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French firm Toledano + Architects has renovated an apartment in the seaside town of Biarritz, adding a raised sleeping area that looks out towards the nearby lighthouse through a large bay window. More
The founders of design PR agency Club Paradis have transformed an apartment in Ostend, Belgium, into a design-led vacation home where almost everything is for sale.
Available for holiday stays, meetings or photoshoots, Paradis Apartment is filled with furniture, accessories and artworks by the likes of Muller Van Severen, Destroyers Builders and Nathalie Du Pasquier.
Paradis Apartment features a bay window overlooking the Ostend seafrontBusiness and life partners Albane Paret and Micha Pycke bought the apartment for their own holiday home, but soon realised it could double as a show space for contemporary design.
Following a complete refurbishment, the couple filled the rooms with works by friends and colleagues, including some by designers, brands and galleries represented by Club Paradis.
The living room features Muller Van Severen’s Pillow Sofa and a carpet by Christoph Hefti”We have always been drawn to beautiful things, craftsmanship and art, but it wasn’t until we bought the flat last summer that an idea grew to do something more than just decorating and renting it out,” Paret told Dezeen.
“Talking to people in our network, the idea of placing objects and works of art in it, to show them off to best advantage, was born,” he said.
“We wanted to create an inspiring place where you see beautiful things and feel inspired.”
Muller Van Severen’s Wire C # 1 wall cabinet will be a permanent fixtureThe couple have a personal connection with Ostend. The seaside town, situated between Bruges and the French border, is where Paret grew up.
They bought an apartment overlooking the sea, with characterful period details including a grand bay window, herringbone parquet flooring, decorative crown mouldings and a marble fireplace.
A custom kitchen by Atelier Ternier features an undulating hardwood wall unitThe renovation opened up parts of the apartment that were previously separate, with a grand open-plan room now serving as a living room, dining space and kitchen.
The space features a custom-designed kitchen by Atelier Ternier, combining a precisely crafted island in brushed stainless steel with an undulating wall unit in lacquered sapele hardwood.
The apartment contains two bedrooms, including one with a double bedOther standout pieces in this room include Muller Van Severen’s squishy Pillow Sofa and gridded Wire C # 1 wall cabinet, and statement carpets by textile artist Christoph Hefti.
Paret and Pycke plan to change the furniture over time, swapping some pieces out to make room for new ones.
TypeO Loft is a shoppable Swedish holiday apartment designed for the “new normal”
They describe the apartment as “a moving, versatile and evolving project”.
“It’s not a gallery, nor a showroom or a shop, but a curated space where the works and objects are put to everyday use, away from the sacredness of the museum and the white cube,” said Paret.
A quilted silk blanket by Rooms Studio adorns one wallAlthough many of the works are by Belgian designers and studios, there are a few additions from further afield.
These include a quilted silk blanket by Georgian design duo Rooms Studio, which is presented as an artwork, plus accessories and textiles from Danish brands Hay and Tekla.
The second bedroom features bunk bedsBelgian design gallery Maniera, a Club Paradis client, is one of the main contributors. Other partners include up-and-coming studio Coseincorso and Ghent-based Lerry Ceramics.
“It’s a very personal project,” said Paret. “We chose objects and furniture from artists, designers, craftspeople and galleries that we know, which is why a lot of pieces are from Belgian designers.”
“Every choice we made was based on a feeling, an attraction to a certain object or designer.”
Danish brands Hay and Tekla provided accessories and textilesThe apartment sleeps five across two bedrooms, including a main room with a double bed and a second room featuring bunk beds.
Paret and Pycke plan to use the space throughout the year, depending on when it is booked out.
The apartment is the vacation home of Albane Paret and Micha PyckeThroughout the house, styled shelves feature books and magazines from their personal collection.
“If we come for a weekend, it has to be well thought out for us too,” Paret added.
The photography is by Frederik Vercruysse.
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Hospitality company Wildland and Swiss designer Ruth Kramer have converted a former manse in the Scottish Highlands into a holiday cottage featuring a mix of classic Scandinavian furniture and traditional Caledonian details.
Tigh Na Coille, which is Gaelic for “house in the forest”, is a four-bedroom property on a wooded hill overlooking Loch Ness in the Cairngorms National Park.
Tigh Na Coille is a holiday home in a former manseThe 19th-century stone building was carefully restored and refurbished with help from Kramer, who has worked with Wildland on several of its historic properties.
