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      Lore Group opens “grown-up” One Hundred Shoreditch hotel

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      Hospitality chain Lore Group has completed the One Hundred Shoreditch hotel in the building that formerly housed Ace Hotel’s London outpost.

      The rebranded hotel recently opened following a thorough refurbishment, which included the addition of new oriel windows on the building’s facade.
      New oriel windows were added to the building’s exteriorThe hotel was designed by Lore Group creative director Jacu Strauss, who aimed to build on the foundation of the Ace Hotel London Shoreditch.
      Designed by London-based Universal Design Studio, the Ace Hotel opened in 2013, but was shuttered in 2020 amid the coronavirus pandemic and never reopened.
      Wooden totems in the lobby were crafted by Jan Hedzel Studio”People were sentimental about what it was before and while we never wanted to drastically change that, we wanted to reflect the new, more grown-up Shoreditch,” Strauss told Dezeen.

      “And we hope that the energy that people loved in the former property is even more present now.”
      The lobby table from the Ace Hotel was kept and refinishedOne Hundred Shoreditch has 258 rooms as well as three bars, a coffee shop and a restaurant named Goddard & Gibbs, which has a giant yellow rock sculpture as its centrepiece.
      In the revamped lobby area, timber totem sculptures designed by Strauss and crafted by London-based Jan Hedzel Studio have been put in place, as well as a giant mirror.
      A large red paper sculpture is behind the lobby barIn the interest of reducing waste, Lore Group said it tried to keep materials from the old hotel where possible.
      The wooden floor in the entrance area remains the same, while a long wooden table has been refinished to give it a lighter tone, with the corners sanded into curves.

      Ace Hotel Shoreditch by Universal Design Studio

      Cork wall panelling has been dotted throughout, while the existing cork ceiling was replaced with an acoustically insulated combination of timber strips backed by black felt to soften the disco music prescribed by Strauss.
      An arrangement of giant scarlet paper flowers behind the counter distinguishes the lobby bar.
      What was previously a nightclub has been replaced with a lounge-style cocktail barOn the basement level, what was previously a nightclub has been replaced by a lounge-style cocktail bar named Seed Library.
      The bar’s design was informed by the films of director Stanley Kubrick with table lamps reminiscent of 1960s science fiction, juxtaposed with playful flourishes such as wooden wall panels fixed using metal racks taken from an office shelving unit.
      Pink tiles and terrazzo tabletops characterise the rooftop barIn the rooftop bar, powdery pink tiles matched with vivid pink terrazzo tabletops are intended to catch the sunlight, while green plants hang down from the ceiling in a concealed planter.
      Also on the top level is a multipurpose events space where a colourful second-hand parachute has been attached to the wall.
      A vintage parachute is fastened to the wall of the top floor events spaceStrauss sought to add intrigue to other communal spaces with artworks, including pieces painted in-situ personally by him inside the lifts and tapestries in the corridors.
      The rooms were designed to have a more laid back atmosphere with a mainly neutral palette.
      “When you enter the bedrooms you need to shift your energy,” explained Strauss. “The room should be a sanctuary – this is the place where you need calm.”
      The vivid hues of the rest of the hotel give way to a more neutral palette inside the roomsIn the bedrooms Berber carpets have been combined with a bed designed by Strauss with a shrunken base to create the illusion of floating.
      Large artworks adorn the walls to provide colour, with playful slinky-like vases are filled with eucalyptus to scent the rooms.
      Each oriel window has a unique furniture arrangementLore Group also operates Sea Containers, a hotel on London’s Southbank, as well as the Pulitzer in Amsterdam and the Riggs and Lyle hotels, both in Washington DC.
      Strauss led on the interiors for Sea Containers while a senior director at Tom Dixon’s Design Research Studio.
      The images are courtesy of Lore Group.

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      Ten plant-filled hotel interiors that feel close to nature

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      A greenhouse-cum-dining room and a miniature forest in a skyscraper are among the verdant hotel interiors featured in our latest lookbook.

