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      Yabu Pushelberg references multi-faceted LA culture in conjoined hotels

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      Canadian design studio Yabu Pushelberg has created the Moxy and AC Hotel in Downtown Los Angeles to encapsulate a variety of references to the surrounding city.

      The two hotels were placed side by side within a Gensler-designed building in central Los Angeles, with Yabu Pushelberg carrying out the design for both hotels.
      The designers used a variety of LA-oriented references across both hotels, referencing local artist culture, streetlife, the desert, as well as the imagery of movies from Hollywood.
      The Moxy Hotel in Downtown Los Angeles was designed based on deserts and cinema”Moving making and the California Dream are all mashed up together to create this atmosphere,” studio co-founder George Yabu told Dezeen.
      “We also captured the grittiness,” added co-founder Glenn Pushelberg. 

      The hotels were designed to complement each other, providing various experiences for guests, who the team hopes can be staying in one while visiting the bars and restaurants of the others.
      Yabu Pushelberg wanted to challenge guests with a sense of “grittiness”According to the duo, the hotels are meant to be the day and nighttime versions of the same person or “like the same person in different movies”.
      AC Hotel provides a more work-oriented vision and the Moxy representing a more dimly lit atmosphere.
      The Moxy includes lounge areas with plush furnitureUsing desert themes and references to the 1969 film Easy Rider starring Peter Fonda, the Moxy has rammed earth walls, woven wall hangings and homages to motorcycle culture with a custom pouf designed with Harley Davidson in mind. It even has a motorcycle in the lobby lounge.
      “If you look at the materialities and colors and textures, it is kind of off-off, which makes it on,” said Pushelberg. 
      AC Hotel is more restrainedAlso in the Moxy’s lobby is a snakeskin-like carpet with a graphic of a snake.
      The hotel includes studio spaces above the lobby with neon lights and plush furniture; minimal rooms with tile and stone walls; and a bar inspired by the “roadside gas station” with mottled stone countertops, metal mesh liquor cabinets and “cocoon-like” chairs.
      The AC Hotel is meant to evoke the artist’s loftThe AC Hotel is more restrained. The lobby is on the 34th floor and was designed to evoke the “artist’s loft” with views of the city below. Materials were inspired by Spanish architecture – such as textured plaster and stucco.
      These details continue throughout the bars, guestrooms and library lounge, with the addition of wooden sculptures and dark black tile.
      Yabu Pushelberg designed the carpets in the guest rooms to “reflect the geometric pattern and color story found throughout the hotel” and contrast the birch wood flooring.

      Ibiza’s first hotel gets bohemian refresh from Dorothée Meilichzon

      According to the team, the hotels together are meant to bring together a variety of local influences to attract people to the downtown core.
      “It’s a ​​perfect time for the hotels to be there because all these different types of people have never ever had a reason to go downtown,” said Pushelberg, who referenced the growing gallery scene in the area as an additional inspiration.
      The AC’s lobby is on the 34th floor of the buildingThe design follows a slew of other hotels designed for LA’s downtown, including Hotel Per La designed by Jaqui Seerman, which occupies a 1920s bank building.
      A division of Marriot, Moxy has dozens of hotels around the world, including a recent addition in New York’s Lower East Side designed by Michaelis Boyd and Rockwell Group.

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      Ibiza's first hotel gets bohemian refresh from Dorothée Meilichzon

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      The 1930s Montesol hotel in Ibiza has reopened following a full overhaul of its 30 bedrooms and three suites by Dorothée Meilichzon of French interior design studio Chzon.

