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A beachside installation made of 3D-printed concrete stars by artist Carlos Betancourt and a series of giant jewellery by designer Nicole Nomsa Moyo will be on view as part of Miami art week 2024. More
Design firm Studio Collective has created a boutique hotel inside The Moore building in Miami Design District, completing the landmark’s transformation into a multi-functional hospitality venue.
Recently opened, The Hotel at The Moore occupies the building’s fourth floor and includes 13 suites designed by Studio Collective to feel like private residences.
“The hotel suites are a new addition to the fourth floor, but were designed to fit the building’s original footprint within its historic interior,” said the hotel team.
Each room inside The Hotel at The Moore has a unique design conceptThe rooms range from 700 to 1,000 square feet (65 to 93 square metres) and each is designed differently to create a unique experience for guests.
One suite is decorated primarily in light neutral tones, where textured plaster walls allow walnut bed frames and furniture to stand out.
Another features wood-panelled walls and woven textured ceilings, complemented by details like rattan lampshades, while colour is introduced through rugs and throw pillows.
One suite features wood-panelled walls and a woven ceilingThe rooms include art and custom furnishings by makers such as Dallas-based furniture brand Mous and sustainably-focused Brazilian company Sossego.
The Moore building’s central atrium features a sculptural installation by architect Zaha Hadid, titled Elastika, which was added in 2005 when the space was used as an events venue.
Colour is subtly introduced through rugs and other detailsThe artwork has lent its name to a public restaurant that now occupies the space, where diners can enjoy a menu by chef Joe Anthony beneath the sinuous white forms that span across and up the four-level void.
Interiors for the Elastika restaurant were created collaboratively by operators Woodhouse and design firm Icrave, and include velvet banquette seating and an 18-cover bar.
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Constructed in 1921 to as a showroom for Moore and Sons furniture, the neoclassical-style building now also accommodates a private members club, which has its own restaurant and dining room.
Members also have access to a karaoke room, hidden cocktail lounges, game rooms, a library, various dining rooms with distinct themed decor, a photo booth, sun room and a late-night speakeasy called The Rabbit Hole.
The Moore building’s lobby is outfitted with black and white flooring, and contrasting colourful furnitureThe Club spaces are populated with furniture and accessories in muted red, blue and green hues, and many have rounded shapes that echo the architectural details through the building.
Lower levels have terracotta floor tiles, which are swapped for wooden planks on the upper storeys.
The building’s Elastika restaurant sits within an atrium housing a Zaha Hadid-designed sculpture of the same nameBolder colours are used in the lobby area, where black and white marble flooring contrasts the bold tones of paintings and furniture.
A grand black and honey-toned stone staircase connects the ground level with the open balconies that overlook the atrium and Elastika.
Many of the furniture pieces in the building’s private members club are rounded to echo the architectural featuresMiami Design District continues to add distinctive architecture and retail interiors as it develops, from a sculptural block of buildings planned by Kengo Kuma to a Louis Vuitton store wrapped in a diamond-patterned facade completed by Marcel Wanders.
Boutiques that have recently opened in the area include a Nodaleto shoe store, a Diesel store, and locations for PatBo and Cult Gaia.
The photography is by Kris Tamburello.
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A hand-painted tile mural covers the front of this Miami Design District boutique designed by New York studio Sugarhouse Design and Architecture for fashion brand Cult Gaia.
Sugarhouse Design and Architecture designers Jess and Jonathan Nahon followed up their New York City store for Cult Gaia founder Jasmin Larian Hekmat with a flagship in Miami intended to align with the brand and the location.
The gabled front of the Cult Gaia boutique in Miami is covered in a hand-painted tile muralThe duo “sought inspiration from temple architecture, Larian Hekmat’s Persian heritage and iconic historical archetypes” for the 1,502-square-foot (140-square-metre) retail space, and also modelled the building on local casitas.
To cover the gabled front facade, Design and Architecture commissioned artist Michael Chandler to create a mural using ceramic tiles.
The mural by artist Michael Chandler is titled Tree of Life and references Henri Rousseau’s painting The DreamThe resulting 1,800-piece Tree of Life mural is based on French post-impressionist artist Henri Rousseau’s painting The Dream.
“The hand-painted ceramic mural depicts a silhouetted tree with its branches extending across the storefront, featuring stylised vegetation, birds and flower-crowned nymphs,” said Sugarhouse Design and Architecture.
