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    Moooi furnishings “tell a different story on every floor” of Lisbon hotel says Rebelo de Andrade

    Father and son architect duo Luís and Tiago Rebelo de Andrade explain how they furnished Lisbon’s Art Legacy Hotel entirely with Moooi products in this video produced by Dezeen for the Dutch furniture brand.

    Lisbon practice Rebelo De Andrade designed the interiors of the five star Art Legacy Hotel, located in the Baixa-Chiado district in the city’s centre.
    The hotel is notable for its exclusive use of Moooi products and rooms with bold primary colour schemes.
    Art Legacy Hotel is a five star hotel in Lisbon”Hospitality is always about image and stories,” said Luís Rebelo De Andrade, founder of the studio, in the exclusive Dezeen video interview. “We wanted the guests, when they come to this hotel, to have a completely unexpected experience.”
    “So, we proposed to our client that we make a hotel with only Moooi products, to give it a very strong identity.”

    IDEO designs Pallana suspension lamp with adjustable ring lights for Moooi

    Moooi’s products were used throughout the hotel, including carpets, furniture, lighting, wall coverings and art pieces.
    “Moooi is everywhere in the building,” said Tiago Rebelo De Andrade, who is partner and principal architect at the studio and Luís Rebelo De Andrade’s son. “When you enter the hotel, all the colours, all the textures, all the furniture from Moooi helps us to tell a different story in every floor.
    Rebelo De Andrade furnished the Art Legacy Hotel entirely with Moooi productsThe project is a renovation of a historical office building. Alongside overhauling the hotel’s interior, Rebelo De Andrade also redesigned its facade.
    According to Tiago Rebelo De Andrade, Moooi’s blend of modernity and classical references suited the studio’s approach to designing the hotel’s interiors.
    “Moooi is classic but in a way that can also be modern,” he said. “It’s a modern-classic building.”
    Art Legacy Hotel is a renovation of a historic building in Lisbon’s centreLuís Rebelo De Andrade decided to partner with Moooi on the hotel’s interiors after visiting the brand’s Museum of Extinct Animals exhibition at Milan design week in 2018.
    Each room in the Art Legacy Hotel has either a blue, red, yellow or green colour scheme, with matching wall coverings, furniture and tiling in the bathrooms.
    “When I first met Moooi’s products, I felt that it uses a lot of primary colours,” he said. “So I used primary colours in a very strong way in the hotel. They are colours that provoke you.”
    Moooi’s lighting, furniture, wall coverings and carpets are used throughout Art Legacy HotelIn the video interview, the duo also discussed their working relationship.
    “My son, he provokes me,” said Luís Rebelo De Andrade. “We had to educate ourselves on how to work together.”
    “I offer my experience, he offers his youth in projects,” he continued. “So I think it’s a good mix.”
    Rebelo De Andrade used primary colour schemes in Art Legacy Hotel’s rooms”It’s difficult because it’s a father and son relationship,” added Tiago Rebelo De Andrade. “We are always arguing, but at the end of the day, we drink a bottle of wine so that we can make peace with each other.”
    Other recent projects from Moooi include the IDEO-designed Pallana suspension lamp, made up of adjustable ring lights, and the rope-like Knitty Chair designed by Nika Zupanc.
    The photography is by João Guimarães.
    Partnership content
    This video was produced by Dezeen for Moooi as part of a partnership. Find out more about Dezeen’s partnership content here.

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    Eight living rooms where vintage furniture adds an “unknown history”

    Our latest lookbook features living rooms where vintage furniture and accessories add interest to contemporary interiors, including a concrete apartment in São Paulo and a home in the BBC’s former London headquarters.

    Vintage furniture can create cosy interiors and add a sense of timeless style to both modern new builds and historic homes.
    Whether it’s iconic pieces by well-known designers or artisanal accessories, these eight projects all feature eye-catching vintage furnishings and show how they can be used to create inspiring interiors.
    This is the latest in our lookbook series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring burl-wood interiors, homes where ruins reveal layers of the past and well-designed sheds and outbuildings.
    Photo by Eric PetschekAmagansett Beach House, US, by Starling Architecture and Emily Lindberg Design

