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      Post Company and Lázaro Rosa-Violàn turn 17th-century convent into Lisbon hotel

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      Design studios Post Company and Lázaro Rosa-Violàn have combined historic features and contemporary touches for the Locke de Santa Joana hotel on the site of a convent in Lisbon, Portugal.

      A 17th-century convent building has been renovated and integrated alongside newly constructed additions to form part of the hotel.
      The Locke de Santa Joana hotel occupies a 17th-century convent in LisbonAmerican studio Post Company designed the interiors of the rooms, while Barcelona-based Lázaro Rosa-Violàn oversaw the design of the hotel’s public spaces.
      Locke de Santa Joana is the latest and biggest property from Locke Hotels – set across nine floors, it contains 370 units comprised of hotel rooms, apartments and suites, as well as a range of public spaces.
      The studios refined and highlighted existing architectural details”The hotel was originally a convent built in the 1600s – in designing the rooms, we wanted to marry this rich history with the contemporary culture of Lisbon,” Post Company partner Jou-Yie Chou told Dezeen.

      While the rooms’ interiors are largely clean and minimal, Post Company refined and highlighted architectural features including archways, pillars and mouldings.
      “We wanted to create a dialogue between the rooms’ architectural ‘bones’ and their interiors,” said Chou.
      Contemporary furniture and lighting elements were added to the roomsThese historic details were complemented with modern furniture, lighting fixtures and decorative elements added in natural tones.
      “Chairs in the kitchens and living spaces have a clear foundation in pews or church furniture, but still read as modern,” said Chou.

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      “Mohair and boucle upholstered furniture in sinuous shapes lend geometric friction, while clean, minimal millwork is softened by over-stuffed textiles,” Chou continued.
      Fabrics, ceramics and stone finishes were sourced from the surrounding area, including rugs and textiles from local makers, as well as a Portuguese stone, Rose Aurora, for the washbasins and a local limestone for the bathroom floors.
      Glass and wood partitions were used to divide spaces within suite-style roomsEach suite-style room has its own living area and burnt orange kitchenette alongside a bedroom, which was divided using a glass and wood partition screen.
      “Glass and wood partitions provide design interest and functionality all at once,” said Chou.
      “They offer both privacy and room definition, creating a residential feel while still allowing light to permeate the room.”
      Lázaro Rosa-Violàn oversaw the design of the public spaces including a cafePublic spaces within the hotel include restaurants, cafes, bars, a co-working and meeting space, as well as a gallery to display pieces found during the renovation of the convent.
      There is also a courtyard pool at the centre of the hotel, framed by dark wooden decking.
      Terracotta pots and mosaic tiles were incorporated throughout the hotel’s interiorLázaro Rosa-Violàn continued the natural, rustic colour palette of terracotta, yellows, greens and blues used in the rooms for the shared spaces.
      “We tried to evoke warm, contemporary spaces while still taking inspiration from the colour tones of the existing architectural elements,” studio founder Lázaro Rosa-Violàn told Dezeen.
      Blue and white mosaic tiles were intended to reference the hotel’s location in PortugalCeramics feature heavily throughout the hotel, with large plant-filled terracotta pots and mosaic tiles traditionally associated with Lisbon lining the walls and tabletops.
      “When talking about Lisbon, the first thing that comes to mind is the distinctive tiles adorning the city’s buildings,” said Rosa-Violàn.
      “We’ve incorporated this element in a modern and contemporary way, combining them with rich textures, patterns, natural materials and colourful fabrics, accentuating the historical architecture.”
      Since its first location opened in 2016, Locke has expanded to include 17 sites across the UK and mainland Europe.
      Other Locke Hotels recently featured on Dezeen include Locke am Platz in Zurich and Locke at East Side Gallery in Berlin.
      The photography is courtesy of Locke Hotels.

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      Casa Yuma hotel built with “vegetal concrete” and pink bricks

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      Architecture studio TAAC and interior designer Sara Skalli have created a seaside hotel in Mexico that uses traditional materials including chukum – a finish made from tree resin and limestone.