In the centre of the store’s first space is a concrete sculpture by Angela LarianPainted in blue “lapis lazuli” hues, similar to those that decorate Persian mosques, the artwork references everything from Indian textiles to botanical illustrations.
A trio of arched openings in the facade contain windows and a larger, recessed entryway that holds wood-framed glass doors and aligns with the store’s central axis.
The 12-foot sculpture of the Greek goddess Gaia stands below an oculusThe first in a series of interiors spaces is an open room decorated in creamy Bianco Avorio limestone and Bianco Santa Caterina travertine.
Unlacquered brass rods, designed to mimic Cult Gaia’s jewellery, drop from behind ceiling coves to display garments and custom amorphous mirrors by New Vernacular Studio hang on the walls.
BoND’s PatBo Miami boutique features soft curves and floral touches
On both sides of the central axis, sandstone blocks are stacked into vertical checkerboard grids that allows accessories to be displayed in the gaps.
These partitions enclose the fitting rooms, which can be illuminated from within so that light glows through a translucent membrane and the grid holes.
“Designed to reference rock-cut cave temples, the structures provide privacy while also allowing merchandise to be displayed within their illuminated niches,” said the team.
In the second space is a banyan tree that grows from a pale-green sofaA second space identical to the first is reached past the threshold created by the fitting rooms, and a bar is hidden beyond a brass door on the far wall.
Over each of the two main rooms presides a domed ceiling and a seven-foot-wide oculus, based on the roof of the Pantheon in Rome.
Brass rods drop from behind ceiling coves to display garments and custom amorphous mirrors hang on the wallBelow the first is a 12-foot-tall concrete sculpture of the Greek goddess Gaia – after whom the brand is named – by Larian Hekmat’s mother, artist Angela Larian.
“An elongated, Giacometti-like female nude that soars toward the heavens, the work is a foil to the nymphs from the facade and her angularity is intentional: like the brand, this is a fully composed, confident, and in control Gaia,” said the team.
The banyan tree also sits below a domed ceiling and oculus, which are based on the roof of the Pantheon in RomeIn the second room, a large banyan tree reminiscent of the facade decoration is planted within a serpentine sofa designed by Brandi Howe.
“Like the sacred tree from Buddhism, it invites visitors to sit and achieve their own awakening within this temple of fashion,” the team added.
Sandstone blocks are stacked around the fitting rooms, which glow from within, and are used to display accessoriesMiami Design District is home to a host of luxury fashion brands, which have each taken a unique approach to designing their stores both inside and out.
Brazilian brand PatBo recently opened a flagship in the neighbourhood with a pink slatted facade by BoND, while Kengo Kuma and Associates is set to create a sculptural block of buildings nearby that will also serve as retail locations.
The photography is by Kris Tamburello.
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New York studio BoND has created a “feminine, organic” interior for Brazilian brand PatBo’s store in Miami Design District, complete with a dramatic sweeping staircase.
The two-level retail space was designed by BoND following the studio’s work on the PatBo headquarters in Manhattan, which opened last year.
The ground floor space at PatBo’s Miami store features tall ceilings, terrazzo flooring and sculptural displaysThe team took a similarly soft, feminine approach in the Miami flagship, pairing white and pale pink with rich woods and brass accents.
“The new store is an artful and site-specific reinterpretation of the feminine, organic aesthetic that is synonymous with the brand’s stores in Brazil,” said BoND.
A ribbon-like balustrade follows the staircase up through the store, circling oversized silk flowers by Hana FormEntering under a dramatic arched canopy, customers find themselves within a tall, bright space featuring terrazzo flooring, geometric wooden display plinths and brass rails.
Hints of green marble can be spied in custom furniture pieces, as well as the stair treads and risers hidden behind a solid, ribbon-like guardrail.
An arched opening leads through to bright coral-coloured fitting roomsAn arched opening beside the register leads into a bright, coral-coloured changing area, where terracotta tiles cover the floor.
The staircase glides up the curved back wall of the store, and rises through a gap in the upper floor plate, around which the balustrade circles back on itself.
Darker woods and carpet create a more intimate atmosphere on the upper level”A winding white and green marble staircase serves as a focal point of the space connecting visitors to the second-floor salon and dressing area,” said the studio.
Curved wood panels and caramel-coloured carpet provide a more intimate atmosphere upstairs, exaggerated by the lower ceiling height.
