of Indian architecture practice Studio Mumbai, has created a series of structures and furniture made from natural materials for the Breath of an Architect exhibition at Paris’s Fondation Cartier gallery.

    Most of the pieces on display in the Jean Nouvel-designed building were designed by Jain specifically for the exhibition and made in his studio in Mumbai.
    Bijoy Jain designed a bamboo hut for the exhibitionUniting them is a use of natural materials, including graphite, basalt, lime, sandstone, bamboo and fired clay.
    “No material was bought,” Jain told Dezeen. “It’s all been harvested from whatever was needed to be available.”
    Pieces in the exhibition were made from natural materialsOn display until 21 April, Breath of an Architect was spread across two exhibition spaces at ground floor level – with views of the Fondation Cartier gardens through the building’s glass facade – and two rooms in the basement.

    A bamboo hut with silk thread woven into the walls forms the centrepiece of one of the ground floor spaces.
    Jain created a large chalk floor slab painted with cadmium pigmentArchitectural models and furniture made from stone, asphalt and tar surround the hut. Inside, more furniture was displayed with a bamboo sphere coated in cow dung, string and turmeric.
    A large chalk floor slab decorated with stripes of cadmium pigment was placed at the centre of the adjacent ground floor space.

    Junya Ishigami’s architectural models feature in Fondation Cartier exhibition

    On the level below, stone animal sculptures were lined up in the middle of the room, and decorative woven bamboo mats coated with cow dung, lime, and pigments were displayed on the walls.
    Turkish-Danish ceramicist Alev Ebüzziya Siesbye created ceramic bowls for the exhibition, displayed on brick tables by Studio Mumbai.
    Stone animal statues were displayed in the basementIn the other basement room were graphite drawings by artist Hu Liu, and small stone sculptures by Jain were placed around the room’s edges.
    Jain told Dezeen that he expects different visitors to come to the exhibition with different perspectives, ultimately leading to different interpretations of the work.
    Many of the pieces were made by Jain in his Mumbai studio”[The purpose] is to evoke different viewpoints, so everyone will have a different response to the work,” Jain said.
    “There’s no singularity here. This is not about being exclusive to an idea, it’s about being inclusive to the possibility of many viewpoints, many different ideas.”
    The exhibition also includes works by ceramicist Alev Ebüzziya Siesbye and artist Hu LiuMany of the pieces in the Breath of an Architect exhibition were designed to evoke Jain’s memories or hold a personal connection for him.
    “I have a relationship with every piece in the exhibition,” he said. “My creations are about transmitting ideas. Architecture has the capacity to embed sentiment.”
    Previous exhibitions at Fondation Cartier include a collection of architectural models by Japanese architect Junya Ishigami and an installation on the impact of climate change on nature by Dutch artist Thijs Biersteker and scientist Stefano Mancuso.
    The photography is by Marc Domage.
    The Breath of an Architect exhibition is on display at Fondation Cartier pour l’art contemporain in Paris, France, from 9 December 2023 to 21 April 2024. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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    Folkform installs The Museum of Masonite at Stockholm Furniture Fair

    Swedish design duo Folkform has presented a series of furniture pieces made using Masonite hardboard sourced from a factory that closed down over a decade ago.

    On show at Stockholm Furniture Fair, The Museum of Masonite centres around a patented type of engineered wood board that is made by steam-cooking and pressure-moulding wood fibres.
    Folkform founders Anna Holmquist and Chandra Ahlsell first started experimenting with this material 15 years ago, in collaboration with Sweden’s last remaining Masonite producer in Rundvik.
    The Museum of Masonite features furniture made from a patented type of wood boardWhen the factory closed in 2011, the pair took all the remaining stock.
    “I felt a responsibility to tell the story of what happened to this material,” explained Holmquist, who has since completed a PHD exploring the cultural significance of Masonite.

    “It created the Swedish welfare state in the 1930s, 40s and 50s,” she told Dezeen.
    “It was made from leftover wood from the Swedish sawmills so it became bigger here than anywhere else. Everyone was using it, for everything from boats and caravans to houses.”
    Works on show include the Masonite Chair, a collaboration with Åke AxelssonThe Museum of Masonite follows the release of the Production Novellas, a book published by Folkform detailing the results of Holmquist’s PHD research.
    Folkform is showcasing this book alongside some of their favourite Masonite designs created over the years.

