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    Design Brut: Philia & Kids showcases sculptural furniture designed by “rather wise” children

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    Designers Antoine Behaghel and Alexis Foiny have created sculptural olive wood furniture based solely on drawings by children for a Galerie Philia exhibition.

    Design Brut: Philia & Kids is the inaugural programme of a non-profit initiative conceived by international art gallery Galerie Philia that aims to engage children in design.
    Design Brut: Philia & Kids was an exhibition on display in ParisThe project’s first edition invited 19 kids from a primary school in the Breil-sur-Roya village in France to design sculptural furniture that was exhibited at Espace Meyer Zafra in Paris from November until last week.
    Informed by the late French painter Jean Dubuffet, the initiative is named after art brut – or “raw art” – Dubuffet’s name for art created outside of academic limitations, such as art made by children.
    The furniture was constructed using children’s drawingsParticipants aged six to seven took part in a workshop over five months, where they were asked to draw their own interpretations of sculptural design under the supervision of BehaghelFoiny Studio founders Antoine Behaghel and Alexis Foiny and their teacher Virgile Ganne.

    The drawings range from a crocodile-like bench to colourful dining chairs and spikier, more abstract forms.
    “Several shepherds’ children drew hooves on the legs of the furniture, or horns on the backs of the chairs,” noticed Behaghel and Foiny.
    “Others, living near olive groves and the surrounding forest, drew leaves and branches on their furniture,” they told Dezeen.
    Nineteen children took part in the projectThe designers explained that they encouraged the kids to “assert their own creativity” as well as observe their classmates’ drawings and borrow forms from each other to make the design experience collaborative.
    “Against all odds, we realised that, when faced with furniture design, the children’s first intentions were rather wise, and copied the shapes of furniture they saw every day,” they said.
    Antoine Behaghel and Alexis Foiny constructed the furniture from olive woodAfter this, Behaghel and Foiny sorted the drawings into different furniture typologies including tables, chairs, stools, coat racks and pedestal tables, as well as categorising the creations by “spirits and styles”.
    The pair then worked with a cabinetmaker in Breil-sur-Roya to bring the drawings to life by making physical furniture out of local olive wood.
    “In some places, we shrank or enlarged the silhouettes drawn by the children, to better distribute the weight,” noted the designers.

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    During this process, the children were taken on a tour of a local sawmill and shown every stage of the production process in order to familiarise them with carpentry.
    Behaghel and Foiny explained that olive wood was chosen for its cultural significance to Breil-sur-Roya, which is known as the “pays des oliviers” (olive tree country).
    The designers painted the material in various colourful shades that aimed to subtly tint, rather than conceal, its veiny surface.
    “It seemed to us very relevant to associate the intervention of very young children wiht a thousand-year-old wood!” noted the designers.
    The pieces range from recognisable silhouettes to more abstract formsThe pair hopes that the workshop will have taught the children about the importance of furniture design while showcasing their personal creativity without limitations.
    “In the end, the children’s drawings showed a real spontaneity,” reflected Behaghel and Foiny.
    “They are both free from technical reflexes and therefore led us to take risks and at the same time detached from the aesthetic automatisms that we impose on ourselves more or less consciously as professional designers,” they added.
    “They led us to extract ourselves from standardisation of tastes and beauty, to play more with imbalances and proportions.”
    Subtle colour was used to brighten each wooden pieceThis is not the first time that children have tried their hand at chair design. Third and fourth graders at a school in New York have designed a number of seating collections under the supervision of art instructor Bruce Edelstein, including chairs with horns and other wooden seats.
    The photography is by Maison Mouton Noir. 
    Design Brut: Philia & Kids was on display at Espace Meyer Zafra from 10 November to 8 December 2022. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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      Galerie Philia presents design exhibition informed by Le Corbusier at Cité Radieuse

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      Galerie Philia has unveiled Héritages, an exhibition at the Le Corbusier-designed Cité Radieuse building featuring work by designers such as Rick Owens that respond to the Swiss-French architect’s theories of modernism.

      Héritages presents work by eight international designers and seven visual artists that reference the modernist theories pioneered by Le Corbusier, whose designs are known for their functionality and minimalism.
      A daybed by Arno Declercq features in the “resonances” room. Photo is by Maison Mounton NoirGalerie Philia joined forces with the Parisian arts magazine Eclipse to curate the exhibition at Le Corbusier’s iconic Cité Radieuse building in Marseille, which includes a range of both design and art.
      Spread across two rooms in an apartment, the exhibited designers respond to the theme of “resonances” with work that is heavily influenced by Le Corbusier’s theories, while the artists are guided by the theme of “dissonances” and present work that opposes the theories.
      Fabrice Hyber created an oil painting for the “dissonances” space. Photo is by Maison Mounton NoirIn the first room, a brutalist yellow chair by Italian designer Pietro Franceschini is displayed alongside other work, including a geometric bronze candlestick crafted with clean lines by Californian fashion designer Owens.

      “For the ‘resonances’ room, I selected sculptural designers that are deeply influenced by Le Corbusier,” Galerie Philia co-founder Ygaël Attali told Dezeen.
      “Le Corbusier’s theory, especially in his writings published in the 1920s, was provocative and militant both in his refusal of decoration without functionality, his industrial-inspired aesthetic, and his clear and marked difference between fine arts and design.”
      A brutalist yellow chair by Pietro Franceschini features. Photo is by LodoclickAlso featured in this space are pieces such as a chunky daybed by Belgian designer Arno Declercq crafted from patinated and raw steel with sheep’s wool.
      Contrastingly, the “dissonances” room includes pieces by artists that intend to question Le Corbusier’s theories. For example, artist Flora Temnouche created three abstract oil paintings featuring organic or curved forms with soft lines.

