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      YSG draws on beach clubs of Ibiza and Cancun for redesign of Sydney coastal home

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      Australian interiors studio YSG has updated a holiday home in Sydney’s Palm Beach suburb, layering it with a maximalist mix of colours, patterns and textures.

      The 400-square-metre house belongs to a young family who wanted a place to escape during the holidays while still providing space for remote working.
      YSG renovated a holiday home in Sydney’s Palm BeachThe home’s original furnishings were included in the sale but the clients were less than enthused by the nautical colour palette, seashells and model yachts.
      “The weathered features and cliched seaside tropes, amongst other things, deterred their visits,” said Yasmine Ghoniem, founder and director of YSG.
      Its living and dining area are separated by a small stepYSG took cues from the rustic beach clubs of Ibiza and Cancun for the revamp, with a touch of French Riviera refinement to create “a palpably playful mood for entertaining”.

      The house was given a full overhaul, with worn floorboards sanded back to reveal warmer timber accents while windows and doors were replaced with more slimline versions.
      Details from a painting in the lounge were carried over onto the wallsIn the sunroom, tongue-and-groove panelling was removed for a more contemporary look while a mirrored wall was taken out because it caused the room to overheat.
      A new rose-tinted marble floor extends to skirting height, amplifying the sense of space while helping to keep the room cool. In the kitchen, YSG added a stone island “that recalls the ombre shades of a freshly poured tequila sunrise”.
      Chequerboard tiles surround the poolThe couple also asked for a second master suite, so that they could each have their own retreat while working remotely.
      “We designed integrated marble and timber desks, enabling both to simultaneously work privately from their rooms whilst enjoying views from the upper level,” Ghoniem said.

      YSG designs playful Sydney penthouse for empty nesters

      For the all-important exterior areas, which wrap around the house on each level, YSG provided a material refresh by removing the old heavy paving and weathered grey timber as they distracted from the views.
      The pool area now features a chequerboard pattern of tumbled marble cobblestones while the dark blue pool tiles were replaced with a lighter finish and the chrome fence posts were powder-coated in a soft white tone to prevent glaring reflections.
      The home’s stone kitchen island is made from thickly veined stoneYSG added a playful painting in the living room that acted as a starting point for the home’s entire interior scheme, including the colour palette of ochres, yellows, and reds.
      Its motifs such as palm trees and fruit are repeated throughout the house across prints and cushions, as well as being hand-painted onto walls and doors.
      The home also has a second lounge areaEven the painting’s chequered top border is continued as a hand-painted datum line across the living room to enliven the otherwise plain walls.
      Ghoniem also repeated the same device on the side of the raised step that lead to the dining area, “artistically acknowledging a trip hazard”.
      The bedrooms were designed to provide space for remote workingIn the sunroom, hand-painted swirls soften the beams while in one of the master bedrooms, the vertical red lines of a nude painting were playfully continued onto the wall above the artwork.
      The rich material palette features many types of marble, including Giallo, Toledo and Tiberio along with honed travertine and French wash walls, while the textiles include linen and kimono silk.
      Chequerboard tiling also features in some of the bathroomsYSG has completed a number of projects across Sydney, including another house in a coastal suburb with tactile finishes and a penthouse for a couple of empty nesters.
      The photography is by Prue Ruscoe.

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      Direccion brings sense of tranquility to Casa Tres Árboles in Valle de Bravo

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      The designers at Mexican studio Direccion had “monastic sanctuary” in mind when revamping this weekend retreat in Valle de Bravo.

      The two-storey Casa Tres Árboles is designed to celebrate light and shadow contrasts, natural materials and calming colour tones.
      The double-height entrance hall features a floor of wood and black microcement”The goal of this project was to create a space in natural and warm tones, to convey a sense of refuge and retreat, of monastic sanctuary,” said designer Mariana Morales, founder of Direccion.
      Casa Tres Árboles was first built 25 years ago in the popular lakeside location, which is located two hours drive west of Mexico City, but the original design had become outdated.
      Pre-existing walls were removed to create a more open-plan living space”The client’s directive was to give the house a refreshed style, with updated finishes to accommodate more frequent visits, while maintaining the weekend getaway feel of the place,” said Morales.

