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      Watch a talk on post-pandemic design with Gaggenau at Milan design week

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      Dezeen teamed up with luxury kitchen appliances brand Gaggenau to host and stream a talk about the design world’s response to the coronavirus pandemic with Dara Huang and Michel Rojkind during Milan design week 2022.

      Moderated by Dezeen’s editor-at-large Amy Frearson, the talk explored how design responds to crisis with innovation, how designers can foster resilience in difficult times, and the increased interest in local manufacturing, entrepreneurship, and the design of communal and interior spaces in the past two years.

      Watch a talk on designing better kitchens with Gaggenau at Milan design week

      The panel featured architect and designer Huang, who is founder of Design Haus Liberty, and Rojkind, founder of Mexico-based architecture firm Rojkind Arquitectos.
      The talk took place in the conservatory of Milan’s historic Villa Necchi Campiglio, where the brand created a 360-square-foot interactive installation called A Statement of Form to showcase its highest-grade appliances.
      Dara Huang is the founder of Design Haus LibertyHuang founded Design Haus Liberty in 2013. The studio has offices in London and Hong Kong, and was awarded three RIBA awards in its first three years as a practice.

      She also launched lighting brand DH Liberty Lux, and co-founded Vivahouse, an initiative that turns disused commercial spaces into co-living units.
      The daughter of a Taiwanese scientist who emigrated to the USA to work for NASA, Huang has a masters degree in architecture from Harvard University. Before founding Design Haus Liberty she worked at Herzog & de Meuron in Basel and Foster + Partners in London.
      Projects by Design Haus Liberty include Villa Mosca Bianca on the shore of Lake Maggiore in Italy, and a cluster of apartments in Shoreditch, London.
      Michel Rojkind, founder of Rojkind ArquitectosMexican architect Rojkind founded Rojkind Arquitectos in 2002. Born and raised in Mexico, Rojkind studied architecture and urban planning at Universidad Iberoamericana.
      He founded Rojkind Arquitectos in 2002. One of the studio’s recently completed projects is a concert hall on the Gulf of Mexico, built for the philharmonic orchestra of Boca Del Rio. Other projects include the renovation of Mexico’s National Film Archive and Film Institute and the Liverpool Department Store.
      The talk takes place at Milan’s historic Villa Necchi CampiglioThe talk was the last in a series of three hosted by Dezeen in collaboration with Gaggenau running 7-9 June, which were all moderated by Frearson.
      During the first talk, which took place on Tuesday, designer Søren Rose, BIG’s director of interiors Francesca Portesine, and Foster + Partners’ head of industrial design Mike Holland discussed sustainability and longevity in design.
      Yesterday, Dezeen hosted a talk about designing kitchens that form “the hub of the home”, which featured a panel including Dada’s director of product development Andrea Molteni and designers George Yabu and Glenn Pushelberg.
      A Statement of Form is on show between 7-11 June during Milan design week, daily from 11am to 5pm. To visit, register at www.gaggenau.com. You can watch all the talks live on Dezeen here.
      Milan design week 2022
      A Statement of Form is part of Milan design week 2022, which takes place from 6 to 12 June 2022. See our Milan design week 2022 guide on Dezeen Events Guide for information about other exhibitions, installations and talks taking place throughout the week.
      Partnership content
      This article was written by Dezeen for Gaggenau as part of a partnership. Find out more about Dezeen partnership content here.

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      Bethan Laura Wood wraps boudoir in swirling marble-like pattern

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      A psychedelic print in summery shades adorns the walls, bedspread and furniture inside Summer Room, an installation at Milan design week by British designer Bethan Laura Wood.

      Wood created the site-specific installation inside the art gallery Nilufar Depot as a reference to Ornate, a furniture exhibition set inside a boudoir that she debuted at Milan design week 2021.
      Wood has installed Summer Room inside Nilufar Depot”Summer Room is a continuation of the solo show Ornate that I had in September,” Wood told Dezeen.
      “I wanted to show the Ornate project in a very different environment. I specifically picked colours and added in a lot of yellow and greens to kind of have this kind of sugar summery colour tone which is slightly different,” she said.
      The living room and bedroom are furnished in a psychedelic printThe living area is wrapped in Wood’s new design Endless Meisen – a looping repeat pattern made from high-resolution scans of bespoke Alpi Wood veneers.