      Set in the old town of Eivissa, the newly renamed Montesol Experimental has been undergoing a multi-stage renovation since 2021, when it was bought by the Experimental hospitality group.
      Interior designer Dorothée Meilichzon has overhauled the bedrooms (top image) of the Montesol Experimental hotel (above)Meilichzon was responsible for overseeing the whole project, starting two years ago with the Sabbaba restaurant and rooftop bar before finally turning to the rooms. Her aim was to infuse “a bohemian overtone throughout the interior”, drawing on the hotel’s rich history.
      Built nearly a century ago in 1933, the neo-colonial Montesol is widely considered Ibiza’s first hotel, and between the 50s and 80s was known for hosting a roster of hippies, celebrities and royals including the members of rock band Pink Floyd and legendary director and actor Orson Welles.
      The rooms are brightened up by Diego Faivre’s Playdough StoolsMeilichzon was keen to tap into this bohemian past, layering up an array of fabrics, patterns, fringes and pompoms, used against light woods and textured plaster walls.

      “The hotel is a pool of colour to reflect the joy and open-mindedness of Ibiza,” she told Dezeen.
      Shell-patterned walls feature throughout the interiorsWarm yellow hues nod to the building’s iconic yellow-and-white exterior, juxtaposed with a variety of green and blue tones that bring in the colours of the Mediterranean sea.
      “Solar colours have been adopted in common areas and lunar colours in rooms,” she said. “Listening to Ayurvedic principles, we used cooling, calming colours inside the hotel to counterbalance the heat outside.”
      Moroccan zellige tiles were used to frame the mini bars in the guest roomsTiling, too, brings a cooling element, used in both the rooms and the public spaces.
      “Tiles are an important feature in this hotel,” Meilichzon explained. “And we have used traditional zelliges to wrap the niches of the mini-bars in a palette of orange, brown and off-white.”

      Chzon studio designs airport departure hall to reference Parisian life

      A hand-made theme threads through the building, as seen in the many shell-patterned walls that were created by pressing individual seashells into fresh lime plaster.
      Arched forms – from room openings to bathroom mirrors to statement headboard – reference the grandeur of the hotel’s exterior but in a more relaxed and low-key way.
      Arched headboards reference the grandeur of the hotel’s exteriorCircles are another recurring silhouette, found across rugs, arworks and chair backs.
      “I enjoyed shaping a lot of curvy, wavy lines around the hotel to add softness to the design,” Meilichzon said. “Nothing is sharp in Ibiza, it is a very smooth atmosphere.”
      The same rounded forms are repeated in the tables and chairsThe circle idea is continued through the use of celestial motifs, with brass suns and iron moons scattered across the hotel calling to mind the sunny days and celebrated nightlife of the island as well as its more spiritual side.
      The bedrooms have a playful feel, with chunky Playdough Stools by Diego Faivre, hand-made masks by Mallorcan artist Anna-Alexandra and wardrobe doors informed by jigsaw puzzles.
      “These unique and whimsical pieces bring a lot of character to the rooms,” Meilichzon said.
      Meilichzon previously completed the hotel’s Sabbaba restaurantSince founding her hospitality design studio Chzon in 2009, the designer has created a number of interiors for Experimental Group including outposts in London and Menorca alongside the Hotel Il Palazzo Experimental in Venice.
      More recently, Meilichzon was also responsible for overhauling a departure lounge at Charles de Gaulle Airport, incorporating her hallmark arches alongside fountains referencing iconic Parisian monuments.
      The photography is by Karel Balas.

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      Tbilisi's Blueberry Nights hotel makes “people feel like they're inside a movie”

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      Georgian architect Sandro Takaishvili has converted an apartment building in Tbilisi into a hotel, with interiors informed by his love of cinema and movie projectors in all 16 rooms.

      Taking over three storeys above a restaurant in the capital’s Vera neighbourhood, the Blueberry Nights hotel features a theatrical colour scheme, Japanese furnishings and moody lighting.
      Blueberry Nights is a 16-room hotel in Tbilisi”The design of the hotel is the culmination of my entire life’s consumption of film,” the hotel’s co-founder Sandro Takaishvili told Dezeen.
      “My intention is to make people feel like they’re inside a movie, where everything feels slightly familiar but otherworldly at the same time,” said the architect, who previously worked as a set designer, filmmaker and photographer.
      Its design references films by renowned film directorsThe hotel was named after My Blueberry Nights – a film by Hong Kong director Wong Kar-Wai – and incorporates visual references to the work of other renowned directors including Stanley Kubrick.

