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      Ibiza Interiors turns dry-stone stables into flexible guesthouse Campo Atelier

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      A 200-year-old stable building in the mountains of Ibiza has been converted into a vacation home by local studio Ibiza Interiors.

      The Atelier is one of four dwellings that make up Campo – a group of rentable guesthouses set in a finca, or farmstead, in the island’s Morna Valley.
      Campo Atelier is located in a renovated dry-stone stable buildingIbiza Interiors founder Jurjen Van Hulzen has renovated these buildings one by one to enhance their original features and create a series of tranquil getaway spots.
      “Nestled between carob and orange trees, the Atelier […] appears at the end of the path as a haven of peace,” said the Dutch architect, who founded the studio in 2014.
      The main space is designed for flexible useThe single-storey dry-stone structure is typical of the local vernacular but now features a large retractable glass wall across its front.

      A polished concrete patio continues inside, where exposed timber ceiling beams and wooden doors complement the neutral colour palette.
      “Textures and styles are not afraid to cohabit and the emphasis is on the interplay between old and contemporary, elegant and rustic,” said Van Hulzen.
      A small kitchenette with wood-panelled cupboards matches the doors on either sideThe main space contains a small kitchenette on one side and a dining table that doubles as a workspace on the other.
      A seating area comprising low, comfy sofas is positioned towards the back.
      The minimally furnished bedroom includes built-in storageThe interior is designed to be as flexible as possible, with all of the furniture except the kitchen counters moveable to provide space for exercise or meditation.
      Equally, the linen curtains can be drawn and the sofas reoriented for watching movies on a projected screen.

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      The bedroom is minimally furnished but guests can store their belongings within built-in closets while another glass door opens to the exterior.
      In the bathroom, lit from above by a skylight, a large tub made of dark stone is accented with matte black hardware.
      In the bathroom, a grey stone tub is illuminated by a skylightThe landscaping around the Atelier was designed by Ibiza Exteriors, a new offshoot of Ibiza Interiors created by Van Hulzen and Alicia Uldall.
      The pair chose local flora attuned to the island’s climate that requires minimal maintenance such as stipa grasses, aloe, rosemary and mastic trees.
      The 200-year-old building sits on a hillside, with its flat roof accessible via stairsDeep steps lead up to the flat roof that serves as a picnic or sunbathing spot overlooking the valley. The dining table and chairs can also be brought outside for al fresco dining among the vegetation.
      “Like the Atelier, the garden preserves the wild essence of this land and its genuine beauty,” Van Hulzen said.
      The dining table can be brought outdoors for al fresco mealsBetter known for its party scene, Ibiza is becoming ever more popular as a wellness and relaxation destination – particularly away from its coast.
      Many of the island’s historic fincas have been converted into secluded accommodations including the remote Aguamadera resort and the members-only retreat La Granja.
      The photography is by Ariadna Puigdomenech.

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      Shrek and Donkey invite guests to stay in mud-laden Shrek’s Swamp

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      Rental website Airbnb has designed Shrek’s Swamp, a grass-and-mud-covered hut underneath a tree in the Scottish Highlands.

      The small house, which has a bare-earth floor, is described as “a stumpy, secluded haven fit for a solitude-seeking ogre”.
      The holiday home is located underneath a tree trunkIt is being hosted by Donkey, Shrek’s best friend, who is swamp-sitting while Shrek himself is away for Halloween, according to an Airbnb description written as if by Donkey himself.
      In it, he says: “I love everything about the swamp: the boulder out front, the modest interiors, the seclusion (ideal for singing karaoke late into the night), you get the picture”.
      It features rough-hewn wooden furnitureThe holiday home, which sleeps up to three guests, has an open-plan design, with a sturdy wooden bed leaning against one wall.

      A matching table and two wooden chairs sit in front of an open fire on the opposite side of the house, which is held up by large tree trunks.
      A fish-shaped lamp decorates the bedside tableShrek’s Swamp Airbnb also features decorative touches, including a green “earwax candle” – a nod to a scene in which Shrek pulls out a stick of earwax from his ear and lights it.
      It also has a bedside lamp that looks like a stuffed pufferfish.
      The dining table sits in front of an open fireVisitors can also make use of Shrek’s outhouse, a well-known location from multiple Shrek films, which is located about 20 metres away from the swamp itself.
      Located in a forest in the Scottish Highlands, the hut is surrounded by signs reading “Stay out”, “Beware Ogre” and “Danger!” though these are “probably for decoration”, according to Donkey.

