Germany

Subterms

    More stories

    • 113 Shares189 Views

      in Rooms

      Coordination merges Berlin attic apartments to create artsy penthouse

      by

      Design studio Coordination has combined two attic apartments into a single penthouse in Berlin, crafting its interiors around the owner’s art collection.

      The formerly separate attic apartments were added to the 19th-century residential building in the 1990s. By bringing them together, Coordination created a spacious penthouse of 131 square metres, with a floorplan that is split into a private and a public zone.
      Coordination has designed a penthouse in BerlinThe latter houses the kitchen, which is finished with dark wooden cabinetry to complement a moody 17th-century portrait displayed in the adjacent dining area.
      Here, there’s a large oval table supported by two concave legs, while amorphous pink, orange and berry-red pendant lights are suspended from the ceiling.
      The apartment’s owner can showcase ornaments on a custom shelving unitDividing these two spaces is what appears to be an oversized marble island but is actually a part of the apartment below that juts into the penthouse.

      Rather than trying to obscure this structure, Coordination has made it into a display plinth for the owner’s sculpture collection.
      Blue walls in the bedroom nod to the maritime-themed artwork on displayA tall brass-edged glass door grants access to the more private section of the home, where the living room can be found. Its walls are rendered in very pale green, drawing on the colours of an 18th-century painting of Christ and the Virgin Mary that’s mounted above the sofa.
      The same shade of green was applied to the base of a bespoke floor-to-ceiling shelf, where the owner can showcase different ornaments. A niche was also added to house their piano.

      Gisbert Pöppler designs Berlin apartment like a “tailor-made suit”

      In the bedroom, surfaces were painted blue in reference to the various maritime artworks on show here.
      Turquoise-coloured storage was installed in the dressing room and a navy feature panel fitted behind the sink in the bathroom.
      Turquoise storage was installed in the adjacent dressing roomBerlin-based Coordination was founded in 2004 by Flip Sellin and Jochen Gringmuth.
      The studio isn’t the only one to take a client’s private collection into consideration when designing their home.
      In London, Gianni Botsford Architects devised a corten-steel extension to accommodate the owner’s curated selection of photographs, prints and lithographs, while over in Amsterdam i29 added double-height shelving to an apartment to show off the owner’s vast array of books and art objects.
      The photography is by Anne Deppe.
      Project credits:
      Architecture: CoordinationInterior concept: Flip SellinTeam: Chikako Sakamoto, Theresa OttoPartners: Vorschub, Greendom, Steinzeit BerlinProject management: Lena KramerFurniture design: Flip Sellin, Max WosczynaLighting concept: Coordination, Weißpunkt und purpurStyling: Nici Theuerkauf

      Read more: More

    • 138 Shares199 Views

      in Rooms

      Axel Arigato rejects “McDonald's approach” to interiors with Berlin flagship store

      by

      Travertine displays that double as DJ podiums feature alongside glistening butter-yellow columns in Axel Arigato’s Berlin outpost, which the streetwear label has designed together with longtime collaborator Halleroed.

      The brand’s flagship boutique is set in the central Scheunenviertel neighbourhood, across the ground floor of a prefabricated concrete Plattenbau building typical of post-war East Germany.
      Axel Arigato has opened a flagship store in BerlinStockholm design studio Halleroed was tasked with conceiving the interior scheme for the space, reviving some of the key visual themes the practice has established across all of Axel Arigato’s other stores.
      Rather than simply copy-and-pasting these elements, Halleroed mixed and matched them to create something new.
      Travertine was used to cover the floors and form chunky shelvesThis is illustrated in the store’s pale yellow columns, which effectively merge the glossy lacquered-metal surfaces seen in the London boutique with a muted version of the distinctive yellow accents that were used in the pop-up Stockholm shop.