Kramer coined the term “Scandi-Scot” to describe the way these buildings seek to combine Scandinavian simplicity with a playful take on Scottish heritage.
A Papa Bear armchair by Hans J. Wegner stands in the lounge”Scandi-Scot is about creating a clean and modern aesthetic that weaves in elements of Scottish craftsmanship,” she told Dezeen. “Everything is calm and natural, the colours don’t scream at you and the furniture is comfortable like you’re at home.”
Tigh Na Coille was once a manse – a dwelling created for the Christian minister of a now-ruined church that stands on the grounds. The heritage-listed building was modernised by a previous owner and had lost much of its original character.
Several fireplaces were uncovered during the renovationKramer preserved the layout of the rooms but the interiors were stripped back and redecorated, with original features reintroduced to bring an authentic feeling to the spaces.
The house is located on the Aldourie Castle estate, which Wildland renovated at the same time.
The interior scheme combines Scandinavian and Caledonian referencesThe refurbishment merges the Scandi-Scot aesthetic with nods to the castle’s more traditional decor. Modern carpets and softwood flooring were replaced with oak floorboards salvaged from the castle, which add warmth and tactility to the spaces.
Several of the beds were also sourced from the castle and were refurbished by local joiners, who created new parts for the four-poster frames.
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All of the bathrooms were completely remodelled and the kitchen was brought up to modern standards, with a new island unit providing an additional worktop in the centre of the room.
Fireplaces uncovered during the renovation were carefully restored along with the property’s existing doors and windows, which were redressed to preserve their original appearance.
The bedrooms feature dramatic four-poster bedsOver the years, various sections of the cornicing and architraves around the rooms had been replaced, so new parts were produced using mouldings taken from the original plasterwork.
According to Kramer, roughly half of the furniture was sourced second-hand and given a new life through bespoke joinery or reupholstery. The majority of the remaining pieces are vintage designs that add to the timeless feel.
“The ambition is that people walking into the house shouldn’t be able to tell what is new versus what is original,” she added. “We’re going for an ageless look that will also become better over time rather than being fashion-led.”
Many of the furnishings were salvaged from the nearby castleThe centrepiece of the dining room is a vintage wooden table surrounded by midcentury chairs that were sourced at an auction and reupholstered using linen fabric and leather for the armrests.
Every Wildland property features one of Kramer’s favourite furniture designs, the Papa Bear armchair created in 1951 by Hans J. Wegner and produced by PP Møbler.
At Tigh Na Coille, the chair sits in a corner of the living room where it has a view of the fireplace. A wall-mounted lamp provides gentle illumination for reading.
The cottage is set on a wooded hill overlooking Loch NessKramer collaborated closely on the project with Wildland co-owner Anne Holch Povlsen, the wife of Danish businessman Anders Holch Povlsen who made his fortune in the fashion industry with brands such as Bestseller.
Wildland owns three large estates in Scotland on which it operates hotels and self-catering accommodation as part of its 200-year vision to preserve the landscape and contribute to local communities.
The group’s other properties include a formerly derelict cottage that was transformed into a pared-back holiday home by Edinburgh-based GRAS architects, and another converted manse that was converted into an art-filled guesthouse.
The photography is by Fran Mart.
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From a brutalist dwelling nestled in a pine forest to a beachy weekend retreat with a rooftop swimming pool, our latest lookbook features 10 holiday homes across Mexico.
While known for their often vibrant colours, Mexican interiors also include many examples of more muted designs. These earthy hues are often created through the use of natural and local materials, such as wood and stone.
Holiday homes are located all over the country, which has a varied landscape and is famous for its escapist destinations. Here are 10 Mexican holiday homes that combine pared-back colour palettes with getaway-style luxury.
This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring metal furniture, breakfast nooks and living spaces with swings.
Top and above: photos by Rory GardinerCasa Alférez, Alférez, by Ludwig Godefroy
This holiday home is a brutalist dwelling clad in board-formed concrete and located in a pine forest in the country’s Alférez region.
French architect Ludwig Godefroy, who is Mexico City-based, added a conversation pit to the cathedral-like living area, which features a spindly double-height fireplace.
Find out more about Casa Alférez ›
Photo by LGM StudioHoliday home, San Simón El Alto, by Estudio Atemporal
Local architecture office Estudio Atemporal designed a weekend retreat in San Simón El Alto village with an oversized gabled roof.
Inside, the studio created a statement brick wall in the angular, open-plan living space defined by timber and concrete accents. Generous glass doors lead to a covered outdoor patio.