    Located by the beach in the Hamptons village of Amagansett, the interior of this blackened wood home was filled with a mix of vintage and contemporary furniture.
    In one corner of the living room, a modern wood desk has been complemented with a dark-wood vintage chair, while a wooden lamp and small sculpture add a decorative touch.
    Find out more about Amagansett Beach House ›
    Photo by Edmund DabneyHighbury apartment, UK, by Holloway Li
    London studio Holloway Li designed this apartment for its co-founder Alex Holloway in a converted Victorian house.
    The living room, unusually, holds a bathtub that was placed here to add an “alternative touch” to the flat. Next to it, a green vintage Eames office chair sits by a bespoke timber Holloway Li desk.
    Find out more about Highbury apartment ›
    Photo by Michael SinclairPalace Gate apartment, UK, by Tala Fustok
    Designed to be a “calm sanctuary,” this apartment in a Victorian mansion block close to London’s Hyde Park has a neutral cream, white and brown colour palette.
    In the living room, a selection of carefully chosen artworks in organic shapes match the vintage furniture and antique mirror.
    Find out more about the Palace Gate apartment ›
    Photo by Denilson MachadoDN Apartment, Brazil, by BC Arquitetos
    This 1970s São Paulo apartment (above and main image), renovated by Brazilian studio BC Arquitetos, features monolithic concrete panels and plenty of walnut panelling.
    Vintage furniture pieces by Brazilian mid-century modern designers are found throughout the flat including in the living room, where a gleaming wooden Petalas table by Jorge Zalszupin has pride of place.
    Find out more about DN Apartment ›
    Photo by Brotherton LockChestnut Plantation, US, by John Pardey Architects
    Local studio John Pardey Architects designed Chestnut Plantation as a simple backdrop to the client’s vintage furniture.
    The largely open-plan interior features a living room with floor-to-ceiling glazing and textured brick walls, which contrast nicely against the more ornate vintage chairs that were placed to have a view of the garden.
    Find out more about Chestnut Plantation ›
    Photo by Michael SinclairHelios 710, UK, by Bella Freud and Maria Speake
    The interior of this apartment, located inside the former BBC headquarters in west London, was designed to channel a 1970s vibe.
    In the living room, a glass dining table is complemented by woven-cane dining chairs and burnt-orange sofas contrast against the emerald green floor. The pieces were chosen to evoke the “bold colour, eclecticism and glamour” of the seventies.
    Find out more about Helios 710 ›
    Photo by Giulio GhirardiHaussmann apartment, France, by Rodolphe Parente
    A yellow sculptural vintage sofa decorates the living room in this apartment in a 19th-century Haussmann building in Paris, which was given a contemporary overhaul by interior designer Rodolphe Parente.
    Its colour was chosen among the other warm tones used in the apartment to “subtly enhance the classical heritage of the apartment and keep an enveloping atmosphere,” the interior designer explained.
    Find out more about the Haussmann apartment ›
    Photo by Nicole FranzenLong Island Home, US, by Athena Calderone
    New York designer Athena Calderone renovated her own mid-century home in Amagansett to brighten it up and make it feel warmer. Vintage furniture is a big part of the design as seen in the living room, which has two white vintage chairs in different designs.
    “I would say probably 80 per cent of this home has vintage furniture,” Calderone added. “I love what vintage does to the home. It adds an unknown history and a timeworn patina.”
    Find out more about the Long Island Home ›
    This is the latest in our lookbook series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring burl-wood interiors, homes where ruins reveal layers of the past and well-designed sheds and outbuildings.

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    San Francisco exhibition features “off-center” Bay Area furniture design

    Stools from local designer Caleb Ferris and design firm Prowl Studio were among the works displayed at a San Francisco exhibition centred around contemporary Bay Area design.

    The Works in Progress show displayed stools, chairs and other furniture from local designers to highlight the diversity in methods and backgrounds of an evolving Bay Area design scene.
    The recent Works in Progress exhibition held in San Francisco highlighted Bay Area designers”As the Bay Area creative scene evolves in real-time, there are boundless possibilities for how it might bloom,” said curators and designers Kate Greenberg, Kelley Perumbeti, and Sahra Jajarmikhayat in a statement. 
    “For now, we are here to acknowledge its depth and say: it’s a work in progress.”
    Caleb Ferris showed a duck-footed poplar stoolThe team distributed the exhibition’s pieces across metallic platforms supported by foundations of bricks.