      This pattern was then used around the two-roomed interior to upholster bedding, cushions and also furniture such as the desk and shelving unit.
      The bedspread is covered in the same bold patternVisitors can wander from the living room through to the boudoir – the traditional term for a woman’s bedroom or private interior space, in another nod to the Ornate exhibition.
      “In here we wanted to play with what it looks like in a much more enclosed space, and with a much darker background behind aluminium so that it really kind of pops in a very different way,” she explained.
      New objects installed in the maximalist space include Temple Panda wall sconces, while a wiggly headboard above the bed is among previously featured items.

      Bethan Laura Wood’s Ornate exhibition features furniture informed by boudoirs

      In the corner of the living room is a new piece called Trellis Column, a hanging light that Wood designed to recall the metal structures often found behind traditional lighting fittings.
      “When I visited factories like Venini or these old school glass houses, a lot of the armature behind the light fittings is something I’ve always found really beautiful,” she said.
      “I really wanted to make a project where the armature and the decoration were more in conversation rather than the decoration [alone].”
      Wood has displayed a hanging light called Trellis ColumnNilufar Gallery showcases existing and new pieces by 24 other designers selected by Nilufar’s gallerist Nina Yashar, who founded the centre in 1979.
      Other projects by Wood include an installation of giant canapé-shaped sculptures and a group exhibition that explores the friendships between designers.
      Photography is courtesy of Nilufar Gallery.
      Summer Room is part of Milan design week 2022, which takes place from 6 to 12 June 2022. See Dezeen Events Guide for information about the many other exhibitions, installations and talks taking place throughout the week.

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      Sarah Poniatowski designs teal and teak indoor-outdoor bathroom for Axor

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      Promotion: interior designer Sarah Poniatowski has drawn on her connection to the French seaside to create a tranquil bathroom concept for Axor combining teal tiles, teak wood and bronze fittings.

      Poniatowski, the founder of Maison Sarah Lavoine, designed the concept as part of Axor’s Distinctive project, which presents personalised bathroom ideas from leading architects and designers.
      The Paris-based designer answered the brief with a coastal indoor-outdoor bathroom, referencing the place where she feels most connected with nature.
      Sarah Poniatowski’s seaside bathroom concept for Axor includes an outdoor shower”I have a deep connection with the south-west region of France,” Poniatowski said. “It’s so authentic, and nature is everywhere. It’s the most relaxing place in the world for me.”
      “The goal was to emphasise the surroundings with an indoor-outdoor bathroom and create a relaxing space with a summer holiday feeling.”

      Poniatowski’s concept includes an outdoor shower area that flows on from the main bathroom, where multiple doorways, large mirrors and louvre windows allow in plentiful light and enhance the feeling of being immersed in nature.
      The design combines raw pine and teak wood with a travertine stone washbasinWood floorboards and panelling along the walls and ceiling give the space a cabin-like feel, but one enlivened by Poniatowski’s material and colour combinations.
      Along with raw pine wood panelling and teak frames, the interior features a travertine bathtub and washbasin, teak tiling and, in the indoor shower, a feature section of multicoloured Zellige tiles that introduce blocks of deep purple and pale pink.
      Poniatowski describes it as “a place where you can daydream yet relax, be creative yet stand still, enjoy the outside while being in your very own bubble”.
      The indoor shower features multicoloured tiles”It’s all about balance,” she said. “Hence the choice to play with contrasts.”
      Poniatowski completed her bathroom concept with Axor’s Starck fittings, designed by Philippe Starck, in the brushed bronze FinishPlus surface finish.
      The fittings include the Axor Starck Nature Shower outdoors, another slender shower column indoors, two faucets on the washbasin and a floorstanding faucet at the tub.
      The bathroom is completed with Axor Starck fittings in brushed bronzePoniatowski sees the tapware as creating another opportunity to bring balance through contrast, with the Starck designs having linear, contemporary forms and smooth finishes that punctuate the organic-looking bathroom surfaces.
      “The design of the Axor Starck collection is very distinctive,” she said. “It was important to create a setting in line with it: emphasise it but don’t overwhelm it, and vice versa.”
      Poniatowski created her concept bathroom to suit an imagined personality who loves to travel and appreciates a fast-paced life while also knowing when to stand still and contemplate.
      The fittings provide a contrast to the raw and natural materialsShe designed it as part of Axor’s Distinctive project, which explores the rise of individualisation in personal living spaces via concept designs and discussions with experts and partners.
      The brand sees the trend as a response to decades of globalisation and standardisation, with people now seeking more personal expressions of luxury and style.
      “No one is the same, and this is what I love about my job — meeting people and creating something like nothing before,” said Poniatowski.
      To view more of Axor’s products, visit its website.
      Partnership content
      This article was written by Dezeen for Axor as part of a partnership. Find out more about Dezeen partnership content here.