      The renovation centred around opening up the interior, creating a more natural flow of light and movement through the different living spaces.
      Located below street level, the house’s entrance is a pivoting doorThis was achieved by not only removing walls, but also by adjusting the split-level floor so that the social spaces feel more connected.
      Key to the design was the entrance sequence. From the street, a staircase descends, leading around a tree and into a small sunken courtyard.
      A new wall screens the staircase, with an arched doorway leading through to a bedroomDireccion’s design enhances the sense of drama to this arrival. A former bathroom was removed to make space for a planter filled with leafy shrubs and ferns.
      From here, a pivoting door leads through to a double-height entrance hall topped by a glass dome and features a high-contrast floor-combing wood and black microcement.

      Matte-black house Las Golondrinas is a sanctuary for retirement in Valle de Bravo

      The space is framed by a new wall that hides away the previously open stairwell. An arched doorway leads through to a bedroom, while an aged wooden table presents a display of sculptural vases.
      “This decidedly sculptured hall is the prime space to pause and become surrounded by the material serenity of the house,” said Morales.
      A wooden seating bench runs alongside a 10-person dining tableThe kitchen, dining room and lounge space are all located beyond the hall, one step down, and now connect with a sundeck thanks to sliding glass doors.
      This open-plan layout was made possible by the addition of two structural columns, which take the place of load-bearing walls that previously divided the space.
      Dark walls help to create atmosphere in the bedroomsCasa Tres Árboles contains three en-suite bedrooms on the upper level, along with a small snug.
      Both these rooms and those on the ground floor are painted in dark shades that offer a natural counterpoint to the warm tones of the exposed wooden ceiling beams.
      A soft-red sofa located in the main living space is one of few splashes of colour.
      All four bedrooms have en-suite bathroomsArtworks are dotted throughout, including a painting by Mexican artist Beatriz Zamora, while dark crockery by artisanal craft makers Colectivo 1050 is displayed openly in the kitchen.
      “The colour palette integrates the flow of the elements and, with every piece and material carefully curated, creates a space for repose, meditation and balance,” added Morales.
      A snug is located on the upper levelValle de Bravo is home to some of Mexico’s best examples of housing design.
      Other memorable examples include the Y-shaped Casa de la Roca by Cadaval & Solà-Morales and the secluded Santana House by CC Arquitectos.
      The photography is by Fabian Martinez.

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      Hanna Karits uses wood to create “airy and spacious” interior for Estonian holiday home

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      Interior architect Hanna Karits used natural materials throughout this holiday home in Estonia’s Moonsund archipelago to create a soothing environment that references the surrounding forest.

      Drawing influences from the work of one of her favourite architects, Frank Lloyd Wright, Tallinn-based Karits created an interior that combines clean lines with warm wooden surfaces and carefully crafted cabinetry.
      Hanna Karits has designed the interior for a holiday home in Estonia”I decided to use wood in many different ways but give extra care to the details and connections between different materials,” the designer told Dezeen.
      Karits’ design was guided by a basic brief given by the client, in which she was asked to create an interior for the home by architect Linda Veski and make wood the dominant material.
      It is located in a forest in the Moonsund archipelagoWhile referencing the work of Wright, her design is also informed by mid-century modernist summer houses, which feature bright and minimal wood-lined living spaces.

      “I have always felt comfort in these buildings,” added Karits. “So my idea was to blend these emotions together and create something airy and spacious but at the same time really human-friendly, safe and relaxing.”
      The home is intended as a relaxing getawayThe house is situated on an island in the archipelago off Estonia’s west coast, where the local landscape consists of limestone cliffs, beaches and dense forests.
      It is intended as a relaxing getaway where its owners can enjoy peace and fresh air in natural surroundings. The interior design aims to immerse them in the woodland setting, creating a place that feels warm and comforting during the long, cold winters.
      Karits designed an “airy and spacious” interior for the homeThe building is constructed from a wooden frame and cross-laminated timber panels, with thermally-treated ash wood chosen to line the internal surfaces.
      Complementing the wooden elements, the other main material used inside the house is Estonian limestone, which is applied on the floors of the kitchen, dining area and circulation spaces.