The warmly lit fitting rooms on the upper level are lined with curved wood panelsThe brass railings continue, whereas the coral fitting rooms are swapped for wood-lined chambers with curved corners and warm lighting.
“An overarching geometry of soft curves is a running thread that ties all spaces together,” the studio said.
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Furniture pieces including Frank Gehry’s Wiggle chair, a green marble coffee table and a curved grey sofa form a seating area for customers to relax while they shop.
Overhead are a pair of oversized silk flowers by artist Hana Form, which also appear on the ground floor suspended through the staircase void.
Green marble appears behind the facade, as well as on the staircase and custom furniture insideBoND also created a facade of pale pink wooden slats to help the building to stand out in the Miami Design District, where brands are encouraged to get creative with their frontages.
A Louis Vuitton store wrapped in a diamond-patterned facade by Marcel Wanders and a Kengo Kuma-designed block of sculptural buildings are among other examples.
BoND wrapped the store exterior in pale pink wood slats to help it stand out in the Miami Design DistrictBoND was founded by Noam Dvir and Daniel Rauchwerger, whose studio has also completed a bold yellow scheme for a men’s apparel store in New York.
The firm’s other projects include the renovation of a mid-century Sears Catalog kit house in Fire Island Pines and a Manhattan hair salon featuring wooden frames and moveable styling stations.
The photography is by Studio Pyg.
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Fashion brand Diesel has debuted a retail design concept at its store in the Miami Design District, featuring raw metal surfaces and a red lacquered spiral staircase.
Designed under the creative direction of Glenn Martens, who joined the brand in 2020, the industrial-style store is intended to reflect “the brand’s signature bold attitude”.
Diesel’s new store in Miami Design District debuts an industrial-style retail concept”Envisioned as a fresh, powerful expression of Diesel’s design edge and identity, the store is anchored by a glass facade framed in signature Diesel red with the brand’s red-and-white Biscotto logo,” said the design team.
Red was also applied selectively to interior elements, including a statement spiral staircase and a wall behind at the back of the store.
The store’s focal point is a red lacquered-metal spiral staircaseThe helical lacquered-metal form has solid balustrades and steps with a diamond-plate texture for added grip.
It leads up to a second level where another red wall with floating shelves is used for product displays.
The staircase has solid balustrades and steps with diamond-plate texture for added gripAcross the two floors, the 1,900-square-foot (177-square-metre) store presents the full Diesel collection.
Bags, shoes, accessories and fragrances are presented on the lower level, while areas dedicated to denim, ready-to-wear apparel and footwear can be found upstairs.
The upper level also has a red display wall that stands out against the concrete and metallic surfacesExposed concrete floors and ceilings, and walls covered in riveted raw metal panels and mirrors create a monochromatic backdrop that allows the red elements to stand out.
“Throughout the space, minimalist red leather couches and streamlined silver fixtures create a strong sense of structure with a touch of softness,” said the team.
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Vitrines for displaying accessories on the ground floor sit atop crinkled metal bases, though the sales counter opposite is flat and sleek.
Both levels have floor-to-ceiling glass across the street facade, and at night, fluorescent lighting throughout the store gives off a harsh white glow.
The ground floor features vitrines atop crinkled metal basesFollowing the Miami store unveiling, the interior concept will be rolled out to global Diesel locations.
The brand was founded in 1978 by Italian entrepreneur Renzo Rosso, who still serves as its president.
The Diesel store joins many luxury fashion brands in Miami Design DistrictMiami Design District is home to the stores of many luxury fashion labels, each of which has exterior and interior treatments designed to reflect its distinct brand identity.
Other examples include Louis Vuitton’s menswear space, which Dutch studio Marcel Wanders wrapped in a patterned facade informed by the brand’s monogram, and a Christian Louboutin boutique that’s covered in tree bark.
The photography is courtesy of Diesel.
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Los Angeles studio 22RE has used pale-green stucco informed by Miami’s colours and golf courses for the interiors of a golf clothing boutique in the city.
A few blocks from the ocean, the Malbon store in Coconut Grove serves a large customer base for the brand in South Florida – a popular golfing destination thanks to year-round warm weather.
The Malbon Miami store revolves around a central area, from which handmade tiles emanate in a radial pattern across the floorThe verdant neighbourhood and Miami’s distinct architecture provided 22RE with a starting point to build upon, aiming to create a tranquil space amongst such vibrancy.