Find out more about this holiday home ›
Photo by César BéjarVilla Cava, Tulum, by Espacio 18 Arquitectura
Neutral tones and textures define this house in Tulum that was informed by cenotes – ancient sunken water-filled limestone pits and caves found across Mexico’s Yucatán Peninsula.
Espacio 18 Arquitectura carved a circular window into one of the home’s ceilings, which reveals a rooftop swimming pool. Blue-coloured light filters through the opening, emphasising the cavernous atmosphere.
Find out more about Villa Cava ›
Photo by Diego Padilla MagallanesLa Extraviada, Mazunte, by Em-Estudio
Architecture firm Em-Estudio stepped a pair of concrete residential volumes down a rocky hillside overlooking the coastal town of Mazunte, Oaxaca.
Called La Extraviada, the holiday home includes an eclectic kitchen and dining space flanked by floor-to-ceiling timber shutters that open onto a terrace with a swimming pool.
Regional materials, including guapinol wood and local stone obtained from nearby quarries, feature throughout the earthy-hued project.
Find out more about La Extraviada ›
Photo by Fabian MartinezCasa Tres Árboles, Valle de Bravo, by Direccion
Architecture studio Direccion took cues from “monastic” sanctuaries when renovating this weekend retreat in Valle de Bravo.
The open-plan living space includes exposed warm-toned wooden ceiling beams, which contrast against dark-painted walls. A soft-red sofa adds a rare pop of colour to the otherwise muted interiors.
Find out more about Casa Tres Árboles ›
Photo by Rory GardinerLos Terrenos, Monterrey, by Tatiana Bilbao
Mexican architect Tatiana Bilbao added a multifunctional ceramic screen to the interior of Los Terrenos – a holiday home in Monterrey with mirrored glass facades that reflect the surrounding wooded site.
“[The screen] works as solid and permeable floor, a screen partition, a structural wall, and as a semi-open wall that allows ventilation and sunlight to bathe the interior spaces,” explained Bilbao’s eponymous studio.
Find out more about Los Terrenos ›
Photo by AnsatzTonalli House, Jalisco, by Moises Sánchez
This stucco-clad holiday home was punctuated with strategic openings and takes cues from architecture commonly found in Mexican villages, according to its designer Moises Sánchez.
Sánchez created an understated interior palette referencing the nearby architecture surrounding Lake Chapa, where the home is located. For example, the blocky terrazzo staircase doubles as a stepped plinth for sandy-coloured ornaments.
Find out more about Tonalli House ›
Photo by César BéjarCasa Areca, Tulum, by CO-LAB Design Office
Local studio CO-LAB Design Office created Casa Areca to merge with its lush Tulum setting.
The open-plan ground floor includes pivot doors and retractable glass walls, which enable the social area to flow into the jungle-like garden. Creamy walls and polished concrete floors were paired with local tzalam wood, jute accents and ceramic vases filled with hand-selected wild grasses.
Find out more about Casa Areca ›
Photo by Dove DopeEl Aguacate, El Barrial, by Práctica Arquitectura
El Aguacate – or “The Avocado” – is a holiday home in El Barrial village made almost entirely out of concrete.
Práctica Arquitectura topped the main living area with a tall pyramidal roof featuring a boxy skylight. The studio added a built-in fireplace and alter-like dining table to the space – also made from smooth concrete.
Find out more about El Aguacate ›
Photo by Rafael GamoCasa Cova, Puerto Escondidio, by Anonimous
When designing Casa Cova in Puerto Escondido, Mexican studio Anonimous took cues from pre-colonial architecture.
Inside, the central living space is kept cool by a traditional thatched roof made of dried palm leaves, called a “palapa.” Tiny square openings were also cut into some of the walls, creating “a dynamic light pattern from dusk till dawn”.
Find out more about Casa Cova ›
This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring metal furniture, breakfast nooks and living spaces with swings.
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Mexican architect María José Gutiérrez has placed a series of round, pine-clad cabins connected by suspended bridges onto a vineyard in Mexico to serve as vacation rentals.
Located in Valle de Guadalupe, Ensenada on the Baja Peninsula, Zeuhary Hospedaje Campestre includes a community lounge and four vacation rental cabins.
Top: photo by Martin Acevedo. Above: the cabins are located in Baja California, Mexico. Photo by Jonatan Ruvalcaba Maciel”Beyond creating spaces we aim to create experiences, where nature and human beings integrate and recognize each other,” María José Gutiérrez, who leads Mexican studio Arqos Arquitectura Arte Y Diseño, told Dezeen.
