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    Esrawe + Cadena house Mexico City fragrance boutique within radial pavilion

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    This wooden pavilion set among lush gardens forms a retail space in Mexico City for fragrance brand Xinú, designed by its founders Esrawe + Cadena.

    The Xinú Marsella space occupies a former car mechanic’s workshop in the city’s Juarez neighborhood that has been transformed into an oasis of greenery.
    Esrawe + Cadena built the Xinú boutique within an industrial courtyard transformed into a verdant gardenIt was built to provide a multi-sensory experience for customers of perfume and home scent brand Xinú, which designers Héctor Esrawe and Ignacio Cadena founded in 2016.
    Both had a hand in creating the retail space, which is intended to reinvigorate the leftover industrial space and provide an enjoyable spot to visit.
    The single-storey pavilion is built almost entirely from laminated tornillo wood”The design approach started with the idea of gifting a garden to the neighbourhood, ingeniously giving life to a vacant space by harmoniously blending a holistic experience that integrates the seductive power of nature, with design and architecture,” said the design team.

    Visitors approach the space via an unassuming metal gateway on the street, passing through a tunnel with many potted plants on either side before emerging into the courtyard.
    Its radial construction emanates from a central columnA flagstone path guides this journey to and around a circular single-storey pavilion built almost entirely from laminated tornillo wood.
    Its radial construction revolves around a large central pillar, from which structural beams emanate to support tongue-and-groove ceiling panels.
    Vertical louvres around the perimeter support shelves and vitrines displaying various itemsThe pavilion sits on a steel frame atop a system of red grandis wood beams, while a pine lattice above the ceiling supports a plywood board roof.
    Around the perimeter are a series of vertical louvres that provide anchors for shelves and vitrines displaying a variety of items.
    Products on view include Xinú’s fragrances, candles and other olfactory-related piecesGlass panels fill most of the gaps between the louvres, except the two that are left for the wooden doors.
    At night, a ring of track lighting illuminates the displays that range from Xinú perfumes and candles, to olfactory-stimulating natural items, small plants and botanical drawings.
    The boutique is designed to offer Xinú customers a “a powerful authentic brand narrative””This thoughtful arrangement allows the periphery to fully embrace the botanical realm, correlating scents, candles, incense and home products with the vivid tapestry of the landscape,” the team said.
    “Supported by a powerful authentic brand narrative, the pavilion unfolds as a contemplative journey, a multi-sensory approach inviting guests to explore a universe crafted by simplicity and the fragrant symphony of nature as well as Xinú’s unique products and scents.”

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    Xinú launched during Design Week Mexico in 2016, when the brand’s stacked-hemisphere reusable bottles – also designed by Esrawe Studio and Cadena & Asociados – were unveiled.
    Esrawe is one of Mexico’s most prolific contemporary designers, and in a recent interview with Dezeen, said that Mexican design and architecture is undergoing a “renaissance”.
    The courtyard is accessed from the street via a metal gate and reached by following a flagstone pathHis studio’s recent projects include the Albor Hotel in San Miguel de Allende where planes of green tile are suspended from the lobby ceiling and an apartment in Mexico City anchored by a cruciform cabinet.
    Cadena frequently collaborates on projects with Esrawe, offering art direction, concept design and brand identity.
    Track lighting inside the pavilion and uplights in the plants create an atmospheric setting at nightOther projects the two studios have completed together include Grupo Arca’s showroom and cultural centre in Guadalajara and the Tierra Garat cafe in Polanco, Mexico City.
    The photography is by Alejandro Ramírez.
    Project credits:
    Concept and experience: Esrawe + CadenaArchitecture, interior design, furniture: Esrawe StudioDisplay and artwork design: Cadena ConceptsDesign team: Heisei Carmona, Nuria Martin, Laura Vela, Ángel Durán, Raúl Araiza, Rodrigo Romero, Pablo ÁvilaVisualisations: Yair UgarteScale models: Alejandro Uribe, David DíazWood: MicmacStructure: Sergio LópezInstallations: JLC RemodelacionesLandscaping: Arturo FloresLighting: Lighteam

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      Productora and Esrawe Studio outfit Mexico hotel with planes of green tile

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      Local architecture studios Productora and Esrawe Studio have outfitted a Mexico hotel with planes of green tile suspended from the lobby ceiling.

      Located on a hilly site in San Miguel de Allende, Mexico, the Albor Hotel is part of Hilton’s Tapestry Collection.
      Productora and Esrawe Studio have wrapped a hotel in Mexico with local red stoneCompleted in 2022, the 6,038 square metre project contains a lobby, restaurant, bar, gym, multipurpose room, and a pool area with a grill.
      Productora and Esrawe Studio pulled from the mountainous surroundings for the design.
      The stone is carried into the building’s lobby and lower levels”The hotel emerges naturally from the terrain, framing a beautiful view of the valley,” said the team.

