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      Yinka Ilori gives London studio colourful revamp

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      Designer Yinka Ilori has collaborated with British architect Sam Jacob to give his London studio and office a bright revamp.

      Ilori worked with Jacob to transform the standard industrial-style unit into a bright and lively flexible workspace.
      Yinka Ilori collaborated with Sam Jacob to redesign his studio”We wanted to rethink what an artists’ studio is and look at how we could experiment with space to create a flexible and multifunctional environment that could respond to the different needs,” Ilori told Dezeen.
      “Yinka’s brief at the outset was a really great question about what a designer’s studio could be: how it could be a place to create but also a place to share, to host and to communicate,” added Jacob.
      Ilori’s office space is largely pinkEntirely painted in the bright tones often used within Ilori’s installations, furniture and artworks, the space is divided into three distinct zones.

      These areas, which will be used as an office, exhibition area and archive with a kitchen, are divided by curtains and sliding doors so that they can be combined into a large space.

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      “The aim was to create distinct areas in the space, and we did this using different materials from solid walls, sliding doors, felt and translucent curtains so that there is a flexibility in the way the space can be arranged,” explained Jacob.
      “Plus the way Yinka uses colour has a real effect on the definition, organisation and feel of space.”
      A transparent curtain divides two spaces”We wanted the studio to have distinct zones but at the same time be able to open or close spaces to create privacy,” explained Ilori.
      “We’ve used a number of translucent and solid curtains as well as large sliding doors to my office which means all the spaces can feel connected or we can separate different areas out,” he continued.
      “We’ve also used colour to define the function of the space so my team and my work area is dominated by pink, while the communal spaces and display spaces use blues and yellows.”
      Ilori’s office is accessed through a pair of sliding doorsOverall, Ilori believes that the collaboration with Jacob has resulted in a unique office that makes the most of the space.
      “Sam and I have quite a lot of common ground in terms of our design aesthetic so it was a really interesting experience to be able to share our ideas,” he said.
      “We were both able to see things through the others’ perspective and specialism which is what has resulted in us creating something really quite unique.”
      Furniture is stored in the archive space”We spent a lot of time discussing the space together to see how we could make it work for me,” he continued.
      “It was through those discussions that we were able to shape the design to make sure it was as practical as possible and could really function as a contemporary studio.”
      Ilori recently created a colourful maze-like installation for the V&A Dundee and designed a rainbow-coloured basketball court in Canary Wharf.
      Jacob’s recent projects include London’s Cartoon Museum, an events space for the ArtReview magazine and a contemporary neolithic shelter in Shenzhen.
      The photography is by Lewis Khan.

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      Pirajean Lees and Olly Bengough design “timeless” interiors for House of Koko members' club

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      Low-lit bathrooms informed by dressing rooms and a stage-kitchen-like restaurant feature in a members’ club at iconic music venue Koko, which pays homage to its theatrical past. 

      Local studio Pirajean Lees and owner and creative director of Koko Olly Bengough collaborated to create a members’ club within the London venue, which has been renovated over the past three years.
      Top: soft furnishings in Ellen’s bar control its acoustics. Above: Modular furniture that is easy to move features throughout the clubNamed The House of Koko, the members’ club consists of numerous bars, dining areas, lounges and a speakeasy arranged over several floors in a space alongside the public areas of the venue.
      The members’ club is directly connected to the refurbished 122-year-old, Grade II-listed theatre, which was renovated by architecture firm Archer Humphryes Architects.
      “The heart of the whole project is the theatre,” Bengough told Dezeen.