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      The single-storey building is entered via a central porch that connects with a corridor spanning the full width of the house. This hallway provides access to a row of bedrooms at the front and the living spaces towards the rear.
      A courtyard between the corridor and the lounge area is lined with full-height glazing that allows plenty of daylight to enter the interior.
      Wooden finishes are used throughoutThe open-plan living, dining and kitchen area incorporates large windows that look out onto the forest, with sliding doors providing access to a generous decked terrace.
      A wood-clad ceiling in the living room creates a cosy and intimate feel despite its large volume. Wooden ceilings can also be found in the bedrooms.
      Carpets from the 1930s have been used to add colour and textureBespoke cabinetry developed in collaboration with local craftspeople is integrated throughout the home.
      Careful attention was paid to elements such as the wooden door handles to ensure they are ergonomic and pleasing to touch, while maintaining a simple and minimal aesthetic.
      Carpets originally created in the 1930s by Estonian designers including Adamson Erik, Kaarin Luts and Viida Pääbo are placed throughout to add colour and texture while celebrating the country’s lesser-known design heritage.
      The design aims to connect the interior with the surrounding landscapeKarits has been working as an interior architect in Estonia for more than a decade.
      Her previous projects include a summer retreat on Estonia’s Matsi Beach comprising a pair of gabled black cabins surrounded by old fishing sheds.
      The photography is by Tõnu Tunnel.

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      Julia van Beuningen adds spiral stair in Dutch barn conversion

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      A spiral staircase made from plywood is the showpiece of this thatched barn in Gelderland, the Netherlands, which architectural designer Julia van Beuningen has converted into a residence.

      Van Beuningen has overseen a complete transformation of the late 19th-century building, named Barn at the Ahof, turning it into a rental home with four bedrooms and a large open-plan living space.
      The plywood staircase was produced by manufacturer EeStairsThe plywood staircase, produced by manufacturer EeStairs, sits at the heart of the floor plan. With its precise curved geometry and slender components, it offers a playful contrast with the barn’s rustic wooden columns and beams.
      “We thought, if we’re going to do something, we have to do it properly,” Van Beuningen told Dezeen.
      The staircase leads up to a new first floor within the converted barn”This is very different and very unusual in a barn like this,” Van Beuningen added. “It’s something you either love or hate, but it’s definitely a statement.”

      Barn at the Ahof is one of several buildings on an ancient farming estate named Landgoed Appel that Van Beuningen inherited from her family.
      She is planning to overhaul the entire site through a mix of rebuilds and refurbishments and create a series of low-energy houses that can be used for either long-term or holiday rentals.
      An open-plan living space occupies the ground floorAs the barn had been previously renovated approximately 10 years ago, it didn’t require as much work as some of the other properties on the estate.
      Van Beuningen is not a qualified architect – she is primarily a cellist and works in architecture part-time – so she enlisted local studio Flip Wentink Architecten to oversee the planning stages.
      However, she decided to manage the detailed-design phase herself, adding in extra details like the spiral staircase and some built-in joinery elements.
      The first floor provides two bedrooms and bathroomsOn the ground floor, the staircase creates a divide between a dining area and a lounge with a wood-burning stove. A minimal steel kitchen island runs along the side of this space.
      Also on this storey is an accessible bedroom and bathroom suite.
      The newly added first floor, which is much smaller in size, accommodates two additional bedrooms and bathrooms.
      Bespoke joinery provides in-built storageVan Beuningen tried to use simple natural materials wherever possible.
      As well as the plywood staircase and joinery, the renovated barn features walls of flax and lime plaster.

      Alibi Studio cuts slice through disused barn to frame sky views

      “It’s quite a proud building,” said the designer, “and it’s quite strong and industrial.”
      “I wanted to respect this industrial nature, which is not easy when adding in a new floor that is quite a heavy element. So I thought we should be quite humble in terms of materials.”
      Glazing skirts the edge of the first-floor bedroomsClever glazing details help to elevate the design.
      Highlights include large glass doors that can be concealed behind stable-style shutters, tall and slender skylights, and a narrow strip of glazing that skirts the edge of the first floor.
      A third bedroom is located on the ground floorExternally, the building has a more traditional appearance thanks to its thatched roof and red brick walls.
      Barn at the Ahof is the second completed building at the Landgoed Appel estate, following the refurbishment of the former bakehouse. Still to come is the overhauled farmhouse, revamped sheep shed and a new-build barn.
      Large glass doors are fronted by stable-style shuttersEnvironmental sustainability is a key concern for Van Beuningen, so all of the buildings are being designed to incorporate solar panels and ground-source heat pumps.
      Some sections of the estate have been rewilded, while ancient wetlands have been reinstated.
      Skylights puncture the traditional thatch roofVan Beuningen hopes the project can pave the way for more sustainable tourism in Dutch rural communities. At a time when the government is restricting the farming industry, in order to reduce greenhouse gas emissions, she hopes to show farmers can explore other revenue streams.
      “It’s really a long-term project in that sense,” she added.
      Other recent barn conversions featured on Dezeen include the stone Woodthorpe Stables in Surrey by Delve Architects and North River Architecture’s extension of an 18th-century farm building in New York.
      The photography is by Alex Baxter.
      Project credits
      Client: Landgoed AppelArchitect: Flip Wentink ArchitectenInterior architect: Julia van BeuningenStructural engineer: Peter Rommers/Luuk van Doeveren ArchitektuurM&E consultant: Peter RommersQuantity surveyor: Peter RommersLighting consultant: Julia van BeuningenStaircase engineering/fabrication: EeStairs