      The main lobby was designed to look and feel like a cosy cinema foyer, complete with dark blue carpeting, walnut wood furniture and seating upholstered in velvet. Guests can check in at a large reception desk fronted in plexiglass that was inspired by retro-futuristic films.
      The guestrooms are sparsely decorated with lights from Japan”From the moment guests step through the doors, a moody cinematic journey begins with dark blue carpets, downlights and a soft soundtrack of noir movie dialogues playing in the lobby,” Takaishvili said.
      As part of the renovation, Takaishvili transformed the building’s attic into two extra guestrooms, for a total of 16 rooms.

      Soviet publishing house in Tbilisi transformed into Stamba Hotel

      The bedrooms were designed to evoke the visual style of David Lynch, with custom-made low-slung beds and walnut-veneer cabinets. Room dividers punctured by large circular openings were used to mark different zones within the rooms.
      The warm wooden furniture is offset by splashes of red – in the form of vintage phones, artwork and window shutters made from medium-density fibreboard (MDF) – as well as the white tiles used in the tiny en-suite bathrooms.
      Wooden furniture in the hotel rooms was locally producedOther bedroom decor includes lamps with Noguchi-style paper shades, which Takaishvili imported from Japan, and teak-and-cane chairs by architect Pierre Jeanneret, which were sourced from London.
      “The paper lights give off a soft luminescent effect that creates a cosy ambience,” the architect explained.
      “Some of the simple geometric forms that I used definitely have a mid-century influence but I wasn’t trying to be trendy. I just wanted to achieve a cinematic effect without resorting to obvious movie gimmicks.”
      The architects added vinyl players and records in each roomOne wall was left blank in each room so that guests can watch movies via a smart projector, while music can be played via a selection of vinyl records.
      Other interior projects in Tbilisi include a bookstore-cum-cafe by Georgian designer Lado Lomitashvili and the Stamba Hotel, which occupies the former headquarters of a Soviet printing press.
      The photography is courtesy of Blueberry Nights.

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      Tampa “about to explode” as a destination, says Edition hotels founder Ian Schrager

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      American entrepreneur Ian Schrager’s hospitality group The Edition has opened the first five-star hotel in Tampa, Florida, which includes a “jungle” lobby and a party room with 350 disco balls.

      The Tampa Edition, which started taking bookings in October 2022, is housed in a new 26-storey building that includes 172 rooms and 38 private residences.
      A focal point in the lobby of The Tampa Edition is a snaking marble staircaseIt forms part of the Water Street development, a huge urban mixed-use expansion project just south of Downtown and a couple of blocks from the waterfront.
      “[Tampa] has established its time is now, and I think it’s about to explode on the scene,” said Schrager, the hospitality mastermind who co-founded the legendary New York nightclub Studio 54, and is also behind the Public hotels chain.
      Between the tropical plants, the tall lobby features a custom travertine pool table“It’s got a good quality of life and a great food scene,” he continued.