      Named Casa Yuma, the 25-room boutique hotel is located on Playa Los Naranjos, a short drive from Puerto Escondido on the Pacific coast of Mexico.
      Casa Yuma sits between a palm grove and the beachSkalli, who co-owns the hotel with friends Camille Lambert and Tim de Belloy, felt it was important for the buildings to utilise materials native to the region.
      She and the project architect, TAAC founder Ricardo de la Concha, devised a materials palette that centres around the use of chukum.
      The hotel offers 25 guest suitesDescribed as a “vegetal concrete”, this water-resistant, plaster-like material is made by combining the resin of indigenous chukum trees with limestone-based stucco.

      The material often has a strong red tone –  as seen in other new Mexico buildings like as the Xique Boutique Hotel and Tulix housing – although the colour here is closer to a pale concrete-like grey.
      Furniture and textiles were sourced from local artisansSkalli said the use of chukum was intended to create “an ambience that is both organic and sustainable”.
      “My main goal was to create an environment where elegance harmoniously blends with the surrounding nature while reflecting the warmth and authenticity of this unique land,” she said.
      The entrance is via a thatched palapa hutThe materials palette also includes “salmon pink” adobe bricks from Puebla, which form decorative screen walls, and locally sourced macuil wood, used to build furniture and joinery.
      “The use of materials of Mexican origin was of vital importance,” added De la Concha.
      Building materials include pink adobe bricksCasa Yuma is situated between the seafront and a vast grove of palm trees. It is formed mainly of single-storey buildings, with zigzagging staircases providing access to rooftop patios.
      The reception is housed inside a palapa – a traditional Mexican hut with a palm leaf roof. From here, guests are led past the bedroom suites to arrive at facilities on the beachfront.
      A beach bar is among the seaside guest facilitiesThese facilities include an open-air restaurant, co-working lounge, beach bar, swimming pool, sunken firepit area and a spa cabin.
      “The layout of the elements is based on a linear axis with a direct path from the entrance to the beach, passing through the rooms to reach a pool facing the sea,” said De la Concha.

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      He said the concept was for “a barefoot hotel” where guests always have the feeling of being on the beach.
      “We want to create a unique atmosphere so that guests feel comfortable in every corner of the hotel and feel like they have found a second home,” added co-owner Tim de Belloy.
      The hotel offers co-working and wellness facilitiesThe interior design follows a similar ethos to the architecture, with craft objects and textiles sourced from local makers. These include handmade wall tiles, minimal nightstands, woven rugs and striped bedspreads.
      “Most of the decorative elements come from incredibly talented local artisans and underscore our commitment to preserving regional culture,” said Skalli.
      “The aim is to offer unique spaces, where each room retains its individuality while inspiring a familiar experience.”
      A sunken firepit lounge sits alongside the swimming poolOther recent Mexican hotels on Dezeen include a hotel by Productora and Esrawe Studio on a hilly site in San Miguel de Allende and a boutique hotel coated in pink chukum and set in an artificial wetland in Puerto Escondido.
      The photography is courtesy of Casa Yuma.

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      Venetian palazzo informs “elegant and unexpected” interiors of Hotel Bella Grande

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      Bold red-and-white checkerboard tiles and colourful upholstered banquettes lend an Italian feel to the atrium of this Copenhagen hotel designed by local studio Tonen.

      Malene Bech-Pedersen and Mette Bonavent of Tonen oversaw the design of Hotel Bella Grande, which occupies a historic building close to Copenhagen City Hall.
      Constructed in 1899, the five-storey building retained many characterful features but was in need of refurbishment to maximise its potential and bring it up to modern standards.
      Tonen has refurbished a hotel informed by a Venetian palazzoTonen aimed to create interiors for the 109-room hotel that are timeless yet contemporary and combine a sense of nostalgic charm with modern sophistication.
      “For the interior of Hotel Bella Grande we had two important pointers,” said the designers. “First of all to create a design hotel that is a true treat to the eye, and second to highlight the historic and very classic architecture of the building.”