      “We don’t have a McDonald’s approach where each store looks the same,” explained Axel Arigato’s creative director Max Svärdh.
      “We treat them as contemporary galleries and focus less on the transactional element, whilst staying true to our blueprint that keeps coming back in new shapes and materials.”
      Yellow-lacquered metal was used to envelop columns and form clothes railsRoman travertine, which features heavily across the brand’s Paris boutique, was used to cover the entire expanse of the floor, as well as forming chunky shelves and the plinths that encircle the interior columns.
      Rendered in various shapes, sizes and textures, these sculptural plinths can be used to display different trainers or act as counters and curved seating nooks when Axel Arigato is hosting an event in the store, which can comfortably accommodate up to 250 people.
      “The podiums – and in a way all the surfaces – are multipurpose in that we use them for displaying the weekly rotation of product drops, DJ decks at parties or pop-up merchandise when we hand over the space to other creatives,” Svärdh told Dezeen.

      Axel Arigato opens “upside-down” pop-up sneaker shop in Selfridges

      The raw natural texture of the travertine is contrasted against the lacquered metal, which was used to envelop the pillars and form a series of clothing rails curved around the perimeter of the room.
      “The glossy finish lends a highly visual element to our spaces and creates a nice contrast to the very organic materials and softer characters of the stone and the store’s generally muted character,” Svärdh explained.
      Mirrored pillars bookend a huge LED screenTogether with the floor-to-ceiling mirrors flanking a huge LED display, the shiny metal surfaces also help to reflect the illumination that is provided by the rows of strip lights running all the way across the ceiling.
      The flagship is Axel Arigato’s second bricks-and-mortar store in Germany, following the opening of its Munich outpost last November.
      Axel Arigato joins Hay, Acne Studios and a growing number of international brands that have moved into the Scheunenviertel in recent years. The area is rapidly being expanded into an alternative shopping destination tucked away behind the more touristy destinations of Berlin’s central Alexander Platz.
      Other businesses in the Scheunenviertel neighbourhood include Sofi – a bakery set in the courtyard of a restored brick factory.

      Read more: More

    • 150 Shares189 Views

      in Rooms

      Buero Wagner makes inventive use of industrial materials in Munich office extension

      by

      Curtains made from aluminium foil and furniture made from galvanised-steel gratings are just some of the novel uses of industrial materials featured in this silver-coloured office extension in Munich.

      Designed by local studio Buero Wagner, the extension was created by opening up the basement of an existing office in the backyard of a turn-of-the-century building near the Isar River in the Au district.
      Buero Wagner has extended an office in MunichNow spread across two stories, the revamped studio measures 140 square metres and is illuminated by windows that Buero Wagner extended down to the basement level.
      The revamped interior makes use of light reflective materials, such as galvanised-steel grating and aluminium foil, which would more typically be found in an industrial setting.
      The studio used industrial materials throughout. Photo is by Kim Fohmann”
The interventions were implemented from a canon of industrial materials,” said Buero Wagner.

      “These conventional, banal materials take on a new value through their processing and use in a context that is alien to them, and lend the interior an abstract, temporary character that deliberately leaves open the questions of use, appropriation, and the 
completion of the construction measure.”

      Studio Four23’s self-designed office inside former metal workshop is inspired by a toolbox

      Gratings have been used to make floors, a staircase and furniture, while the silver foil is used as a curtain that hides a kitchen, storage shelves and passages to the toilet and storage rooms.
      Other curtains are made out of bubble wrap to provide privacy while allowing light through.
      It features curtains made from silver foil. Photo is by Kim FohmannThe architects preserved the existing building’s materials as far as possible. In the basement, the concrete floor slab was exposed and on the ground floor, the oak parquet was refinished.
      The majority of the furniture is made from welded steel gratings while shelves and lighting are built from galvanized cable trays.
      The office also contains space for livingThe project is complete with an apartment unit, which the studio said was informed by the Covid-19 pandemic and is designed to make living and working in one place possible.
      Other interior projects finished with industrial materials include the office that Four23 created inside a former metal workshop and an apartment by Arhitektura d.o.o with metallic moveable furniture that allows the layout to be easily adapted.
      The photography is by Florian Holzherr unless stated otherwise.