      Whether tiny succulents or fully-grown trees, plants can help connect an interior to its surroundings, provide an oasis of calm away from city life, or act as living space-dividers to break up an open-plan interior.
      These ten hotel interiors from the Dezeen archive show how adding greenery to public spaces can help give them a friendlier, more organic feel.
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing bedrooms with clever storage solutions, escapist holiday homes and interiors by Ukranian designers.
      Photo is by Katsumasa TanakaShiroiya Hotel, Japan, by Sou Fujimoto

      Tiled floors, wooden furnishings and a plethora of plants create a piazza-like feel in the skylit atrium of this hotel in Maebashi (top and above), which serves as a reception, restaurant and lounge.
      To create the giant four-storey space, Japanese architect Sou Fujimoto dismantled all of the walls and floors of the original 1970s building, while a number of new guest suites and a Finnish sauna are housed in a grass-covered extension.
      Find out more about Shiroiya Hotel ›
      Photo is by Edmund DabneyBermonds Locke, UK, by Holloway Li
      Interiors studio Holloway Li drew on the sun-scorched landscapes of California when designing this London hotel, in order to provide guests with a sense of escapism.
      Mirrored ceilings in the reception create the impression of shimmering desert mirages, while huge planters filled with cacti and succulents separate the co-working area from the cocktail bar and restaurant.
      Find out more about Bermonds Locke ›
      Photo is by Feng ShaoIntercontinental Chongqing Raffles City, China, by CL3
      Located on level 42 of a 250-metre tall skyscraper complex, the lobby lounge of Chongqing’s Intercontinental hotel was designed to resemble a “mountain landscape in the sky”.
      Here, guests can take in views of the surrounding city from a number of curved wooden seating boots, nestled amongst the trees sprouting up from the glossy stone floor.
      Find out more about Intercontinental Chongqing Raffles City ›
      Photo is by Chase DanielLine Austin, USA, by Sean Knibb and Michael Hsu
      Architect Michael Hsu and interior designer Sean Knibb turned a mid-century tower in Austin into a modern hotel by stripping the structure back to its bones and opening it up to views of the nearby Colorado River.
      In the lobby, hanging plants are suspended from the ceiling in golden vessels and help to reinforce this connection to the outdoors, while walls and furnishings are finished in muted hues of duck egg blue and ballet-slipper pink.
      Find out more about The Line Austin ›
      Photo is by Simon UptonNoMad London, UK, by Roman and Williams
      The first international outpost from American hospitality chain NoMad is set in a former magistrates court and police station in London’s Covent Garden.
      A former yard at the centre of the building was transformed into a glass-domed restaurant, filled with freestanding trees and climbing plants that wind their way down two tiers of columns.
      Find out more about NoMad London ›
      Photo is by Spencer LowellDurham Hotel, USA, by Commune Design
      LA studio Commune Design drew on wide-ranging references when designing the retro interiors of this North Carolina hotel, ranging from the work of Bauhaus designers Josef and Anni Albers to the arts and crafts aesthetic of the state’s pioneering art school Black Mountain College.
      The converted mid-century bank now houses 54 guest suites, a rooftop lounge and an eponymous restaurant, where towering greenery surrounds leather-upholstered banquet seats.
      Find out more about the Durham Hotel ›
      Photo is by Adel FerreiraBabylonstoren, South Africa, by Malherbe Rust Architects
      Cinnamon, nutmeg, ginger and turmeric are among the aromatic plants found in the greenhouse-cum-dining hall of the Babylonstoren farmhouse hotel in South Africa’s Cape Winelands.
      An eight-metre-long granite dining table with water running down its centre takes up the centre of the space, where guests can sample foods infused with different spices while learning about their historical value.
      Find out more about Babylonstoren ›
      Image courtesy of Kelly WearstlerDowntown LA Proper, USA, by Kelly Wearstler
      Guest enter the Proper hotel in Downtown LA via an ornate archway, which is flanked by column-like cacti in rustic pots and decorated with a hand-painted mural designed by local artist Abel Macias that draws on the flora and fauna of Latin American folktales.
      The 148-room hotel combines 136 different kinds of tiles and an eclectic mix of stylistic references, informed by Mexican, Moroccan, Spanish and Portuguese design.
      Find out more about Downtown LA Proper ›
      Photo is by Philip VileHotel Castello di Reschio, Italy, by Benedikt Bolza
      Count Benedikt Bolza and his family lived in a 1,000-year-old castle in the Umbrian countryside for a decade while working to convert it into a sprawling hotel and creating custom furniture for its 36 suites.
      The verdant Palm Court is a new structural addition modelled on iron-and-glass Victorian conservatories, which is intended as a space for reading and conversation.
      Find out more about Castello di Reschio ›
      Photo is by Brooke ShanesyPalm Heights, Cayman Islands, by Gabriella Khalil
      Flea market finds from Paris, Los Angeles and Mexico populate this boutique hotel in Grand Cayman, including collectible design pieces like Mario Bellini sofas, Ingo Maurer lights and an Ettore Sottsass rug.
      The interior is styled to look like a 1970s-era Caribbean mansion, with verdant palm trees and other foliage brought inside in a nod to its location on the well-known white-sand Seven Mile Beach.
      Find out more about Palm Heights ›
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing bedrooms with clever storage solutions, escapist holiday homes and interiors by Ukranian designers.