      “The hotel rooms should be luxurious, with high-quality materials and references to midcentury Italian design,” they added. “The interior design plays with a nostalgia that is utterly elegant, but also unexpected.”
      The hotel occupies a historic building close to Copenhagen City HallInspiration for the project came from a trip to Italy, where Bech-Pedersen and Bonavent were impressed by a Venetian palazzo with an open-air central courtyard and peach-coloured walls.
      The atrium at Hotel Bella Grande has a roof light that allows natural light to flood into a bright and welcoming space containing colourful furnishings, floral arrangements and marble-tiled floors that enhance the al-fresco feel.
      Marble tiled floors feature in the bright atrium”We went for ‘wow’,” said the designers of their approach to the interiors, and particularly the reception and courtyard areas that are the first guests encounter upon entering the building.
      “This should be a very one-of-a-kind experience, and nothing like you would normally experience in the centre of Copenhagen.”

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      The atrium was previously a dark and underused space that required significant upgrades to become a prominent focal point within the scheme.
      Soundproof windows were added to all the rooms that overlook the courtyard. All four internal walls were covered in acoustic foam which, along with the soft furnishings, helps to reduce sound reverberation within the space.
      Tonen looked to give the hotel’s rooms and suites a calming atmosphere through the use of muted colours and sophisticated details, such as the coordinated upholstered armchairs and fabric lampshades from Danish brand Oi soi oi.
      The hotel also contains a restaurantThe hotel also contains an Italian restaurant called Donna, with a lively and vibrant interior defined by its use of moody red and pink hues.
      The dining room’s dark red ceiling is complemented by blood-red couches and pink curtains that were designed to create an atmosphere of romance, but have a touch of mystery for the space to take on a nightclub vibe later in the evenings.
      Guests can choose to dine in the main restaurant or in the atrium space, while a laid-back cocktail lounge provides a cosy spot for pre-dinner drinks or late-night conversations.
      An internal courtyard is overlooked by the hotel bedroomsTonen was involved in every detail of the hotel’s interior fit-out, sourcing vintage objects and artworks to sit alongside contemporary pieces including furniture from &Tradition, bedside lamps by Tom Dixon, side tables from Polspotten and bespoke vanities made by by Københavns Møbelsnedkeri.
      “Both Bella and Donna are very much unmistakable expressions of our style,” claimed Bech-Pedersen and Bonavent. “We love the historic references, mixing vintage with new design and the use of materials that age beautifully.”
      The restaurant interior is defined by red and pink huesHotel Bella Grande is owned by Copenhagen Food Collective, a Copenhagen-based group operating 18 restaurants around the city. Tonen has worked on interiors for several of Cofoco’s properties, including Coco Hotel and Restaurant Delphine.
      Other recent restaurant interiors on Dezeen include a steel-and-mirror space in London’s Mayfair area and a Frankfurt restaurant with lime-wash walls.
      The photography is courtesy of Tonen.

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      PGM Arquitectura adds garden suites to César Pelli skyscraper in Mexico City

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      Local studio PGM Arquitectura has completed a series of garden suites on top of the podium of the St Regis hotel skyscraper in Mexico City, originally designed by Argentine-American architect César Pelli.

      Hotel chain St Regis brought on PGM Arquitectura to refresh the interiors of the skyscraper in Reforma, one of the city’s central business districts. The studio had previously carried out designs for the hotel’s restaurant.
      PGM Arquitectura has completed terrace suites on a César Pelli-designed hotelThe 150-metre-tall César Pelli-designed skyscraper was completed in 2008 but the team at St Regis found that its interiors had become dated. The hotel wanted to update them to keep pace with the growing tourist industry in the city.
      The skyscraper has a fourth-floor podium, after which the glass-clad spiral structure steps back and continues its climb toward the sky.
      The fourth floor now houses a large suite and several smaller ones with jacuzzisPGM Arquitectura founder Patricio García Muriel told Dezeen that this was the best place to demonstrate the potential of the hotel’s interiors, which the studio plans to completely revamp in the next few years.

