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      Soho House Nashville opens in Music City hosiery factory

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      A former hosiery factory in Nashville has been converted into a Soho House hotel and members’ club, designed with nods to its industrial setting and the city’s musical heritage.

      The launch of Soho House Nashville earlier this week marks the company’s second location in the American South, following the opening of the Austin house in 2021.
      Soho House Nashville has opened in the May Hosiery BuildingThe May Hosiery Building, constructed in the early 1900s in the Tennessee city’s artsy Wedgewood-Houston neighbourhood, now contains a series of club spaces and accommodation.
      The Soho House design team used the building’s industrial past and Nashville’s reputation as the Music City to inform the renovation and decor.
      “The house design is influenced by a strong pre-war, European aesthetic, connecting to the building’s history with Bauhaus-inspired, striking geometric patterns, bold industrial finishes, and bespoke fixtures,” said the team.

      Metal shelving divides spaces in the Club RoomPlaying on the colour of original verdigris copper doors, various teal shades were used across the different spaces to visually tie them together.
      Meanwhile, the striped tiling around the swimming pool evokes the pattern of a guitar string board.
      “Music City influences do not escape Soho House Nashville with its warm, rich textures of the rock and roll era and decorative patterns that nod to the jazz and blues genres,” the design team said.
      Striped tiling around the pool is designed to mimic a guitar string boardThe building contains three indoor and outdoor performance spaces, a pool, a health club and a screening room.
      Food is offered at Club Cecconi’s, the first in-house restaurant of the Cecconi’s chain of Italian eateries owned by the Soho House group.
      Soho House Nashville’s hotel has 47 bedrooms that vary in sizeAt the heart of the building, the Club Room is divided by industrial metal shelving into intimate spaces including a library with a fireplace and a games area.
      The Sock Room also celebrates the factory’s prior use for producing socks that astronauts wore to the moon, and now hosts live music and events.

      Soho House Austin blends Texas modernism with Spanish influences

      Referencing the machinery once housed in the space, bespoke bar lamps with an industrial aesthetic contrast softer materials like velvet and textured sheer linen.
      Soho House Nashville has 47 bedrooms that range in size, including a large loft suite that spans over three floors.
      Bedrooms all have large chandeliers and a variety of textilesThe rooms are furnished with bespoke, locally made designs and vintage accessories, as well as large chandeliers and metal screens that conceal the bathrooms.
      “Each bedroom has been designed to feel traditional and cosy with woven tapestries, made with bespoke fabric designed in Nashville specifically for the house, to hide all TVs,” said the team.
      The rooms feature a mix of bespoke local furniture and vintage accessoriesA total of 170 pieces were acquired from 41 local artists to be displayed throughout the hotel and club areas.
      They join the wider art collection exhibited in the Soho House locations across the globe, which the company has gradually added to its portfolio since its founding in London in 1995.
      Metal screen doors enclose the bathroomsAlong with Austin, the group’s outposts in North America include Soho Warehouse in Downtown Los Angeles and Dumbo House in Brooklyn.
      It’s not surprising that the brand chose to open in Nashville – one of several southern US cities that has seen a recent influx of young creative people, and therefore an expanded repertoire of cultural and entertainment venues.
      Also new to the city’s dining and drinking scene is The Twelve Thirty Club , which is owned by restauranteur Sam Fox and musician Justin Timberlake.
      The photography is by Andrew Joseph Woomer.

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      Ten coastal hotel rooms with calming sea views

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      For our latest lookbook, we have rounded up 10 hotel rooms and holiday homes on the coast that provide unspoiled views of the surrounding seas and oceans.

      From beachside retreats in Tulum to guesthouses dotted along rugged patches of Icelandic shoreline, these hotel rooms are designed to make the most of their coastal locations.
      As well as offering a contemplative place to watch calming waves, many show how ocean or sandy hues can be incorporated into an interior space and how water can act as a source of inspiration.
      This is the latest in our series of Dezeen Lookbooks series providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing homes with terrazzo floors, retro eateries and kitchens with bright white interiors.
      Photo is by Francisco NogueiraBarefoot Luxury, Cape Verde, by Polo Architects and Going East