      “It’s a city in the sun, but it’s not a vacation-only spot, it’s a real living breathing city and that’s what I think is so special about it.”
      Bright yellow carpet and seating contrast the greenerySchrager’s team at ISC Design Studio designed the new Edition property, along with Morris Adjmi Architects, Nichols Architects, Bonetti Kozerski Architects, and Roman and Williams.
      The white and glass building features art deco-influenced curves, which wrap the hotel on the larger lower floors and the residences in the tower portion above.
      A scalloped walnut bar serves Mediterranean-influenced cocktails and light bitesThe hotel’s lobby features 20-foot ceilings and full-height glazing along the front facade.
      A large stainless-steel lilac orb greets guests as they enter the travertine-clad space, which is filled with tropical plants.
      The Lilac restaurant features bright green seating that matches the tiles lining the semi-open kitchen”I put the landscaping in the lobby,” Schrager told Dezeen. “I wanted to have a jungle, and I kept saying ‘more, more’ plants. At night they’re lit from below and you get the shadows of the leaves on the ceiling. It’s almost all green.”
      Among the greenery are areas of lounge seating and a custom travertine pool table with a bright yellow top.
      Entertainment spaces on the second floor include the Punch Room, decorated with walnut panelling and jewel-toned sofasThe same colour is repeated in the carpet and seat upholstery in the bar area, which is arranged around a scalloped walnut counter from which Mediterranean-influenced cocktails and small plates are served.
      “Using really bright colors – the yellows and blues and greens – or putting plants in the lobby, were not additive,” said Schrager. “Those things will surprise you.”
      A party room with 350 disco balls on the ceiling forms part of the Arts ClubThe restaurant, Lilac, features bright green seating that matches the tiles lining the semi-open kitchen, which offers a Mediterranean menu from chef John Fraser.
      At the other end of the lobby, a white marble staircase provides a focal point as it snakes up to several more entertainment spaces.
      The Arts Club also includes an entirely black room with lounge seatingThese include the Punch Room, a cosy walnut-panelled space with chartreuse sofas, and royal blue velvet banquettes and curtains.
      The Arts Club, intended for late-night events, comprises a series of rooms – one is completely black, while 350 disco balls cover the entire ceiling in another.
      The guest bedrooms are designed to look understated, with a focus on materialsThe spa is also located on the second floor, while another bar and restaurant can be found on the ninth, which opens onto a roof terrace where guests can also enjoy an outdoor pool, sun loungers and cabanas.
      Guest rooms and suites have an understated aesthetic, with particular attention paid to lighting and materials, including marble bathrooms, walnut panelling and white oak furniture.

      The secret to creating a great hotel is “one plus one equals three” says Ian Schrager

      “The design is simple and pure,” said Schrager. “There isn’t anything superfluous or gratuitous, nor a wasted gesture.”
      “Leonardo da Vinci said ‘simplicity is the ultimate sophistication’. It’s supposed to be restful and peaceful,” he added.
      A bar and restaurant on the ninth floor, named Azure, opens onto a roof terraceThe Edition now has 15 locations around the world, with West Hollywood, Tokyo and Madrid – which was longlisted for the Dezeen Awards 2022.
      “I’m selling a visceral emotional experience, and it’s hard to pull that off,” Schrager said of the Edition as a brand. “Because you can’t take it out of a brand book or a rule book. It’s got to be balanced between refinement and being raw and edgy, so it can all come together in some mystical way.”
      The roof terrace includes a swimming pool, loungers and cabanas for guests to relax inThe Tampa Edition is a major draw for the $3.5 billion Water Street development project, which encompasses nine million square feet and will form a new neighbourhood in a previously neglected corner of the city.
      Tampa, as with other Floridian urban centres, has seen a boom in interest from tourists and new residents over the past few years, and therefore a need has grown for more homes, hotels and restaurants.
      The photography is by Nikolas Koenig.

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      Space Copenhagen pays homage to historic features in Mammertsberg renovation

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      A sculptural spiral staircase, floor-to-ceiling windows and panelled walls have been paired with contemporary furnishings in Space Copenhagen’s renovation of a restaurant and hotel in Switzerland.

      Called Mammertsberg, the combined hotel and restaurant is housed within a 1911 villa that overlooks the Alps mountain range in Freidorf, Switzerland.
      Top: a spiral staircase takes centre stage in Mammertsberg. Above: Space Copenhagen has renovated the Swiss hotel and restaurantDanish design studio Space Copenhagen focused on the restaurant and lounge, which were totally refurbished to transform the interior from its previous status as a Swiss-food restaurant.
      Meanwhile, the adjacent six hotel guest rooms were given a light refresh.
      Contemporary furniture was added to the lounge”We embraced the idea of keeping key historic, listed, and structural features, defining for the building and its architectural heritage,” Space Copenhagen told Dezeen.