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      The home will be available to book from 13 October for a two-night stay between 27 and 29 October and comes with an on-site concierge who will arrange meals for the guests – including morning waffles and parfaits.
      “This mud-laden, moss-covered, murky-watered oasis is a perfectly snug spot to escape from village life and embrace the beauty of nature,” Airbnb said.
      The home has a bare-earth floorThe company will make a one-time donation to the HopScotch Children’s Charity as part of the project.
      Airbnb also recently helped Ken rent out Barbie’s Malibu Dreamhouse and listed a 1970s wood cabin located in the iconic Sea Ranch development in California.
      The photography is courtesy of Alix McIntosh.

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      Andrew Trotter and Marcelo Martínez refresh 17th-century home where time “stood still”

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      Casa Soleto, a 17th-century house in Puglia, Italy, has been carefully renovated using lime plaster, terrazzo and furniture salvaged from a monastery.

      The four-bedroom house, parts of which are over 400 years old, was given a refresh by its owners – architecture firm Studio Andrew Trotter and its studio manager Marcelo Martínez.
      Casa Soleto is located in southern ItalyWhile no structural changes were made, the designers redid some of the building’s roofs, which were falling apart, added two bathrooms and powder rooms, and swapped the living and dining spaces around.
      “The street front had all the baroque details of a small palazzo and inside it was like time stood still,” Studio Andrew Trotter founder Andrew Trotter said of the house.
      Parts of the house are over 400 years oldNone of its walls were straight and the layout was designed for the needs of past occupants, with a chapel located behind the kitchen so that the family did not need to leave the house to pray.

      This place of worship was transformed into a media room and a powder room with an outdoor shower, creating a space that can be used as an extra guestroom if needed.
      A former chapel was turned into a media room that can also serve as an extra guest roomTrotter and Martínez aimed for the renovation of Casa Soleto to resemble the original building as much as possible and the team preserved much of its original flooring.
      “We tried to use natural materials as much as possible,” Martínez told Dezeen.
      “We used lime plasters to give a natural and raw feeling to the walls, terrazzo floors – battuto alla veneziana – in the areas where new floors had to be made, wooden windows and doors seeking to imitate the original ones, cast iron hardware and linen sofas.”
      The 17th-century house was decorated with modern and antique furnitureThe designers also chose a discrete colour palette for the lime plaster used on the walls of the house, which on the ground floor culminate in five-metre-high ceilings.
      “We chose subtle earthy and greeny colours,” Martínez said. “Colours played a central role, as some make spaces feel light, others moody.”

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      Studio Andrew Trotter kept the house’s original kitchen and commissioned local woodworkers from the city of Lecce to recreate the home’s original wooden doors.
      To add to the natural feel of the interior, the team used jute rugs to cover the stone floors and sourced linen upholstery and curtains from local artisans.
      Lime plaster was used to give the walls a natural feelFurniture and accessories by Danish brand Frama were juxtaposed with antique furniture pieces including an 18th-century dining table that was salvaged from an Abruzzo monastery.
      The studio also sourced a late 18th- early 19th-century wardrobe from Lombardy for one of the bedrooms in Casa Soleto, which can only be accessed by going through the front patio and up an outside staircase.
      The original kitchen was kept and refurbishedStudio Andrew Trotter, which has worked on a number of projects in Puglia, plans to use Casa Soleto as a rental property.
      “We purchased and restored it mainly to rent it out, and also to invite creative minds that we appreciate, make gatherings and exhibitions,” Martínez said.
      An exterior staircase leads up to the bedroomsPrevious projects the studio has completed in the area include a 19th-century school that was turned into a family home and an earth-toned villa made from local sandstone.
      The photography is by Salva López.
      Project credits:
      Interior design: Andrew Trotter and Marcelo MartínezPlaster application: Tullio Cardinale and teamWoodwork: Alba Falegnameria

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      YSG draws on beach clubs of Ibiza and Cancun for redesign of Sydney coastal home

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      Australian interiors studio YSG has updated a holiday home in Sydney’s Palm Beach suburb, layering it with a maximalist mix of colours, patterns and textures.