      “There was a rooftop on the fourth floor, which was horrible,” he said. “Those rooms on the fourth floor were the worst in the hotel.”
      Steel pergolas provide shadeThe studio transformed the eight suites on that level, turning the rooftop into garden terraces for guests.
      The largest suite, the two-bedroom Caroline Astor Garden Terrace Suite, now wraps around nearly a quarter of the building and comes complete with an elevated infinity pool.
      Before construction commenced, PGM Arquitectura had to carry out a full structural analysis to determine that the terrace could hold the massive pool without altering the exterior of the iconic Mexico City tower.

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      “It’s a very solid building,” said García Muriel. “It has sustained through all the major earthquakes in Mexico.”
      All of the suites include pergola and privacy screens made from stacked pale-coloured bricks to shield guests from onlookers in the surrounding tall buildings, especially on the side facing the denser areas of Reforma.
      The other side has terraces that are “much more open”, according to García Muriel.
      The Yabu Pushelberg interiors were left relatively unchangedInside the suites, PGM Arquitectura stuck mostly with the scheme used for the original interiors by Canadian studio Yabu Pushelberg, keeping the lilac and white hues of the walls.
      However, the studio swapped out the carpet that had lined most of the floors – a move it plans on continuing for the rest of the hotel. Details in the rooms and throughout the PGM Arquitectura-designed spaces were informed by the Mexican landscape, with tactile surfaces, gold finishes and colourful wall hangings.
      Details were informed by Mexican landscapesThe terrace serve to create a kind of “oasis” in the bustling city, García Muriel said.
      “You can get away from the city, with it still being there,” he said. “You’re in the city surrounded by buildings, but you’re in an outside protected area with a lot of privacy.”
      Pelli’s studio Pelli Clarke & Partners recently completed a similarly shaped skyscraper in the southern part of the city, which is now the tallest skyscraper in Mexico City.
      The photography is courtesy of St Regis Mexico City. 

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      ACME and BWM design adaptable interiors for MM:NT apartment hotel

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      Modular furniture, app-operated doors and a self-serve bar are among the experimental ideas being trialled at MM:NT, a mini-hotel in Berlin that will constantly evolve in response to feedback from guests.

      Australian hotel group TFE Hotels worked with design strategist Philippa Wagner to develop the concept for a compact apartment hotel featuring interiors by architecture firms ACME and BWM that will operate in an ongoing beta mode.
      MM:NT is an experimental hotel in BerlinThe hotel operators describe MM:NT Berlin Lab as “a first of its kind mini-hotel laboratory, allowing guests to shape their own stay and actively change hospitality trends”.
      Occupying a renovated building in Berlin’s Hackescher Markt, the hotel has six standalone bedrooms and several shared spaces including a lounge in the foyer and a kitchen with a self-pour bar, all of which guests can access without the need for on-site personnel.
      The hotel has a self-service barInstead, guests use a concierge smartphone app to check in, check out and communicate with staff. The app also unlocks doors at the touch of a button and provides access to secure storage throughout the hotel.

      ACME was the lead interior designer for the project, working on the communal areas and four of the bedrooms, while Austrian architecture office BWM designed room 00.02. The rooms range in size from 11 to 28 square metres and are intended to act as prototypes for use across future locations.
      Lockers can be accessed via an appThe remaining bedroom 00.03 was created by project partner and fittings manufacturer Häfele to showcase furniture and digital technologies aimed at personalising the guest experience and enhancing operational efficiency.
      MM:NT’s design sought to optimise the compact spaces and create the most convenient experience for guests, whether they choose to spend time in their rooms or the public areas.
      In keeping with the hotel’s focus on reducing resource consumption, these spaces are furnished with vintage items or products made with recycled materials.
      ACME designed most of the bedroomsACME’s design for the bedrooms aims to create a sense of a home away from home, using a palette of tactile materials to bring layered texture to the compact spaces.
      “Calm, uncluttered spaces are essential to the MM:NT Berlin Lab experience,” said studio director Friedrich Ludewig.
      “Modular construction and using natural and recycled materials were essential to creating this. Compact rooms with smart storage solutions and built-in features to make the most of the available square metres.”

