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    Under One Roof exhibition celebrates Scotland’s “vibrant” emerging design scene

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    Design platform Slancha has curated Under One Roof, a furniture and homeware exhibition in Glasgow that spotlights 14 up-and-coming Scottish designers.

    The inaugural exhibition from Slancha, which is run by designers Findlay MacDonald and Harvey Everson, presented a hand-picked selection of furniture, ceramics and lighting pieces united by an emphasis on materiality and form.
    Under One Roof is the inaugural exhibition by SlanchaMacDonald and Everson were prompted to curate the exhibition after visiting Milan design week and observing Scotland’s comparative lack of a cohesive design community, despite the exceptional work being produced by local makers.
    “The more exhibitions and shows like this that happen in Scotland, the more people will start to see the vibrant design scene emerging here,” MacDonald told Dezeen. “We’re excited to be part of that movement.”
    Nicholas Davis’s Fireside Chair is made from African sapele woodAmong the pieces on display as part of Under One Roof was Nicholas Davis’s Fireside Chair, crafted using African sapele timber.

    The chair features a durable structure and bold graphic silhouette, informed by the designer’s background studying graphic design at the Glasgow School of Art before pivoting to furniture.
    “The Fireside Chair is a great example of contemporary design in Scotland, with a distinctive Scandi-Scot influence,” MacDonald said, adding that Davis’s practice exemplifies “exceptional craftsmanship and eye-catching forms”.
    Oliver Spendley (left) and Richard Goldsworthy (right) explored raw natural materialsOliver Spendley utilised locally sourced materials from his base in Durness – a small village on the north coast of Scotland – to create his Endless Orbit collection.
    The totemic sculptures are made using discs of Scottish timber, fitted onto Lewisian gneiss stones to suggest a celestial object and its orbit.
    SHY Design’s vases are crafted from scagolia plaster”Each timber base is hand-finished with precision, alternating between sleek and textured surfaces,” said MacDonald.
    “This careful attention to detail reflects the natural textures found in our environment, from the undulating ripples of rivers to the layered patterns of tidal sands.”

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    Other pieces in the exhibition that pay homage to nature include the Vessel IX vases from SHY Design, a Glasgow-based studio exploring the emotional connection between user and object.
    Crafted from scagolia – a plaster typically used for surface decoration – the vases feature expressive forms with craggy rock-like surfaces.
    “SHY nod to material origins, first building their pieces into strong simple architectural forms before unexpectedly carving into and destructing the surfaces to create new forms and reveal the patterns laced below,” MacDonald said.
    Charles Myatt (left) and Frances Ross (right) contributed sculptural screensFluid Screen by ceramicist Frances Ross is a divider comprised of 72 translucent Parian porcelain tiles set within an ash frame, which diffuse light and shift in colour to resemble flowing liquid.
    And Greenlaw-based Richard Goldsworthy, whose work celebrates the inherent beauty of the natural world, contributed a sculpture crafted from charred walnut and pewter.
    Kiko was informed by graffitiAlso included in the exhibition was furnituremaker Laurence Veitch’s piece Kiko, designed in collaboration with architect Dafni Michalaki, which features a vernacular form inspired by graffiti.
    Similar themes lie in the work of Glasgow-based Charles Myatt, including his Lichen Stone assemblage crafted from lime, silica and cement that takes cues from urbanism and the materiality of cities.
    Ruth Mae Martin creates colourful ceramicsThe exhibition also presented works by Rory Middleton, Neal Cameron, Calum Bettison, Ruth Mae Martin, James Grossman, Ruth Elizabeth Jones and an oak and aluminium table by the Slancha founders.
    MacDonald and Everson hope that Under One Roof can help the Scottish design movement continue to grow.
    Under One Roof also showcased work by Ruth Elizabeth Jones”This event has brought such an energy to the designers and the local design scene,” MacDonald said. “We’ve had so many people express a desire for more events like this, which really highlights there’s a strong appetite for design in Scotland.”
    “Our hope is to keep building on this collective energy, maintaining the momentum while inspiring more people to design and create here in Scotland.”
    Under One Roof took place at Stallan Brand’s gallery space in Glasgow from 6th July to 16th August 2024. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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      Tiny Glasgow apartment transformed into playful pied-à-terre

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      Architect Lee Ivett, designer Simon Harlow and developer Duncan Blackmore have turned a 25-square-metre apartment in Glasgow into a brightly coloured space that doesn’t contain any freestanding furniture.