      The 400-square-metre house belongs to a young family who wanted a place to escape during the holidays while still providing space for remote working.
      YSG renovated a holiday home in Sydney’s Palm BeachThe home’s original furnishings were included in the sale but the clients were less than enthused by the nautical colour palette, seashells and model yachts.
      “The weathered features and cliched seaside tropes, amongst other things, deterred their visits,” said Yasmine Ghoniem, founder and director of YSG.
      Its living and dining area are separated by a small stepYSG took cues from the rustic beach clubs of Ibiza and Cancun for the revamp, with a touch of French Riviera refinement to create “a palpably playful mood for entertaining”.

      The house was given a full overhaul, with worn floorboards sanded back to reveal warmer timber accents while windows and doors were replaced with more slimline versions.
      Details from a painting in the lounge were carried over onto the wallsIn the sunroom, tongue-and-groove panelling was removed for a more contemporary look while a mirrored wall was taken out because it caused the room to overheat.
      A new rose-tinted marble floor extends to skirting height, amplifying the sense of space while helping to keep the room cool. In the kitchen, YSG added a stone island “that recalls the ombre shades of a freshly poured tequila sunrise”.
      Chequerboard tiles surround the poolThe couple also asked for a second master suite, so that they could each have their own retreat while working remotely.
      “We designed integrated marble and timber desks, enabling both to simultaneously work privately from their rooms whilst enjoying views from the upper level,” Ghoniem said.

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      For the all-important exterior areas, which wrap around the house on each level, YSG provided a material refresh by removing the old heavy paving and weathered grey timber as they distracted from the views.
      The pool area now features a chequerboard pattern of tumbled marble cobblestones while the dark blue pool tiles were replaced with a lighter finish and the chrome fence posts were powder-coated in a soft white tone to prevent glaring reflections.
      The home’s stone kitchen island is made from thickly veined stoneYSG added a playful painting in the living room that acted as a starting point for the home’s entire interior scheme, including the colour palette of ochres, yellows, and reds.
      Its motifs such as palm trees and fruit are repeated throughout the house across prints and cushions, as well as being hand-painted onto walls and doors.
      The home also has a second lounge areaEven the painting’s chequered top border is continued as a hand-painted datum line across the living room to enliven the otherwise plain walls.
      Ghoniem also repeated the same device on the side of the raised step that lead to the dining area, “artistically acknowledging a trip hazard”.
      The bedrooms were designed to provide space for remote workingIn the sunroom, hand-painted swirls soften the beams while in one of the master bedrooms, the vertical red lines of a nude painting were playfully continued onto the wall above the artwork.
      The rich material palette features many types of marble, including Giallo, Toledo and Tiberio along with honed travertine and French wash walls, while the textiles include linen and kimono silk.
      Chequerboard tiling also features in some of the bathroomsYSG has completed a number of projects across Sydney, including another house in a coastal suburb with tactile finishes and a penthouse for a couple of empty nesters.
      The photography is by Prue Ruscoe.

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      Direccion brings sense of tranquility to Casa Tres Árboles in Valle de Bravo

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      The designers at Mexican studio Direccion had “monastic sanctuary” in mind when revamping this weekend retreat in Valle de Bravo.

      The two-storey Casa Tres Árboles is designed to celebrate light and shadow contrasts, natural materials and calming colour tones.
      The double-height entrance hall features a floor of wood and black microcement”The goal of this project was to create a space in natural and warm tones, to convey a sense of refuge and retreat, of monastic sanctuary,” said designer Mariana Morales, founder of Direccion.
      Casa Tres Árboles was first built 25 years ago in the popular lakeside location, which is located two hours drive west of Mexico City, but the original design had become outdated.
      Pre-existing walls were removed to create a more open-plan living space”The client’s directive was to give the house a refreshed style, with updated finishes to accommodate more frequent visits, while maintaining the weekend getaway feel of the place,” said Morales.