      A 1970s-style private dining room sits close to the main theatrePirajean Lees and Bengough took cues from Koko’s history as a music venue when designing the members’ club interiors, which intend to playfully reflect how traditional theatres used to run.
      On the first floor, The Battens Bar is a cocktail lounge that features a central banquette with punk-era red leather trim and a ceiling canopy crafted from cloth by Richmond Design Inc that has previously only been used to make speakers.
      Next to this space, there is a minimalist restaurant featuring Japandi interiors and an open-plan kitchen and dining area that was informed by the simplicity and community of old stage kitchens.
      Vinyl-listening, train-like booths create a sense of intimacyAnother bar is Ellen’s – an intimate 1940s-style speakeasy named after actor Ellen Terry, who opened Koko when it officially started as The Camden Theatre in 1900.
      The space is defined by soft furnishings that control its acoustics and a one-of-a-kind carpet with quirky illustrations of cigarettes.
      A bespoke bar in the penthouse by Pirajean LeesA private dining room with a geometric glass chandelier has panelled walls that hint at the main theatre located next to it, while dedicated vinyl-listening rooms with under-seat record storage give occupants the feeling of being in a vintage train carriage.
      “Because we inherited such a rich history of Koko, I don’t think anything contemporary or very modern would’ve allowed everything to carry on as if it had never closed and as if we had always been here,” explained Pirajean Lees co-founder Clémence Pirajean.
      The rooftop restaurant includes a funnel-like fireplaceAlso included in the members’ club is a piano room and library that are designed in the same eclectic material palette as the rest of its spaces.
      There is also a penthouse with a recording studio and a lounge with numerous hidden microphones to allow artists to record music all over the room.
      An airy roof terrace and restaurant lead to The House of Koko’s final space, an attic-like bar hidden in the venue’s famous dome, which was restored after a fire in 2020 destroyed it and extended Koko’s closure.

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      Deep olive doors informed by those that were located backstage throughout Koko in the 1920s run through the entire building and feature bespoke handles designed by Pirajean Lees.
      Bathrooms with illuminated, angular mirrors intend to give visitors the feeling of getting ready for a performance backstage in a hair and make-up room.
      Wooden joinery in various rooms also intends to reference the main theatre’s fly tower, which is a 360-degree stage and shaft formerly used to store props and scenery that was discovered during Koko’s renovation.
      A curved staircase leads to the dome bar”The thinking was let’s really go back to the past and get the past right, which sets you up to do the future in quite an interesting way,” said Bengough, describing the designers’ process.
      “Because if you make it beautiful, and timeless, and classic and all connected, then you’re like, wow, part two is as interesting and as beautiful as part one,” added Pirajean Lees co-founder James Michael Lees.
      The dome features an attic-like bar with views of the rooftop restaurantAs well as the members’ club, Pirajean Lees and Bengough also designed the interiors for two public spaces at the music venue.
      These are Cafe Koko, a pizzeria featuring a bar that doubles as a small stage for live performances and a shop selling Koko merchandise.
      Koko will officially reopen to the public on 30 April, with live streaming capabilities installed throughout the venue so that artists can reach audiences all over the world.
      Previously, Pirajean Lees also created the interiors for a jazz-age-style restaurant in a converted Dubai nightclub.
      The images are courtesy of Pirajean Lees and Olly Bengough. 

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      Studio McW carves up “post-lockdown” London home extension with darkened oak joinery

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      Umber-coloured oak joinery divides the interior of this end-of-terrace home in London’s Willesden Green, which has been extended and refurbished by local architecture firm Studio McW.

      The two-storey Aperture House now features an additional pitched-roofed volume at its rear, that can be accessed via the main home or a second, less formal entrance set at the side of the property alongside a small planted courtyard.
      A darkened oak cabinet sits under Aperture House’s pitched roofThe residence’s owners, a journalist and a psychiatrist, worked from home throughout the coronavirus lockdowns of 2020 and grew to dislike using their kitchen, which was visually cut off from the rest of the house and the outdoors.
      They tasked Clerkenwell-based Studio McW with establishing a more versatile “post-lockdown” extension that can be used for cooking, dining, working and entertaining.
      The cabinet transitions into low-lying cupboards in the kitchenStudio McW’s approach sought to find a middle ground between a more sequestered layout and a vast, open-plan space, which can often feel impersonal according to the firm’s director Greg Walton.