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      ACME also designed the communal spaces at MM:NT Berlin Lab, which include a snug with an area for lockers containing additional amenities that help to reduce clutter in the rooms.
      A multipurpose lounge space called The Counter allows guests to serve themselves coffee and sandwiches during the day, and drinks including locally sourced beers and wines in the evening.
      A co-working area beside the bar features a bespoke table made by materials design and manufacturer Smile Plastics. The table is surrounded by chairs designed by Snøhetta and manufactured using recycled ocean plastic.
      BWM designed one of the Middle roomsGuests at MM:NT can have groceries, laundry and meals delivered to secure lockers housed in an area called The Hub that can be controlled via the hotel’s app.
      The hotel offers three different room types, defined as Little, Middle and Big. The smallest rooms contain a double bed, shower room and modular storage, with the middle size adding a compact kitchenette.
      The smallest room takes up just 11 square metres and was designed by ACME to feel cosy and uncluttered. The sleeping area is wrapped in wood panelling and features smart lighting that can be adjusted throughout the day.
      Mint green details feature in the kitchenViennese studio BWM designed one of the Middle rooms, which features pull-out seating and foldable wall panels that enhance the adaptability of the 19-square-metre space.
      The hotel’s only Big room measures 28 square metres and is designed as a mini apartment, with a small kitchen and open-plan living and dining area. A fold-out bed provides space for an additional guest.
      Materials that recur throughout the guest rooms include bamboo flooring, recycled tiles and birch veneer furniture. The bathrooms feature Durat sinks made from post-industrial plastic waste and Foresso worktops made using waste generated from furniture production.
      Green tiles also feature in some of the bathroomsMM:NT Berlin Lab launched with a two-month experiment where guests stayed for free and were asked to provide feedback on the hotel’s rooms, services, atmosphere and ethos.
      The hotel will begin taking bookings in summer 2024 but will continue to operate in “beta mode”, with comments from guests helping to shape the spaces and service offering.
      Founded in London in 2007, ACME’s previous projects include a shopping centre wrapped in a latticed concrete facade and a modern family home that references a traditional Kentish oast house.

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      Necchi Architecture takes cues from retro nightlife at Hôtel Château d’Eau in Paris

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      Interior design studio Necchi Architecture has combined lacquer, chrome and retro design accents to evoke the “uninhibited atmosphere” of the disco era at the Hôtel Château d’Eau in Paris.

      The 36-room hotel is located on Rue du Château d’Eau in an area that was the hub of 1970s nightlife with the iconic club Le Palace, frequented by Yves Saint Laurent and Kenzō Takada, and the home of French musician Serge Gainsbourg, nearby.
      Necchi Architecture chose black lacquer panels to make the bedrooms feel more spaciousIt is this avant-garde attitude of Parisian nightlife that Necchi Architecture aimed to imbue into the sultry and highly stylised interiors of Hôtel Château d’Eau.
      “[We aimed] to reflect an attitude, rather than a particular décor; one that is reflective of the Château d’Eau areas recent history and character,” Necchi Architecture co-founder Alexis Lamenta told Dezeen.
      The lobby area is filled with collectible furniture and flea market findsUpon entry guests are greeted at a curved reception desk clad in chrome panelling and bookended by matching chrome lamps.

      The space, wrapped in a dark burgundy gloss, flows into an “intimate fumoir” featuring chrome columns, mirrored panels and wall mounted vases.
      Leopard print is used throughout the hotel’s interiorThe lounge area, which also doubles up as a breakfast room, is filled with antique and collectible furniture and decorative pieces, intended to create the feeling of a “suave and lived-in space” where guests can relax.
      Leopard print is introduced as a key design element with the placement of a pair of antique Italian ceramic leopards in the lobby area. This 1970s print is replicated throughout the decor, featured in soft furnishings, the hotels exterior signage and the winding staircase carpeting.
      Hôtel Château d’Eau’s interior nods to iconic nightclubs of the 1970sThe bedrooms are defined by deep pile carpets, with lower level floors featuring lime green, ascending to deep purple on the next floor, then graduating to a bronze-toned orange on the hotel’s top level.
      This statement carpet envelopes the lower portion of the bedrooms, covering the skirting, the bespoke side tables and the bedstead.

