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    London apartment features fish and chip shop-informed kitchen

    A steel kitchen that references London’s many fast food shops takes centre stage in this apartment designed by local studio Holloway Li for its co-founder Alex Holloway, which also has a bathtub in the living room.

    Located in north London’s Highbury, the apartment is set in a converted Victorian house and was renovated to create a home-cum-photography-studio for Holloway and his partner Elle Parmar Jenkins, founder of vintage furniture store Goods In.
    The apartment includes a custom-built stainless steel kitchenHolloway Li sought to update the single-storey space while also maintaining many of its original features.
    Part of this process included removing the master bedroom entirely to create an open-plan living space from what were originally separate rooms, and adding two extra windows to illuminate this interior.
    Holloway Li looked to local fast-food shops to create this design”We exposed and retained the original timber verge beam keeping all the screws and not cleaning it up at all,” said Holloway, who founded the studio with Na Li in 2018.

    “We wanted to express the formation of the external butterfly roof internally by opening up the ceilings to show the vaulted geometry internally,” he told Dezeen.
    This triple-aspect living space contains a striking kitchen clad in circle-brushed stainless steel with a curved splashback that takes cues from the kebab and fish and chip shops that Holloway grew up surrounded by in London, according to the designer.
    Pink and orange accents feature throughout”A lot of our studio work often fuses aspects of what people might consider ‘low culture’ with a more high-brow aesthetic,” said Holloway, who explained that the kitchen was not created as a parody, but rather intends to honour the materials found in fast food outlets.
    “This is what London is – a mix of high and low always across the road from one another. It’s part of what makes it interesting, and having grown up here it was important to add those vernacular visual flavours into the space,” he added.
    “Also, I hadn’t seen that material [circle-brushed steel] used in a domestic setting before so I knew it would be unique.”
    A bathtub was inserted into the living spaceThe studio chose a neutral colour palette interrupted with pops of vibrant colours such as orange and blue, which was led by the rosy-hued exposed plaster walls that frame the space.
    Breaking with tradition, Holloway decided to insert a bathtub into the living space where the master bedroom used to be to make use of its panoramic natural light and to add an alternative touch to the apartment.
    The same resin used to create the dining table top is found in the bathroomIt is positioned next to a bespoke timber Holloway Li desk and a vintage Eames office chair that Parmar Jenkins uses when she works from home, while light-hued Douglas fir flooring and chunky geometric sconce lights add to the warm interior.
    Other furniture pieces by the studio include a chubby orange armchair that Holloway Li launched at this year’s London Design Festival in collaboration with Uma Objects as well as the dining table and a shower screen that were both formed from a gridded resin off-cut salvaged from a previous project.

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    Holloway’s favourite element of the apartment is “the windows and reflections,” he said. “It is very rare to have a room in a Victorian terrace that has windows on three out of four of its sides.”
    “The kitchen in turn – on the old side that doesn’t have a window – reflects the opposite windows so it actually feels like you are surrounded by light,” he added.
    Colours in the living space are also hinted at in the apartment’s one bedroomThis apartment is not the first of Holloway Li’s interior designs that intend to directly respond to their contexts.
    Previously, the studio dressed the Wunderlocke hotel in Munich in hues that nod to the paintings of the late Munich-based painter Wassily Kandinsky, while it designed bathroom brand Coalbrook’s showroom with industrial materials that echo the building’s original function as a tobacco-pipe factory.
    The photography is by Edmund Dabney. 

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    Holloway Li transforms Munich office building into Wunderlocke hotel

    Wassily Kandinsky’s abstract paintings influenced the colourful yet understated interiors that design studio Holloway Li has created inside the Locke hotel in Munich.

    The aparthotel, called Wunderlocke, contains 360 serviced studio apartments and is situated in Munich’s Obersendling district, taking over an office building that previously belonged to German tech company Siemens.
    A timber desk anchors Wunderlocke’s receptionLondon-based Holloway Li aimed to celebrate the building’s raw structure and reveal its “inner voice”, avoiding a more traditional “material intensive” approach to retrofitting.
    This decision was chiefly informed by the work of 20th-century Russian painter Wassily Kandinsky – a pioneer of abstract art who spent a significant portion of his career in Munich.
    Adjacent to the reception is a co-working area”Kandinsky’s work explores how we can develop a closer relationship to nature through abstraction, rather than through more figurative approaches favoured at the time,” explained Holloway Li.

    “He believed that by connecting with the ‘innerer klang’ (inner voice) of things, an artist could reveal the natural essence of objects and materials.”
    Teal-coloured leather runs around the edge of the bar counterIn line with this idea, the studio stripped back the building to its concrete shell and added a carefully curated selection of furnishings using natural colours and materials where possible.
    At the heart of the ground-floor reception is a curved timber desk inset with panels of wheat-coloured carpet, which were also used to wrap the lower half of the room’s structural columns.
    Yellow and red furnishings bring a burst of colour to the barBeyond the reception is an informal co-working area dressed with plush sea-green sofas and communal timber desks.
    Holloway Li placed leafy potted plants around the periphery of the room and along the trellis-style shelves, creating the impression that the nearby Grünwald forest has “grown into and occupied” the interior.

    Fettle designs Schwan Locke Hotel in homage to early German modernism

    This floor of the Wunderlocke hotel also houses a drinks bar, with the lip of its countertop upholstered in supple teal-coloured leather to encourage guests to get comfortable and hang around for longer.
    Mustard-yellow tub chairs and a red seating banquette provide extra pops of colour.
    The building’s terrazzo staircase dates back to the 1960sThe upper floors of the hotel can be reached via a terrazzo staircase, which dates back to the 1960s but was updated with a stainless steel handrail.
    Painted in natural blue and green hues, each guest suite is designed to function as a small studio apartment with its own lounge area and kitchenette.
    Guest suites are decked out in shades of blue and greenIf guests don’t want to cook in their room, they have the option of eating at Mural Farmhouse – a group of five food and drinks venues spread across seven floors of the Wunderlocke building.
    Run by the founders of Munich’s Michelin-starred restaurant Mural, the complex encompasses an all-day restaurant, a wine bar, cocktail bar, coffee shop and an upscale eatery.
    All of the venues follow a farm-to-table ethos, making use of hand-picked herbs and vegetables from the hotel’s rooftop farm, which offers views over the Bavarian Alps.
    Each suite comes complete with a lounge and kitchenetteWunderlocke is the second Munich outpost from British aparthotel chain Locke. The first, called Schwan Locke, pays homage to early German modernism and features a colour palette informed by the work of Mies van der Rohe.
    Holloway Li was previously tasked with designing Locke’s location in the London district of Bermondsey, which evokes sunny California deserts.
    The photography is by Ed Dabney.

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