      “I think lockdown has certainly compounded the failures of modern open-plan living,” he told Dezeen.
      “Open-plan layouts offer little privacy and occupants can feel a bit lost in the room. Residential architecture needs to work harder to meet new demands.”
      Walls throughout the extension are finished in plasterIn the case of Aperture House, this is achieved using blocks of dark-stained oak joinery. The largest is a cabinet, which is nestled beneath the eaves of the roof and acts as a divider between the external entryway and a small dining room.
      At its centre is a rectangular opening that offers a place to perch and remove shoes on one side, while in the dining area it acts as a reading nook and an additional seat when hosting larger gatherings.
      “By using joinery to break up the spatial layout you have the opportunity to create, in the same room, separate spaces to eat, cook, welcome visitors and relax whilst still maintaining a form of connection,” Walton said.
      In front of the kitchen there is space for a lounge areaThe cabinet transitions into a low-lying oak cupboard in the kitchen, which allows residents to rustle up meals while keeping the garden, guests and each other in sight.
      To the side of the kitchen is a series of taller oak cabinets, interrupted by another nook where small appliances like the kettle and toaster can be tucked away to keep the counters free of clutter.
      Just in front of the kitchen, Studio McW made space for a lounge area where the owners can retreat to work or relax during the day.
      Another opening in the joinery provides room for small appliancesRather than installing glass doors all the way along the home’s rear facade, Studio McW opted to front the extension with a pivoting glazed panel.
      “I think the ubiquitous sliding or bifold doors across the rear of a London terrace are becoming an unromantic ideal,” Walton explained. “They don’t offer places for respite and repose, there is no shadow or play of light.”
      “In this house, openings in the new extension are set back within deep, angled brick thresholds, which are designed to focus views and draw in light at specific times of the day.”
      The extension is fronted by a pivoting glass doorAnother example of this is the off-centre skylight that punctuates the extension’s roof and casts shafts of light into the plaster-washed interior.
      “Just like in photography, the apertures in a property affect focus and exposure,” Walton said.
      “Often, the act of bringing light into a home is interpreted as putting in as many windows as possible. But in doing so you create all the characteristics of an overexposed photograph.”
      The door is set within an angled brick recessA growing number of homes are starting to reflect the effects that the coronavirus pandemic has had on people’s lifestyles.
      Earlier this year, the co-founders of Studiotwentysix added a plywood-lined loft extension to their own family home in Brighton to make room for more work and rest areas. With a similar aim, Best Practice Architecture recently converted the shed of a Seattle property into a home office and fitness room.
      The photography is by Lorenzo Zandri. 

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      Daytrip transforms east London terrace house into understated apartments

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      Design studio Daytrip has taken a less-is-more approach to the renovation and extension of this Victorian terrace house in London’s Clapton, which is now home to three separate apartments.

      The 250-square-metre Reighton Road development was designed as a “minimalist sanctuary” that could act as a blank canvas for residents’ belongings.
      A two-bedroom flat takes over Reighton Road’s ground floor and two basement levels (top and above)”A good home should be flexible and speak of its owners,” explained Hackney-based Daytrip. “The ability to cultivate and populate it over time with art, objects and personal items makes the home unique.”
      The largest of the flats has two bedrooms and takes over the building’s ground floor as well as two new subterranean levels, which are illuminated by a number of lightwells.
      Another apartment is self-contained on the building’s first floor and a third occupies the second floor and a new loft extension.

      Walls in the apartment’s kitchen are finished with tadelakt plasterIn the bottom apartment, the first basement floor accommodates a pair of spacious bedrooms, both of which were finished with poured concrete floors.
      Below that, the second subterranean level is meant to serve as a versatile studio-like space, where the residents can do home workouts or indulge in artsy hobbies.
      The kitchen’s rear wall is finished with grey bricksThe ground floor houses the apartment’s main living spaces including a new kitchen suite with handleless alabaster-white cabinetry.
      Save for a grey brick wall at the rear of the room, surfaces were washed with creamy tadelakt – a traditional lime-based plaster from Morocco.
      “It’s a purposely minimal and subdued kitchen, reserving the chaos to the cooking,” the studio said.
      The living room features white-oiled oak flooring and restored cornicingAt the front of the kitchen are wide glass doors that can be slid back to access the garden.
      London-based landscape design studio Tyler Goldfinch was brought in to give the paved outdoor space a wild, textured look using tiered planters overspilling with different types of grasses.
      There is also a silver birch tree surrounded by a circular bed of pebbles.