“We intended to create an oasis within the city, one that invoked stillness – a feeling that Malbon customers are accustomed to while they’re out on the green,” 22RE founding principal Dean Levin told Dezeen.
Pale green stucco covers the walls, columns and ceiling beamsThe store’s most striking feature is the pale green stucco that covers the majority of vertical surfaces and ceiling beams that form square archways overhead.
“The shade of green used throughout the space was inspired by the studio’s first visit to the location, and inspired by the vibrant hues associated with Miami as a city,” said Levin.
Merchandise is kept to the perimeter of the store, displayed on stainless steel rails and shelvesThe placid hue is contrasted with stainless steel elements including the sales counter and a doorway to the stock room.
From the centre of the space, mid-grey handmade Mexican tiles are laid across the floor in a radial pattern, emanating from a circular plaque that displays the brand’s monogram.
Filleted stucco surfaces contrast the aluminium open-cell grid ceilingA ring-shaped installation above, suspended from an aluminium open-cell grid ceiling, also bears the Malbon logo scribed repeatedly in white neon.
Four columns and a pair of stainless steel benches define this central area, which is intentionally devoid of merchandise to create a moment for pause and conversation between customers.
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Clothing and accessories are kept to the perimeter, displayed in illuminated niches on stainless steel rails or shelves.
“In retail stores, there is a predominantly unchanging relationship between salesperson and customer,” Levin said. “We wanted to consider and account for the things we could – foot traffic, merchandising and general flow.”
A pair of stainless steel benches offer a place for pause and conversation in the middle of the boutiqueBehind the street-facing windows, white stones cover the floors and plants so that the store “feels like a natural extension of the vegetation and foliage” in the surrounding area, said Levin.
“Through juxtaposing a variety of different materials both organic and industrial, the Malbon Miami storefront is an accurate reflection of the values we celebrate and preserve as an architecture and design firm,” he added.
The storefront contains greenery to create a natural extension of the verdant surroundings of Coconut GroveMiami has grown significantly as a retail destination over the past decade, with a large concentration of new luxury stores in the city’s Design District.
Brands including Louis Vuitton, Off-White and Christian Louboutin all have distinctly designed outposts in the neighbourhood.
The photography is by Erik Stackpole.
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American entrepreneur Ian Schrager’s hospitality group The Edition has opened the first five-star hotel in Tampa, Florida, which includes a “jungle” lobby and a party room with 350 disco balls.
The Tampa Edition, which started taking bookings in October 2022, is housed in a new 26-storey building that includes 172 rooms and 38 private residences.
A focal point in the lobby of The Tampa Edition is a snaking marble staircaseIt forms part of the Water Street development, a huge urban mixed-use expansion project just south of Downtown and a couple of blocks from the waterfront.
“[Tampa] has established its time is now, and I think it’s about to explode on the scene,” said Schrager, the hospitality mastermind who co-founded the legendary New York nightclub Studio 54, and is also behind the Public hotels chain.
Between the tropical plants, the tall lobby features a custom travertine pool table“It’s got a good quality of life and a great food scene,” he continued.
“It’s a city in the sun, but it’s not a vacation-only spot, it’s a real living breathing city and that’s what I think is so special about it.”
Bright yellow carpet and seating contrast the greenerySchrager’s team at ISC Design Studio designed the new Edition property, along with Morris Adjmi Architects, Nichols Architects, Bonetti Kozerski Architects, and Roman and Williams.
The white and glass building features art deco-influenced curves, which wrap the hotel on the larger lower floors and the residences in the tower portion above.
A scalloped walnut bar serves Mediterranean-influenced cocktails and light bitesThe hotel’s lobby features 20-foot ceilings and full-height glazing along the front facade.
A large stainless-steel lilac orb greets guests as they enter the travertine-clad space, which is filled with tropical plants.
The Lilac restaurant features bright green seating that matches the tiles lining the semi-open kitchen”I put the landscaping in the lobby,” Schrager told Dezeen. “I wanted to have a jungle, and I kept saying ‘more, more’ plants. At night they’re lit from below and you get the shadows of the leaves on the ceiling. It’s almost all green.”
Among the greenery are areas of lounge seating and a custom travertine pool table with a bright yellow top.