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      “We imagined a scenario for the bedrooms where all needs are focused around the bed,” explained Lamenta.
      “The mini bar is integrated into the bedside tables, the wardrobes are exposed, and the desk is a mobile tray to place on the bed,” he continued.
      “This is a bit of a break from classic hotel traditions but we wanted the space to feel tailored to our daily actions.”
      Black lacquer was chosen to distort the ceiling height in the bedroomsMirrored glass and high gloss black lacquer panels were chosen in the bedrooms as a “functional detail rather than an aesthetic choice.”
      “We chose the black lacquer because it helps distort the ceiling height and increase the architectural space,” said Lamesta.
      “The gloss also brings in natural light at any time of day,” he continued. “We used lacquer and mirrors to eliminate any notion of volume, making the natural light more sensual, and – depending on the time of day – it has a vibrant effect.”
      Bronze-toned deep pile carpets are used on the top floors of the hotelNecchi Architecture also collaborated with Paris-based artist Géraldine Roussel on a series of geometric artworks hung above the beds, made from clear glass and inspired by the Op Art movement.
      The graphic identity of the bedrooms continues into the bathrooms with chequered wall tiles, which contrast polished stainless steel basins.
      The bedroom artworks are by Paris-based artist Géraldine RousselThe project is Necchi Architecture’s debut hotel and the seventh opening for Parisian group Touriste.
      Following Touriste’s previous more playful interiors, including Luke Edward Hall’s Hôtel Les Deux Gares and Beata Heumans Hôtel de la Boétie, Necchi Architecture were chosen to “bring something a little moodier and more grown up” to the group’s repertoire, Touriste founder Adrien Gloaguen told Dezeen.
      Necchi Architecture created custom stainless steel basins for the bathroomsOther retro-inspired interiors featured on Dezeen include Bella Freuds penthouse apartment designed by Piercy & Company and a north London townhouse by Studio Hagen Hall.
      The photography is by Ludovic Balay.

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      Studio Aisslinger completes “nature-loving” renovation of Hotel Seegarten

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      Designer Werner Aisslinger has renovated a lakeside hotel in Germany’s Sauerland region, adding hydroponics and locally sourced materials including wood and terrazzo to craft interiors informed by the surrounding nature.

      Hotel Seegarten is owned and operated by TV chef Olaf Baumeister, who took over the traditional inn from his parents in 1992 and has overseen its transformation into modern boutique accommodation.
      Werner Aisslinger has renovated a boutique hotel in the SauerlandWerner Aisslinger’s studio was influenced by the hotel’s location overlooking the Sorpesee lake when developing its “nature-loving” concept for the guest rooms and public areas.
      This includes Baumeister’s Seegarten restaurant, where hydroponic shelves are used to grow ingredients for the kitchen.
      Terrazzo and wood feature throughout the interior”The overall atmosphere is friendly and close to nature, as all materials are processed in their purest form and can be felt,” said the design team, adding that further inspiration came from Baumeister’s passion for using local produce in his cooking.

      The studio described the hotel’s setting as an “oasis in the Sauerland”, which informed a design that is casual, modern and focused on promoting wellbeing.
      The two main materials used throughout the scheme are terrazzo and wood, which are intended to evoke the pebble beaches of the nearby lake and the trees of the surrounding forest.
      Stones from a nearby quarry were incorporated into the grey terrazzoOther elements such as curtains, carpets, plants and rattan screens were chosen to complement these two cornerstone materials, as well as adding different tactile surfaces to the interior.
      Stones from a nearby quarry were incorporated into the grey terrazzo, which was processed by a local firm and is used throughout the bathrooms.
      As well as referencing the natural surroundings, the use of local materials and regional manufacturers helps to minimise the project’s carbon footprint by reducing shipping requirements.

