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    Emil Eve Architects uses mid-century colours in homey office for Drama Republic

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    Distinct shades of green, orange and blue give character to this workplace, designed by Emil Eve Architects for the production company behind TV shows including the BBC’s Doctor Foster and Netflix’s One Day.

    Drama Republic gave Emil Eve the task of refurbishing its office in London’s Holborn.
    The redesign gives the company a more homey workspace, combining a mid-century-inspired colour palette with textural materials including oak and fluted glass.
    The colour palette includes mid-century-inspired shades of blue, green and orange”This is a working office, but also needs to be pleasant for clients to visit,” said Emma Perkin, Emil Eve co-founder.
    “We had to create a design that was practical but also welcoming and comfy,” she told Dezeen.

    “Often workplaces have a very limited palette; we consciously introduced a mid-century mix of greens, blues and oranges against warm white walls and natural wood. The slightly muted shades mean it’s bright but still calm.”
    Existing glass partitions were moved in line with the new floor planDrama Republic’s brief called for a mix of flexible work areas, including large desks for collaborative working, meeting rooms that support video conferencing, and lounge areas where staff can take calls or read through scripts.
    Emil Eve replanned the office layout to improve the flow between these different spaces.
    A new lobby features partitions crafted from hardwood and fluted glassThe architects were keen to reuse existing materials and furniture where possible, so glass partitions that surrounded the previous meeting rooms were simply moved in line with the new floor plan.
    A lobby was created, with new partitions designed to match the proportions of the existing ones. These were crafted from Sapele, an African hardwood with a warm reddish-brown tone.
    The custom-made desks integrate pinboard screensStorage was also installed, in custom-made wall units that provide bookshelves and hidden cupboards.
    “The office has really good natural light but had never been properly organised, so it felt cramped and ad-hoc,” said Perkin.

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    “Drama Republic didn’t want it to feel corporate, so we used our experience from residential projects to design well-considered joinery which maximised storage,” she explained.
    “There were lots of cables and lights, plus big office equipment like printers; we had to find a way to tidy things away but still have them accessible.”
    Meeting rooms are designed to support video conferencingCustom-made work surfaces include desks with bespoke pinboard screens, as well as meeting and coffee tables.
    All the chairs from before were reused, with the exception of the lobby sofa and the meeting room armchairs.
    Wall units provide both open shelves and concealed storageThe flooring is oak in a herringbone pattern, while lighting is provided by coloured glass ceiling lights and curvy pendants.
    “These are unusual specifications for an office but they work just as well and feel automatically more homey,” added Perkin.
    Poster and photos from Drama Republic productions decorate the wallsThe space is completed by framed photos and posters from Drama Republic productions, including Black Earth Rising, The Honourable Woman, Wanderlust and The Irregulars.
    Perkin and her partner and Emil Eve co-founder, Ross Perkin, established their studio in 2009. Their own office is a retrofit of a brutalist building in Hackney. Last year, one of its projects won London’s Don’t Move, Improve! competition.
    The photography is by Rachael Smith.
    Project credits
    Architect: Emil Eve ArchitectsContractor: Harbour Joinery WorkshopJoinery: Harbour Joinery Workshop, Thomas Collier StudioPaint: Edward Bulmer, Paint and Paper LibraryTiles: Mosaic FactorySofa and armchairs: Loaf

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      Emil Eve Architects designs small kitchen with space-saving Neff appliances that can be easily hidden away

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      Dezeen has teamed up with Neff to commission London studio Emil Eve Architects to design a small contemporary kitchen using the German brand’s space-saving appliances, including an oven with a fully retractable oven door.

      To coincide with the 20th anniversary of the brand’s Slide & Hide oven, which features an oven door that slides away under the appliance, Neff and Dezeen teamed up with Emil Eve Architects to develop a design for a modern kitchen for city homes where space is limited.
      The Slide & Hide oven features a door that can “disappear” under the appliance to gain easy access to foodThe design aims to balance smart and functional design that saves space in an imaginative and contemporary style.
      “Smart and functional design doesn’t have to mean boring. We love to bring an element of fun to cooking with our appliances,” said Neff.
      “Space in city centres comes at a cost, so when that space is limited, design and functionality is essential to love the home you live in.”