“The architecture and interior design were focused on connecting with the environment and maintaining harmony with it.”
Central bedrooms feature in the round buildingsCompleted in June 2022, the 250 square metres (2,690 square feet) of built area is divided into five 40-square metre (430-square foot) structures that look outward to the surrounding wine region.
The ground floor of each cabin is divided orthogonally, splitting off a portion for a partially covered exterior porch that leads into the sleeping space through a glass sliding door.
Their interiors are sectioned into bathrooms along one sideThe interiors were sectioned into a bathroom along one side, a central bedroom and a kitchenette tucked behind the headboard wall.
“In the furniture and interior decoration, we used organic materials from the region and different areas of the country, earth tones and grey contrasts, crafts, natural fibers, textiles, local wood and stone, recognizing Mexican handicraft talent and tradition,” the studio said.
“The chukum finish on the interior walls gives an organic texture and helps keep the interiors cool in summer, while the exterior coating of recycled pine wood allows the cabins to be thermally insulated in both winter and summer for greater energy efficiency.”
Small private gardens feature round jacuzzisThe cabins are all rotated to face a particular northern or eastern view without compromising privacy for the occupants.
A small planted garden protected by a grey wall rings a quarter of each plan, terminated by a private in-ground jacuzzi, connected to the cabin by a wooden deck with planks that align with the vertical cladding boards as if the facade radiates down the wall and along the ground.
Rooftop terraces are included atop each cabinUp a delicate metal spiral staircase with wooden treads, the round plan becomes a rooftop terrace complete with a rope net set into the roof of the porch like an integrated hammock.
A free-swinging wooden bridge with rope netting guard rails is suspended from the roof of each cabin and leads to the roof of the common area, allowing guests to congregate in a central location.
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“The circular floor plan of the cabins, together with their transition spaces such as the hanging bridges, wooden paths and spiral staircases generate fluid and dynamic routes which allow us to reconnect with ourselves and awaken our inner child through play and movement,” the studio said.
In addition to the material selection that responds thermally to the environment, the design works to preserve what little water the agricultural region has, reusing grey water for the irrigation of the vineyards.
Zeuhary Hospedaje Campestre is positioned within a vineyardOther cabins recently completed in Mexico include a house deconstructed and separated for glamping within a forest in Nuevo León by S-AR and a brutalist cube-shaped holiday home tucked into a pine forest in Alférez by Ludwig Godefroy.
The photography is by Jonatan Ruvalcaba Maciel unless otherwise stated.
Project credits:
Architect: María José GutiérrezEngineering and construction: Specialized Urban Services
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A renovated 1970s bungalow with “kitsch character” and a greenhouse that doubles as a living room feature in Casamontesa – a weekend home designed by Spanish studio Lucas y Hernández Gil.
The project began when a couple asked the studio to overhaul a single-storey house that was once part of a hotel complex on the outskirts of Madrid.
The renovated bungalow and a multifunctional greenhouse (above) make up CasamontesaThe brief later expanded to include a multifunctional greenhouse that can be used as a workspace, a guest bedroom, a gym or simply as a garden room.
Lucas y Hernández Gil, led by architects Cristina Domínguez Lucas and Fernando Hernández-Gil Ruano, developed a distinct character for each building.
The main house is a bungalow built in the 1970sCasamontesa’s renovated bungalow has a warm, playful style that draws on the 1970s aesthetic while the garden pavilion has a more utilitarian feel.
“The owners, a young urban couple who love design and live and work in the centre of Madrid, were looking for a functional and compact getaway within a fantastic garden,” Lucas told Dezeen.
“They wanted a very comfortable and flexible home that would be useful for both working and getting together with friends.”
The interior centres around a new kitchen islandThe bungalow renovation involved simplifying the interior layout to create a combined kitchen, dining room and living room, with a bedroom and bathroom off to one side.
“The house, in addition to being small, was very compartmentalised,” explained Lucas.
The materials palette includes pink marble and handmade tilesTo unify the newly open-plan living space, the designers installed an island that serves as a worktop, dining table and social gathering place.
This island features a countertop made from Portuguese pink marble while its sides are covered in the same handmade burgundy tiles that line an adjacent window recess.
An arched fireplace provides a focal point in the living room”The rest of the surfaces – Campaspero stone floors and waxed tinted plaster walls – establish a dialogue by contrast with the colourful and shiny surface of the tiles,” added Lucas.