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      Lore Group creates seafood restaurant with “playful sense of nostalgia” within One Hundred Shoreditch hotel

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      Hospitality chain Lore Group has opened the Goddard & Gibbs seafood restaurant within the One Hundred Shoreditch hotel, which occupies the former Ace Hotel London Shoreditch building.

      Lore Group’s creative director Jacu Strauss designed the restaurant within the recently opened hotel on Shoreditch High Street, London, to evoke the seaside to be in keeping with its seafood menu.
      A yellow rock sculpture and sandy artworks give the restaurant a beachy feelA gigantic yellow sculpture, created from a sketch drawn by Strauss, stands on a table at the centre of the restaurant.
      “The sculpture is based on my memories of trips to the seaside as a child and making towers from piles of rocks on the beach,” Strauss said.
      “I wanted the space to have a playful sense of nostalgia to which our guests could relate.”

      The central sculpture is based on the designer’s childhood trips to the seasideContinuing the theme, wood-panelled walls of the restaurant were adorned with “sandscape” artworks made from sand that have been painted yellow and framed.
      Parasol-like pendant lights from Herman Miller hang from the ceiling, alongside pearly spherical bulbs.
      Angled mirrors run the perimeter of the restaurantAngled mirrors around the top of the wall panelling direct attention back onto the central sculpture.
      Another bright yellow boulder is stationed in the corner of the room, while seaweed-green banquettes are interspersed among the seating.
      The walls are clad in a strip-textured wood panellingThe tabletops are fashioned from black and white aggregate terrazzo, with hexagonal tiles making up the floor.
      At the entrance to the restaurant from the street, what was formerly a flower shop has been converted into a wine bar characterised by terracotta tiles.
      A wine bar area has been set up in the street entranceThe restaurant’s dishes are intended to reference the fishing villages and seaside towns of the British coastline, with a focus on ethically sourced ingredients.
      Goddard & Gibbs opened last week as part of the One Hundred Shoreditch hotel.
      Terrazzo table tops are used throughout the restaurantOne Hundred Shoreditch occupies the same building as Ace Hotel’s London outpost, which closed in 2020 having been initially shuttered as a result of the coronavirus pandemic.
      Lore Group also operates Sea Containers, a hotel on London’s Southbank with interiors designed by Tom Dixon, as well as the Pulitzer in Amsterdam and the Riggs and Lyle hotels, both in Washington DC.
      With One Hundred Shoreditch it hopes to mirror Shoreditch’s “new, grown-up feel while retaining the buzz and vibrance synonymous with the area”.
      Lore Group has opened the restaurant as part of its new One Hundred Shoreditch hotelOther recently opened hotels in London include Buckle Street Studios, designed by Grzywinksi+Pons and a Room2 outpost in Chiswick designed by Project Orange, which is claimed to be the world’s first whole-life net-zero hotel.
      The images are courtesy of One Hundred Shoreditch.

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      Patricia Urquiola turns Michigan’s Haworth Hotel into a “design showcase”

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      European brands intermingle with furniture from US company Haworth in a Michigan hotel that has been reimagined by Spanish designer Patricia Urquiola.