      “For the transformation towards something new, it felt important to add a diverse mix of furniture, lighting, materials, art and books, all of which could have been collected slowly over time,” the studio added.
      Linen curtains frame the large windowsDue to the building’s historic status, Space Copenhagen faced certain refurbishment restrictions, which resulted in the studio adapting its design around existing features within the property.
      These included a large central staircase by architect Tilla Theus that connects the restaurant on the ground floor to the bar and lounge on the first floor.
      Natural materials were used throughout the interiorIn the 42-seat fine-dining restaurant, which serves up locally sourced dishes, the studio embraced the high ceilings and large windows by adding floor-to-ceiling curtains in tactile, heavy linen.
      “The building overlooks the impressive landscape and alpine scenery that characterises Switzerland and this inspired our design choices and approach,” said Space Copenhagen.
      “It felt natural to treat the house as a large country home from which to enjoy the surrounding nature; offering guests the opportunity to contemplate and recharge.”
      The restaurant has a walnut and linen colour paletteThe surrounding nature was referenced in the material and colour choices, with solid oak tables in varying shapes and sizes dotted throughout the restaurant and lounge.
      Elsewhere in the Mammertsberg restaurant, Scandinavian chairs were upholstered in subdued colour tones such as walnut and light linen, while petrol blue leather was added for contrast.

      Space Copenhagen renovates landmark Arne Jacobsen hotel using updated classic furniture

      “We wanted to create a warm and inviting scene to balance the vibrant dishes while simultaneously seeking a high level of detailing, quality, and refinement in the curation of materials and furniture pieces,” explained Space Copenhagen.
      “We worked with a new approach to solve the layout for the restaurant. Being a small restaurant allowed us to create a sense of familiarity with a variety of different tables – round, square and longer styles – all with different configurations and possibilities.”
      Six guest rooms were given a light refreshThe project also involved updating Mammertsberg’s guest rooms. Each of the six rooms was individually decorated to feel like someone’s private residence, with sculptural lighting and soft furniture to encourage rest and relaxation.
      According to the designers, the limited time frame meant that finer details such as adding new finishes were prioritised over a larger overhaul.
      Each hotel suite is individually furnished”We couldn’t change the polished stone floors in certain public areas such as the restrooms, bathrooms and guestrooms,” Space Copenhagen said.
      “We solved this by applying a different finish which honed them as much as possible towards a more matt and subdued hue, settling into the overall colour and material palette.”
      Space Copenhagen was established in Denmark in 2005 and is best known for its restaurant interior design projects.
      Among them is the Blueness restaurant in Antwerp, which is decorated with bespoke furnishings and Le Pristine, a restaurant that the company renovated with a moody aesthetic.
      The photography is by Joachim Wichmann.

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      Vipp transforms 13th-century Italian palazzo into pop-up “liveable installation”

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      Interior designer Julie Cloos Mølsgaard has created a pop-up hotel filled with Italian frescos and modern Scandinavian furniture for Danish homeware brand Vipp within Palazzo Monti in Brescia, Italy.

      The collaboration with Vipp saw the Palazzo Monti, which is an artist residency foundation hosted in a 13th-century palace, transformed into a hotel for guests to stay overnight.
      Palazzo Monti was converted into a pop-up hotelThe space was redesigned into a hotel suites focused on showcasing Vipp products.
      Mølsgaard added minimalist furniture and lighting by Vipp to the interior spaces, aiming to complement the historic building, which features Baroque paintings from 1750 on its walls and ceilings.
      The rooms were decorated with minimalist furniture”Palazzo Monti showcases a broad array of art exhibitions,” said Palazzo Monti founder Edoardo Monti.