    South Korean brand Wekino collaborates with Note Design Studio for international launch

    Works on display include the Masonite Chair, a 2021 collaboration with Åke Axelsson based on an experimental design the Swedish interior architect produced in 1978.
    Older pieces include a chest of drawers and a bedside cabinet, both created in 2012, which feature different material samples arranged in geometric collages.
    “We combined materials with different ages, with this idea that the furniture becomes an archive,” said Holmquist.
    The exhibition follows the release of the book Production NovellasThe most recent designs in the show explore a more minimalist approach, suggesting how the material can create the suggestion of solid blocks.
    “I feel like the compositions will be never-ending because we still have more of this board,” added Holmquist.
    The works are presented alongside photographs, illustrations and artefacts that tell the story of the factory.
    The exhibition includes photos from the factory. Image by Amy FrearsonLater in the year, the exhibition will move to the Laurel Museum of Art in Mississippi, the city where Masonite was patented in 1924 by William H Mason.
    Masonite is distinct from other engineered wood fibre boards, such as MDF, because it is made without glue. Holmquist believes the material could have a future in manufacturing.
    Masonite is made from pressure-moulded wood fibres. Image by Amy Frearson”It’s a beautiful material and it’s very sustainable,” she concluded.
    “We are already seeing a shift in food, where people increasingly care where the things they eat come from, so maybe it will also happen for furniture and objects.”
    At Stockholm Furniture Fair this year, visitors could also enjoy the Wekino With exhibition by South Korean furniture designers and British designer Faye Toogood’s collaboration with Finnish company Vaarnii.
    The photography is by Erik Lefvander unless otherwise stated.
    The Museum of Masonite is on show at Stockholm Furniture Fair, which is open to the public from 7 to 11 February 2024. See Dezeen Events Guide for more Stockholm Dezeen Week exhibitions in our dedicated event guide.

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    Moooi furnishings “tell a different story on every floor” of Lisbon hotel says Rebelo de Andrade

    Father and son architect duo Luís and Tiago Rebelo de Andrade explain how they furnished Lisbon’s Art Legacy Hotel entirely with Moooi products in this video produced by Dezeen for the Dutch furniture brand.

    Lisbon practice Rebelo De Andrade designed the interiors of the five star Art Legacy Hotel, located in the Baixa-Chiado district in the city’s centre.
    The hotel is notable for its exclusive use of Moooi products and rooms with bold primary colour schemes.
    Art Legacy Hotel is a five star hotel in Lisbon”Hospitality is always about image and stories,” said Luís Rebelo De Andrade, founder of the studio, in the exclusive Dezeen video interview. “We wanted the guests, when they come to this hotel, to have a completely unexpected experience.”
    “So, we proposed to our client that we make a hotel with only Moooi products, to give it a very strong identity.”

    IDEO designs Pallana suspension lamp with adjustable ring lights for Moooi

    Moooi’s products were used throughout the hotel, including carpets, furniture, lighting, wall coverings and art pieces.
    “Moooi is everywhere in the building,” said Tiago Rebelo De Andrade, who is partner and principal architect at the studio and Luís Rebelo De Andrade’s son. “When you enter the hotel, all the colours, all the textures, all the furniture from Moooi helps us to tell a different story in every floor.
    Rebelo De Andrade furnished the Art Legacy Hotel entirely with Moooi productsThe project is a renovation of a historical office building. Alongside overhauling the hotel’s interior, Rebelo De Andrade also redesigned its facade.
    According to Tiago Rebelo De Andrade, Moooi’s blend of modernity and classical references suited the studio’s approach to designing the hotel’s interiors.
    “Moooi is classic but in a way that can also be modern,” he said. “It’s a modern-classic building.”
    Art Legacy Hotel is a renovation of a historic building in Lisbon’s centreLuís Rebelo De Andrade decided to partner with Moooi on the hotel’s interiors after visiting the brand’s Museum of Extinct Animals exhibition at Milan design week in 2018.
    Each room in the Art Legacy Hotel has either a blue, red, yellow or green colour scheme, with matching wall coverings, furniture and tiling in the bathrooms.
    “When I first met Moooi’s products, I felt that it uses a lot of primary colours,” he said. “So I used primary colours in a very strong way in the hotel. They are colours that provoke you.”
    Moooi’s lighting, furniture, wall coverings and carpets are used throughout Art Legacy HotelIn the video interview, the duo also discussed their working relationship.
    “My son, he provokes me,” said Luís Rebelo De Andrade. “We had to educate ourselves on how to work together.”
    “I offer my experience, he offers his youth in projects,” he continued. “So I think it’s a good mix.”
    Rebelo De Andrade used primary colour schemes in Art Legacy Hotel’s rooms”It’s difficult because it’s a father and son relationship,” added Tiago Rebelo De Andrade. “We are always arguing, but at the end of the day, we drink a bottle of wine so that we can make peace with each other.”
    Other recent projects from Moooi include the IDEO-designed Pallana suspension lamp, made up of adjustable ring lights, and the rope-like Knitty Chair designed by Nika Zupanc.
    The photography is by João Guimarães.
    Partnership content
    This video was produced by Dezeen for Moooi as part of a partnership. Find out more about Dezeen’s partnership content here.