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      Swedish forest retreat by Norm Architects is “designed for a simple life”

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      Norm Architects has converted a traditional timber cabin, hidden away amongst pine trees in a forest in Sweden, into a pared-back holiday home for families.

      The Copenhagen-based studio took a “back-to-basics” approach when it came to remodelling the two-floor building, which is positioned on top of a ridge.
      Norm Architects has converted a traditional cabin into a minimalist holiday home”Creating homes is often an exercise in restraint,” explained Norm Architects co-founder Jonas Bjerre-Poulsen.
      “And while the creation of a simple, authentic and welcoming space might seem effortless and natural once completed, the journey to simplicity and the exercise of finding essence is often rather complex and not an easy task.”
      The ground floor houses an open-plan living and dining areaOn the home’s ground floor, a cosy sitting room is dressed with a couple of plump greige sofas and a sheepskin-covered lounge chair, created by the practice in collaboration with Danish furniture brand Menu.

      One corner of the room is occupied by a wood burner in the same off-white colour as the walls, which were coated in dolomite plaster.
      Oakwood was used to craft the flooring and cabinetryOn the other side of the ground floor lies a dining area, anchored by a large timber table. Just behind is the kitchen, housing a series of handleless low-lying cupboards crafted from oakwood.
      Oak was also used to form the flooring and all of the doors throughout the cabin, which were designed by Norm Architects to act more like slender cabinet fronts so they don’t take up too much space.
      The doors are finished with circular brass knobs and extend all the way up to the ceiling, in a bid to make the rooms appear loftier.

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      A number of new windows were inserted into the cabin’s facade to allow more natural light into the interiors and reveal views of the towering pine trees outdoors.
      Distributed across the rest of the holiday cabin are enough bedrooms and wash facilities to accommodate two families, as well as a small sauna.
      Slim oak doors lead through to the bedroomsFor larger groups, the project also saw Norm Architects build a new self-contained annexe that can house a third family.
      Here, a raised daybed-cum-window seat was set up directly next to a vast wall of glazing, providing occupants with a place to recline and take in the scenery.
      “Designed for a simple life during both summer and winter months, the cabin is rustic yet refined, only equipped with the necessities when opting for a slow living,” the studio said.
      A large window with an integrated daybed provides views of the forestSweden’s lush natural landscape makes it a popular location for holiday homes.
      Dezeen has previously featured a number of other cabins in the country including Sommarhus T by Johan Sundberg, which takes cues from traditional Japanese architecture, and a seaside villa by Studio Holmber with serene plywood-lined living spaces.
      The photography is by Jonas Bjerre-Poulsen of Norm Architects.

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      Ten escapist holiday homes with peaceful interiors

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      Cavernous summer houses in Santorini, a minimalist Canadian ski chalet and a Cape Town clifftop dwelling are among the tranquil holiday homes we have collected for our latest lookbook.

      Holiday houses are designed to provide a relaxing getaway and often located in remote settings, such as peaceful countryside villages or coastal locations.
      These 10 examples highlight how designers have tried to reflect the relaxing nature of the homes’ locations within their interiors, incorporating details such as retractable walls that flood sunlight into living spaces and soothing Japandi-style furniture.
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing retro eateries, modernist living rooms and decorative parquet wooden flooring.