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      Lee Broom presents Divine Inspiration lighting in theatrical Milan exhibition

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      British designer Lee Broom has unveiled his largest exhibition at Milan design week to date, showcasing six new lighting designs in a setting that echoes brutalist architecture and places of worship.

      As part of the exhibition, called Divine Inspiration, Broom has taken over an entire building in Milan’s Brera district and filled it with more than 100 lights.
      Across a series of rooms, the designer is presenting pieces that borrow from the monumental, ethereal quality of religious buildings and artefacts, particularly those designed in the mid-20th century.
      Divine Inspiration is Lee Broom’s largest-ever Milan exhibitionDesigns on show include Vesper, a geometric pendant design with its roots in modernist cathedral lighting, and Requiem, which takes the form of draped fabric.
      “I have always loved brutalist architecture, even as a child,” said Broom, reflecting on his early years growing up in Birmingham and visits to buildings such as the now-demolished Central Library by John Madin.

      The exhibition showcases six lighting designs in a church-like setting”I wanted this collection to be mainly inspired by that,” he told Dezeen. “But when I started researching, I discovered the places I was most drawn to were places of worship.”
      “This led me on a fascinating journey to researching cathedrals, temples and churches, from antiquity to mid-century to the present day,” he added.
      “I wanted to create a lighting collection that invoked that same sense of awe and mysticism as those buildings and their interiors.”
      The tile-like Pantheum light illuminates a Frank Lloyd Wright-designed urnThe exhibition starts in a relatively small room that Broom describes as being like a decompression chamber.
      At its centre is a large-scale stone urn designed by Frank Lloyd Wright, in a nod to the Unity Chapel built by the modernist architect in Illinois in 1908.
      Illuminating this space is the Pantheum wall light, which takes its cues from the coffered concrete ceiling of the Pantheon in Rome. Several of the lights are arranged like tiles, cast in Jesmonite and sandblasted to give a rough texture to their tiered forms.
      A six-metre-long pendant of fluted Hail lights is reflected in a mirror belowThe next room is a large hall, where Broom’s fluted aluminium Hail lights are arranged to create a six-metre-long hanging installation, positioned above a mirror to create the impression that the pendant stretches into infinity.
      “When you walk in, you see a 12-metre extension of this light,” said Broom. “The idea is to reference the idea of the rapture, of going up into the heavens.”
      The Altar pendants consist of illuminated tiles encased in sculpted oakA staircase leads up to a mezzanine showcasing the slender Altar pendants, which combine illuminated tubes with a smooth body of carved oak.
      These are organised around a contemporary altar, where a matching carved-oak font is framed by a large vertical disc of stainless steel.

