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    Tampa “about to explode” as a destination, says Edition hotels founder Ian Schrager

    American entrepreneur Ian Schrager’s hospitality group The Edition has opened the first five-star hotel in Tampa, Florida, which includes a “jungle” lobby and a party room with 350 disco balls.

    The Tampa Edition, which started taking bookings in October 2022, is housed in a new 26-storey building that includes 172 rooms and 38 private residences.
    A focal point in the lobby of The Tampa Edition is a snaking marble staircaseIt forms part of the Water Street development, a huge urban mixed-use expansion project just south of Downtown and a couple of blocks from the waterfront.
    “[Tampa] has established its time is now, and I think it’s about to explode on the scene,” said Schrager, the hospitality mastermind who co-founded the legendary New York nightclub Studio 54, and is also behind the Public hotels chain.
    Between the tropical plants, the tall lobby features a custom travertine pool table“It’s got a good quality of life and a great food scene,” he continued.

    “It’s a city in the sun, but it’s not a vacation-only spot, it’s a real living breathing city and that’s what I think is so special about it.”
    Bright yellow carpet and seating contrast the greenerySchrager’s team at ISC Design Studio designed the new Edition property, along with Morris Adjmi Architects, Nichols Architects, Bonetti Kozerski Architects, and Roman and Williams.
    The white and glass building features art deco-influenced curves, which wrap the hotel on the larger lower floors and the residences in the tower portion above.
    A scalloped walnut bar serves Mediterranean-influenced cocktails and light bitesThe hotel’s lobby features 20-foot ceilings and full-height glazing along the front facade.
    A large stainless-steel lilac orb greets guests as they enter the travertine-clad space, which is filled with tropical plants.
    The Lilac restaurant features bright green seating that matches the tiles lining the semi-open kitchen”I put the landscaping in the lobby,” Schrager told Dezeen. “I wanted to have a jungle, and I kept saying ‘more, more’ plants. At night they’re lit from below and you get the shadows of the leaves on the ceiling. It’s almost all green.”
    Among the greenery are areas of lounge seating and a custom travertine pool table with a bright yellow top.
    Entertainment spaces on the second floor include the Punch Room, decorated with walnut panelling and jewel-toned sofasThe same colour is repeated in the carpet and seat upholstery in the bar area, which is arranged around a scalloped walnut counter from which Mediterranean-influenced cocktails and small plates are served.
    “Using really bright colors – the yellows and blues and greens – or putting plants in the lobby, were not additive,” said Schrager. “Those things will surprise you.”
    A party room with 350 disco balls on the ceiling forms part of the Arts ClubThe restaurant, Lilac, features bright green seating that matches the tiles lining the semi-open kitchen, which offers a Mediterranean menu from chef John Fraser.
    At the other end of the lobby, a white marble staircase provides a focal point as it snakes up to several more entertainment spaces.
    The Arts Club also includes an entirely black room with lounge seatingThese include the Punch Room, a cosy walnut-panelled space with chartreuse sofas, and royal blue velvet banquettes and curtains.
    The Arts Club, intended for late-night events, comprises a series of rooms – one is completely black, while 350 disco balls cover the entire ceiling in another.
    The guest bedrooms are designed to look understated, with a focus on materialsThe spa is also located on the second floor, while another bar and restaurant can be found on the ninth, which opens onto a roof terrace where guests can also enjoy an outdoor pool, sun loungers and cabanas.
    Guest rooms and suites have an understated aesthetic, with particular attention paid to lighting and materials, including marble bathrooms, walnut panelling and white oak furniture.

    The secret to creating a great hotel is “one plus one equals three” says Ian Schrager

    “The design is simple and pure,” said Schrager. “There isn’t anything superfluous or gratuitous, nor a wasted gesture.”
    “Leonardo da Vinci said ‘simplicity is the ultimate sophistication’. It’s supposed to be restful and peaceful,” he added.
    A bar and restaurant on the ninth floor, named Azure, opens onto a roof terraceThe Edition now has 15 locations around the world, with West Hollywood, Tokyo and Madrid – which was longlisted for the Dezeen Awards 2022.
    “I’m selling a visceral emotional experience, and it’s hard to pull that off,” Schrager said of the Edition as a brand. “Because you can’t take it out of a brand book or a rule book. It’s got to be balanced between refinement and being raw and edgy, so it can all come together in some mystical way.”
    The roof terrace includes a swimming pool, loungers and cabanas for guests to relax inThe Tampa Edition is a major draw for the $3.5 billion Water Street development project, which encompasses nine million square feet and will form a new neighbourhood in a previously neglected corner of the city.
    Tampa, as with other Floridian urban centres, has seen a boom in interest from tourists and new residents over the past few years, and therefore a need has grown for more homes, hotels and restaurants.
    The photography is by Nikolas Koenig.