    Pieces ranged from a curvacious, duck-footed poplar wood stool marked with paint and silver leaf by Caleb Ferris, to Prowl Studio’s cubic stainless steel stool wrapped in a 3D knit cover.
    Prowl Studio wrapped a stainless steel stool in a 3D knit cover”Across a range of materials, forms, and functions, the participants have found a groove in the original, the introspective, and the off-center,” said the team. 
    Designer Ido Yoshimoto displayed a sculptural side table made of old-growth redwood and finished in a dark red textured hue. The table consists of a geometric, curved corner that runs into a darkened raw edge.
    Designer Ido Yoshimoto showed a sculptural old-growth redwood side table with a raw edgeStudio Ahead created a fuzzy Merino wool stool informed by northern California rock formations, which contrasted with the smooth surface of a glass stool by curators Jajarmikhayat and Greenberg.
    Other works included a baltic plywood side table with grooved sides and small, chunky sky blue legs by NJ Roseti and a white oak chair topped with a wild fleece and suede cushion by Rafi Ajl of studio Long Confidence.

    Bendable battery among sustainable materials at San Francisco exhibition

    Office of Tangible Space showed a flat-legged chair designed in collaboration with CNC design studio Thirdkind Studio, while Duncan Oja of Oja Design displayed a charred white oak stool with an organic, rough-sawn profile.
    Fyrn Studio showed a charcoal-black hardwood stool with aluminium hardware created with replaceable parts and studio Medium Small and designer Yvonne Mouser both displayed chairs made of ash, one blackened and the other not, supported by bases of elegant, simple lines.
    Studio Ahead and Kate Greenberg and Sahra Jajarmikhayat made stools with rock-like forms”As simple as it sounds, the soul of this exhibition is in the representation of physical craft and the people behind it. It’s important to shine a light on this vibrant slice of the Bay Area that is not always as visible amidst a city focused on the digital realm,” said Perumbeti.
    “There’s something really exciting brewing in this community that is just beginning to get teased out,” said Greenberg.
    NJ Roseti created a baltic plywood side table supported by light blue cubic legsWorks in Progress was part of the wider San Francisco Art Week, which highlights art and design from the city and took place from 13-21 January.
    Other recent furniture exhibitions that highlighted California designers include INTRO/LA with pieces by Adi Goodrich and Sam Klemick and the first Miami edition from Milan-based design exhibition Alcova held in a motel during Miami’s art week.
    Works in Progress took place at the American Industrial Center in San Francisco from 18 to 23 January 2023. See Dezeen Events Guide for more architecture and design events around the world.
    The photography is by Sahra Jajarmikhayat unless otherwise stated. 

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    Eight interiors where burl wood provides natural texture

    This week’s lookbook rounds up eight interiors with furnishings and surfaces finished in burl-wood veneer, allowing its swirly, psychedelic graining to serve a decorative function.

    Burl wood is a rare and expensive wood, often only available in thin sheets of veneer. That’s because it is derived from the knobbly outgrowths of tree trunks and branches – also known as burls.
    Like the botanical equivalent of a callous, these outgrowths form in response to different stress factors and grow unpredictably, creating complex unexpected grain patterns behind their gnarled bark.
    Burl wood has been experiencing a renaissance over the last few years, with interior designers including Kelly Wearstler using it to evoke the bohemian flair of its 1970s heyday.
    Mixed and matched with other patterns, the material is now used to communicate a kind of organic understated luxury, much like natural stone.