      Twelve unmissable exhibitions and installations at Milan design week

      A grand installation of the extruded aluminium Vesper lights takes over the next space.
      Here, Broom’s team designed a stained-glass decal informed by mid-century designs and applied it over the windows. The brushed silver and gold-coloured lights are suspended in front, arranged both vertically and horizontally.
      “It’s a dramatic, ecclesiastical moment but it’s uplifting because of the colours and the amount of natural light,” said Broom. “You get to see all the different angles of these lights. They’re like brutalist sculptures with these modern, illuminated connections.”
      Dozens of Vesper lights are installed in front of windows with a stained-glass effectThe penultimate room is a basement featuring Chant, a light inspired by glass blocks, while the final room showcases the four different forms of the Requiem light.
      Unlike his other products, Broom makes each Requiem light himself by hand. The process involves dipping fabric into plaster and sculpting it around illuminated rings, tubes or spheres.
      “The process reminds me of draping fabric on a tailor’s dummy,” said Broom, who studied fashion design at Central Saint Martins before becoming a product designer.
      The Chant lights take their cues from glass blocksRequiem comes in four versions and Broom will make a limited edition of 15 for each.
      “I’ve been in business for 15 years and things have grown rapidly,” Broom explained. “So I thought for this piece it would be really nice to get back to basics.”
      “I really wanted to get my hands dirty and actually get my hands physically on the pieces,” he added. “The idea was to make them look like pieces of draped fabric with light sculptures inside them. But they’re actually solid plaster.”
      The final room features the four limited-edition Requiem lightsBroom has created many extravagant Milan exhibitions in the past, including the celestial Observatory in 2018, the carousel-style Time Machine in 2017 and the Salone del Automobile delivery van in 2016.
      The designer hopes that the Divine Inspiration exhibition – and the soothing soundtrack that plays throughout – will provide visitors with a calming, ethereal experience.
      The Requiem lights look like draped fabric. Photo by Arthur WoodcroftAlthough he doesn’t describe himself as a religious person, Broom believes that places of worship have a uniquely powerful ability to provoke introspection and reverence.
      “The key thing is to take people on an emotional journey,” he said. “I don’t see why design can’t evoke some of the same emotions we feel from art, architecture or theatre.”
      The photography is by Luke Hayes unless otherwise stated.
      Divine Inspiration is part of Milan design week 2022, which takes place from 6 to 12 June 2022. See our Milan design week 2022 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks taking place throughout the week.

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      Hadi Teherani designs Middle East-inspired bathroom under a cupola for Axor

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      Promotion: architect Hadi Teherani has designed a bathroom concept for Axor based on Middle Eastern bathhouses, imagining the room as a place of retreat and holistic cleansing.

      Teherani designed the concept as part of Axor’s Distinctive project, which presents bathroom ideas from renowned architects as a way of exploring the trend of individualisation.
      Teherani was asked to create a personal “bathroom with personality” for the project and answered the brief by creating a circular, cupola-topped room meant to provide a sense of security and serenity.
      Hadi Teherani’s concept bathroom for Axor has a central tub that sits under a cupola”I see the bathroom as a space where I can clean myself – in a metaphorical sense as well,” said Teherani. “Here is where I arm myself for the day. This space protects me, offers me security, but at the same time, it doesn’t restrict me but rather gives me a feeling of space and infinity.”
      The concept takes the form of a cupola, which is Teherani’s way of conjuring those seemingly contradictory feelings of safety and liberation, security and freedom. It is “enveloping but not narrowing”.

      The cupola would sit at the centre of a home or hotel suite and be accessible from several points. It is inspired by Middle Eastern public baths, which would typically have several individual cupolas accommodating different functions.
      An oval double washbasin is located along the wallIn Teherani’s design, an organically shaped bathtub sits directly under the cupola, with a spacious shower area and oval double washbasin around it.
      “For me the cupola symbolises openness and secureness,” said Teherani. “The vastness comes from the high arched ceiling with a glass mosaic that stretches across the room like the sky.”
      “When you lay here in the bathtub placed in the centre of the room you get the feeling of looking into the vastness of the starry sky.”
      The circular room can be accessed from several pointsThis effect is enhanced by the chosen materials, which include glass mirror mosaic tiles that stretch from the floor to the cupola overhead. These reflect the light marble surfaces below, creating a glittering panorama of silvers and golds.
      Teherani’s bathroom concept is completed with Axor fittings in matt black: Axor Citterio E lever-handle and pin-handle faucets, Axor overhead and handheld showers, as well as Axor Universal Softsquare Accessories. He sees them as fulfilling the role of “functional jewellery”.
      “The faucets crown the bathroom concept with their timeless elegance and transport the water to the washbasin,” said Teherani. “The overhead shower is a recharging area for new energy, the bathtub faucet the water source at the bathtub.”
      The bathroom is finished with Axor fittings in matt blackThe bathroom demonstrates how linear fittings can be made to work in a round space, which Teherani said he accomplished by making “little cuts into the walls” and planning the positioning carefully.
      “The good thing about Axor is that the brand offers so many individual product variants so that it’s always possible to find a solution,” he added.
      Axor’s Distinctive project explores the trend of individualisation in personal living spaces through interviews and conversations with experts and Axor design partners, as well as bathroom concepts designed by leading architects.
      To view more of Axor’s products, visit its website.
      Partnership content
      This article was written by Dezeen for Axor as part of a partnership. Find out more about Dezeen partnership content here.