      Naia I and Naia II, Costa Rica, by Studio Saxe

      Architecture firm Studio Saxe designed a pair of beach houses in Costa Rica with rustic wooden screens and overhanging roofs, which intend to integrate the surrounding jungle into the homes’ interiors.
      Called Naia I and Naia II, the latter house features a double-height living space that is left mostly open to the elements, except for a minimal kitchen tucked within a geometric alcove.
      Find out more about Naia I and Naia II ›

      Falcon House, UK, by Koto
      British studio and prefab specialists Koto created this black timber-clad Cotswolds holiday home formed from twisted and stacked volumes that result in cantilevering canopies.
      Falcon House’s upper storey is a single, open space with a wood-burning stove in one corner, which also includes a delicate, olive-green sofa framed by exposed cross-laminated timber walls that integrate the home with its peaceful outside views.
      Find out more about Falcon House ›

      Bundeena House, Australia, by Tribe Studio Architects 
      Retractable walls were inserted into this New South Wales weekend beach retreat to connect its U-shaped rectilinear volumes with the outdoors.
      The founder of Tribe Studio Architects took cues from the area’s modernist fisherman cottages when designing Bundeena House for herself, using “durable and honest” finishes.
      Open-plan interiors include a mixture of materials, such as structural plywood and statement colourful chairs. Concrete flooring was purposefully left unpolished to allow for post-beach wet and sandy footprints.
      Find out more about Bundeena House ›

      La Fraternelle, Canada, by Atelier Pierre Thibault
      La Fraternelle – or The Brotherly – was designed by Quebec City-based Atelier Pierre Thibault as a shared weekend house for two brothers in Charlevoix, a popular Canadian ski destination.
      The architecture firm chose a palette of minimalist, built-in or custom furniture, which was subtly inserted into the project in order to draw more attention to the surrounding landscape than the interiors.
      “The large glazed openings and restrained interior furnishings facilitate contemplation,” explained Atelier Pierre Thibault.
      Find out more about La Fraternelle ›

      Summer houses, Greece, by Kapsimalis Architects
      Two underground caves of an old property in Santorini were converted into summer houses by smoothing out and finishing their interiors in earthy tones that contrast with the houses’ bright white facades.
      Kapsimalis Architects added elegant furniture made by local craftsmen to the cavernous rooms, which also feature minimalist light fittings and built-in storage framed by vaulted ceilings and arched doorways.
      Find out more about these summer houses ›

      La Extraviada, Mexico, by Em-Estudio
      Mexico City-based firm Em-Estudio chose “materials thought of as elements that blend with the mountain” for La Extraviada, a holiday home made up of volumes that perch on a steep hillside in Oaxaca.
      Inside, a dining and living space designed by Gala Sánchez-Renero is flanked by sliding doors that open out onto a patio, while black rattan pendant lights are suspended over a low-slung wooden dining table.
      Find out more about La Extraviada ›

      Bowen Island House, Canada, by Office of McFarlane Biggar Architects + Designers
      Described as a “contemporary cabin in the woods” by Vancouver studio Office of McFarlane Biggar Architects, Bowen Island House is a black-stained cedar and glass holiday home in British Columbia.
      Hemlock wooden floors match the ceilings, which frame open-plan living spaces with floor-to-ceiling windows that are designed to allow the dwelling to recede into the surrounding rainforest.
      “The house is made from a palette of local materials primarily, all chosen for their inherent beauty, toughness and refinement,” said project leader Steve McFarlane.
      Find out more about Bowen Island House ›

      Archipelago House, Sweden, by Norm Architects
      Scandinavian and Japanese aesthetics blend together in Archipelago House on the coast of Sweden, an interior trend known as Japandi design.
      Danish studio Norm Architects and Japanese brand Karimoku Case Study dressed the home’s double-height lounge with minimal furniture that adheres to the style, including a pebble-grey sofa, curvy cream armchairs and a muted stone-topped coffee table.
      Find out more about Archipelago House ›

      Rural House, Portugal, by HBG Architects
      A staircase with steps that double as a bench, table and fireplace takes centre stage in a converted granite community oven turned into a holiday home in Portugal, which is located in the village of Aldeia de João Pires.
      Inside, HBG Architects left the dwelling’s granite walls exposed to maintain the house’s history and contrast with the space’s more contemporary interiors. The home is defined by a material palette of concrete and timber and was described by the studio as “loft-like”.
      Find out more about Rural House ›

      Icaria House, South Africa, by Antonio Zaninovic Architecture Studio and Tara Bean
      Icaria House is a four-storey holiday home on a clifftop in Cape Town, which was renovated by local office Antonio Zaninovic Architecture Studio and interior designer Tara Bean.
      Originally built in the 1960s, the house’s interiors fuse eclectic elements such as a red Berber rug from Morocco with soothing white walls and large windows that provide views of the surrounding sea.
      Find out more about Icaria House ›
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing coastal hotel rooms, kitchen extensions and homes centred around interior courtyards.