Entertainment spaces on the second floor include the Punch Room, decorated with walnut panelling and jewel-toned sofasThe same colour is repeated in the carpet and seat upholstery in the bar area, which is arranged around a scalloped walnut counter from which Mediterranean-influenced cocktails and small plates are served.
“Using really bright colors – the yellows and blues and greens – or putting plants in the lobby, were not additive,” said Schrager. “Those things will surprise you.”
A party room with 350 disco balls on the ceiling forms part of the Arts ClubThe restaurant, Lilac, features bright green seating that matches the tiles lining the semi-open kitchen, which offers a Mediterranean menu from chef John Fraser.
At the other end of the lobby, a white marble staircase provides a focal point as it snakes up to several more entertainment spaces.
The Arts Club also includes an entirely black room with lounge seatingThese include the Punch Room, a cosy walnut-panelled space with chartreuse sofas, and royal blue velvet banquettes and curtains.
The Arts Club, intended for late-night events, comprises a series of rooms – one is completely black, while 350 disco balls cover the entire ceiling in another.
The guest bedrooms are designed to look understated, with a focus on materialsThe spa is also located on the second floor, while another bar and restaurant can be found on the ninth, which opens onto a roof terrace where guests can also enjoy an outdoor pool, sun loungers and cabanas.
Guest rooms and suites have an understated aesthetic, with particular attention paid to lighting and materials, including marble bathrooms, walnut panelling and white oak furniture.
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“The design is simple and pure,” said Schrager. “There isn’t anything superfluous or gratuitous, nor a wasted gesture.”
“Leonardo da Vinci said ‘simplicity is the ultimate sophistication’. It’s supposed to be restful and peaceful,” he added.
A bar and restaurant on the ninth floor, named Azure, opens onto a roof terraceThe Edition now has 15 locations around the world, with West Hollywood, Tokyo and Madrid – which was longlisted for the Dezeen Awards 2022.
“I’m selling a visceral emotional experience, and it’s hard to pull that off,” Schrager said of the Edition as a brand. “Because you can’t take it out of a brand book or a rule book. It’s got to be balanced between refinement and being raw and edgy, so it can all come together in some mystical way.”
The roof terrace includes a swimming pool, loungers and cabanas for guests to relax inThe Tampa Edition is a major draw for the $3.5 billion Water Street development project, which encompasses nine million square feet and will form a new neighbourhood in a previously neglected corner of the city.
Tampa, as with other Floridian urban centres, has seen a boom in interest from tourists and new residents over the past few years, and therefore a need has grown for more homes, hotels and restaurants.
The photography is by Nikolas Koenig.
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French shoe brand Nodaleto has chosen Miami as the location of its first US store, which New York studio Rafael de Cárdenas designed with sci-fi-influenced red and chrome interiors.
The shop opened in Miami Design District during the city’s art week earlier this month, starting a two-year lease in the 1,000-square-metre space (10,764 feet).
Sculptural red seats run through the middle of the Nodaleto storeRafael de Cárdenas based the interior on mid-century French design, as a homage to the influence this movement had on sets created for sci-fi movies.
The studio also linked the shape of Nodaleto’s signature heels to chairs featured in Stanley Kubrick’s film 2001: A Space Odyssey.
The interiors pay homage to midcentury French design and space-age movie sets”The design, driven by the concept of ‘hyper-modern hospitality’, explores shapes and materials that echo the feel of a space station as well as an idea of a glamorous future,” said the Rafael de Cárdenas team.
“In many ways, midcentury French design defined the frontier of space as much as NASA; the interior reflects that.”
Shoes are displayed on white shelves in front of brushed chrome panelsSci-fi references can be seen across the store, which is fully carpeted in bright red and features brushed chrome panels divided by thin light strips along its walls.
“In cinematographic style, a warm satin velvet floor meets cold steel shelves,” the studio said. “The store space – in line with brand’s creative tone – strives to induce the experience of contemporary luxury.”
The shape of Nodaleto’s signature heel reminded Rafael de Cárdenas of the seats in 2001: A Space OdysseyShoe displays run the length of the narrow space, with white shelves suspended in front of the metallic panels.
Through the middle are a series of sculptural, undulating modular seats for shoppers to sit and try on the footwear.
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A large red volume right at the centre is emblazoned with the brand’s backlit logo, as well as three pairs of white mannequin legs that emerge from the vertical surface.
“The store serves as a moldable creative field for the brand and strives to offer an intimate immersion into Nodaleto’s mischievous personality,” said the studio.