    From a Michelin-starred restaurant to a home that was designed to resemble a boutique hotel, read on for eight examples of how burl wood can provide textural richness to a modern interior.
    This is the latest in our lookbook series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring rooms with net floors, interiors with furry walls and homes with mid-century modern furniture.
    Photo by Pion StudioBotaniczna Apartment, Poland, by Agnieszka Owsiany Studio
    This tranquil apartment in Poznań was designed by local firm Agnieszka Owsiany Studio to give the owners a reprise from their high-pressure medical jobs.
    The interior combines a calming mix of pale marble and various kinds of wood, including oak cabinetry, chevron parquet flooring and a console and vanity, both finished in speckled burl.
    “My clients asked for a high quality, almost hotel-like space, as they were in need of everyday comfort,” founder Agnieszka Owsiany told Dezeen.
    Find out more about Botaniczna Apartment ›
    Photo by Adrian GautUlla Johnson flagship, USA, by Kelly Wearstler
    Burlwood brings “a touch of 1970s California nostalgia” to the Ulla Johnson flagship store in Los Angeles, courtesy of local designer Kelly Wearstler.
    The unusual veneer was used liberally to cover walls, ceilings and shelves, as well as forming a statement display cabinet where the material’s natural wavy surface texture provides an added element of tactility (top image).
    Find out more about the Ulla Johnson flagship ›
    Photo by Prue RuscoeKoda hair salon, Australia, by Arent & Pyke
    This hair salon in Sydney’s Queen Victoria Building was designed by Australian studio Arent & Pyke to be “best appreciated from seated height”.
    Drawing attention away from the building’s extra-tall ceilings, freestanding quartzite-rimmed mirrors are placed at angles in front of the styling chairs, framing a vintage hanging cabinet made from pale burl.
    Find out more about the Koda hair salon ›
    Photo by Pion StudioOpasly Tom restaurant, Poland, by Buck Studio
    Buck Studio employed a limited palette of colours and materials to create visual continuity throughout Warsaw restaurant Opasly Tom, which occupies a split-level building that was broken up into a series of rooms of different sizes.
    Coral-orange chair cushions mirror the hardware of the totem-like pendant lights, and several burl-clad cabinets are dotted throughout the eatery. These match the kaleidoscopically patterned panelling in the hallway and the private dining rooms.
    “This contemporary, minimalistic design approach produces the impression of coherence while creating a powerful aesthetic impact,” explained the Polish studio, which is headed up by Dominika Buck and Pawel Buck.
    Find out more about the Opasly Tom restaurant ›
    Photo by Oni StudioWarsaw apartment, Poland, by Mistovia
    Elsewhere in Warsaw, Polish studio Mistovia designed an apartment for an art director and her pet dachshund to resemble an “elaborate puzzle” of contrasting patterns.
    Walnut-burl cabinets dominate the kitchen, with their trippy swirling pattern offset against monochrome tiles, brushed-metal drawers and a terrazzo-legged breakfast bar.
    Find out more about the Warsaw apartment ›
    Photo by Jennifer Chase and Yorgos EfthymiadisImperfecto, USA, by OOAK Architects
    Upon entering Michelin-starred restaurant Imperfecto in Washington DC, diners are greeted by a custom-made maître-d stand clad in panels of burl-wood veneer, creating a mirrored tortoiseshell pattern across its surface.
    The interior, designed by Greek-Swedish studio OOAK Architects, sees neutral tones paired with splashes of blue and white that nod to the restaurant’s Mediterranean menu.
    “OOAK Architects has used varied, high-quality finishes and authentic materials including Greek and Italian marbles, as well as brass and wood from different parts of the world, creating contrasting textures across the space,” the team said.
    Find out more about Imperfecto ›
    Photo by Anson SmartBlack Diamond house, Australia, by YSG
    Australian interiors studio YSG introduced a sumptuous mix of materials to this house in Sydney’s Mosman suburb to evoke the feeling of staying in a luxury hotel.
    This approach is evidenced by a number of custom furniture pieces dotted throughout the home, including a Tiberio marble vanity in the downstairs powder room and a poplar-burl cabinet with a bronzed mirror that looms over the nearby living room.
    Find out more about Black Diamond house ›
    Photo by Åsa LiffnerStudio Frantzén, UK, by Joyn Studio
    Restaurant Studio Frantzén in London’s Harrods department store serves a fusion of Nordic and Asian food that is also reflected in its Japandi interiors – taking cues from both Scandinavian and Japanese design.
    Interiors practice Joyn Studio leaned heavily on both cultures’ penchant for wood, combining seating banquettes made from blocks of end-grain pine wood with gridded timber ceilings and seating booths framed by burl-wood wall panelling.
    Find out more about Studio Frantzén ›
    This is the latest in our lookbook series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring rooms with net floors, interiors with furry walls and homes with mid-century modern furniture.

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    Space Projects creates Amsterdam store with thatched hut for Polspotten

    A curvilinear thatched hut has been paired with terracotta-hued tiles at the Amsterdam store for homeware brand Polspotten, which was designed by local studio Space Projects.

    The studio created the store to straddle a shop and an office for Polspotten, a furniture and home accessories brand headquartered in the Dutch capital.
    Visitors enter the Polspotten store via an oversized triangular entrancewayCharacterised by bold angles and arches, the outlet features distinctive terracotta-coloured walls and flooring that nod to traditional pots, Space Projects founder Pepijn Smit told Dezeen.
    “The terracotta-inspired colours and materials refer to the brand’s first product, ‘potten’ – or pots,” said Smit, alluding to the first Spanish pots imported by Erik Pol when he founded Polspotten in the Netherlands in 1986.
    The interconnected spaces are delineated by cutoutsLocated in Amsterdam’s Jordaan neighbourhood, the store was arranged across a series of open-plan rooms, interconnected by individual geometric entryways.