      The renovation centred around opening up the interior, creating a more natural flow of light and movement through the different living spaces.
      Located below street level, the house’s entrance is a pivoting doorThis was achieved by not only removing walls, but also by adjusting the split-level floor so that the social spaces feel more connected.
      Key to the design was the entrance sequence. From the street, a staircase descends, leading around a tree and into a small sunken courtyard.
      A new wall screens the staircase, with an arched doorway leading through to a bedroomDireccion’s design enhances the sense of drama to this arrival. A former bathroom was removed to make space for a planter filled with leafy shrubs and ferns.
      From here, a pivoting door leads through to a double-height entrance hall topped by a glass dome and features a high-contrast floor-combing wood and black microcement.

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      The space is framed by a new wall that hides away the previously open stairwell. An arched doorway leads through to a bedroom, while an aged wooden table presents a display of sculptural vases.
      “This decidedly sculptured hall is the prime space to pause and become surrounded by the material serenity of the house,” said Morales.
      A wooden seating bench runs alongside a 10-person dining tableThe kitchen, dining room and lounge space are all located beyond the hall, one step down, and now connect with a sundeck thanks to sliding glass doors.
      This open-plan layout was made possible by the addition of two structural columns, which take the place of load-bearing walls that previously divided the space.
      Dark walls help to create atmosphere in the bedroomsCasa Tres Árboles contains three en-suite bedrooms on the upper level, along with a small snug.
      Both these rooms and those on the ground floor are painted in dark shades that offer a natural counterpoint to the warm tones of the exposed wooden ceiling beams.
      A soft-red sofa located in the main living space is one of few splashes of colour.
      All four bedrooms have en-suite bathroomsArtworks are dotted throughout, including a painting by Mexican artist Beatriz Zamora, while dark crockery by artisanal craft makers Colectivo 1050 is displayed openly in the kitchen.
      “The colour palette integrates the flow of the elements and, with every piece and material carefully curated, creates a space for repose, meditation and balance,” added Morales.
      A snug is located on the upper levelValle de Bravo is home to some of Mexico’s best examples of housing design.
      Other memorable examples include the Y-shaped Casa de la Roca by Cadaval & Solà-Morales and the secluded Santana House by CC Arquitectos.
      The photography is by Fabian Martinez.

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      Hanna Karits uses wood to create “airy and spacious” interior for Estonian holiday home

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      Interior architect Hanna Karits used natural materials throughout this holiday home in Estonia’s Moonsund archipelago to create a soothing environment that references the surrounding forest.

      Drawing influences from the work of one of her favourite architects, Frank Lloyd Wright, Tallinn-based Karits created an interior that combines clean lines with warm wooden surfaces and carefully crafted cabinetry.
      Hanna Karits has designed the interior for a holiday home in Estonia”I decided to use wood in many different ways but give extra care to the details and connections between different materials,” the designer told Dezeen.
      Karits’ design was guided by a basic brief given by the client, in which she was asked to create an interior for the home by architect Linda Veski and make wood the dominant material.
      It is located in a forest in the Moonsund archipelagoWhile referencing the work of Wright, her design is also informed by mid-century modernist summer houses, which feature bright and minimal wood-lined living spaces.

      “I have always felt comfort in these buildings,” added Karits. “So my idea was to blend these emotions together and create something airy and spacious but at the same time really human-friendly, safe and relaxing.”
      The home is intended as a relaxing getawayThe house is situated on an island in the archipelago off Estonia’s west coast, where the local landscape consists of limestone cliffs, beaches and dense forests.
      It is intended as a relaxing getaway where its owners can enjoy peace and fresh air in natural surroundings. The interior design aims to immerse them in the woodland setting, creating a place that feels warm and comforting during the long, cold winters.
      Karits designed an “airy and spacious” interior for the homeThe building is constructed from a wooden frame and cross-laminated timber panels, with thermally-treated ash wood chosen to line the internal surfaces.
      Complementing the wooden elements, the other main material used inside the house is Estonian limestone, which is applied on the floors of the kitchen, dining area and circulation spaces.