White mannequin legs emerge from a wall under the Nodaleto logoRafael de Cárdenas was shortlisted for interior design studio of the year at the Dezeen Awards 2022. Named after its founder, the studio’s previous projects include a bar inside New York’s Nordstrom department store and the Manhattan offices of beauty brand Glossier.
Miami Design District is home to the stores of many luxury brands, with architecture and interiors by internationally renowned studios, including Louis Vuitton’s menswear store wrapped in a diamond-patterned facade by Marcel Wanders.
The brand’s first US store is located in Miami Design DistrictThe city, seen by some as the capital of Latin America, received an influx of creative talent during the Covid-19 pandemic and continues to grow as a cultural destination.
“Nodaleto chooses Miami because it’s a crossroad of cultures, a city permanently kissed by the sun, a hub for arts and design, because of its daring nerve and unapologetic energy,” said the studio.
Also during this year’s Miami Art Week, Kelly Wearstler debuted a collection of knotted marble furniture and Nike showcased hundreds of Virgil Abloh-designed sneakers.
The photography is by Kris Tamburello.
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Saturated tones, Mediterranean patterns and decadent furnishings are found throughout this renovated boutique hotel in Miami with interiors by New York studio Jessica Schuster Design.
Originally built in 1927 as a cultural hub for artists, the building, formerly known as Spanish Village, is located on Miami Beach’s pedestrian plaza, Española Way.
Esme Hotel is located along Miami Beach’s pedestrian stripEvent planning and design company Infinity Hospitality Group collaborated with Jessica Schuster Design on the transformation of the hotel, which has 145 guest rooms.
The architecture of Española Way resembles the Mediterranean villages of Spain and France. Schuster looked to the rich local architectural history as a starting point for the interiors.
Jessica Schuster Design transformed the building into a boutique hotel”We wanted to create an artful collage of bohemian grandeur alongside Miami’s historic Española Way,” said Jessica Schuster, founder of Jessica Schuster Design.”We had fun playing with furniture, lighting and fabrics to create something timeless and exciting at the same time,” Schuster told Dezeen.
The interior has Art Deco elementsGuests arrive at a lobby with plush velvet flooring and benches clad in a fabric that recalls the patterned ceramic tiles often seen in southern European countries. Plants potted in wicker pots add to the hotel’s bohemian theme.
“We wanted to create something that spoke to the Mediterranean culture of South Beach, Miami,” said Shuster.
“This was achieved using vibrant colours, fun textures and details that remained true to the historical aspect of the hotel’s original design.”
Clashing patterns feature throughout the hotelAfter passing through the lobby, visitors can sip cocktails or sample Latin-inspired dishes at El Salón, a cocktail bar inside the Esme Hotel.
Here, stools fringed with tassels are stationed around the edge of a circular mahogany bar. The adjoining, dimly lit dining area has a similar decadent arrangement, with candlelit tables spread across the checkered floor.
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Schuster worked closely with the Historic Preservation Board of Miami to replicate some of the original building’s elements.
The studio used materials such as the limestone travertine and plaster, which featured heavily in Mediterranean revival design in Miami.
The rooms are coloured in saturated, rich hues associated with opulence”It was a historical property, so we worked to bring back the integrity of the original designs that are unique to South Beach, being that most buildings are from the Art Deco period,” Shuster explained.
“We reused a lot of pecky cypress wood detailing on the ceilings and throughout the hotel. We also uncovered an original fireplace that we gave life to again and kept the original arches,” she added.
The bathrooms incorporate gold elementsThe Art Deco aesthetic is continued upstairs in the hotel’s bedrooms and bathrooms where bath and skincare products by Grown Alchemist can be found.
Many of the rooms have a rose and emerald colour scheme with gold accents and vibrant clashing patterns that create striking decorations for floors and walls.
On the rooftop, there is a vintage bar and swimming pool with frilly red awnings and pinstriped seating.
The rooftop has pinstriped furnishingsEsme Hotel isn’t the only interior that references the opulence of Miami’s past. American designer Ken Fulk styled The Goodtime Hotel to reflect the art deco architecture of the area.
Fulk also decorated the interior of the Swan restaurant in Miami with soft, candy colours that remind diners of Miami’s 1920s heyday.
Photography is by Christian Harder.
Project credits:Client: Infinity HospitalityInterior design: Jessica Schuster Design
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