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      Unlike the rest of the apartment, the living room was finished with white-oiled oak flooring while the ceiling’s original cornicing was restored. These same features also appear throughout the other two apartments on the upper floors.
      To create a sense of cohesion, all three flats were styled by East London galleries Beton Brut and Modern Art Hire, which carefully curated a mix of Italian and Japanese furnishings for the development.
      The other apartments on the upper floors also feature white-oiled oak flooringMany of the pieces were crafted from velvet, boucle or raw timber, bringing a sense of warmth and tactility to the interiors.
      With this aim, all of the bathrooms were also finished with tadelakt walls and limestone floors.
      All furnishings were selected by Beton Brut and Modern Art HireThis is the second residential project in Clapton from Daytrip founders Iwan Halstead and Emily Potter.
      In 2020, the duo overhauled a five-storey townhouse in the east London district by turning its dated 1970s-style rooms into serene white-washed living spaces.
      The photography is by Jake Curtis.

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      Yinka Shonibare and India Mahdavi bring “a warm feel of Africa” to London restaurant Sketch

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      British-Nigerian artist Yinka Shonibare and architect India Mahdavi have redesigned the Gallery dining room at London venue Sketch, adding site-specific artworks, warm golden colours and textured materials to its interior.

      The project, which is the latest in a string of artist collaborations from Sketch, features a series of 15 artworks by Shonibare dubbed Modern Magic. These were designed specifically for the space.
      The Gallery at Sketch is now covered in warm yellow huesMahdavi incorporated sunshine-yellow and golden colours to the interior alongside textured materials informed by Shonibare’s installation, including a copper skin on one of the walls.
      “Yinka’s artwork was a real inspiration and enticed me to work differently,” Mahdavi told Dezeen. “Textures have transcended colours by using a strong palette of materials.”
      “I used elements that have allowed me to extend Yinka’s artistic exploration of culture and identity, and bring a warm feel of Africa to the space and furnishings.”

      Artworks by Yinka Shonibare decorate the wallsMahdavi was also responsible for choosing the colour that previously dominated the interior of Sketch’s Gallery – a pale pink hue that became an Instagram favourite and remained in the room for eight years.
      “The Gallery at Sketch has been linked to the colour pink for such a long time that it was very challenging for me to overcome this success,” she said.
      This time, Mahdavi aimed to change the focus away from just the colour.
      “I didn’t want everybody to ask me what the new colour at the gallery is and therefore, I really worked on textures and materials that are evocative of the richness of Africa,” she explained. “Warmth is the new colour at Sketch.”
      Designer India Mahdavi worked with different textures for the interiorShonibare’s Modern Magic installation includes five hand-carved wooden masks as well as 10 framed quilts, which replicate African masks collected by Spanish artist Pablo Picasso.
      “Picasso was interested in appropriating from another culture and I also appropriate from European ethnic art,” Shonibare explained.
      “Cultural appropriation can be a two-way street,” he added. “This collaboration with Sketch has given me an opportunity to expand my creative process – creating a different environment to encounter and experience my art in a fun and relaxing setting.”
      Pieces were designed especially for the spaceThe artworks are complemented by tactile furniture pieces and accessories designed for the Gallery.
      “I chose yellow fabrics and leather to cover the banquettes,” Mahdavi said. “It is the colour of sun and happiness.”
      “The subtle shades of yellow vary from one piece to another carrying different patterns of weaved raffia, which were chosen within Aissa Dione’s collection of fabrics and specially woven for the project in Senegal.”