      Read more: More

    • 150 Shares169 Views

      in Rooms

      Cells in former Berlin prison turned into guest rooms for hotel Wilmina

      by

      German practice Grüntuch Ernst Architects has converted an abandoned women’s prison and courthouse in Berlin into a “tranquil” hotel.

      Called Wilmina, the hotel occupies a duo of listed 19th-century structures in Charlottenburg that had been forgotten for decades prior to their renovation.
      Grüntuch Ernst Architects has converted a prison into the Wilmina hotelThe former court, which sits at the entrance on Kantstraße, accommodates the hotel’s reception as well as a temporary gallery called Amtsalon.
      An extension housing Wilmina’s restaurant connects the courthouse to the prison’s U-shaped cell block, which fits 44 guest rooms across five levels including a new penthouse floor at the top.
      Grüntuch Ernst Architects also added a roof terrace above the penthouse alongside a library, bar, spa and gym.

      Guest rooms are arranged on narrow galleries around the atriumInteriors were designed to respect the buildings’ existing architecture and reveal traces of their former use.
      “The process involved reversing the spatial configuration and its meaning so that an anti-social space can become an inviting place,” said the architecture firm, which was founded by husband-wife duo Armand Grüntuch and Almut Grüntuch-Ernst in 1991.
      “Through sensitive interventions with deliberate openings, build-ups, superimpositions, relocations and penetrations, the existing structures were expanded, connected and reprogrammed.”
      The rooms occupy the prison’s former cellsVisitors enter the Wilmina via a bright lobby and journey deeper into the hotel through a sequence of courtyards, passages and rooms that become increasingly private.
      In the hotel proper, narrow galleries with wrought-iron balustrades are wrapped around a central atrium, leading to the guest rooms that were set up in the former prison cells.
      Windows were enlarged to offer views into the courtyardA lighting installation with glass pendants is suspended from the ceiling of the atrium to emphasise its height.
      Although no two guest rooms are exactly the same, all of them are finished in light colours, soft textures and warm, tactile materials to create a soothing ambience.

      EPR Architects transforms historic prison into NoMad London luxury hotel

      Where possible, the cells’ small high windows were enlarged to provide views into the main courtyard. But their prison bars remain intact to remind visitors of the building’s history.
      The new penthouse level features floor-to-ceiling windows that offer views down across the complex and its gardens. The new rooms are designed to be minimalist, clear and calm, with fine metal chain curtains that shimmer in the breeze.
      Minimalist bathrooms blend in with the larger interior schemeAt the centre of the site sits the hotel’s restaurant Lovis in an extension constructed using bricks that were removed elsewhere during the prison’s transformation.
      The eatery occupies the site of the former lock yard, its old gates now replaced with large windows providing views of a small enclosed garden with rare ferns, vines, climbing plants and an old birch tree.
      The hotel occupies a U-shaped red-brick cell block”The unique location and the detailed, sensitive transformation make the forgotten place a special experience in Berlin,” said Grüntuch Ernst Architects.
      “Wilmina is a place of discoveries, of surprising visual links, ambiguous layers of space and traces of the past. Wilmina is also a place of natural tranquillity, relaxation and comfort – an oasis in the middle of the city.”
      An extension formed from reclaimed bricks houses the Lovis restaurantMeanwhile in London, EPR Architects and interior design firm Roman and Williams recently transformed the former Bow Street Magistrates Court and Police Station in Covent Garden into the first overseas outpost from American hotel brand NoMad.
      The photography is by Patricia Parinejad.

      Read more: More

    • 113 Shares199 Views

      in Rooms

      Holloway Li transforms Munich office building into Wunderlocke hotel

      by

      Wassily Kandinsky’s abstract paintings influenced the colourful yet understated interiors that design studio Holloway Li has created inside the Locke hotel in Munich.