      “For the first time, we will host a liveable installation curated by Vipp, where we invite guests to check into our residency,” he continued.
      “Entering the opulent gates of the palazzo is like stepping into an old master’s painting.”
      The staircase is surrounded by frescos on the walls and ceiling”For the pop-up hotel at the palazzo, Mølsgaard had an ambition of building a bridge between the minimalist and the opulent,” said Vipp CEO Kasper Egelund.
      “Vipp and Mølsgaard approached the interior design with a simple and minimalist mindset to respect and not compete with the surrounding richness.”
      Green tiles cover the kitchen floorOn the ground floor is a combined kitchen and dining area. Mølsgaard added an industrial-looking matte black kitchen island in the middle of the space, which sits under an ornate ceiling and atop a green-tiled floor.
      A grand staircase surrounded by pastel frescoes leads visitors to the pop-up hotel on the first floor.

      Vipp sets up one-room hotel inside ex-pencil factory in Copenhagen

      A succession of rooms – a hallway, salon and bedroom – were transformed into a suite decorated with Vipp furniture and lighting.
      The furniture in the bedroom was intended to be simple and minimalist. The mattress sits on the floor without a bedframe, making the painted three-metre-high ceiling the main focus of the room.
      “The idea is that guests should visit and explore the space,” Mølsgaard told Dezeen. “When you wake up under the frescoes, it’s impossible not to think, what kind of life must have been lived in this house?”
      Artwork was placed on the floorThroughout the palazzo, artwork and picture frames were placed on the floor propped up against the walls, rather than being hung.
      “We initially hung a lot of art on the walls, but it was making too much noise, so instead I have sought the purity of the history of the place and wanted to let it speak through the bare walls,” said Mølsgaard.
      Mølsgaard aimed to combine Scandinavian minimalism with Italian opulence”The whole place is one big art piece,” she continued. “The staircase is a work of art, the doors are works of art, the shutters, the walls and the ceilings.”
      “When you walk around the rooms, you simply experience so many things that you almost get overloaded, so there was something that had to be removed.”
      Vipp launched a special edition chair for the pop-upArtist workshops on the second floor of the building overlook Brescia, which is a UNESCO World Heritage Site.
      To celebrate the pop-up hotel at Palazzo Monti, Vipp launched the Monti Edition chair, which sees the brand’s Swivel chair design upholstered in an Italian woven fabric created by textile company Torri Lana.
      The pop-up hotel at Palazzo Monti opens on 18 April to coincide with Milan furniture fair Salone del Mobile and closes on 18 May 2023.
      Vipp and Mølsgaard have previously collaborated on projects including a one-room hotel in a converted pencil factory and a pop-up supper club venue.
      The photography is by Irina Boersma César Machado.

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      Irina Kromayer designs Château Royal hotel to feel “authentic” rather than retro

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      Interior architect Irina Kromayer has overseen the design of Berlin’s Château Royal hotel, creating a series of eclectic spaces that reference the heyday of the German capital at the turn of the 20th century.

      The 93-room Château Royal is located in the heart of Mitte, on a street parallel to Unter den Linden boulevard and close to the iconic Brandenburg Gate.
      Château Royal has 93 rooms (top image) as well as a fireside lounge (above)  The hotel comprises two buildings dating from 1850 and 1910, as well as a newer building and roof extension designed by David Chipperfield Architects.
      The renovation project, led by Kromayer with support from Swiss architect Etienne Descloux and interior designer Katariina Minits, aims to reflect the periods during which the heritage-listed buildings were constructed.
      Built-in joinery features in all the guest rooms”Our design goal was to provide the traveller with an ‘authentic’ experience of being in Berlin, using materials and colours that traditionally stand for the city’s heyday,” Kromayer told Dezeen.