      “The hotel’s stone base is inspired by the mountain’s interior, featuring a textured and colourful appearance.”
      Planes of green tile are suspended from the ceilingA natural red, textured stone was wrapped around the building’s first two levels, which steps up the hill on the site.
      The top three levels contain the hotel’s private rooms and have an exterior clad in a simple white material, which contrasts the base.
      The tile features a graphic pattern by artist Omar BarquetThe lower levels, which contain the lobby, restaurant, bar and garden, run perpendicular to the site’s cobble-stone street, while the upper-floor volume runs parallel.
      Guests enter into the hotel’s spacious lobby, where the same red stone was carried onto the floors, walls and bar elements.
      The hotel contains a multi-leveled terrace and restaurantThe lobby’s double-height space is divided by planes of sea-foam green ceramic tile, which feature a leaf-like pattern by Mexican artist Omar Barquet.
      Crafted by tile manufacturer Latitude, they cover dividing walls, ceiling planes and panels that are suspended from the ceiling.

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      The space is outfitted with wide, blocky wooden tables and chairs by Roberto González. Wood was also used for a large bookshelf that spans the length of the interior lobby.
      A mixture of gray, green and red cushions were used to cover the seating, with the same red tone used to frame a series of sliding glass doors that lead onto the hotel’s sprawling patio.
      A natural red tone was carried throughout the hotel’s lower and upper levelsRectangular volumes cantilever over the back patio, reflecting the same rectangular panels used to divide the lobby.
      The patio sprawls across several levels, with large square planting beds installed with cacti and other local plants by PLANTA Botanical Design.
      The hotel’s private rooms were kept minimalist, with the same wooden furniture echoed in seating areas, cabinetry and a bed frame.
      “The rooms feature a natural colour palette and materials such as mineral clay, local crafts, wooden furniture and natural fabrics, providing a cosy and inviting atmosphere for guests,” said the team. 
      An earthen red tone was also carried into the private bathrooms.
      Productora recently completed a bright blue co-housing complex in Denver, Colorado, while Esrawe Studio renovated an apartment in Mexico City with an oak “skin”.
      The photography is by César Béjar.

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      Cruciform cabinet anchors The Loma Residence by Esrawe Studio

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      An oak “skin” wraps the interior of living spaces at this apartment in Mexico City, renovated by locally based Esrawe Studio.

      The two-bedroom Loma Residence in the neighbourhood of Lomas de Chapultepec faces sunset views over the forest, so Esrawe Studio reconfigured the layout to optimise this orientation.
      The Loma Residence was reconfigured so that living spaces could enjoy west-facing vistas and lightWalls and partitions were removed to create a more open living and dining space, where low furniture is arranged so as not to obstruct the vista or prevent the golden-hour light from reaching far into the apartment.
      To deal with a column and create separation from the rest of the apartment in a single gesture, the studio wrapped the structural element in oak and extended low consoles from both sides — forming a cross shape.
      Oak panels wrap a structural column and extend out to form low consoles”Its sculptural expression triggers the operative relationship of the space, defining the leading gesture of the project, and becoming the element that houses books, vinyl records, and a space for a turntable,” said Esrawe Studio, which was founded by Héctor Esrawe.

      Storage cabinets at the same height are continued along a nearby wall, forming part of a much larger expanse of millwork that extends to the ceiling and wraps around the living room.
      A granite island sits in the centre of the minimalist kitchen”The oak wood skin that runs through the space embraces the perimeter of the apartment,” the studio said. “This same skin integrates all doors and entrances to the service areas, creating a visual, warm, and tactile continuity that travels all the way to the master bedroom.”
      The kitchen can also be hidden from the living area by sliding partitions in the same material.

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      When open, these operable panels sit flush within the millwork, which curves in on both sides to also conceal the refrigerator and the access to the pantry, linen closet and wine cellar.
      In the centre of the kitchen sits a green-toned granite island that incorporates four gas burners, and the sink faces a long window that frames the verdant landscape.
      Oak wraps the perimeter of the apartment and continues into the bedroomsSurfaces that aren’t oak are marble, to “provide the space with a sober and contemporary atmosphere” according to the design team.
      The exception is the guest bathroom, which is lined in green quartizite and features a sculptural Tikal marble washbasin designed by EWE Studio — founded by Esrawe with gallerist and curator Age Salajõe, and designer Manuel Bañó to promote Mexico’s craft heritage.
      EWE Studio designed a sculptural Tikal marble washbasin for the guest bathroomEsrawe Studio was named Interiors Studio of the Year at the 2020 Dezeen Awards, and operates from a converted dancehall with an “honest industrial aesthetic” in the Mexican capital.
      The studio’s completed interior projects have ranged from a glossy bar at the city’s Auditorio Nacional to a restaurant informed by Samurai armour and Kanji characters.
      The photography is by Fabián Martinez.
      Project credits:
      Interior design and furniture: Esrawe StudioCreative direction: Héctor EsraweDesign team: Ángel Campos, Javier García-Rivera, Raúl Araiza, Jair Rocha, Viviana Contreras.Visualizations: Madián Alvarado

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