      Blackmore worked closely with Ivett and Harlow to plan the interior of the ground-floor tenement flat, which he uses as a base while visiting his other projects in the city’s Govanhill area.
      The micro-apartment was designed in GlasgowWhen Blackmore purchased the property it comprised a cramped hallway, a compact shower room, a kitchen and a sleeping area, which were separated by partition walls.
      The main idea for the redesigned space was to enable circulation throughout and to utilise its verticality in addition to the square-shaped floor area.
      It includes a tiny kitchen space”I wanted to be able to walk around in the flat, even though it’s tiny,” said Blackmore. “I also wanted the majority of the space to be flexible in terms of use, rather than defining areas for certain activities.”

      Work began with the removal of internal walls and the raising of existing structural openings closer to the 3.4-metre ceilings. A series of volumes designed in three dimensions were then inserted to fulfil various functional needs.
      An open space contains a fixed, multi-purpose benchThe apartment’s entrance area leads into an open space containing a fixed bench for sitting, lounging or sleeping. A shelf that functions as a desk is inserted next to one of two large, south-facing windows that flood the interior with natural light.
      Key functions, including washing, sleeping, cooking and the entrance, are pushed to the edges of the plan, freeing up the rest of the space so it can be used in a variety of different ways.
      The main space was left intentionally uncluttered”I was keen to avoid having a typical living space with a sofa, a coffee table and a television,” Blackmore told Dezeen.
      “The main space is entirely unprogrammed and uncluttered and has almost nothing in it. You can use it for a meeting or a party or just as somewhere to sit and think. I like how versatile and unfussy it is.”
      A compact shower room was createdA mezzanine sleeping platform is slotted in above a compact shower room, taking advantage of the vertical space and preventing the room from feeling disproportionately high.
      The bed is reached via a set of wooden steps, with a small circular hole seen from the living area providing somewhere to place a hand while manoeuvring into position.
      The mezzanine is reached via small wooden stepsThe new interventions are built around the retained structure and feature forms that playfully disguise which walls, columns or beams retain their original functionality.
      “Lee came up with the shapes based on the connection between existing openings and the geometry we imposed on the space,” Blackmore pointed out.
      A small circular hole provides a view to the living area”Where we needed to bridge differences in height or gaps between certain elements, the surfaces meet each other with a curve or a step,” he added, “so the decoration is derived from the resolution of these structural glitches.”
      The project takes its name, Ferguson, from the found nameplate of a previous occupier and the design borrows from the architectural heritage of its surroundings.
      The kitchen features an oversized red cast-concrete sinkThe remnants of a nearby building that burned down informed the arched shape above the stairs up to the sleeping area, as well as an opening that allows daylight to filter through to the shower room.
      Coloured cushions on the bench reference the doorway of a nearby building, while the bright-yellow datum that extends around the space is a reversal of the painted walls in the tenement’s shared stairwell.
      The remnants of a nearby building that burned down informed the arched shape above the stairsThe kitchen contains the minimum amenities needed to obtain a building warrant. Its oversized red cast-concrete sink is accessible for hand washing on arrival from the entrance hall – a legacy of the Covid-19 pandemic during which the project was built.
      Behind the apartment’s only internal door, the shower room is fully lined in two colourways of a decorative solid surface material made by Simon Harlow’s company Mirrl. A custom-made sink extends the use of bright yellow seen elsewhere in the interior.

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      The entire project was fabricated by Harlow and artist’s technician Simon Richardson, resulting in a level of craftsmanship and intuitive creative detailing that lends it a strong sense of personality.
      Blackmore is keen to emphasise that the apartment should not be viewed as an example of tiny living, as he only ever spends brief spells of time there.
      A custom-made sink extends the use of bright yellow seen elsewhere”I’m absolutely not suggesting that people should live like this,” he said. “The space is really personal and tailored to my needs, which are a nice bed, a hot shower with good water pressure and decent WiFi.”
      “If you were living there permanently you would design it very differently, but as a place for me to stay and work or relax it’s perfect.”
      Blackmore is the co-founder of developer Arrant Land, which creates projects led by an interest in architecture, built heritage and the social dynamics of the UK’s towns and cities.
      Previous projects backed by Arrant Land include a red-brick house with playful tiled detailing in south London and an apartment building in the seaside town of Whitstable featuring black brick walls that evoke the nearby wooden fishing huts.
      The photography is by Pierce Scourfield.