      Oak panelling, art nouveau tiles, sisal carpets and hardware in brass and nickel were incorporated into the scheme based on the finishings commonly found in Berlin’s historic buildings.
      This was informed by the storage walls of traditional West Berlin apartmentsKromayer designed much of the furniture herself – as well as in collaboration with Porto-based German designer Christian Haas – in order to achieve a seamless merging of contemporary and classic details.
      “We didn’t want the hotel to be retro but rather to feel classic so we simplified things into less decorative shapes,” she explained.
      In addition, vintage pieces were sourced from all over Europe to give a lived-in “patina” to the interior and explore a more sustainable approach to furniture sourcing.
      Loupiotte pendant lights emphasise the building’s high ceilingsThe pendant lights for the guest rooms were created in collaboration with Berlin-based manufacturer Loupiotte and are intended to emphasise the building’s high ceilings.
      Made from Japanese paper and brass, the lamps are based on a 1920s design from Josef Hoffmann, one of the co-founders of the Wiener Werkstätte art movement.

      Batek Architekten renovates historic cinema in pastel and earth-coloured hues

      The hotel’s custom-made wooden beds feature headboards crafted from Viennese wickerwork. Kromayer also created outdoor lanterns that reference traditional Berlin street lights and include unique glass panels made by artist Paul Hance.
      Built-in joinery found in each of the bedrooms was informed by the partition walls with integrated storage, which are typical of traditional West Berlin apartments.
      Glazed blue tiles can be found in the guest bathroomsPaintings by early 20th-century artists associated with the expressionist and new objectivity movements influenced the hotel’s bold colour scheme, which is applied across surfaces including tiles and upholstery textiles, along with curated artworks.
      The interior features colourful glazed bricks and tiles similar to those found in Berlin’s underground stations, as well as stained glass and coloured marble.
      Stained-glass panels brighten up the hotel barThe hotel bar is made from tin – a material Kromayer says was widely used at the turn of the century but is rarely found in contemporary German interiors. Nickel and chrome bathroom fixtures were chosen to reference the modernist and Bauhaus design movements.
      Alongside its guest rooms, which include 13 suites and an apartment, Château Royal also accommodates a lobby, bar, restaurant, private dining room, fireside lounge and winter garden.
      A Karl Holmqvist artwork hangs inside the hotel’s Dóttir eateryBuilt-in carpentry used throughout the public areas helps to create a sense of consistency with the bedrooms, while vintage furniture, rugs and lamps made for the hotel by KL Ceramics add to the eclectic feel of the spaces.
      The hotel’s restaurant, called Dóttir, features upholstered oak seating by Bauhaus designer Erich Dieckmann. Artworks including a neon piece by Karl Holmqvist bring character to the ground-floor eatery.
      Other recent renovation projects from Berlin include a pistachio-toned revamp of one of the city’s oldest cinemas and a hotel housed inside an abandoned women’s prison.
      The photography is by Felix Brueggemann.

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      Watch the AHEAD Global 2022 hospitality awards ceremony

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      Today, AHEAD will announce the winners of the AHEAD Global 2022 hospitality design awards and its headline Ultimate Accolade. Dezeen is collaborating with the brand to show the ceremony here at 1pm London time.

      The AHEAD Awards is an annual programme highlighting striking hospitality around the world, split across Europe, Middle East and Africa (MEA), Asia and the Americas.
      For its climactic Global leg, regional winners are pitted against each other to determine the ultimate winner in each category. The winners will be announced over a digital broadcast aired on Dezeen and AHEAD’s website.
      This year the programme received over 630 entries spanning 60 countries, which were judged by a panel of leading hoteliers, architects, interior designers and industry experts.

      AHEAD Global awards 2021 winners announced in series of video ceremonies on Dezeen

      Previous AHEAD winners include the Six Senses hotel by Jonathon Leitersdorf, a luxury resort in Cala Xarraca, Ibiza, which was named the winner of the spa and wellness category at the AHEAD Europe awards 2021.

      NoMad London, a former prison transformed into a luxury hotel, was named Hotel of the Year for the AHEAD Europe 2021 award, while the One & Only Mandarina luxury resort in Mexico was awarded the Hotel of the Year for the AHEAD Americas 2021 award.
      Partnership content
      This ceremony was broadcast by Dezeen for AHEAD as part of a partnership. Find out more about Dezeen partnership content here. Images courtesy of AHEAD.

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