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      The bedrooms feature bespoke shelves housing planters filled with herbs, along with equipment that guests can use to brew their own tea.
      In the bathrooms, Studio Aisslinger commissioned custom-made towel rails shaped like swimming pool ladders that attach to the bathtubs.
      Traditional wood panelling features in the Seegarten restaurant, providing a contrast with the metal hydroponic troughs and their bright LED grow lights.
      Furniture designs by Aisslinger include the Wood Bikini chairThe hotel’s wellness area features flat and curved rattan screens that are suspended from the ceiling and can be adjusted in height to provide privacy if required.
      Furniture created by Aisslinger for various design brands is used throughout the hotel, including the Geometrics pouf for Cappellini and the Wood Bikini chair for Moroso.
      The public areas also feature the solid oak Cep tables, the geometric Urban Jungle rugs and the Addit sofas designed for German furnituremaker Rolf Benz in collaboration with Studio Aisslinger’s design director Tina Bunyaprasit.
      Curved rattan screens and sheer curtains feature in the hotel’s wellness areaAisslinger founded his studio in Berlin in 1993, adding a Singapore office in 2008.
      The studio’s previous projects include the transformation of a famous Berlin squat into a photography museum and the design of a futuristic exhibition exploring topics from urban farming to robotics.
      The photography is by Nicoló Lanfranchi for Studio Aisslinger.

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      Highstay designs Paris holiday apartments for Olympics visitors and holiday makers

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      Hospitality brand Highstay has brought a contemporary spin to these 19th-century Parisian apartments, which its team has renovated to offer accommodation during the Olympic Games and beyond.

      The holiday apartments are intended for short- and long-term stays of up to one month, offering an alternative to hotels “for those coming to the city this summer for the Olympics”, Highstay said.
      Highstay’s has created holiday apartments within historic buildingsThe apartments are spread over four central Paris locations: Champs-Elysées, Saint-Honoré, Louvre and Marais.
      The majority are located within historic Haussmann-era buildings typical of the French capital and were designed by Highstay’s in-house team to retain their character while offering a contemporary twist.
      Each apartment is designed with a neutral palette and contemporary furniture”Our interior designers combine the quintessential Parisian style of 19th-century architecture with contemporary materials and modern equipment,” said the Highstay team.

      “The association of natural stones, elegant woods and high-quality fabrics shapes the atmosphere of a room and best connect our guests to the spirit of a place.”
      Parquet floors, bronze mirrors and marble accents are common throughoutRanging from one to three bedrooms, the apartments are decorated in a neutral palette, combining classical mouldings with minimally detailed stone and pale wood surfaces.
      Common materials and elements found in most of the interiors include arched architectural features, parquet flooring, travertine surfaces and dramatic marble used across fireplaces, bathrooms and kitchens.
      The buildings’ classical mouldings were retained”Each high-end pied-à-terre positions the kitchen area as the focal point and central hub, inviting conviviality while suite-style bedrooms offer a warm and intimate ambience through carefully selected wood materials, varied fabrics and textures,” said the team.
      Unique features tailored to the different contexts of each location range from large-scale upholstered or wooden headboards to full-wall panelling, bronze-tinted mirrors and various contemporary furniture and artworks.
      The kitchen area is positioned as a focal pointIn the two-bedroom Louvre I apartment, which overlooks the famous museum on Rue de Rivoli, a grand salon room contains the kitchen and living area.
      A ring-shaped light hangs over the centre of the tall space, which is vertically emphasised by the kitchen millwork and full-height windows.

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      Arched niches display decorative items on either side of the dark stone fireplace, from which the TV emerges at the touch of a button.
      The primary bathroom is wrapped almost entirely in richly veined black-and-white marble accented by black fixtures while the second is clad in warm-toned travertine.
      Highstay’s Louvre I apartment includes a bedroom with dark walnut panellingParis is gearing up to host the 2024 Olympic and Paralympic Games over the summer and is preparing by renovating many of the city’s iconic sites and landmarks including the Grand Palais, which is set to host the fencing and taekwondo events.
      Only one permanent new sporting venue – a timber Aquatics Centre by VenhoevenCS and Ateliers 2/3/4 –  is being constructed for the event, in a bid to minimise its carbon footprint.
      Louvre I also has a bathroom with walls and floors lined entirely in dramatic black and white marbleOther accommodation options across the city for design-minded travellers include the Canal Saint-Martin hotel designed by Bernard Dubois, Hôtel de la Boétie by Beata Heuman and Hôtel Madame Rêve by Laurent Taïeb.
      The photography is by Thomas de Bruyne.

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