      The Haworth Hotel is housed within a multi-level brick building in downtown Holland, a small city along Lake Macatawa. The hotel sits within the campus of the private school Hope College.
      The historic Haworth Hotel in Michigan was renovated by Patricia UrquiolaThe renovation was backed by the Haworth family, which owns the office furniture brand by the same name. The hotel is meant to accommodate visitors to the company’s global headquarters in Holland, along with visitors to the college.
      “The hotel was completely redone as part of a large initiative to turn a campus hotel into a design showcase while enhancing the guest experience,” the company said.
      The staircase is made of bent metal and oakTo revitalise the hotel, the company turned to Spanish designer Patricia Urquiola, who runs a studio in Milan. Urquiola has created several products for Haworth, including a sofa and pouf, and has a knack for balancing “warmth, playfulness, sophistication and multiple brand experiences”.

      For the hotel project – Urquiola’s first in the US – the designer was charged with creating a distinctive space that is both durable and comfy.
      The hotel lobby has furniture brands like CappelliniThe property contains 48 guest rooms, a range of meeting spaces, a fitness centre and a newly added coffeeshop that is open to the public. There also is a ballroom that doubles as a student dining space.
      Guests step into a bright lobby featuring pale wooden flooring and white walls. Daylight streams in through street-facing windows.
      The accent wall of the dining room is clad in white oakA centerpiece of the lobby is a wide, spiral staircase made of bent metal and oak. The stair rises up from a podium with geometric tile designed by Urquiola for Mutina.
      Just off the entrance is a lounge space fitted with furniture from Cappellini, Cassina, Poltrona Frau and Haworth. Underfoot is a grey rug from Gan, a division of Gandia Blasco.

      Palisociety and North 45 Projects return grand Portland hotel to its original use

      Similar brands are featured in other areas of the hotel.
      For instance, a room with powder blue walls is fitted with poufs and stools from Haworth, Cappellini tables made of terrazzo and faux marble, and a modular sofa system designed by Urquiola for Haworth. Affixed to the walls are disc-shaped lighting fixtures from Pablo Designs.
      Meeting rooms were part of the renovation of the Haworth HotelIn a dining area, the designer placed tables and chairs from Cassina and a Big Shadow lamp by Marcel Wanders for Cappellini. An accent wall is clad in white oak.
      Guest rooms are intended to foster relaxation. Furnishings include Haworth poufs and chairs, bedside sconces by Louis Poulsen, and millwork designed by Urquiola and fabricated by Cassina Contract.
      The rooms include millwork designed by Urquiola”The Haworth Hotel is a blend of residential and commercial solutions – durable enough to withstand years of accommodating guests and with a vibe that feels like home,” the team said.
      Other interior design projects by Patricia Urquiola include a Maggie Centre for cancer care in Barcelona that has a bright and homely atmosphere. The building was designed by Benedetta Tagliabue of EMBT.
      The photography is by Haworth Hotel.
      Project credits:
      Interior design: Studio UrquiolaArchitectural design: GMB Architecture + EngineeringGeneral contractor: Owen-Ames-Kimball

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      Nintendo's former HQ to reopen as hotel designed by Tadao Ando

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      Japanese architect Tadao Ando has transformed a building that was once home to video game giant Nintendo into a boutique hotel.

      Due to open on 1 April, Marufukuro Hotel will be located in Kyoto in a building that was occupied by Nintendo between 1933 and 1959, when the company was called Yamauchi Nintendo.
      At the time, the company was a manufacturer of Japanese playing cards called “hanafuda” and Western-style playing cards called “karuta” and “toranpu”.
      The building was home to Nintendo from 1933 to 1959Located in the Kagiyacho neighbourhood, just north of Kyoto railway station, the building has been unoccupied ever since Nintendo vacated it.
      Ando has renovated and extended the old structure, converting it into an 18-room hotel including a restaurant, bar, spa and gym.