      The aparthotel, called Wunderlocke, contains 360 serviced studio apartments and is situated in Munich’s Obersendling district, taking over an office building that previously belonged to German tech company Siemens.
      A timber desk anchors Wunderlocke’s receptionLondon-based Holloway Li aimed to celebrate the building’s raw structure and reveal its “inner voice”, avoiding a more traditional “material intensive” approach to retrofitting.
      This decision was chiefly informed by the work of 20th-century Russian painter Wassily Kandinsky – a pioneer of abstract art who spent a significant portion of his career in Munich.
      Adjacent to the reception is a co-working area”Kandinsky’s work explores how we can develop a closer relationship to nature through abstraction, rather than through more figurative approaches favoured at the time,” explained Holloway Li.

      “He believed that by connecting with the ‘innerer klang’ (inner voice) of things, an artist could reveal the natural essence of objects and materials.”
      Teal-coloured leather runs around the edge of the bar counterIn line with this idea, the studio stripped back the building to its concrete shell and added a carefully curated selection of furnishings using natural colours and materials where possible.
      At the heart of the ground-floor reception is a curved timber desk inset with panels of wheat-coloured carpet, which were also used to wrap the lower half of the room’s structural columns.
      Yellow and red furnishings bring a burst of colour to the barBeyond the reception is an informal co-working area dressed with plush sea-green sofas and communal timber desks.
      Holloway Li placed leafy potted plants around the periphery of the room and along the trellis-style shelves, creating the impression that the nearby Grünwald forest has “grown into and occupied” the interior.

      Fettle designs Schwan Locke Hotel in homage to early German modernism

      This floor of the Wunderlocke hotel also houses a drinks bar, with the lip of its countertop upholstered in supple teal-coloured leather to encourage guests to get comfortable and hang around for longer.
      Mustard-yellow tub chairs and a red seating banquette provide extra pops of colour.
      The building’s terrazzo staircase dates back to the 1960sThe upper floors of the hotel can be reached via a terrazzo staircase, which dates back to the 1960s but was updated with a stainless steel handrail.
      Painted in natural blue and green hues, each guest suite is designed to function as a small studio apartment with its own lounge area and kitchenette.
      Guest suites are decked out in shades of blue and greenIf guests don’t want to cook in their room, they have the option of eating at Mural Farmhouse – a group of five food and drinks venues spread across seven floors of the Wunderlocke building.
      Run by the founders of Munich’s Michelin-starred restaurant Mural, the complex encompasses an all-day restaurant, a wine bar, cocktail bar, coffee shop and an upscale eatery.
      All of the venues follow a farm-to-table ethos, making use of hand-picked herbs and vegetables from the hotel’s rooftop farm, which offers views over the Bavarian Alps.
      Each suite comes complete with a lounge and kitchenetteWunderlocke is the second Munich outpost from British aparthotel chain Locke. The first, called Schwan Locke, pays homage to early German modernism and features a colour palette informed by the work of Mies van der Rohe.
      Holloway Li was previously tasked with designing Locke’s location in the London district of Bermondsey, which evokes sunny California deserts.
      The photography is by Ed Dabney.

      Read more: More

    • 125 Shares159 Views

      in Rooms

      Urselmann Interior renovates own office using recycled and biodegradable materials

      by

      Düsseldorf studio Urselmann Interior has renovated its own office interiors using biodegradable, recycled or upcycled materials, including glueless joinery and a cellulose-based wall cladding.

      The interior design studio said that it renovated its self-described “circular” office in the German city to only feature materials that are either recycled, upcycled or biodegradable.
      Urselmann Interior’s office is in DüsseldorfThese include existing wooden and terrazzo flooring that was salvaged during the renovation, as well as heaters obtained from resource-efficient building material platform Concular.
      Spread over one main workspace, a kitchen and a meeting room, the single-level office features clay paint walls and is designed to be used as both a co-working space and a showroom.
      The renovation includes a kitchen”The office also serves us as a laboratory in that we can [use it to] test new qualities, materials and construction methods,” project manager Liz Theißen told Dezeen.