Key details in the living room include an arched fireplace and a tadelakt plaster coffee table, while the bedroom features semi-circular marble nightstands.
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For Casamontesa’s garden room, the design team customised a prefabricated greenhouse.
A pergola extends the building volume outwards in a bid to blur the boundary between inside and out, and is topped with wooden blinds to provide shade.
A pergola extends the width of the greenhouseA wooden box on wheels provides an additional bedroom, described as a “small Shigeru Ban-style mobile room”.
Other additions include thermal curtains and an automatic shading and ventilation system, which allow for versatile use of the space throughout the year.
A “Shigeru Ban-style mobile room” provides an additional sleeping space”By complementing the programme of the original bungalow, a more complete and flexible program is achieved, overcoming the limitations of a weekend house,” added Lucas.
Other recent projects by Lucas y Hernández Gil include a bar featuring extreme colour blocking and an apartment with a hidden closet.
The photography is by José Hevia.
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A 200-year-old stable building in the mountains of Ibiza has been converted into a vacation home by local studio Ibiza Interiors.
The Atelier is one of four dwellings that make up Campo – a group of rentable guesthouses set in a finca, or farmstead, in the island’s Morna Valley.
Campo Atelier is located in a renovated dry-stone stable buildingIbiza Interiors founder Jurjen Van Hulzen has renovated these buildings one by one to enhance their original features and create a series of tranquil getaway spots.
“Nestled between carob and orange trees, the Atelier […] appears at the end of the path as a haven of peace,” said the Dutch architect, who founded the studio in 2014.
The main space is designed for flexible useThe single-storey dry-stone structure is typical of the local vernacular but now features a large retractable glass wall across its front.
A polished concrete patio continues inside, where exposed timber ceiling beams and wooden doors complement the neutral colour palette.
“Textures and styles are not afraid to cohabit and the emphasis is on the interplay between old and contemporary, elegant and rustic,” said Van Hulzen.
A small kitchenette with wood-panelled cupboards matches the doors on either sideThe main space contains a small kitchenette on one side and a dining table that doubles as a workspace on the other.
A seating area comprising low, comfy sofas is positioned towards the back.
The minimally furnished bedroom includes built-in storageThe interior is designed to be as flexible as possible, with all of the furniture except the kitchen counters moveable to provide space for exercise or meditation.
Equally, the linen curtains can be drawn and the sofas reoriented for watching movies on a projected screen.
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The bedroom is minimally furnished but guests can store their belongings within built-in closets while another glass door opens to the exterior.
In the bathroom, lit from above by a skylight, a large tub made of dark stone is accented with matte black hardware.
In the bathroom, a grey stone tub is illuminated by a skylightThe landscaping around the Atelier was designed by Ibiza Exteriors, a new offshoot of Ibiza Interiors created by Van Hulzen and Alicia Uldall.
The pair chose local flora attuned to the island’s climate that requires minimal maintenance such as stipa grasses, aloe, rosemary and mastic trees.
The 200-year-old building sits on a hillside, with its flat roof accessible via stairsDeep steps lead up to the flat roof that serves as a picnic or sunbathing spot overlooking the valley. The dining table and chairs can also be brought outside for al fresco dining among the vegetation.
“Like the Atelier, the garden preserves the wild essence of this land and its genuine beauty,” Van Hulzen said.
The dining table can be brought outdoors for al fresco mealsBetter known for its party scene, Ibiza is becoming ever more popular as a wellness and relaxation destination – particularly away from its coast.
Many of the island’s historic fincas have been converted into secluded accommodations including the remote Aguamadera resort and the members-only retreat La Granja.
The photography is by Ariadna Puigdomenech.
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Rental website Airbnb has designed Shrek’s Swamp, a grass-and-mud-covered hut underneath a tree in the Scottish Highlands.
The small house, which has a bare-earth floor, is described as “a stumpy, secluded haven fit for a solitude-seeking ogre”.
The holiday home is located underneath a tree trunkIt is being hosted by Donkey, Shrek’s best friend, who is swamp-sitting while Shrek himself is away for Halloween, according to an Airbnb description written as if by Donkey himself.
In it, he says: “I love everything about the swamp: the boulder out front, the modest interiors, the seclusion (ideal for singing karaoke late into the night), you get the picture”.
It features rough-hewn wooden furnitureThe holiday home, which sleeps up to three guests, has an open-plan design, with a sturdy wooden bed leaning against one wall.