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    Kengo Kuma and Edition hotels create “oasis at the heart of the city” in Tokyo

    Hospitality brand Edition has teamed up with Japanese architect Kengo Kuma to create a luxury hotel filled with plants in the Toranomon district of Tokyo, Japan.

    Occupying the upper floors of a high-rise building in the Tokyo business district of Toranomon, the 206-room hotel is the first outpost in Japan for the Edition brand, which partnered with architect Kuma on the interior design.
    The Tokyo Edition, Toranomon, features a lobby filled with plantsThe heart of the hotel is a two-storey lobby space bursting with plants, which guests arrive at after taking the elevator up to the 31st floor.
    “I wanted to prove that it was possible to create a real oasis at the heart of the big city,” Kuma told Dezeen.
    The hotel lobby features large beams covered with wooden slatsThe large, open atrium, which draws from the layout of Buddhist temples, contains a bar, restaurant and numerous different seating areas.

    The double-height space is broken up by several large beams covered with wooden slats, which also adorn the ceiling of the space.
    Wood is used throughout the hotel suites”The beams are primarily parts of the structure, but we didn’t treat them in a way that might disturb the interior,” Kuma said.
    “Rather, we took advantage of the beams, covered them with wooden louvres and elevated their existence to a symbol of the hotel.”
    Sliding partitions separate sleeping and living areas in the bedrooms and suitesThe abundant use of wood continues throughout the hotel, including the bedrooms and 22 suites, where Kuma also introduced sliding screens.
    “In traditional Japanese houses, movable partitions are often applied to enhance flexibility in the interior, and we extended the idea to the rooms at Edition,” he said.
    The Blue Room restaurant features deep blue upholsteryThe hotel largely sticks to the neutral colour palette and natural materials such as marble and wood that are characteristic of the Edition brand.
    Vibrant pops of colour have been introduced in the two restaurants, which are helmed by Michelin-starred chef Tom Aikens.
    The Jade Room restaurant features green upholsteryThe aptly named Blue Room, which occupies one side of the lobby space, features upholstery in deep hues of sapphire.
    The Jade Room, which adjoins the lobby, swaps the blue for vibrant shades of green and opens onto a verdant terrace overlooking the red-and-white Tokyo Tower landmark.
    A terrace overlooks the Tokyo Tower”It’s unusual to provide a green terrace on top of a high-rise building, but we dared to do so in order to connect the indoor and outdoor in a most natural way,” Kuma said.
    Other hotel amenities include a swimming pool, spa and conference spaces.
    The less aptly named Gold Bar, which is situated on the ground floor of the building that houses the hotel, combines black walls, floors, curtains and furniture with a white vaulted ceiling. An artwork hung above a fireplace on one side of the room is the only significant golden addition to the space.
    The Gold Bar features black walls and a white vaulted ceilingThe hotel, which opened last year, is the first of two Edition hotels planned for Tokyo, with a second hotel in the Ginza district of the city set to open soon.
    Previous Edition hotels include the West Hollywood Edition in Los Angeles designed in partnership with John Pawson and the Times Square Edition in New York City created with Yabu Pushelberg. Both hotels feature similarly plant-filled spaces.

    West Hollywood Edition Hotel by Ian Schrager and John Pawson opens in Los Angeles

    The Edition brand is a partnership between Marriot International and renowned hotelier Ian Schrager, who is best known for co-founding the infamous nightclub Studio 54 in New York City in the late 1970s and 1980s.
    “I became acquainted with Ian in the 80s when I was studying in New York, and have admired his philosophy and sensitivity ever since,” Kuma said. “I believe our chemistry worked well and we could work together without much talking.”
    Black furniture and gold decorations feature in the Gold BarWhile the Tokyo Edition in Toranomon is the first Edition hotel in Japan, Japanese design has had a significant influence on Schrager’s work, according to the hotelier.
    “I have always had a spiritual connection with the approach and aesthetics of Japan,” Schrager said. “Their rationality, their simplicity, and their restraint has been the foundation of everything I’ve done.”
    “They are truly original thinkers but execute their ideas in such a humble and modest fashion,” he continued. “The end results are bold yet refined and shouts in a quiet way. It’s a sweet spot that is completely seductive for me.”

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