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London studio Bureau de Change has created an Athens store featuring intricate metalwork and an asymmetric window for Greek jewellery designer Nikos Koulis. Occupying a 1960s building on Voukourestiou Street, the flagship store takes cues from Nikos Koulis’ geometric jewellery designs. The shopfront features an asymmetric window and aluminium details Greek architects Katerina Dionysopoulou and […] More
Chinese interior studio Various Associates has completed an irregular pyramid-shaped flagship store for drone brand DJI in Shenzhen, China.
Located at OCT Harbour on the shores of Shenzhen Bay, the flagship store was designed to demonstrate the Chinese drone company’s latest technology.
Various Associates designed the largest DJI flagship in ShenzhenThe 4000-square-metre store contains spaces for product display, a gallery, customer service area and an event space in four floors, in addition to a public park called DJI Oasis, which is used for drone flights.
The multi-facated facade was clad in granite with large triangular windows on the angled surfaces facing the park, which is connected to the second floor via an outdoor, zigzagging staircase.
A new staircase connecting all floors is inserted into the buildingGentle ramps in the park lead visitors into the store, while forming a series of triangular patterns, responding to the same geometric form of the architecture.
To minimise the direct sun exposure from the glass facade, Various Associates inserted an “interior skin” of stainless steel louvres to the outer shell of the building.
The second layer forms an origami shape on the ceiling that corresponds to the outer shape.
Various Associates designs Voisin Organique restaurant to resemble a gloomy valley
“We hope to solve the problems of site mobility and sun exposure through a holistic program, and simplify the visual complexity of the interior walls and window sills, while retaining the original geometric aesthetics of the site architecture,” explained the Shenzhen-based studio.
“The newly added ‘interior skin’ filters the sunlight, casting unique daylight patterns throughout the day, creating a sense of outdoors.”
Display tables and lightings are informed by DJI’s classic drones’ propeller bladesOn the ground floor, DJI’s drone products are displayed on custom-made tables in angled shape of the brand’s classic drones’ propeller blades.
They are lit from above by lights, which are same shape, suspended from the ceiling.
A gallery-like space on the third floor is used to exhibit photographyThe third floor of the building contains the Hasselblad Experience Station – a joint display area for DJI and Swedish camera and lenses brand Hasselblad.
The gallery-like space with a darker tone contrasts the bright and airy product section downstairs, which is used for showcasing the photography created by DJI and Hasselblad.
An event space on the top floor features a 15-meter-high ceilingThe building is topped with the 15-meter-high DJI Horizon Hall, which was designed as an event venue. According to the studio, the dramatic geometric space naturally draws visitors to look up upon entering, evoking the actions of watching a drone taking off.
Various Associates is an architecture and interior design studio founded by Dongzi Yang and Qianyi Lin in 2017. Elsewhere in Shenzhen, the studio previously designed a cafe and cocktail bar that emulates a small cosy cabin.
The photography is by SFAP.
Project credits:
Architect: Various AssociatesChief designers: Qianyi Lin, Dongzi YangProject management: Hanqun CaiDesign team: Yuwen Deng, Zebing Li, Benzhen Pan, Chao Luo, Junrui Zhang, Qian Xie, Yue ZhangLighting design: GD Lighting DesignMEP design: Tongji ArchitectsStructural design: Tongji ArchitectsContractor: HECIAN
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Chinese studio Neri&Hu has completed two retail spaces for Shanghai fashion company Jisifang, using wood and concrete to evoke “a more primitive state of being”.
The two adjacent stores are located at Panlong Tiandi development in Shanghai. One was designed for Jisifang Boutique and the other for its sister brand Woven Moonlight, also owned by Jisifang.
Neri&Hu has designed two adjacent stores in ShanghaiAccording to the Shanghai-based studio, each store was tailored to its distinct brand identities and varying spatial requirements.
A wooden house was inserted into the 110-square-metre Jisifang Boutique, the sloping roof of which takes advantage of the full height space to create a “spacious sanctuary”, the studio said.
A wooden house structure was inserted into Jisifang Boutique”The design concept is inspired by French architecture theorist Marc-Antoine Laugier’s Primitive Hut, said to be the fundamental prototype of all architecture,” explained Neri&Hu.
“Stripped of decoration and style, the primitive hut establishes a relationship between humans and the natural world, providing both shelter and a connection to nature,” it added.
White oak furniture creates a warm interiorA long table and benches made of white oak are placed at the centre of the space, with fashion garments displayed at the lower end of both sides of the roof.
Handmade ceramic floor tiles with muted colours were used throughout the space, referencing the warm and natural textures of the linen products that the brand is known for.
Glass bricks with rustic metal lining are featured on the facadeThe facade features glass bricks lined with rustic metal elements, inviting natural light and framing views of the bustling retail street outside into the shop.
In contrast, Neri&Hu created a cave-like shelter made of concrete for the 200-square-metre Woven Moonlight.