    Visitors enter at a triangular opening, which was cut away from gridded timber shelving lined with multicoloured pots that mimic totemic artefacts in a gallery.
    A curvilinear thatched hut provides a meeting spaceThe next space features a similar layout, as well as a plump cream sofa with rounded modules and sculptural pots stacked in a striking tower formation.
    Travelling further through the store, molten-style candle holders and Polspotten furniture pieces were positioned next to chunky illuminated plinths, which exhibit amorphously shaped vases finished in various coral-like hues.

    Dana Arbib shows colourful glassware informed by root vegetables for New York exhibition

    Accessed through a rectilinear, terracotta-tiled opening, the final space features a bulbous indoor hut covered in thatch and fitted with a light pink opening.
    The hut provides a meeting space for colleagues, according to the studio founder.
    “The thatch, as a natural material, absorbs sound as well,” explained Smit.
    The store provides an art gallery-style space for homewareNext to the hut, Space Projects created an acoustic wall illustrated with “hieroglyphics” of Polspotten products, which references the gallery-like theme that runs throughout the outlet.
    “The store was inspired by Polspotten’s use of traditional techniques combined with a collage of their reinterpreted archetypes,” said Smit.
    It is also used as an office spaceElsewhere in Amsterdam, Dutch practice Studio RAP used 3D printing and algorithmic design to create a “wave-like” facade for a boutique store while interior designer Linda Bergroth created the interiors for the city’s Cover Story paint shop to streamline the redecorating process for customers.
    The photography is by Kasia Gatkowska.

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    Video reveals Michael Hsu’s organic approach to interiors of Austin high-rise

    Texas studio Michael Hsu Office of Architecture has designed the common areas for a 50-storey residential high-rise building in Austin, as shown in this exclusive video captured by Dezeen.

    Called 44 East, the building is located east of downtown Austin in the Rainey Street Historic district. The firm designed the interiors of the building’s common areas, which take cues from its natural surroundings, particularly the neighbouring Colorado River.

    Michael Hsu Office of Architecture has designed the interiors of 44 East
    The practice enhanced the space using colour and texture, layering vintage and custom furnishings to create a relaxed and inviting ambience.
    Curved surfaces and light colours are incorporated throughout the space, with poured concrete terrazzo floors incorporated to pay homage to the gravel of the nearby riverside trail.
    Curved surfaces and light colours are incorporated into the lobby area of 44 EastThe interior is characterised by the use of soft shapes and natural materials throughout the various spaces, including on the eleventh floor, where pastel hues complement subtle architectural details.
    The outdoor swimming pool features a series of pebble-shaped islands, with a partially-covered patio inviting guests to relax outside and enjoy the views of the river.
    The eleventh floor features a circular outdoor swimming poolOn the thirty-seventh floor, a large moon-like pendant light is suspended above a plush circular sofa.
    The higher vantage point offers scenic views of downtown Austin, and features jewel tones and darker materials intended to complement the Texas skyline at dusk.
    The thirty-seventh floor features darker tones to complement views of the Texas skyline44 East was developed by Intracorp, while the tower and unit interiors were designed by Page and landscapes designed by DWG.
    The interior design of the common spaces is one of the latest projects by Michael Hsu Office of Architecture, which is based in Austin and Houston.
    The company recently completed its self-designed Austin studio, which is adorned in wood-and-fabric lined walls and industrial details, to accommodate its growing team.
    The photography is by Chase Daniel.
    Partnership content
    This video was produced by Dezeen for Michael Hsu Office of Architecture as part of a partnership. Find out more about Dezeen partnership content here.

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    Adi Goodrich and Sam Klemick among exhibitors at INTRO/LA

    Curated by design consultancy Small Office, this year’s INTRO/LA features sculptural furniture from local designers such as Adi Goodrich, Sam Klemick and Jialun Xiong.

    The exhibition is being shown in Small Office’s Los Angeles showroom, with pieces displayed among semi-transparent dividers.
    Pieces by Los Angeles designers Adi Goodrich, Sam Klemick, Jialun Xiong and more are on display at INTRO/LAIt showcases both emerging and established Los Angeles designers.
    “The show is to display how diverse the community is, and how everyone’s working in different styles and production methods and materials,” Small Office founder Paul Valentine told Dezeen.
    For the first time, the exhibition is hosted at the showroom at Small Office, which runs the event. On the left is a collection by Estudio Persona and on the right is a collection by Adi Goodrich”[It’s] really to show the expansive of creativity here, rather than zero in on one trend and say, ‘this is what’s happening’.”