      The building’s exterior has remained largely unchanged, retaining elements such as old Yamauchi Nintendo entrance plaques and window grilles patterned with details from the old playing cards.
      Ando’s task was to reimagine the building’s interior but incorporate many of its original 1930s details, which include decorative tiling and art-deco lighting fixtures.
      Art-deco details are retained in the renovationFor the annex, the architect has adopted a more modern approach with floor-to-ceiling windows and elements in raw concrete, the material he is famous for.
      Photos of the completed Marufukuro Hotel have so far been kept under wraps, but the hotel is already taking bookings and has released some visuals showing layout and furniture details in the guest rooms.

      Ace Hotel Kyoto reveals interiors designed by Kengo Kuma and Commune

      Guests can choose to stay in either the old or new parts of the building, in rooms ranging in size between 33 and 79 square metres.
      The project is backed by property developer Plan Do See.
      Tadao Ando converted the existing building into an 18-room hotelAndo is among Japan’s most prolific architects. Awarded the Pritzker Prize in 1995, his best-known projects include Church of the Light and Naoshima Contemporary Art Museum.
      Recent projects include the renovation of the Bourse de Commerce building in Paris, which proved controversial, and art centre Casa Wabi in Mexico.
      It was recently announced that Ando is designing a Palm Springs home for reality TV star Kim Kardashian.

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      Soho House Nashville opens in Music City hosiery factory

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      A former hosiery factory in Nashville has been converted into a Soho House hotel and members’ club, designed with nods to its industrial setting and the city’s musical heritage.

      The launch of Soho House Nashville earlier this week marks the company’s second location in the American South, following the opening of the Austin house in 2021.
      Soho House Nashville has opened in the May Hosiery BuildingThe May Hosiery Building, constructed in the early 1900s in the Tennessee city’s artsy Wedgewood-Houston neighbourhood, now contains a series of club spaces and accommodation.
      The Soho House design team used the building’s industrial past and Nashville’s reputation as the Music City to inform the renovation and decor.
      “The house design is influenced by a strong pre-war, European aesthetic, connecting to the building’s history with Bauhaus-inspired, striking geometric patterns, bold industrial finishes, and bespoke fixtures,” said the team.

      Metal shelving divides spaces in the Club RoomPlaying on the colour of original verdigris copper doors, various teal shades were used across the different spaces to visually tie them together.
      Meanwhile, the striped tiling around the swimming pool evokes the pattern of a guitar string board.
      “Music City influences do not escape Soho House Nashville with its warm, rich textures of the rock and roll era and decorative patterns that nod to the jazz and blues genres,” the design team said.
      Striped tiling around the pool is designed to mimic a guitar string boardThe building contains three indoor and outdoor performance spaces, a pool, a health club and a screening room.
      Food is offered at Club Cecconi’s, the first in-house restaurant of the Cecconi’s chain of Italian eateries owned by the Soho House group.
      Soho House Nashville’s hotel has 47 bedrooms that vary in sizeAt the heart of the building, the Club Room is divided by industrial metal shelving into intimate spaces including a library with a fireplace and a games area.
      The Sock Room also celebrates the factory’s prior use for producing socks that astronauts wore to the moon, and now hosts live music and events.

      Soho House Austin blends Texas modernism with Spanish influences

      Referencing the machinery once housed in the space, bespoke bar lamps with an industrial aesthetic contrast softer materials like velvet and textured sheer linen.
      Soho House Nashville has 47 bedrooms that range in size, including a large loft suite that spans over three floors.
      Bedrooms all have large chandeliers and a variety of textilesThe rooms are furnished with bespoke, locally made designs and vintage accessories, as well as large chandeliers and metal screens that conceal the bathrooms.
      “Each bedroom has been designed to feel traditional and cosy with woven tapestries, made with bespoke fabric designed in Nashville specifically for the house, to hide all TVs,” said the team.
      The rooms feature a mix of bespoke local furniture and vintage accessoriesA total of 170 pieces were acquired from 41 local artists to be displayed throughout the hotel and club areas.
      They join the wider art collection exhibited in the Soho House locations across the globe, which the company has gradually added to its portfolio since its founding in London in 1995.
      Metal screen doors enclose the bathroomsAlong with Austin, the group’s outposts in North America include Soho Warehouse in Downtown Los Angeles and Dumbo House in Brooklyn.
      It’s not surprising that the brand chose to open in Nashville – one of several southern US cities that has seen a recent influx of young creative people, and therefore an expanded repertoire of cultural and entertainment venues.
      Also new to the city’s dining and drinking scene is The Twelve Thirty Club , which is owned by restauranteur Sam Fox and musician Justin Timberlake.
      The photography is by Andrew Joseph Woomer.