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      New Practice brings warmth and colour to Glasgow's century-old Kinning Park Complex

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      A historic community centre that was saved from demolition by activists – including Scotland’s first minister, Nicola Sturgeon – has been given a new lease of life by architecture studio New Practice.

      New Practice founders Becca Thomas and Marc Cairns opted for a light-touch approach in the renovation of Kinning Park Complex, a century-old former school building in the southwest of Glasgow.
      A new roof dotted with skylights makes the building weather-proof againAlthough the building was in a poor state, with an extremely leaking roof, faulty electrics and a broken heating system, the Glasgow-based architects’ approach was to save as much of the existing structure and interior as possible.
      They adopted a reuse and recycle strategy, while also making subtle changes that improve the building’s functionality and accessibility.
      Pink denotes the community space on the first floorThe revamped interiors are animated by a system of colour-blocking, which helps to ensure the building can be easily navigated by people of all literacy levels.

      “One of our key aims was to keep the building feeling familiar,” explains Thomas in a video about the project.
      First-floor workspaces are picked out in yellow”Lots of people have hugely strong memories and love for the building and we didn’t want to change that too much. By taking this adaptive reuse approach, we just kept the building feeling like itself and tried to elevate that,” she said.
      “Every choice to remove something original has been taken only where we absolutely needed to remove that, for the safety and for the future of the building.”
      Kinning Park Complex was originally a school buildingKinning Park Complex first became a community centre after the school closed down in 1976, but looked set for demolition when the council announced plans to close it in 1996.
      Local residents and campaigners, including a then-25-year old Nicola Sturgeon, staged a sit-in to protest the closure. After 55 days, the council agreed to let the community take over the building’s running.
      The building stayed in use for another two decades, but over time its problems became hard to ignore.
      A reconfigured ground floor features a large community kitchenThe trustees, led by local resident Helen Kyle, approached New Practice after seeing Many Studios, a creative hub that the architects created in a converted Glasgow market hall.
      The challenge was not only to refurbish the building but also to help support the community’s ambition to buy the property, by improving opportunities for income generation.

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      Thanks to government and lottery funding, the architects were able to plan a full overhaul of the interior in collaboration with engineering firm Max Fordham.
      The roof was replaced as sensitively as possible, while the interior layout was gently adjusted to make room for a lift.
      A double-helix staircase, originally sub-divided, has been opened upThe atrium, which was once subdivided to separate boys and girls, is now opened up. The result is a space that feels generous and bright, thanks to the skylight overhead.
      Three floors of classroom and office spaces have been adapted for a range of uses. A community kitchen can be found on the ground floor, while the second level has become a co-working space.
      The building was taken over by the community following a sit-in in 1996″A key decision that we had to make was to ensure that the work that we were doing in the building didn’t sanitise this rich, abrasive history of activism and community-led dialogues and debates,” said Cairns.
      “We really tried to keep that at the forefront of our thinking.”
      Original wood floors have been rejuvenatedFlexible partitions allows the ground- and first-floor halls to be easily subdivided if required.
      Other spaces include a quiet room that could be used for anything from prayer to breast-feeding, and a series of small studios and workshops.
      The restored handrails are painted in the same burgundy they were in the pastRealising the project in the context of the pandemic proved a challenge. With the architects unable to be on site all the time, they found it difficult to fully realise their ambition to reuse as much as possible.
      Thomas and Cairns recall coming to site to find elements such as doors and balustrade railings had been thrown away by builders, despite their instructions.
      Nonetheless there are still plenty of recycled details to be found, including a framed patch of original wallpaper and a series of storage cabinets built into the walls.
      Original details, like a patch of ageing wallpaper, are celebratedThey hope the building can help to become a positive example of adaptive reuse, particularly in light of the COP26 environmental conference that recently took place in Glasgow.
      This sentiment is echoed by Sturgeon: “The challenge of refurbishing and imagining a building like this, for decades to come, is fantastically dynamic for the architecture and design industries,” she said.
      “We just took it for granted that buildings would reach the end of their natural life and then they would sort of fall into dereliction, and thankfully communities decided that that wasn’t going to happen. So we’ve learned how to reimagine things for the future and preserve for the future.”
      Photography is by Will Scott. Video is by Pretend Lovers.

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