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      The Interior Design School presents seven student projects

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      Dezeen School Shows: a co-living space for healthcare workers and a student housing project that acknowledges the importance of mental health are included in Dezeen’s latest school show by students at The Interior Design School.

      Also included is a residential project designed to be accessible to an ageing population and a co-working space within a London mews.

      School: The Interior Design SchoolCourse: Professional Diploma in Interior DesignTutors: Iris Dunbar, Adrienne Star, Melissa White, Amanda Culpin, Angela Howell, Jenny Grove, Laura Cant, Janet Crawford, Rosie Armstrong, Victoria Ayesta and Marcus Steffen
      School statement:
      “Professional Diploma in Interior Design is aimed at students wishing to gain an understanding of the skills and knowledge required to change career, continue in further education or for those gaining individual development.

      “Our studio represents a functioning design practice enabling students to operate in an environment that feels relevant and professional before entering into the interior design industry.”

      Uniden – Student housing by Sarah Celebidachi
      “The brief was to develop the Devonshire Mews in Marylebone to provide a student complex that caters to living and social needs.
      “The housing unit should be flexible to a student budget and the demand for London student housing. The mews itself should offer a campus feel, providing a safe space in what can be a very overwhelming move to the busy city.
      “For that reason, it is crucial to cater to mental health by providing a gym, job centre, counselling practice and extensive library. The other spaces should be available to rent to local restaurants, shops and cafes.
      “The student housing units should offer a communal kitchen and dining space, private sleeping quarters and a lounge that allows for quieter and more social activities. This requires the student units to be divided into three floors and therefore involves careful planning to maintain the integrity of the front facade.”
      Student: Sarah CelebidachiCourse: Professional Diploma in Interior DesignContact: sarahcelebidachi[at]gmail.com

      The Viaduct – New living business Airbnb by Lynn Jackson
      “Mace construction company has commissioned the design of a co-living space to accommodate short-term requirements for project-related visits.
      “The space is designed to encourage a balance between work and relaxation.”
      Student: Lynn JacksonCourse: Professional Diploma in Interior DesignContact: lynn.e.jackson[at]live.com

      Pace – A refuge for healthcare workers by Caterina Fiore
      “A kind and restorative co-living space where residents can slow their pace and find peace and tranquillity after a hard-working shift.
      “The space is available to healthcare workers such as research staff, nurses, doctors and visiting staff who work locally at St Mary’s Hospital.
      “The definition of pace is the speed at which someone or something moves, or with which something happens or changes. It also means peace in Italian, a state of mutual harmony between people.”
      Student: Caterina FioreCourse: Professional Diploma in Interior DesignContact: caterina1.fiore[at]gmail.com

      The Conduit – Business Airbnb by Dimitra Loi-Theodorikakou
      “A co-living and co-working space for employees on remote or on-site work schedules and teams working on intensive projects within their business.
      “The space is designed to accommodate short-term stays with interactive spaces to eat and socialise. The project spans over twelve mews houses located in Conduit Mews, Central London.”
      Student: Dimitra Loi-TheodorikakouCourse: Professional Diploma in Interior DesignContact: dimitraloi80[at]gmail.com

      Junction – Co-living for healthcare employees by Fran Middleton
      “The brief was to design a co-living environment for healthcare and other key workers that have regular or irregular shift patterns, which will be established in a historic mews in the Bayswater Conservation Area.
      “Residents should be able to settle in the community long term, with a minimum stay of six months. They will typically be single but may have a partner living with them short term.
      “Junction brings residents together into a self-organising community, with services and facilities designed to support life outside society’s typical daily rhythm. Inspired by the seaside in its historic role as a place to convalesce, the design provides a relaxing escape and eye-opening stimulation.
      “Common meals are served in two social spaces, one shared by those experiencing the morning and one by those arriving home from work. Secluded bedrooms allow residents to achieve good quality sleep after a soothing bath, while other activities are kept psychologically and physically distant.”
      Student: Fran MiddletonCourse: Professional Diploma in Interior DesignContact: francescamiddleton[at]outlook.com