      Belgian studio Polo Architects and Going East matched bumpy stone walls with sandy-hued interiors to embed this cluster of guest villas within Cape Verde’s jagged terrain.
      Drawing on the textures and tones of the surrounding landscape, the studios filled the hotel with shades of brown, ochre, red while floor-to-ceiling glass doors provide views onto the deep blue Atlantic ocean on right on its doorstep.
      Find out more about  Barefoot Luxury ›
      Photo is by Thibaut DiniCasa Santa Teresa, Corsica, by Amelia Tavella Architects
      French studio Amelia Tavella Architects transformed a ruined Corsica residence into a breezy home for holiday-makers by using simple, comfortable furnishings.
      An outdoor terrace that runs along the outside of its bedrooms has unspoiled vistas of the Route des Sanguinaires on the Gulf of Ajaccio – a rugged strip of coastline dotted with villas and upscale hotels.
      Find out more about Casa Santa Teresa ›
      Photo is by Read McKendreeMarram Hotel, US, by Bridgeton and Studio Tack
      The 96 rooms in this Montauk hotel overlook a freshwater pool and, a little further in the distance, the Atlantic Ocean and New York’s Long Island can be spotted.
      Hospitality company Bridgeton and Studio Tack chose interiors and materials that evoke the wild grass and sandy dunes that the building sits atop.
      Find out more about Marram Hotel ›
      Photo is by Nick SimoniteHotel San Cristóbel, Mexico, by Lake Flato
      Whitewashed walls give this Mexican hotel a bright and airy feel that matches its sunny beachside location as well as providing the backdrops for cacti and frame ocean views.
      Austin architecture studio Lake Flato and designer Liz Lambert aimed to use the natural surroundings to create a laid-back atmosphere Most rooms open onto their own outdoor spaces, with patterned tiled floors matching the bathroom surfaces.
      Find out more about Hotel San Cristóbel ›
      Photo is by Elke FrotscherMonte Uzulu, Mexico, by Taller Lu’um and At-te
      Situated in a small fishing village on the beach of San Agustinillo, Mexico, Monte Uzulu is just a short walk away from the Pacific Ocean. All 12 suites have a terrace that overlooks the forest and ocean.
      Mexican studios Taller Lu’um and At-te designed the boutique hotel to showcase local craft with earthen walls, doors made from local wood and a thatched roof.
      Find out more about Monte Uzulu ›
      Photo is by Taggart SorensenCasa Xixim, Mexico, by Specht Architects
      Bedrooms inside this villa hotel in the Mexican resort of Tulum spill out onto expansive terraces overlooking a nearby mangrove marsh and beach.
      Conscious of its position on a protected bay, New York studio Specht Architects designed it to be fully self-sufficient and to work in unison with its unique site.
      Find out more about Casa Xixim ›
      Photo is by Brooke ShanesyPalm Heights, Caribbean, by Gabriella Khalil
      The same sunny yellows and bright blues that recall the Caribbean seaside run throughout the rooms in this hotel designed by Gabriella Khalil.
      Each suite in the boutique hotels opens onto a balcony at the back of the property, where visitors can enjoy the sea views.
      Find out more about Grand Cayman beach hotel ›
      Photo courtesy of Block722 ArchitectsOlea Hotel, Greece, by Block722 Architects
      Every room in this coastal hotel is set within a rectilinear volume and fronted by large windows, which frame different views of the pool, gardens, or distant Ionian Sea.
      Athens-based practice Block722 Architects wanted to blend the lodging into the natural Grecian landscape by using earth-hued linens, light timber furnishings and offcuts of wood.
      Find out more about Olea Hotel ›
      Photo is by Giovanni De RoiaGuesthouse Nýp, Iceland, by Studio Bua
      This cosy bed and breakfast is located on Iceland’s west coast, within the UNESCO World Heritage Site of Breiðafjörður Nature Reserve – a place remarkable for its extreme weather conditions.
      A corrugated metal skin and an extension that houses three guest suites are some of several changes that Studio Bua made in its renovation of Guesthouse Nýp. From these suites, guests can look out onto patches of shallow seas, small fjords and bays.
      Find out more about Guesthouse Nýp ›
      Photo by Felix MooneeramHarlosh, Scotland, by Dualchas Architects
      Tasked with enhancing the way guests experience the surrounding scenery, Dualchas Architects decided to incorporate floor-to-ceiling windows on both ends of the building, which is perched on a peninsula in the northwest of the Isle of Skye.
      A pair of terraces as the front and rear of the building can be used by guests looking to catch the sunrise and sunset, or simply take in the grasslands, sea lochs and inlets that characterise the area.
      Find out more about Harlosh ›
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing modernist living rooms, kitchen extensions and homes designed by architects and designers.

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      GS Design repeats arch motifs throughout Sumei Skyline Coast hotel on Hainan Island

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      Cresting ocean waves served as a blueprint for the arched forms found on the interior and exterior of this beachside hotel that GS Design has created in Sanya, China.

      Located on the tropical island of Hainan, the Sumei Skyline Coast hotel was designed to reference its immediate environment.
      Arches feature on the interior and exterior of the Sumei Skyline Coast hotelThe building’s facade is punctuated by curved windows and balconies that suggest rolling waves, and is painted in a crisp shade of white to contrast the rich blues of the surrounding sea and sky.
      “We worked to craft the space into a timely and sophisticated art piece with a long lifespan of usage by adopting this classic colour,” explained Chinese architecture firm GS Design.
      Sculptural white furnishings decorate the lounge areaOn the ground floor, a series of upside-down arches runs along the wooden decking adjoining the infinity pool.