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      The single-storey building is entered via a central porch that connects with a corridor spanning the full width of the house. This hallway provides access to a row of bedrooms at the front and the living spaces towards the rear.
      A courtyard between the corridor and the lounge area is lined with full-height glazing that allows plenty of daylight to enter the interior.
      Wooden finishes are used throughoutThe open-plan living, dining and kitchen area incorporates large windows that look out onto the forest, with sliding doors providing access to a generous decked terrace.
      A wood-clad ceiling in the living room creates a cosy and intimate feel despite its large volume. Wooden ceilings can also be found in the bedrooms.
      Carpets from the 1930s have been used to add colour and textureBespoke cabinetry developed in collaboration with local craftspeople is integrated throughout the home.
      Careful attention was paid to elements such as the wooden door handles to ensure they are ergonomic and pleasing to touch, while maintaining a simple and minimal aesthetic.
      Carpets originally created in the 1930s by Estonian designers including Adamson Erik, Kaarin Luts and Viida Pääbo are placed throughout to add colour and texture while celebrating the country’s lesser-known design heritage.
      The design aims to connect the interior with the surrounding landscapeKarits has been working as an interior architect in Estonia for more than a decade.
      Her previous projects include a summer retreat on Estonia’s Matsi Beach comprising a pair of gabled black cabins surrounded by old fishing sheds.
      The photography is by Tõnu Tunnel.

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      Julia van Beuningen adds spiral stair in Dutch barn conversion

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      A spiral staircase made from plywood is the showpiece of this thatched barn in Gelderland, the Netherlands, which architectural designer Julia van Beuningen has converted into a residence.

      Van Beuningen has overseen a complete transformation of the late 19th-century building, named Barn at the Ahof, turning it into a rental home with four bedrooms and a large open-plan living space.
      The plywood staircase was produced by manufacturer EeStairsThe plywood staircase, produced by manufacturer EeStairs, sits at the heart of the floor plan. With its precise curved geometry and slender components, it offers a playful contrast with the barn’s rustic wooden columns and beams.
      “We thought, if we’re going to do something, we have to do it properly,” Van Beuningen told Dezeen.
      The staircase leads up to a new first floor within the converted barn”This is very different and very unusual in a barn like this,” Van Beuningen added. “It’s something you either love or hate, but it’s definitely a statement.”

      Barn at the Ahof is one of several buildings on an ancient farming estate named Landgoed Appel that Van Beuningen inherited from her family.
      She is planning to overhaul the entire site through a mix of rebuilds and refurbishments and create a series of low-energy houses that can be used for either long-term or holiday rentals.
      An open-plan living space occupies the ground floorAs the barn had been previously renovated approximately 10 years ago, it didn’t require as much work as some of the other properties on the estate.
      Van Beuningen is not a qualified architect – she is primarily a cellist and works in architecture part-time – so she enlisted local studio Flip Wentink Architecten to oversee the planning stages.
      However, she decided to manage the detailed-design phase herself, adding in extra details like the spiral staircase and some built-in joinery elements.
      The first floor provides two bedrooms and bathroomsOn the ground floor, the staircase creates a divide between a dining area and a lounge with a wood-burning stove. A minimal steel kitchen island runs along the side of this space.
      Also on this storey is an accessible bedroom and bathroom suite.
      The newly added first floor, which is much smaller in size, accommodates two additional bedrooms and bathrooms.
      Bespoke joinery provides in-built storageVan Beuningen tried to use simple natural materials wherever possible.
      As well as the plywood staircase and joinery, the renovated barn features walls of flax and lime plaster.