      Third Age – A co-living concept for the ageing population by Kristin Björkman
      “We have a new type of ageing population, with many individuals remaining broadly unaffected by health and mobility problems. This can be described as an extended middle age or in this case, the third age.
      “There is a vast gap in the market for this demographic and many design opportunities to explore.
      “The project was designed with the principles of universal design in mind, which means undetectable accessibility for all. Your home should be a constant reminder of your possibilities and abilities, rather than your limitations.”
      Student: Kristin BjörkmanCourse: Professional Diploma in Interior DesignContact: bjorkmankristin[at]gmail.com

      A Community for Healthcare Workers by Nina Jorden
      “This project rethinks co-living in response to the coronavirus pandemic by creating a retreat for healthcare workers.
      “Made up of nine mews houses in Junction Mews, Paddington, residents are transported outside of the hospital rules and hierarchy to a place where they can decompress and re-energise before reconnecting with the outside world.”
      Student: Nina JordenCourse: Professional Diploma in Interior DesignContact: ninajorden[at]gmail.com
      Find out more about the Professional Diploma in Interior Design course at The Interior Design School on Dezeen Courses.
      Partnership content
      This school show is a partnership between Dezeen and The Interior Design School. Find out more about Dezeen partnership content here.

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      Galerie Philia presents design exhibition informed by Le Corbusier at Cité Radieuse

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      Galerie Philia has unveiled Héritages, an exhibition at the Le Corbusier-designed Cité Radieuse building featuring work by designers such as Rick Owens that respond to the Swiss-French architect’s theories of modernism.

      Héritages presents work by eight international designers and seven visual artists that reference the modernist theories pioneered by Le Corbusier, whose designs are known for their functionality and minimalism.
      A daybed by Arno Declercq features in the “resonances” room. Photo is by Maison Mounton NoirGalerie Philia joined forces with the Parisian arts magazine Eclipse to curate the exhibition at Le Corbusier’s iconic Cité Radieuse building in Marseille, which includes a range of both design and art.
      Spread across two rooms in an apartment, the exhibited designers respond to the theme of “resonances” with work that is heavily influenced by Le Corbusier’s theories, while the artists are guided by the theme of “dissonances” and present work that opposes the theories.
      Fabrice Hyber created an oil painting for the “dissonances” space. Photo is by Maison Mounton NoirIn the first room, a brutalist yellow chair by Italian designer Pietro Franceschini is displayed alongside other work, including a geometric bronze candlestick crafted with clean lines by Californian fashion designer Owens.

      “For the ‘resonances’ room, I selected sculptural designers that are deeply influenced by Le Corbusier,” Galerie Philia co-founder Ygaël Attali told Dezeen.
      “Le Corbusier’s theory, especially in his writings published in the 1920s, was provocative and militant both in his refusal of decoration without functionality, his industrial-inspired aesthetic, and his clear and marked difference between fine arts and design.”
      A brutalist yellow chair by Pietro Franceschini features. Photo is by LodoclickAlso featured in this space are pieces such as a chunky daybed by Belgian designer Arno Declercq crafted from patinated and raw steel with sheep’s wool.
      Contrastingly, the “dissonances” room includes pieces by artists that intend to question Le Corbusier’s theories. For example, artist Flora Temnouche created three abstract oil paintings featuring organic or curved forms with soft lines.