Neri&Hu divides Shanghai fashion boutique with fabrics and marble screens
Concrete walls enclose the main display area, which features carved-out display niches. These have been lined with translucent linen curtains and fitted with custom-built walnut cabinetry, contrasting the roughness of the concrete.
A double-pitch sloped ceiling was clad with the same concrete as the walls. Skylights on the ceiling, as well as full-height glass windows on one side, fill the space with plenty of natural light.
Linen and walnut wood contrast the concrete in Woven Moonlight”In the case of both the wooden hut and the cave-dwelling, we are exploring the original space of our humanity, harkening a return to a more primitive state of being,” said Neri&Hu.
“We hope that when people touch the linen fabric of Jisifang, their mood and spirit may transcend the urban environment, back to nature,” it continued.
The Wooven Moonlight store features a double-pitch sloped ceiling clad with concreteNeri&Hu was founded by architects Lyndon Neri and Rosanna Hu in 2004 in Shanghai.
The studio also recently completed a simplicity contemporary art gallery, and a fashion boutique with fabrics and marble screens, both in Shanghai.
The photography is by Pedro Pegenaute.
Project credits:
Partners-in-charge: Lyndon Neri, Rossana HuAssociate-in-charge: Siyu ChenDesign team: Greg Wu, Jinghan Li, Nicolas Fardet, Saint Xu, Shuan Wu, Yinan Zhu, Yoki YuFF&E design and procurement: Design RepublicLighting Consultant: DLX Lighting DesignContractor: Nantong Huaqiang Construction
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Promotion: Fiandre Architectural Surfaces porcelain slabs, digitally printed with 1.5 million icons, cover the facade of an Armenian church in Texas designed by New York-based architect David Hotson.
For the facade of Saint Sarkis Armenian Church in Carrollton, Texas, architect David Hotson and Yerevan-trained architectural designer Ani Sahakyan worked closely with Italian architectural surface manufacturer Fiandre to create a facade that works at a series of visual scales.
The church is covered with Fiandre porcelain slabsThe church’s western facade that surrounds its entrance is clad with porcelain slabs depicting a traditional Armenian cross or “tree of life” with distinctive floral branching arms. This Armenian symbol of faith in the face of suffering and of resurrection and redemption serves as a memorial to the victims of the Armenian genocide.
Viewed more closely, as the visitor approaches the church, the cross is composed of interwoven botanical and geometrical motifs drawn from Armenian art. These motifs represent the bonds of ancestry and tradition that have bound the Armenian community together across centuries of challenge and upheaval.
Examined from even closer proximity, visitors will be able to see that the slabs are covered with individual icons or pixels, each one centimetre in diameter.
Printed at a high resolution using Fiandre’s “Design Your Slab” or DYS printed porcelain slab system, the tiny icons – 1.5 million in total – cover the entire church facade. All of the icons are unique and derived from the circular emblems that recur throughout Armenian decorative arts.
The ceramic slabs are printed with 1.5 million icons based on ancient Armenian motifsThe 1.5 million unique icons are designed to symbolise the individuals who were murdered in the Armenian genocide. The scale of the individual icons that are spread across the entire building facade is intended to make tangible the scale of this historical atrocity.
To create the facade design, a computer script was developed by architectural designer Ben Elmer to generate the icons based on ancient Armenian ornamental motifs.
These icons were scaled to fit a total of 1.5 million on the facade and were distributed according to density to form larger-scale patterns when viewed from a distance.
The ceramic surfaces are also UV-resistantThe motifs were printed to the exact pixel modules required onto Fiandre’s large-format, exterior-grade, UV-resistant porcelain rain screen slabs.
“The facade is believed to be the first use of this technology to optically engage the viewer in a series of visual scales nested inside each other, from the scale of an entire architectural facade to the scale of individual pixels each rendered in high-resolution at the threshold of visual perception,” said Fiandre.
In addition to the memorial facade, Fiandre supplied the full range of porcelain interior and exterior floor, wall and soffit finishes used throughout the Saint Sarkis Campus.
The Armenian church in Texas is designed by New York-based architect David HotsonNew York-based Hotson’s design for the new church building is modelled on the ancient church of Saint Hripsime, which stands near Armenia’s modern capital of Yerevan.
Having withstood fourteen centuries of upheaval, Saint Hripsime serves as a symbol of the endurance, perseverance, and resilience of the Armenian people. The cornerstone of Saint Sarkis was laid in 2018, fourteen centuries after Saint Hripsime was completed in 618 AD.
“From this brief, Hotson developed a design that looks forward as well as backward, marrying ancient architectural and artistic traditions reflecting Armenia’s cultural legacy as the world’s first Christian nation with contemporary digitally-driven design and fabrication technologies,” explained the manufacturer.
To learn more about Fiandre Architectural Surfaces, visit the brand’s website.
Partnership content
This article was written by Dezeen for Fiandre as part of a partnership. Find out more about Dezeen partnership content here.
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