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      Ten coastal hotel rooms with calming sea views

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      For our latest lookbook, we have rounded up 10 hotel rooms and holiday homes on the coast that provide unspoiled views of the surrounding seas and oceans.

      From beachside retreats in Tulum to guesthouses dotted along rugged patches of Icelandic shoreline, these hotel rooms are designed to make the most of their coastal locations.
      As well as offering a contemplative place to watch calming waves, many show how ocean or sandy hues can be incorporated into an interior space and how water can act as a source of inspiration.
      This is the latest in our series of Dezeen Lookbooks series providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing homes with terrazzo floors, retro eateries and kitchens with bright white interiors.
      Photo is by Francisco NogueiraBarefoot Luxury, Cape Verde, by Polo Architects and Going East

      Belgian studio Polo Architects and Going East matched bumpy stone walls with sandy-hued interiors to embed this cluster of guest villas within Cape Verde’s jagged terrain.
      Drawing on the textures and tones of the surrounding landscape, the studios filled the hotel with shades of brown, ochre, red while floor-to-ceiling glass doors provide views onto the deep blue Atlantic ocean on right on its doorstep.
      Find out more about  Barefoot Luxury ›
      Photo is by Thibaut DiniCasa Santa Teresa, Corsica, by Amelia Tavella Architects
      French studio Amelia Tavella Architects transformed a ruined Corsica residence into a breezy home for holiday-makers by using simple, comfortable furnishings.
      An outdoor terrace that runs along the outside of its bedrooms has unspoiled vistas of the Route des Sanguinaires on the Gulf of Ajaccio – a rugged strip of coastline dotted with villas and upscale hotels.
      Find out more about Casa Santa Teresa ›
      Photo is by Read McKendreeMarram Hotel, US, by Bridgeton and Studio Tack
      The 96 rooms in this Montauk hotel overlook a freshwater pool and, a little further in the distance, the Atlantic Ocean and New York’s Long Island can be spotted.
      Hospitality company Bridgeton and Studio Tack chose interiors and materials that evoke the wild grass and sandy dunes that the building sits atop.
      Find out more about Marram Hotel ›
      Photo is by Nick SimoniteHotel San Cristóbel, Mexico, by Lake Flato
      Whitewashed walls give this Mexican hotel a bright and airy feel that matches its sunny beachside location as well as providing the backdrops for cacti and frame ocean views.
      Austin architecture studio Lake Flato and designer Liz Lambert aimed to use the natural surroundings to create a laid-back atmosphere Most rooms open onto their own outdoor spaces, with patterned tiled floors matching the bathroom surfaces.
      Find out more about Hotel San Cristóbel ›
      Photo is by Elke FrotscherMonte Uzulu, Mexico, by Taller Lu’um and At-te
      Situated in a small fishing village on the beach of San Agustinillo, Mexico, Monte Uzulu is just a short walk away from the Pacific Ocean. All 12 suites have a terrace that overlooks the forest and ocean.
      Mexican studios Taller Lu’um and At-te designed the boutique hotel to showcase local craft with earthen walls, doors made from local wood and a thatched roof.
      Find out more about Monte Uzulu ›
      Photo is by Taggart SorensenCasa Xixim, Mexico, by Specht Architects
      Bedrooms inside this villa hotel in the Mexican resort of Tulum spill out onto expansive terraces overlooking a nearby mangrove marsh and beach.
      Conscious of its position on a protected bay, New York studio Specht Architects designed it to be fully self-sufficient and to work in unison with its unique site.
      Find out more about Casa Xixim ›
      Photo is by Brooke ShanesyPalm Heights, Caribbean, by Gabriella Khalil
      The same sunny yellows and bright blues that recall the Caribbean seaside run throughout the rooms in this hotel designed by Gabriella Khalil.
      Each suite in the boutique hotels opens onto a balcony at the back of the property, where visitors can enjoy the sea views.
      Find out more about Grand Cayman beach hotel ›
      Photo courtesy of Block722 ArchitectsOlea Hotel, Greece, by Block722 Architects
      Every room in this coastal hotel is set within a rectilinear volume and fronted by large windows, which frame different views of the pool, gardens, or distant Ionian Sea.
      Athens-based practice Block722 Architects wanted to blend the lodging into the natural Grecian landscape by using earth-hued linens, light timber furnishings and offcuts of wood.
      Find out more about Olea Hotel ›
      Photo is by Giovanni De RoiaGuesthouse Nýp, Iceland, by Studio Bua
      This cosy bed and breakfast is located on Iceland’s west coast, within the UNESCO World Heritage Site of Breiðafjörður Nature Reserve – a place remarkable for its extreme weather conditions.
      A corrugated metal skin and an extension that houses three guest suites are some of several changes that Studio Bua made in its renovation of Guesthouse Nýp. From these suites, guests can look out onto patches of shallow seas, small fjords and bays.
      Find out more about Guesthouse Nýp ›
      Photo by Felix MooneeramHarlosh, Scotland, by Dualchas Architects
      Tasked with enhancing the way guests experience the surrounding scenery, Dualchas Architects decided to incorporate floor-to-ceiling windows on both ends of the building, which is perched on a peninsula in the northwest of the Isle of Skye.
      A pair of terraces as the front and rear of the building can be used by guests looking to catch the sunrise and sunset, or simply take in the grasslands, sea lochs and inlets that characterise the area.
      Find out more about Harlosh ›
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing modernist living rooms, kitchen extensions and homes designed by architects and designers.