      Marc Hagan-Guirey uses kirigami to recreate Le Corbusier’s buildings in paper

      “Le Corbusier’s theory almost denies a particular relationship with nature,” Temnouche told Dezeen. “My paintings show the inertia of the plant, diminished under the influence of humans.”
      “I was inspired by the idea of this meager relationship that persists despite everything in Le Corbusier’s work and theories.”
      Jojo Corväiá designed a table using volcanic clay. Photo is by Maison Mounton NoirOther works in this room range from an eclectic table by visual artist Jojo Corväiá crafted from volcanic clay and an ethereal, blown-glass light sculpture by Jérôme Pereira.
      “All of the works in one way or another are an answer to Le Corbusier’s theoretical and aesthetic heritage, either as a mark of resistance or a touching homage to his legacy,” concluded Attali.
      The exhibition intends to echo its location. Photo is by Maison Mounton NoirHéritages takes place until July at Le Corbusier’s modernist housing complex Cité Radieuse to coincide with the building’s 70th anniversary.
      Galerie Philia is an international contemporary design and art gallery with locations in Geneva, New York City and Singapore.
      Previous Galerie Philia exhibitions include a show that presented Latin American and European sculptural design and an exhibition of furniture by emerging Italian designers created in response to the work of Owens.
      The photography is by Lodoclick and Maison Mouton Noir.
      Héritages takes place at Kolektiv Cité Radieuse, Unité d’Habitation Le Corbusier, Marseille, France, until 2 July 2022. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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      Jacquemus creates surrealist interpretation of his own bathroom for Selfridges pop-up

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      French fashion designer Simon Jacquemus has opened a series of surrealist pop-up installations at London department store Selfridges, including a luxury-bag vending machine and a swimming-pool changing room.

      Titled Le Bleu, the installation occupies a number of locations across the store, including its creative retail space The Corner Shop and the Old Selfridges Hotel, a former hotel space that is now being used as a pop-up venue.
      The pop-up installations are located in and around Selfridges on Oxford StreetThe Corner Shop, which functions as the installation’s main retail space, features pale blue tiles blanketed across its interior. In its window, a large transparent tube of toothpaste spills ribbons of red and white gel.
      An oversized bathtub, sponges, shower facilities and sinks were also installed in the space, where they function as display areas for a selection of exclusive Jacquemus products and pieces from the brand’s Spring Summer 2022 collection.
      An oversized glass with a fizzing tablet is among the designsThe pop-up spaces were designed as a “surrealist reimagining of Jacquemus founder Simon Jacquemus’ very own bathroom,” Selfridges said.

      “I wanted to create crazy and unrealistic installations, all related to water and bathroom imagery,” said Jacquemus, founder of the eponymous brand.
      The designer was inspired to create one of the installations, an oversized glass, after seeing a tablet fizzing in a glass of water.
      “I also love how the giant tablet glass would also be very ‘eye calming’, a kind of visual ASMR installation in the middle of the Corner Shop,” he said.
      A 24-hour vending titled 24/24 is located behind the storeOn Edwards Mews behind Selfridges, a life-sized vending machine stocked with exclusive editions of the brand’s Chiquito and Bambino bags can be accessed for shopping 24 hours a day.
      A large circular opening marks the entrance to the space, a square room lined with five-by-five rows of bags and accessories displayed in oversized, deep blue-hued vending machines.
      Le Bleu includes three installationsAt the Old Selfridges Hotel, the final pop-up – a sensory installation titled Le Vestiaire – references swimming-pool changing rooms.
      Visitors are greeted by the now-familiar blue tiles, which cover the walls, floor and furniture of the space.

      Balenciaga wraps London store in pink faux fur to celebrate its Le Cagole “it-bag”

      A curved welcome desk was positioned in front of a tile-clad wall that holds a collection of rolled-up towels.
      Blue lockers and changing cubicles line the walls at the rear of the space and include “3D experiences” that draw on the iconography of surrealist French filmmaker Jacques Tati.
      It follows a number of installations that have taken place across Europe’s fashion capitals”Each experience is very different and playful, but my favourite would be Le Vestiaire, as it’s the first time we have invested in a space like this, with 3D experiences and crazy installations with our Jacquemus products,” said Jacquemus.
      “I wanted to recreate an accumulation of lockers with different 3D experiences inside, inspired by Jacques Tati movies.”
      Smaller installations were incorporated within the interior of lockers and behind cubicle doorsThe three pop-up installations are open from 3 May until 4 June 2022.
      The installation is the latest edition of a series of Jacquemus’ vending machine pop-ups located across Europe’s fashion capitals, including Milan and Paris.
      It was inspired by Jacques Tati filmsIn 2019, Jacquemus designed a Parisian restaurant named Oursin that featured whitewashed walls, colourful ceramics and rattan furnishings in an effort to “perpetuate summer”.
      French fashion brand Balenciaga recently transformed its Mount Street store into a temporary faux fur lined pop-up dedicated to its Le Cagole line.
      Images are courtesy of Selfridges.

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