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      Ali Budd Interiors transforms Muskoka log cabin into art-filled cottage

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      Toronto studio Ali Budd Interiors has transformed a dated wooden log cabin into a comfortable Canadian holiday home, with a wood-lined sunroom, vintage rugs and art by Andy Warhol.The studio was asked to renovate the cottage in Muskoka, Ontario and turn it into a neutral but comfortable backdrop for its owners’ extensive art collection.
      “As the clients are big art collectors, we wanted to not only design the perfect space for the family to enjoy the surrounding nature, but create the perfect canvas to showcase their artwork,” founder Ali Budd told Dezeen.

      Top: monochrome furniture in the Great Room. Above: a crumpled newspaper artwork by Paul Rousso

      In each of the cottage’s rooms, fabrics designed to withstand an “indoor-outdoor” lifestyle are chosen for their practical but chic appearance.
      Mindful of Ontario’s extreme climate and the many visitors who are invited to enjoy a family’s second home, the studio made sure to choose materials that will endure considerable wear and tear.
      “While maintaining the charm of a cottage, we modernised the space by mixing textures, incorporating custom furniture designed by Ali Budd Interiors, and adding hints of black to give it that contemporary look,” explained Budd.

      Ali Budd Interiors chose materials for their ability to withstand wear and tear
      Ali Budd Interiors’ design choices balance this practical need with its clients’ love of both white interiors and natural wood.

      Mjölk Architekti updates Czech cottage with burnt-wood cladding and revamped interior

      In the cottage’s Great Room, the main living room, these design elements include neutral-coloured armchairs and a sofa by Ali Budd Interiors that have been fabricated by Cooper Brothers.

      Monochrome furniture surrounds a bespoke coffee table
      A pair of plush shearling ottomans from Luxe Pour Maison sits nearby, complemented by a bespoke Ali Budd white oak coffee table topped with a white Corian surface. A newspaper artwork by Paul Rousso adds colour to the room.
      The cottage also has a Muskoka room, a type of screened-in porch that acts as a sunroom. In this instance, it acts as an open-plan living room attached to the property’s dining area.

      Patterned Moroccan poufs add colour to The Muskoka Room
      The dining area is complete with a custom-made white Ali Budd dining table, and an iconic Campbell’s soup artwork by Andy Warhol. Black and white chairs from Restoration Hardware are positioned around the monochrome table.
      The Muskoka room’s panoramic windows give guests the feeling of being outside while they lounge on a custom curved grey sofa that hugs the room’s curved walls.
      “There is so much beauty outside this property, and we wanted to ensure that all of those elements shone through,” said Budd.
      Other interior highlights in the Muskoka room include a central round coffee table by Garcia Group, and vintage rugs and colourful Moroccan pous from Mellah Rugs.

      An iconic piece by Andy Warhol hangs in the dining room
      Throughout the house, colourful accents such as these poufs add bright texture to an otherwise white and minimal backdrop.
      “As we were working with a monochromatic palette, we were able to layer different finishes and textiles to create something part eclectic and part chic,” continued Budd.

      Porcelain countertops are seen throughout the sleek kitchen
      This monochrome theme is particularly emphasised in the black and white kitchen. Perhaps the most pared-back and modern of the cottage’s rooms, exposed natural beams are the kitchen’s only hint of the former log cabin.
      Durable porcelain forms the room’s countertops, and a Sonneman pendant light is suspended over the sleek kitchen island.

      An original artwork by Douglas Copeland fits between the staircase’s wooden beams
      More exposed beams above the cottage’s wooden staircase perfectly frame an original painting by Douglas Copeland, its bright colours offsetting the plain white walls on which it hangs.

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      Upstairs in the main bedroom, a black woven bed from American brand CB2 continues the cottage’s overall monochrome theme, while wiggly Graffito-print cushions by Kelly Wearstler soften the room’s clean lines.

      Graffito-print cushions add pattern to an otherwise minimal bedroom
      A final standout feature is the cottage’s renovated powder room. Originally one of the most dated-looking parts of the property, Ali Budd Interiors redesigned the room with bespoke millwork and an elegant custom-made mirror.
      Ali Budd Interiors is a female-led Toronto-based firm founded in 2010.
      More cosy cottages include this off-grid cabin in upstate New York and another log cabin renovation for a lake house in Quebec.
      Photography is by Ali Budd Interiors.

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