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      GS Design repeats arch motifs throughout Sumei Skyline Coast hotel on Hainan Island

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      Cresting ocean waves served as a blueprint for the arched forms found on the interior and exterior of this beachside hotel that GS Design has created in Sanya, China.

      Located on the tropical island of Hainan, the Sumei Skyline Coast hotel was designed to reference its immediate environment.
      Arches feature on the interior and exterior of the Sumei Skyline Coast hotelThe building’s facade is punctuated by curved windows and balconies that suggest rolling waves, and is painted in a crisp shade of white to contrast the rich blues of the surrounding sea and sky.
      “We worked to craft the space into a timely and sophisticated art piece with a long lifespan of usage by adopting this classic colour,” explained Chinese architecture firm GS Design.
      Sculptural white furnishings decorate the lounge areaOn the ground floor, a series of upside-down arches runs along the wooden decking adjoining the infinity pool.

      More spots for swimming are found on the expansive roof terrace as well as in the first-floor lounge, where stepping stones lead over a curvy-edged indoor pool.
      The light-filled room is otherwise dressed with a couple of potted plants and an array of sculptural white armchairs with matching side tables.
      Stepping stones lead over the curvy-edged poolThe curved shapes seen on Sumei Skyline Coast’s exterior are echoed throughout its guest rooms, which are accessed via vaulted corridors.
      Some rooms have circular skylights or huge round headboards that project over the beds. Others feature arched recesses accommodating cushioned bench seats or vanities.

      Anonimous and JAHS repurpose historic Querétaro villa as a boutique hotel

      All bathrooms come complete with a standalone tub, positioned next to the windows to give guests optimum views of the island beyond.
      In keeping with the rest of the hotel, the guest rooms are finished completely in white with textural interest provided by tufted beige decorative cushions that are scattered over the soft furnishings.
      Arched or rounded forms are incorporated into the guest roomsGS Design was established in 2014 and is based in Shenzhen.
      The studio’s Sumei Skyline Coast project joins a number of hotels that have recently opened across China. Among them is BAN Villa, which was designed to look like a “floating village”, and Grotto Retreat Xiyaotou, a hotel modelled on ancient cave dwellings.
      The photography is by Ao Xiang.
      Project credits:
      Architecture, interiors and furnishing: GS DesignDesign directors: Liangchao Li, Yuanman HuangDesign team: Chao Li, Zigeng LuoFurnishing director: Yu Feng

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