A matching table and two wooden chairs sit in front of an open fire on the opposite side of the house, which is held up by large tree trunks.
A fish-shaped lamp decorates the bedside tableShrek’s Swamp Airbnb also features decorative touches, including a green “earwax candle” – a nod to a scene in which Shrek pulls out a stick of earwax from his ear and lights it.
It also has a bedside lamp that looks like a stuffed pufferfish.
The dining table sits in front of an open fireVisitors can also make use of Shrek’s outhouse, a well-known location from multiple Shrek films, which is located about 20 metres away from the swamp itself.
Located in a forest in the Scottish Highlands, the hut is surrounded by signs reading “Stay out”, “Beware Ogre” and “Danger!” though these are “probably for decoration”, according to Donkey.
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The home will be available to book from 13 October for a two-night stay between 27 and 29 October and comes with an on-site concierge who will arrange meals for the guests – including morning waffles and parfaits.
“This mud-laden, moss-covered, murky-watered oasis is a perfectly snug spot to escape from village life and embrace the beauty of nature,” Airbnb said.
The home has a bare-earth floorThe company will make a one-time donation to the HopScotch Children’s Charity as part of the project.
Airbnb also recently helped Ken rent out Barbie’s Malibu Dreamhouse and listed a 1970s wood cabin located in the iconic Sea Ranch development in California.
The photography is courtesy of Alix McIntosh.
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Casa Soleto, a 17th-century house in Puglia, Italy, has been carefully renovated using lime plaster, terrazzo and furniture salvaged from a monastery.
The four-bedroom house, parts of which are over 400 years old, was given a refresh by its owners – architecture firm Studio Andrew Trotter and its studio manager Marcelo Martínez.
Casa Soleto is located in southern ItalyWhile no structural changes were made, the designers redid some of the building’s roofs, which were falling apart, added two bathrooms and powder rooms, and swapped the living and dining spaces around.
“The street front had all the baroque details of a small palazzo and inside it was like time stood still,” Studio Andrew Trotter founder Andrew Trotter said of the house.
Parts of the house are over 400 years oldNone of its walls were straight and the layout was designed for the needs of past occupants, with a chapel located behind the kitchen so that the family did not need to leave the house to pray.
This place of worship was transformed into a media room and a powder room with an outdoor shower, creating a space that can be used as an extra guestroom if needed.
A former chapel was turned into a media room that can also serve as an extra guest roomTrotter and Martínez aimed for the renovation of Casa Soleto to resemble the original building as much as possible and the team preserved much of its original flooring.
“We tried to use natural materials as much as possible,” Martínez told Dezeen.
“We used lime plasters to give a natural and raw feeling to the walls, terrazzo floors – battuto alla veneziana – in the areas where new floors had to be made, wooden windows and doors seeking to imitate the original ones, cast iron hardware and linen sofas.”
The 17th-century house was decorated with modern and antique furnitureThe designers also chose a discrete colour palette for the lime plaster used on the walls of the house, which on the ground floor culminate in five-metre-high ceilings.
“We chose subtle earthy and greeny colours,” Martínez said. “Colours played a central role, as some make spaces feel light, others moody.”
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Studio Andrew Trotter kept the house’s original kitchen and commissioned local woodworkers from the city of Lecce to recreate the home’s original wooden doors.
To add to the natural feel of the interior, the team used jute rugs to cover the stone floors and sourced linen upholstery and curtains from local artisans.
Lime plaster was used to give the walls a natural feelFurniture and accessories by Danish brand Frama were juxtaposed with antique furniture pieces including an 18th-century dining table that was salvaged from an Abruzzo monastery.
The studio also sourced a late 18th- early 19th-century wardrobe from Lombardy for one of the bedrooms in Casa Soleto, which can only be accessed by going through the front patio and up an outside staircase.
The original kitchen was kept and refurbishedStudio Andrew Trotter, which has worked on a number of projects in Puglia, plans to use Casa Soleto as a rental property.
“We purchased and restored it mainly to rent it out, and also to invite creative minds that we appreciate, make gatherings and exhibitions,” Martínez said.
An exterior staircase leads up to the bedroomsPrevious projects the studio has completed in the area include a 19th-century school that was turned into a family home and an earth-toned villa made from local sandstone.
The photography is by Salva López.
Project credits:
Interior design: Andrew Trotter and Marcelo MartínezPlaster application: Tullio Cardinale and teamWoodwork: Alba Falegnameria
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