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    San Francisco exhibition features “off-center” Bay Area furniture design

    Stools from local designer Caleb Ferris and design firm Prowl Studio were among the works displayed at a San Francisco exhibition centred around contemporary Bay Area design.

    The Works in Progress show displayed stools, chairs and other furniture from local designers to highlight the diversity in methods and backgrounds of an evolving Bay Area design scene.
    The recent Works in Progress exhibition held in San Francisco highlighted Bay Area designers”As the Bay Area creative scene evolves in real-time, there are boundless possibilities for how it might bloom,” said curators and designers Kate Greenberg, Kelley Perumbeti, and Sahra Jajarmikhayat in a statement. 
    “For now, we are here to acknowledge its depth and say: it’s a work in progress.”
    Caleb Ferris showed a duck-footed poplar stoolThe team distributed the exhibition’s pieces across metallic platforms supported by foundations of bricks.

    Pieces ranged from a curvacious, duck-footed poplar wood stool marked with paint and silver leaf by Caleb Ferris, to Prowl Studio’s cubic stainless steel stool wrapped in a 3D knit cover.
    Prowl Studio wrapped a stainless steel stool in a 3D knit cover”Across a range of materials, forms, and functions, the participants have found a groove in the original, the introspective, and the off-center,” said the team. 
    Designer Ido Yoshimoto displayed a sculptural side table made of old-growth redwood and finished in a dark red textured hue. The table consists of a geometric, curved corner that runs into a darkened raw edge.
    Designer Ido Yoshimoto showed a sculptural old-growth redwood side table with a raw edgeStudio Ahead created a fuzzy Merino wool stool informed by northern California rock formations, which contrasted with the smooth surface of a glass stool by curators Jajarmikhayat and Greenberg.
    Other works included a baltic plywood side table with grooved sides and small, chunky sky blue legs by NJ Roseti and a white oak chair topped with a wild fleece and suede cushion by Rafi Ajl of studio Long Confidence.

    Bendable battery among sustainable materials at San Francisco exhibition

    Office of Tangible Space showed a flat-legged chair designed in collaboration with CNC design studio Thirdkind Studio, while Duncan Oja of Oja Design displayed a charred white oak stool with an organic, rough-sawn profile.
    Fyrn Studio showed a charcoal-black hardwood stool with aluminium hardware created with replaceable parts and studio Medium Small and designer Yvonne Mouser both displayed chairs made of ash, one blackened and the other not, supported by bases of elegant, simple lines.
    Studio Ahead and Kate Greenberg and Sahra Jajarmikhayat made stools with rock-like forms”As simple as it sounds, the soul of this exhibition is in the representation of physical craft and the people behind it. It’s important to shine a light on this vibrant slice of the Bay Area that is not always as visible amidst a city focused on the digital realm,” said Perumbeti.
    “There’s something really exciting brewing in this community that is just beginning to get teased out,” said Greenberg.
    NJ Roseti created a baltic plywood side table supported by light blue cubic legsWorks in Progress was part of the wider San Francisco Art Week, which highlights art and design from the city and took place from 13-21 January.
    Other recent furniture exhibitions that highlighted California designers include INTRO/LA with pieces by Adi Goodrich and Sam Klemick and the first Miami edition from Milan-based design exhibition Alcova held in a motel during Miami’s art week.
    Works in Progress took place at the American Industrial Center in San Francisco from 18 to 23 January 2023. See Dezeen Events Guide for more architecture and design events around the world.
    The photography is by Sahra Jajarmikhayat unless otherwise stated. 