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      “Le Corbusier’s theory almost denies a particular relationship with nature,” Temnouche told Dezeen. “My paintings show the inertia of the plant, diminished under the influence of humans.”
      “I was inspired by the idea of this meager relationship that persists despite everything in Le Corbusier’s work and theories.”
      Jojo Corväiá designed a table using volcanic clay. Photo is by Maison Mounton NoirOther works in this room range from an eclectic table by visual artist Jojo Corväiá crafted from volcanic clay and an ethereal, blown-glass light sculpture by Jérôme Pereira.
      “All of the works in one way or another are an answer to Le Corbusier’s theoretical and aesthetic heritage, either as a mark of resistance or a touching homage to his legacy,” concluded Attali.
      The exhibition intends to echo its location. Photo is by Maison Mounton NoirHéritages takes place until July at Le Corbusier’s modernist housing complex Cité Radieuse to coincide with the building’s 70th anniversary.
      Galerie Philia is an international contemporary design and art gallery with locations in Geneva, New York City and Singapore.
      Previous Galerie Philia exhibitions include a show that presented Latin American and European sculptural design and an exhibition of furniture by emerging Italian designers created in response to the work of Owens.
      The photography is by Lodoclick and Maison Mouton Noir.
      Héritages takes place at Kolektiv Cité Radieuse, Unité d’Habitation Le Corbusier, Marseille, France, until 2 July 2022. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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      Transatlántico exhibition “forms a bridge” between Latin American and European design

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      Brutalist furniture by Rick Owens, a shaggy pink sofa and ethereal lighting feature in Transatlántico, an exhibition of Latin American and European sculptural design presented by Galerie Philia in Mexico City.

      Transatlántico brings together furniture and ornaments by emerging Latin American designers from Mexico, Peru, Colombia, Argentina, Venezuela, Puerto Rico and the Dominican Republic.
      Top: a wall hanging by Mexican studio Caralarga. Above: Pietro Franceschini presents his Waldo sofa, among other seatingTheir pieces are presented alongside work by leading European designers such as Pietro Franceschini and Pierre De Valck, some of whom are showing in Mexico for the first time.
      “The aim was to create an authentic, specialised event around the Latin American design scene and its very distinct identity, but also include new collections by European designers,” Transatlántico co-curator Alban Roger told Dezeen.
      “We wanted to establish a dialogue between the two continents, with both their own distinctive styles but also strong inter-influences.”

      Carob wood furniture by Cristián Mohaded features in the exhibitionIn line with this theme, a shaggy pink “yeti” sofa by St Petersburg-based artist Vladimir Naumov for Missana Lab is included alongside delicate carob wood furniture by Argentinian designer Cristián Mohaded, who explores carpentry using native materials from his birth country.
      An ethereal light named Ghost Pendant was crafted by Mexican designers Héctor Esrawe and Emiliano Godoy and Los-Angeles born designer Brian Thoreen, using handblown glass, silicon tubing and LED lights.
      Vladimir Naumov offers a shaggy pink sofaOther pieces include dark-coloured brutalist furniture by Paris-based American fashion designer Rick Owens that is made from a mixture of bronze and camel skin, as well as Mexico City-based Platalea Studio’s playful Happiness Bench formed from three curvy slabs of pink and brown terrazzo.
      “We reached out to talents we believe in and who fell within our criteria of sculptural design,” explained co-curator Jorge Brown, with regard to how Galeria Philia selected the participating designers.
      “Our main criteria was the originality of their design exploration but also their creative research on various materials and sculptural techniques.”

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      According to Galerie Philia, sustainability was also a factor in Transátlantico’s curatorial ethos.
      This is reflected in pieces such as a series of delicately woven wall hangings by Mexican artisanal studio Caralarga, which are crafted using raw cotton yarn and discarded fabric waste.
      Ghost Pendant is a light by Héctor Esrawe and Emiliano Godoy and Brian ThoreenColombian designer Alejandra Aristizábal also presents textile wall hangings that resemble jumbo rolls of sewing thread, although hers are made from fique – a natural fibre from the Andean region that has historically been used to create ropes and hammocks.
      “Transatlántico is founded on the idea of forming a transatlantic bridge between the contrasting cultural and artistic worlds of Europe and Latin America, identifying how we establish a creative discourse across the social boundaries associated with the geography that divides us,” said Galerie Philia co-founder Ygaël Attali.
      Rick Owens presents a selection of brutalist bronze furnitureWith galleries in Geneva, New York City and Singapore, Galerie Philia is an international contemporary design and art gallery that also presents group exhibitions at temporary spaces around the world.
      Previous Galerie Philia exhibitions include a furniture show in Manhattan’s Walker Tower and an exhibition presenting emerging Italian designers’ responses to Rick Owens’ work in Milan.
      Happiness Bench is playful terrazzo seating by Platalea StudioThe photography is courtesy of Galerie Philia.
      Transátlantico is on show at House of Kirschner’s gallery space, Avenida Ejército Nacional 676, in Mexico City from 8 to 12 February 2022. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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