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      “The walls are covered in metallic copper paper by De Gournay to radiate the room and the wall lights are made in Ghanaian wicker by artist Inès Bressand,” she continued.
      “It was my way of helping Yinka take over the room without interfering with his work.”
      A copper wall reflects the lightMahdavi believes the new Sketch interior is more suitable for a post-Covid world.
      “The pink Gallery at Sketch lasted eight years instead of the two years initially planned,” she said.
      “I really believe that the pink room belonged to the pre-Covid era,” Mahdavi added. “It was fun, feminine and there was a certain lightness to it. The new Gallery at Sketch has more depth, the textures imply the feeling of togetherness.”
      “Textures have transcended colours,” Mahdavi said of the designSketch’s most recent artist collaboration was with UK artist David Shrigley, whose black-and-white drawings stood out against the pale pink colour of the Gallery and were also emblazoned on a collection of ceramics.
      Mahdavi, who is one of this year’s Dezeen Awards judges and will sit on the interiors design jury, was recently among a group of designers who reinterpreted Dior’s Medallion Chair at Salone del Mobile.
      Among Shonibare’s recent work is a set of bespoke stamps designed for the Royal Academy’s 250th anniversary.
      The photography is by Edmund Dabney.

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      Patch opens first “work-near-home” venue in former Essex brewery

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      Workspace brand Patch has converted the former Gray & Sons Brewery in Chelmsford, Essex, into a co-working space that aims to offer its members a positive work-life balance.

      Patch’s creative director, architect Paloma Strelitz, has overseen a renovation that turns the Victorian building into both a workspace and a cultural venue.
      As the brand’s first location, it is the prototype for its “work-near-home” concept, which offers people workspaces close to where they live, so they don’t have to work from home or commute.
      Patch Chelmsford is designed to celebrate the history of the building. Photo is by Philipp Ebeling”I think there has been a big shift in what people want from work and life through Covid, with people reevaluating their career paths and deciding that now is the time to set up on their own,” said Strelitz in an interview with Dezeen.
      “We’re saying to people, we are an exciting alternative to your kitchen table.”

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      Patch Chelmsford is designed to celebrate the history of the building, but to also feel welcoming.
      Structural elements – including timber ceiling beams, brick walls and steel columns – are left exposed, but paired with vibrant colours and graphics, plus plenty of plants.
      Ali Hanson designed Patch’s visual identityStrelitz enlisted designer Ali Hanson to develop a graphic identity that references the original Gray & Sons. This extends into the interior in the form of hand-painted signage, posters and vinyl graphics.
      “Our approach to the building is to celebrate its history as a thriving local brewery and its new purpose – as a centre for local enterprise and community activity,” she said.
      The reception is set up as a public library and learning space. Photo is by Philipp EbelingThe ground floor of Patch Chelmsford incorporates a suite of spaces that are accessible to the public, to support local businesses and culture.
      The reception is a generous, lounge-type space designed to function as a public library. A curated collection of books is displayed on a pair green-topped plywood trestle tables, encouraging visitors to stop and take a look.
      Patch Academy is a flexible events spaceNext door is Patch Academy, a flexible events studio that can be used for a range of different activities by both Patch members and the local community.
      A glazed facade is intended to encourage public interest in this space. Other features include durable blue flooring, a translucent curtain, a projection screen and lightweight furniture, to offer flexibility of use.
      Patch Market is a cafe and bar, that doubles as a talks venue. Photo is by Philipp EbelingAlso on the ground floor is Patch Market, a cafe and bar, that doubles as a venue for informal talks and events.
      The space features banquet seating and a bar lined with chevron-patterned tiles.
      These elements draw on Strelitz’s previous experience of creating successful cultural venues; prior to joining Patch, she was a co-founder of Turner Prize-winning architecture collective Assemble.
      “We think of Patch as a local cultural venue – from a teenager attending a coding workshop at Patch Academy to a public talk in Patch Market and to the person launching a business from Open Studio,” said Strelitz.
      Workspaces occupy the first and second floors. Photo is by Georgia RandupWorkspaces are located on the first and second floors, including communal lounges, hot-desking studios, dedicated desks and private offices.
      Members also have access to a library where plywood desks are framed by plants and a member’s lounge overlooking the yard, which provides a venue for lunches, meetings and networking.
      A members lounge offers a venue for meetings and networking. Photo is by Philipp Ebeling“At Patch, we’re home to a community of freelancers, businesses, and local organisations,” explained Patch’s founder and CEO, Freddie Fforde.
      “We’ve created a place to support their different working rhythms, from quiet corners for focused work, to lively areas for collective workshops and events.”
      The building was originally the Gray & Sons Brewery. Photo is by Philipp Ebeling”We believe that work near home supports a better work-life balance, combatting both the isolation of working from home and the time and expenses of commuting,” he continued.
      “That’s why we are creating high-quality work environments on local high streets, enabling people to have a productive and enjoyable workday, and to spend more time with friends, family, and in their community.
      Patch Chelmsford launched with a programme of events that included the Festival of Ideas, a series of locally focused events with titles including Crafting a Sense of Place and Reimagining The Future of Work.
      Other recently opened co-working spaces include architect Caro Lundin’s second branch of her affordable workspace ARC Club in south-east London and a monochrome co-working space for creatives in Brooklyn, New York.
      The photography is by Philipp Ebeling and Georgia Randup.