      More spots for swimming are found on the expansive roof terrace as well as in the first-floor lounge, where stepping stones lead over a curvy-edged indoor pool.
      The light-filled room is otherwise dressed with a couple of potted plants and an array of sculptural white armchairs with matching side tables.
      Stepping stones lead over the curvy-edged poolThe curved shapes seen on Sumei Skyline Coast’s exterior are echoed throughout its guest rooms, which are accessed via vaulted corridors.
      Some rooms have circular skylights or huge round headboards that project over the beds. Others feature arched recesses accommodating cushioned bench seats or vanities.

      Anonimous and JAHS repurpose historic Querétaro villa as a boutique hotel

      All bathrooms come complete with a standalone tub, positioned next to the windows to give guests optimum views of the island beyond.
      In keeping with the rest of the hotel, the guest rooms are finished completely in white with textural interest provided by tufted beige decorative cushions that are scattered over the soft furnishings.
      Arched or rounded forms are incorporated into the guest roomsGS Design was established in 2014 and is based in Shenzhen.
      The studio’s Sumei Skyline Coast project joins a number of hotels that have recently opened across China. Among them is BAN Villa, which was designed to look like a “floating village”, and Grotto Retreat Xiyaotou, a hotel modelled on ancient cave dwellings.
      The photography is by Ao Xiang.
      Project credits:
      Architecture, interiors and furnishing: GS DesignDesign directors: Liangchao Li, Yuanman HuangDesign team: Chao Li, Zigeng LuoFurnishing director: Yu Feng

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      Kelly Wearstler makes “bold and eclectic choices” for Downtown LA Proper hotel

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      American interior designer Kelly Wearstler paired the rich history of Downtown Los Angeles with other colourful global influences when creating this hotel, which features 136 unique types of tile.

      Part of the Proper hotel group, Downtown LA Proper sits between Downtown Los Angeles’ South Park District and the city’s Fashion District.
      Kelly Wearstler designed the eclectic interiors of Downtown LA ProperThe 148-room hotel is located within a former private club that was designed by architecture studio Curlett & Beelman in the 1920s.
      Real estate developer The Kor Group teamed up with Wearstler to transform the building into Downtown LA Proper, with Wearstler spearheading the interior design.
      Morgan Peck created a chunky graphite reception deskAccording to Wearstler, the hotel’s interiors take cues from LA’s “creative scene”, as well as the colours and forms of Mexican, Moroccan, Spanish and Portuguese design.

      “My point of reference for the Proper Hotels is always the location, so Downtown LA Proper really called for bold and eclectic choices,” she told Dezeen.
      Guest rooms feature patterned headboards”As the design of the hotel was greatly inspired by the community and history of the area, I used a deep, warm, colour and feel throughout to speak to this rich culture and history,” added Wearstler.
      “The [hotel’s overall] design comprises 136 unique types of tile, from vintage to custom.”
      Wearstler used a colourful palette throughout the hotelVisitors enter the hotel via the building’s original ornate archway, which is flanked by column-like cacti in rustic pots, where they are met with a graphite reception desk designed by ceramicist Morgan Peck.
      The original pink and white checkerboard floor tiling was retained in this area, while the ceiling is decorated with a hand-painted multicoloured mural designed by Abel Macias, which drew on the flora and fauna of Mexican folktales.
      Caldo Verde includes a bespoke stained-glass doorwayThis eclecticism is also reflected in Downtown LA Proper’s guest rooms. Wearstler blended contrasting elements such as chunkily-patterned headboards with smooth wooden floors, while the walls vary within a spectrum of charcoal, mauve, dusty blue, umber and ecru.
      The building contains three eateries including the lobby-level Caldo Verde restaurant and bar, which Wearstler designed to reflect the rest of the hotel’s interiors.

      Kelly Wearstler creates sculptural oak staircase for hotel in Austin

      A collection of vintage rugs and seating, cocoa and sandstone tiles and jungle-like plants are set against a bespoke stained-glass installation by Judson Studios that makes up the restaurant’s doorway.
      Other design elements that create Downtown LA Proper’s bright and bold atmosphere include Mexican brutalist hand-carved chairs, woven pendant lights from the south of France and stone mosaic tables.
      Brutalist hand-carved chairs add to the project’s eclecticism”The building itself is a historic-cultural monument, so we wanted to maintain some of the original integrity and fabric, like the window casing and brickwork, while elevating it with contemporary jewel tones, patterns and plasterwork,” said Wearstler.
      “I truly wanted to embark on a spirited exploration of materiality, colour and form, to share with guests a hyper-localised flavour of the city and create a hub for local creatives.”
      The work of emerging artists features throughout the hotelWearstler founded her eponymous interior design studio in 1995 and is responsible for the eclectic interiors of several other Proper hotels including its San Francisco and Santa Monica outposts.
      The designer also recently transformed a 1950s beachfront cottage in California into a bohemian retreat for her family.
      The images are courtesy of Kelly Wearstler.

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