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    This week we looked forward to the architecture and design trends of 2024

    This week on Dezeen, we looked forward to the buildings set to be completed in 2024 and the architecture, design and interiors trends that will impact the upcoming year.

    We rounded up 12 key buildings that will be completing over the next year – these include projects by Kéré Architecture, Sou Fujimoto, Zaha Hadid Architects and Foster + Partners.
    We looked at the trends of 2024We also looked at the architecture, design and interiors trends of 2024. Interior design will have a focus on individualism and see a backlash to the rise in AI design, while we will see less experimentation and more “safe spaces” this year in architecture.
    Dezeen’s editorial director Max Fraser predicted that in design, we will see the rise of material intelligence and a rush for sustainable accreditation.
    Mercedes-Benz is designing a skyscraper in DubaiIn architecture news, car brand Mercedes-Benz and developer Binghatti have revealed plans for a supertall skyscraper in central Dubai.

    The car company’s first branded residential tower will reportedly be 341 meters high and located close to the Burj Khalifa.
    “Our aim with our first branded real estate residential tower is to create new, desirable grounds that inherit our brand’s DNA and give our customers a place to arrive, unwind and come home to,” said Britta Seeger, a member of the management board for Mercedes-Benz Group AG.
    The latest Neom region was revealedIn Saudi Arabia, the latest region of the Neom mega-development was revealed.
    Named Norlana, the development designed by architecture studio 10 Design will be a town wrapped around a marina on the Gulf of Aqaba.
    Catherine Slessor wrote an opinion on Carlo Ratti’s Venice appointmentFollowing Carlo Ratti’s appointment as the curator of the next Venice Architecture Biennale, critic Catherine Slessor wrote an opinion piece that raises questions about how the event will be impacted by Italy’s far-right government.
    “Viewed as a supposedly safe pair of Italian hands, Ratti’s appointment marks a screeching U-turn from [previous curator] Lesley Lokko, whose tenure was structured around narratives of decarbonisation and decolonisation,” she wrote.
    Design Week announced it was closingIn the UK, online design magazine Design Week announced that it had ceased publication and that its website will be taken offline later this month.
    “Design Week is ceasing publication with immediate effect,” said a statement.
    “Design Week’s parent company, Centaur, has made the decision to close the publication as its strategy shifts towards its ‘core audience of marketers, and focuses on training, information, and intelligence’.”
    A Danish summerhouse was one of this week’s most-read projectsPopular projects this week included a monolithic summerhouse on the Danish coast, a pitched-roof house in Massachusetts and a store arranged around a conversation pit.
    This week on Dezeen
    This week on Dezeen is our regular roundup of the week’s top news stories. Subscribe to our newsletters to be sure you don’t miss anything.

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    There’s still time to be listed in Dezeen’s digital guide for Stockholm Design Week 2024

    You can still be featured in Dezeen Events Guide’s digital guide to Stockholm Design Week 2024, which runs from 5 to 11 February.

    Dezeen’s guide will spotlight the key events taking place during the festival, which has a programme of exhibitions, installations, talks, fairs and open showrooms.
    Among the events is the Stockholm Furniture Fair, which presents established and emerging designers, as well as more than 150 brands, from 6 to 10 February 2024.
    The festival, which enters in 22nd year, predominantly takes place in central Stockholm, with some fringe events taking place further afield.
    Get listed in Dezeen’s digital Stockholm guide

    Dezeen offers standard and enhanced listings in its Stockholm guide.
    Standard listings cost £100 and include the event name, date and location details plus a website link. These listings will also feature up to 50 words of text about the event.
    Enhanced listings cost £175 and include all of the above plus an image at the top of the listing’s page and an image in the listing preview on the Dezeen Events Guide homepage. These listings will also feature up to 100 words of text about the event.
    For more information about partnering with us to help amplify your event, contact the team at [email protected].
    About Dezeen Events Guide
    Dezeen Events Guide is our guide to the best architecture and design events taking place across the world each year.
    The guide is updated weekly and includes virtual events, conferences, trade fairs, major exhibitions and design weeks.
    For more details on inclusion in the Dezeen Events Guide, including in our guide to Stockholm Design Week, email [email protected].
    The illustration is by Rima Sabina Aouf.

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