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      Maison Pour Dodo by Studio Merlin is a north London flat with a “spectrum of storage”

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      Studio Merlin has revamped a Stoke Newington flat for its founder, Josh Piddock, by incorporating an abundance of storage to form serene, clutter-free living spaces.

      The project’s nickname, Maison Pour Dodo – which loosely translates from French to “house for sleep” – was inspired by Piddock’s desire for a tidy, restful home that had little material noise.
      To achieve this brief, Studio Merlin decided to install a range of storage throughout the two-floor flat that could comfortably accommodate Piddock’s and his girlfriend’s belongings.
      A tall bookshelf has been erected in the living area”The ‘spectrum of storage compression’ idea was taken from previous work assessing museum collections where some objects are in dense storage and others are on display and readily accessible,” explained Piddock, who founded Studio Merlin in 2020.
      “We all filter and organise to some degree and the answer is more cupboards and shelves, but specifically repurposed for a domestic setting,” he added.

      “The real principle is of auditing one’s possessions to create a hierarchy between household articles that reflect their value, favour and practical needs on a daily basis.”
      An opening looks through to the kitchenOne of the first rooms Studio Merlin tackled was the flat’s living and dining area, where a large floor-to-ceiling shelf has been erected to hold the inhabitants’ collection of books and ornaments.
      At the heart of the space is a plump blue sofa by Muuto, which directly faces onto a wall where the inhabitants will project tv shows and movies. This solution was chosen instead of a television to avoid the space becoming “dominated by consumer electronics”.
      The room’s warm, plaster-coloured surfaces and pale Douglas fir floorboards are also meant to add to the calming ambience.
      The cabinetry features smoke-blue cupboards fronts from ReformA newly created opening looks through to the kitchen, where there’s a wall of deep-set IKEA cabinets with smokey blue door fronts from Danish brand Reform.
      Matching low-lying cabinets run along the other side of the room, topped by a concrete counter from Caesarstone where food can be prepared.
      In the corner of the kitchen, there’s also a small seating nook above which are a series of open, pantry-style shelves where the owner can display jars of cooking ingredients.
      Blue paint forms a faux balustrade in the stairwellA paint in a similar shade of blue as the kitchen cabinetry has been applied on the white walls of the apartment’s stairwell to form a faux balustrade.
      Stairs on the first-floor landing are fitted with what the studio describes as “in and out storage”, designed to hold day-to-day essentials that inhabitants need to grab before heading out the door.
      An arched cut-out leads to the cat’s litter trayThe second-floor landing houses more storage cupboards, one of which has been punctuated with an arched cut-out through which Piddock’s cat can access its litter tray.
      There’s also a small study nook for working-from-home days, complete with a desk and Douglas fir stool.
      A small study nook offers a place for inhabitants to take work callsThis second level of the home accommodates the sleeping quarters. In the principal bedroom, built-in wardrobes help to neatly conceal the inhabitants’ clothes.
      Douglas fir offcuts have also been used by the studio to fashion custom curved bedside tables, where books and other trinkets can be tucked away.
      Built-in wardrobes conceal clutter in the bedroomPart of the original bedroom was sectioned off to allow space for a tub in the adjacent bathroom, which features terrazzo-style flooring and gold-tone hardware.
      Storage has been considered here, too – above the toilet is a series of vanity cabinets that have been made to sit flush against the room’s dark green walls.
      “The effect is a composed space where each thing has a home; sometimes concealed, densely packed and understated, others as pride of place, carefully curated and easily physically or visually accessible,” concluded Piddock.
      The bathroom subtly incorporates more storageLondon’s trendy Stoke Newington neighbourhood is host to a number of design-focused homes.
      Others include Two and a Half Storey House, which has an extension that’s hidden from the street, and Gallery House, which features a huge storage wall where the owner can display his personal collection of ceramics and glassware.
      Photography is by Richard Chivers.
      Project credits:
      Architect and interior design: Studio MerlinEngineer: Elliott WoodMain contractor: H Quality Construction