      The kitchen was designed to optimise space in smaller city homesEmil Eve Architects developed the design with the vision of creating a kitchen space for preparing and sharing food, where cooking and eating is a social experience to leisurely spend time.
      The guiding principle behind the design was to combine efficiency and ergonomics and to maximise space for smaller city homes. The design features generous shelving for storage and displays, using products that have the ability to seamlessly slide everything away – even the appliances.
      “We have greatly enjoyed the challenge of working with Neff to develop a kitchen design for a city centre home, where space is at a premium, but design does not need to be,” said the studio.
      The kitchen features ample shelving for storage and displays and appliances that can be compacted awayNeff describes its Slide & Hide oven as the “only oven with a fully retracting door” that not only frees up space in the kitchen, but also enables users to get up close to the food to add last-minute additions and allows users to safely retrieve dishes without risk of getting burns.
      The built-in oven features a sliding door designed to “disappear” in one swift motion via a rotating handle. It comes in stainless steel or graphite grey with the option of adding steam functions, eco-clean, touch screen displays or be linked with Neff Home Connect app, which enables users to control home appliances remotely via voice commands.
      “It’s more than just a technical object, it has a sort of playful component, and it’s simply fun to use,” said Neff vice president of design Ralf Grobleben.
      The design centres around a kitchen island with easily accessible storageThe kitchen features a central island as a contemporary take on a traditional farmhouse kitchen table. The island is equipped with a series of drawers and open shelves where everything is easily accessible.
      The traditional kitchen garden is replaced with a richly planted balcony, designed to be a small but productive space elevated above the city.
      The architects combined high-quality materials including vibrant stained solid timber fronts that contrast with exposed powder-coated steel and stainless steel work surfaces.
      Founded in 1877, Neff develops and produces built-in home appliances for modern kitchens. Its products range from ovens, hobs, extractor hoods to refrigerators, freezers, dishwashers and coffee machines.
      Dezeen x Neff
      This article was written by Dezeen as part of a partnership with Neff. Find out more about Dezeen partnership content here.

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      Emil Eve Architects retrofits own office in brutalist building in Hackney

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      London studio Emil Eve has retrofitted its Hackney office to include a striking green-painted floor and modular birch plywood furniture designed to be “reconfigured or adapted as the needs of the users change”.

      The architecture firm created the studio space, which it shares with design practices OEB Architects and Material Works, in an existing brutalist building with an exposed concrete structure in Hackney, east London.
      The studio was renovated so that no alterations were made to the buildingCalled Regent Studios, the office was carefully designed so that no changes had to be made to the fabric of the building, according to Emil Eve.
      Instead, the firm created a “family” of modular, CNC-cut birch plywood furniture that fits into the space without having to be fixed to the existing structure.
      A vivid green-painted floor defines the space”The furniture is freestanding so that it can be reconfigured or adapted as the needs of the users change,” Emil Eve co-founder Emma Perkin told Dezeen.

      As well as linoleum-lined desks and small shelving units, this group of furniture includes a standout floor-to-ceiling “sample library” where the architects display and interact with a range of material samples.
      Emil Eve created a floor-to-ceiling “material library”Shallow upper display shelves are combined with deeper, lower storage compartments to create a unit that takes cues from the design of kitchen cabinets.
      “We knew we wanted the material library to be the main focus of the space, with everything visible to hand,” said Perkin, who designed the system to replace “inefficient” stacked boxes.
      Desktops are lined with linoleumThe architect also explained why the firm used the CNC process to create the furniture, which was fabricated by Natural Buildings Systems.
      “The process enables complex shapes to be cut from sheet materials,” she said. “Here, we used slits cut into the shelves to create an interlocking design that creates a hierarchy between framing, horizontal and vertical elements, which brings a rhythm to the whole.”

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      Emil Eve chose bold green paint for the flooring, which was used for its cost-effectiveness and ability to transform the mood of a space, according to the firm.
      This colour was also decided upon to complement the windowsill herbs and various potted plants scattered around the studio, as well as to contrast with a cluster of bright yellow chairs positioned around a communal work table.
      Yellow chairs contrast with the green floorAs a small design agency, Emil Eve explained the benefits of sharing a co-working space with other design companies in the interest of sharing collective resources – a decision the architects called “economical as well as sustainable”.
      “It’s always more fun to make things rather than buying furniture off the shelf if you can!” added Perkin.
      Visitors are invited to touch the materials on displayEmil Eve Architects was founded in 2009 by Emma and Ross Perkin. The firm has completed a number of architecture projects, including many in London.
      Recent projects range from a monochromatic pale pink loft extension and a timber-framed residential extension filled with light.
      The photography is by Mariell Lind Hansen.

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