      A solid wooden frame was used to create simple kitchen cabinets, which were constructed without glue so that the structure is fully demountable.
      Joinery was created without glue in much of the projectThe frame was fitted with panels formed from recycled strips of fabric supplied by textile brand Kvadrat from its Really collection.
      For its walls, the studio used Honext wall cladding – a cellulose-based material that is produced using paper sludge and cardboard waste.

      Honext develops recyclable construction material made of cellulose fibres from waste paper

      Poplar wood from a tree felled in the nearby city of Krefeld was chosen for the ceiling, which was also assembled without glue.
      Throughout the office, neutral and minimal colour and material palettes were applied to the interior design, which also includes clusters of carefully arranged potted plants and books.
      Second-hand lighting encased in wiggly orange felt from Hey-Sign adds a splash of colour to the otherwise sandy-hued atmosphere.
      Wiggly orange lighting adds a splash of colourTheißen explained that all of the components that Urselmann Interior used for the renovation have been listed in a published “material passport” that can be referred to for future projects.
      “We want to develop a new design language for ourselves, in which we smartly combine high-quality materials such as solid wood with ecological building materials as well as reusable components [to achieve] a positive footprint in the construction industry,” she concluded.
      Honext panels line the clay paint wallsUrselmann Interior is a Düsseldorf-based interiors studio founded by Sven Urselmann.
      Similar projects to the studio’s office renovation include a Madrid restaurant by Lucas Muñoz with furniture formed from site construction waste and a bar made out of recycled stereos, bottle crates and fridges by Michael Marriott.
      The photography is by Magdalena Gruber. 
      Project credits:
      Design and build: Urselmann InteriorFounder and designer: Sven UrselmannDesigner: Petra JablonickáProject manager: Liz Theißen

      Read more: More

    • 125 Shares169 Views

      in Rooms

      Batek Architekten renovates historic cinema in pastel and earth-coloured hues

      by

      German studio Batek Architekten has refurbished Yorck Kino Passage, one of the oldest cinemas in Berlin, adding a foyer bar with pistachio-coloured arches and covering its screening rooms in saturated colours.

      The local studio wanted the renovation to pay respect to the original neoclassical style of the 1908 cinema, while still giving it a contemporary feel.
      Decorative arches nod to the arched windows in the building’s facadeThe basic structure of the foyer in the 325-square-metre cinema, which has decorative stucco elements, is the original, as are the staircases and large cinema hall. Other rooms had been renovated and refurbished over the years.
      Batek Architekten drew on the building’s large arched windows when designing the new foyer bar, which has pistachio-green arches that contrast against the original linoleum floor’s reddish-brown colour.
      A pale pistachio-green hue elegantly contrasts dark wood”The brown floor colour was specified due to monument protection and our resource-conservative approach,” Batek Architekten founder Patrick Batek told Dezeen.

      “This led to the general choice of earthy tones, but we chose the pistachio as a surprising addition.”
      Batek Architekten chose cork cladding for the cupboardsThe studio also added a natural cork covering to the cupboards in the foyer, which has a number of practical advantages.
      “The natural cork wall cladding was installed for acoustic reasons, it conceals the drinks storage and staff room spaces and allows for the hanging of posters and notices,” Batek explained.
      Velvet fabric in green hues decorate the foyerIn addition, existing materials were reused as part of the renovation. Corten-steel cladding from the cinema’s old bar was upcycled and reinstalled as panelling, edging and fitting elements of the new bar.
      The studio also restored Yorck Kino Passage’s brass light fittings and plaster moldings.