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      Fettle designs apartment block The Gessner to resemble a private members' club

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      Interiors studio Fettle took cues from hospitality spaces when fitting out this contemporary residential block in London, which houses 164 apartments alongside a co-working area and an in-house cafe.

      Managed by property developer Way of Life, The Gessner is set in a former pencil factory in the rapidly regenerating industrial area of Tottenham Hale.
      The Gessner’s lounge doubles up as a workspace for residentsFettle created refined and cohesive interiors for the development, informed by its experience in designing hotels such as The Hoxton in Boston and Schwan Locke in Munich
      “Most of our work as a company currently is hotel-based, so we have a strong understanding of what makes these kinds of spaces special,” co-founder Andy Goodwin told Dezeen.
      There’s also a cafe inside the apartment block”A lot of the other commercial clients we work with are aiming to achieve a very layered, somewhat residential feel to their spaces so there is a lot of overlap,” he continued.

      “We utilised many of the same suppliers we use within members clubs, hotels and restaurant projects.”
      As well as apartments, The Gessner includes guest suites for temporary visitorsAfter coming through the ground floor entrance of The Gessner, residents arrive at a lobby that’s richly furnished with sofas, patterned armchairs and a mix of vivid artworks curated by art consultant Kate Anniss.
      During the day this area serves as a communal workspace, while in the evenings it can be used as an oversized living room where residents can convene and chat.
      Nearby, there’s a cafe with wood-lined walls, tan leather seating and a terrazzo service counter inlaid with orange aggregate.

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      Furnishings and fabrics found on The Gessner’s ground floor are also incorporated throughout the apartments, which are available furnished or unfurnished, as well as in a pair of guest suites located on the building’s 13th floor.
      These can be reserved by residents who have friends and family coming to visit, or by other travellers hoping to stay in the area.
      Residents can make meals in the building’s communal kitchenThe 13th floor plays host to a number of other communal facilities, which were designed to encourage socialising among residents.
      This includes a large dining room and kitchen with wooden cabinetry and a greenery-filled gantry that stores pots and pans.
      The kitchen adjoins a private dining roomThere’s also a lounge and a spacious outdoor terrace complete with sun loungers, beach-style umbrellas and a BBQ station set beneath a shady pergola, where residents can while away the warmer summer months.
      “One of the key things with both hotels and apartment buildings is having some synergy between the public and private spaces, which was successful at The Gessner as they feel like a continuation of each other,” Goodwin said.
      Residents can also make use of The Gessner’s roof terraceFettle was established in 2013 by Andy Goodwin and Tom Parker.
      The Gessner isn’t the only project to come from the studio this year. Last month, the duo finished work on The Malin, a homely co-working space in New York with loft-style interiors.
      The images are courtesy of Way of Life. 

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