    Colourful, geometric pieces from Adi Goodrich’s Sing Thing collection are on display, including multi-tiered lamps, a checkered dining chair and playful, flat-pack side tables.
    Designer Sam Klemick showcased the Sweater Chair, a simple wooden chair draped with a carved-wooden sweaterThe collection is an homage to the silhouettes and character of the French L’Esprit Nouveau movement, as well as Lina, an influential woman in Goodrich’s life who taught her “how to live”.
    Sam Klemick’s Sweater Chair and an accompanying, wiggle-legged stool sit nearby.
    Jialun Xiong’s architectural side table features geometric cut-outsRecently on display as part of 2LG Studio’s You Can Sit With Us exhibition, the Sweater Chair consists of a carved-wood sweater draped over the backrest of a chair of the same material.
    An aluminium side table inspired by “the exterior of a boxy home” by designer Jialun Xiong sits among a chair, bench and stool featuring stainless steel elements and minimalistic lines.
    Caleb Engstrom’s Wet Wool chair is made of wooden and metal pieces draped with resin-soaked woolXiong’s Dwell side table consists of a metallic cube with rectangular and circular slices taken from around its body, “representing different architectural elements to enrich the user’s experience”.
    Caleb Engstrom’s Wet Wool chair is made of resin-drenched wool draped and set to dry over metal and wood pieces, which debuted earlier this year at Los Angeles Design Festival 2023,

    Nine design highlights from Los Angeles Design Festival 2023

    The chair sits next to a stackable side table made of rubber, lacquer and resin table bases used in Engstrom’s other pieces. One such base layer contains “faux” lemons trapped in its transparent form.
    Other work includes rustic wooden stools and lighting by Ravenhill Studio, spikey, wooden chairs and a large mirror by Objects for Objects and scalloped, ceramic planters and side tables from BZIPPY. Also on show was a collection by Leah Ring and Adam de Boer as well as studio Waka Waka, which has a production studio next door.
    The exhibition was curated to highlight the diversity of local work. The collection shown is by Taidhg O’NeillThe INTRO series was started in 2013 as a platform to showcase both emerging and established designers in contrast to the traditional trade show format. Valentine aims to create “one interior feeling” by displaying pieces from various designers in close proximity to one another for a community-oriented exhibition.
    Previous design exhibitions around Los Angeles include Future Perfect’s Dear Future show, which displayed work from Gaetano Pesce and a variety of shows at Los Angeles Design Festival 2023.
    INTRO/LA is on show at Small Office in Los Angeles until 17 November. See Dezeen Events Guide for more architecture and design events around the world.
    The photography is by JJ Geiger.

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    Madera displays contemporary flooring and millwork products in Los Angeles showroom

    Design and fabrication firm Madera has unveiled its latest showroom in Los Angeles, which was designed to showcase wood flooring and millwork products and has been captured in this exclusive video produced by Dezeen.

    The West Coast hub, which is Madera’s second showroom, is located in the Arts District of Los Angeles while its flagship showroom is in New York City.

    The showroom features a selection of wood products ranging from the brand’s signature wide-plank Thrasher flooring to custom cabinetry and benches.
    The space, which was converted from a former metal foundry into a showroom, aims to encourage clients to embrace wood and view it as an essential and natural element in design.
    Madera’s made-to-order Thrasher cabinetry is displayed in a living room spaceThe entryway features bespoke Douglas fir tables and benches, while the living room space has made-to-order Thrasher cabinetry showcasing the various finishes the brand offers.
    The kitchen displays a large custom island combining Madera’s Dogwood Ash and Travertine finishes, while a nearby conference room houses the brand’s Abechi Façade cladding in black.
    The showroom kitchen features a custom island that combines Madera’s Dogwood Ash and Travertine finishesMadera’s mission is to bring the natural beauty of wood into the spaces their clients inhabit to “redefine its place in the modern home”, according to the brand.
    Its Los Angeles wood shop, where custom stair parts and millwork elements are produced, is located only a short distance from its showroom.
    Madera’s showroom is located in the Arts District of Los AngelesThe brand recently launched its Seamless Wood Design system, which aims to ensure wooden products in an interior all complement each other.
    The system was created to offer designers and homeowners a customisable option that enables them to retain the character of wood throughout an interior.
    Partnership content
    This video was produced by Dezeen for Madera as part of a partnership. Find out more about Dezeen partnership content here.

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