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      “It’s quite a proud building,” said the designer, “and it’s quite strong and industrial.”
      “I wanted to respect this industrial nature, which is not easy when adding in a new floor that is quite a heavy element. So I thought we should be quite humble in terms of materials.”
      Glazing skirts the edge of the first-floor bedroomsClever glazing details help to elevate the design.
      Highlights include large glass doors that can be concealed behind stable-style shutters, tall and slender skylights, and a narrow strip of glazing that skirts the edge of the first floor.
      A third bedroom is located on the ground floorExternally, the building has a more traditional appearance thanks to its thatched roof and red brick walls.
      Barn at the Ahof is the second completed building at the Landgoed Appel estate, following the refurbishment of the former bakehouse. Still to come is the overhauled farmhouse, revamped sheep shed and a new-build barn.
      Large glass doors are fronted by stable-style shuttersEnvironmental sustainability is a key concern for Van Beuningen, so all of the buildings are being designed to incorporate solar panels and ground-source heat pumps.
      Some sections of the estate have been rewilded, while ancient wetlands have been reinstated.
      Skylights puncture the traditional thatch roofVan Beuningen hopes the project can pave the way for more sustainable tourism in Dutch rural communities. At a time when the government is restricting the farming industry, in order to reduce greenhouse gas emissions, she hopes to show farmers can explore other revenue streams.
      “It’s really a long-term project in that sense,” she added.
      Other recent barn conversions featured on Dezeen include the stone Woodthorpe Stables in Surrey by Delve Architects and North River Architecture’s extension of an 18th-century farm building in New York.
      The photography is by Alex Baxter.
      Project credits
      Client: Landgoed AppelArchitect: Flip Wentink ArchitectenInterior architect: Julia van BeuningenStructural engineer: Peter Rommers/Luuk van Doeveren ArchitektuurM&E consultant: Peter RommersQuantity surveyor: Peter RommersLighting consultant: Julia van BeuningenStaircase engineering/fabrication: EeStairs

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      Swedish forest retreat by Norm Architects is “designed for a simple life”

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      Norm Architects has converted a traditional timber cabin, hidden away amongst pine trees in a forest in Sweden, into a pared-back holiday home for families.

      The Copenhagen-based studio took a “back-to-basics” approach when it came to remodelling the two-floor building, which is positioned on top of a ridge.
      Norm Architects has converted a traditional cabin into a minimalist holiday home”Creating homes is often an exercise in restraint,” explained Norm Architects co-founder Jonas Bjerre-Poulsen.
      “And while the creation of a simple, authentic and welcoming space might seem effortless and natural once completed, the journey to simplicity and the exercise of finding essence is often rather complex and not an easy task.”
      The ground floor houses an open-plan living and dining areaOn the home’s ground floor, a cosy sitting room is dressed with a couple of plump greige sofas and a sheepskin-covered lounge chair, created by the practice in collaboration with Danish furniture brand Menu.

      One corner of the room is occupied by a wood burner in the same off-white colour as the walls, which were coated in dolomite plaster.
      Oakwood was used to craft the flooring and cabinetryOn the other side of the ground floor lies a dining area, anchored by a large timber table. Just behind is the kitchen, housing a series of handleless low-lying cupboards crafted from oakwood.
      Oak was also used to form the flooring and all of the doors throughout the cabin, which were designed by Norm Architects to act more like slender cabinet fronts so they don’t take up too much space.
      The doors are finished with circular brass knobs and extend all the way up to the ceiling, in a bid to make the rooms appear loftier.

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      A number of new windows were inserted into the cabin’s facade to allow more natural light into the interiors and reveal views of the towering pine trees outdoors.
      Distributed across the rest of the holiday cabin are enough bedrooms and wash facilities to accommodate two families, as well as a small sauna.
      Slim oak doors lead through to the bedroomsFor larger groups, the project also saw Norm Architects build a new self-contained annexe that can house a third family.
      Here, a raised daybed-cum-window seat was set up directly next to a vast wall of glazing, providing occupants with a place to recline and take in the scenery.
      “Designed for a simple life during both summer and winter months, the cabin is rustic yet refined, only equipped with the necessities when opting for a slow living,” the studio said.
      A large window with an integrated daybed provides views of the forestSweden’s lush natural landscape makes it a popular location for holiday homes.
      Dezeen has previously featured a number of other cabins in the country including Sommarhus T by Johan Sundberg, which takes cues from traditional Japanese architecture, and a seaside villa by Studio Holmber with serene plywood-lined living spaces.
      The photography is by Jonas Bjerre-Poulsen of Norm Architects.

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