      Batek Architekten transforms Berlin arthouse cinema with saturated colours and neon lights

      As well as making interventions in the foyer, which now also features seating covered in forest-green and spring-green velvet fabric, Batek Architekten renovated two of the cinema’s smaller auditoriums.
      Here, the team added intense, deep colours that they felt were suitable for the ambience of the screening rooms, using blue for one and red for the other.
      A dark Prussian blue creates a dramatic auditorium”The auditoriums are in the basement of the building, and we wanted to create a more intimate atmosphere than in the original large lighter-coloured auditorium,” Batek said.
      “That’s why we clad it in dark Prussian blue fabric which contrasts nicely with the warm glow of the yellow-upholstered seating rows.”
      The studio added a deep red colour to the second screening roomA more traditional colour was chosen for the second room.
      “The other screening room is an interpretation of the classic cinema interior with a range of reds from rust to crimson covering walls and seating alike,” Batek explained.
      The studio also installed new podiums in the two auditoriums to create optimal visibility.
      One screening room nods to classic cinema interiorsBatek Architekten has a history of designing cinema interiors – having previously completed the Kino Delphi Lux cinema for the same client and refurbished the historic Blauer Stern cinema in Berlin.
      Among the studio’s other designs in the city is a duplex townhouse comprised of stacked cubes.
      The photography is by Marcus Wend.

      Read more: More

    • 100 Shares199 Views

      in Rooms

      Twelve Berlin architecture studios photographed by Marc Goodwin

      by

      British photographer Marc Goodwin has gone behind the scenes at 12 architecture studios in Berlin including Barkow Leibinger and Sauerbruch Hutton for the latest in his photography series exploring where architects work.

      Goodwin, who is the founder of studio Archmospheres, has documented architecture studios in cities across the world including Istanbul, Shanghai and São Paulo.
      Following a brief hiatus caused by the coronavirus pandemic, he is now continuing his global tour by visiting offices across Europe including those in the German capital.
      “We are working our way around Europe at the moment and Berlin is of course one of the major stops on that tour,” he told Dezeen.
      “The idea was to go there two years ago but a little something got in the way.”

      São Paulo studios of Brazilian architects including Paulo Mendes da Rocha captured in photos

      The Berlin series offers a glimpse inside 12 architecture studios including Barkow Leibinger, LAVA, Sauerbruch Hutton and Studio Karhard, the designer of the city’s renowned nightclub Berghain. The studios range in size from three employees to 140 members of staff and occupy a mix of purpose-built offices and adaptively reused buildings.
      Goodwin described the experience as “Vorsprung durch Technik” – referring to the famous slogan of German carmaker Audi, which translates as “progress through technology”.
      “There was little of the Bohemian Berlin of bygone days – that was what struck me most,” Goodwin explained.
      “It seemed a very professional place of work and I’ll be interested to compare it with upcoming shoots in Munich, Frankfurt and Stuttgart.”
      Scroll down for a look inside 12 architecture studios in Berlin:

      Barkow Leibinger
      In this space since: 1997Number of members of staff: 80Building’s history: located at Schillerstraße 94 by Georg Lewy

      Bundschuh Architekten
      In this space since: 2007Number of members of staff: nineBuilding’s history: former counselling centre

      Christoph Hesse Architects (Berlin)
      In this space since: 2018Number of members of staff: threeBuilding’s history: old workshop

      FAR
      In this space since: 2019Number of members of staff: 10Building’s history: new build

      Graft
      In this space since: 2007Number of members of staff: 90Building’s history: former carburetor production facility

      Studio KarhardIn this space since: 2010Number of members of staff: nineBuilding’s history: residential

      Jasper
      In this space since: 2017Number of members of staff: 26Building’s history: office building

      JWA
      In this space since: 2018Number of members of staff: 27Building’s history: commercial building

      Kleihues
      In this space since: 1989Number of members of staff: 80Building’s history: former waste-loading station by Paul Baumgarten

      LAVA
      In this space since: 2021Number of members of staff: 29Building’s history: brewery and bottle store

      Richter Musikows
      In this space since: 2015Number of members of staff: eightBuilding’s history: new build

      Sauerbruch Hutton
      In this space since: 1991Number of members of staff: 140Building’s history: historic barracks

      Tchoban Voss (Berlin)
      In this space since: 1995Number of members of staff: total: 80Building’s history: located atHackesche Höfe complex by Kurt Berndt

      Read more: More