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      CitizenM aims for “differentiation through massing” at Downtown Austin location

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      Architecture studio Concrete has designed a hotel block for Dutch chain CitizenM in Downtown Austin, which is the brand’s first Texas location and features artwork created in partnership with locals.

      CitizenM worked with long-time collaborator architecture studio Concrete to purpose-build a 16-storey structure at the top of a slope in the city’s downtown.
      CitizenM has opened a location in AustinWorking with US architecture studio Baskervill to create the symmetric facade, which features wide spans of black steel interspersed with wide windows, with a stretch of aluminium panelling above the entrance.
      The brand said that the modern form was meant to stand out from the surrounding buildings – a mix of historical stone buildings and contemporary glass-clad skyscrapers.
      It is housed in a 16-storey building”Downtown Austin is quite a dynamic urban environment with many new constructions gradually changing the character of this part of the city,” CitizenM told Dezeen.

      “We are surrounded by lower, older buildings as well as some of the new office towers. While CitizenM is standing out as one of the new additions to the neighborhood we try to add character and interest to our buildings by creating differentiation through massing, materials and facade design.”
      It features a mix of local and international artThe double-height entrance space features a floor-to-ceiling glass wall that wraps the corner of the block. It has been set back from the street with an overhang created by a cantilever on the lobby level.
      CitizenM placed its signature red staircase at the entrance. It leads up to the lobby floor past built-in shelving cluttered with Pop Art pieces, many of which were gathered from local artists and sources.
      The eclectic collection of art continues in the lobby and the 344 guest rooms, which have works selected with the help of Austin Contemporary Museum.
      Large windows characterise the facadeThe lobby was divided into a variety of spaces separated by built-in shelving and furnished with brightly coloured editions of modern furniture, most of which was supplied by Vitra.
      The bar and social area feature banquette seating placed under the glass walls.

      CitizenM to become “first hospitality company to build in the metaverse”

      In the hallways of the upper floors, the mix of standardisation and localisation continues. Red carpets have been printed with the black outline of an aerial view of the Austin city grid.
      Each room has a large king bed wedged under a window with blinds remote-controlled from a bedside iPad, which also controls the lights. A wrapped polycarbonate pane separates the shower from the rest of the room and a small sink sits opposite.
      It sits among a mix of historical and modern buildingsAmenities include a workout room that includes an AI fitness instructor that operates through video feedback and a rooftop pool adorned with a mural by Mexican artist Hilda Palafox.
      CitizenM was founded to give contemporary travellers a sense of “affordable luxury”, according to the brand, and has recently opened in Miami.
      The photography is courtesy of CitizenM.

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      Eight hotel interiors characterised by eclectic designs

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      From guest rooms filled with fashion designer Christian Louboutin’s personal antique collection to Ibiza’s oldest hotel where handmade masks are mounted on the walls, our latest lookbook features eight eclectic hotel interiors.

      Eclectic design brings together objects and styles from a range of sources – often mixing contemporary and vintage pieces.
      While many hotels are characterised by uniform luxury, others celebrate unlikely combinations of furniture, colours and patterns.
      Here are eight eclectic hotel interiors from around the world defined by contrasts and clashes.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring residential mezzanines, Mexican holiday homes and minimalist bathrooms.

      Photo courtesy of Kelly WearstlerDowntown LA Proper, USA, by Kelly Wearstler
      American designer Kelly Wearstler has created the interiors for all four of the Proper Hotel Group’s branches across North America.
      The Downtown LA Proper is anchored by “bold and eclectic choices”, including a chunky graphite reception desk and a hand-painted archway flanked by leaning column-like cacti in rustic pots.
      Find out more about Downtown LA Proper ›
      Photo by Karel BalasMontesol Experimental, Ibiza, by Dorothée Meilichzon
      Dorothée Meilichzon of French interior design studio Chzon renovated Montesol – the oldest hotel in Ibiza, originally built in the 1930s.
      Meilichzon transformed the renamed Montesol Experimental with “a bohemian overtone” that draws on the hotel’s rich history. Among its interior elements are lumpy Playdough Stools by artist Diego Faivre, hand-crafted masks and an abundance of tassels.
      Find out more about Montesol Experimental ›
      Photo by Ambroise TézenasVermelho, Portugal, by Christian Louboutin and Madalena Caiado
      Louboutin filled his first hospitality project with furniture and materials from his personal antique collection.
      The fashion designer worked with architect Madalena Caiado to create the Vermelho boutique hotel in the Portuguese village of Melides. The guest rooms feature unexpected elements such as a rattan monkey-shaped side table and striking hand-painted frescoes.
      Find out more about Vermelho ›
      Photo by Brooke ShanesyPalm Heights, Grand Cayman, by Gabriella Khalil
      Collectible design pieces characterise Palm Heights in Grand Cayman, the island’s first boutique hotel.
      Creative director Gabriella Khalil sought to style the project like a 1970s Caribbean mansion, selecting sandy yellows and bold blue hues to complement the many original artworks that adorn the walls.
      Find out more about Palm Heights ›
      Photo by The IngallsAustin Proper Hotel and Residences, USA, by Kelly Wearstler
      Among the Proper Hotel Group’s other locations is an Austin branch. Wearstler inserted a sculptural oak staircase into the lobby that doubles as a plinth for a varied collection of glazed earthenware pots and vases.
      Locally sourced art and textiles characterise the hotel, which has cypress wood walls that were charred using the traditional Japanese technique of Shou Sugi Ban to create a tiger-striped effect.
      Find out more about Austin Proper Hotel ›
      Photo by Simon BrownHôtel de la Boétie, France, by Beata Heuman
      Swedish designer Beata Heuman created the Hôtel de la Boétie in Paris to be “a bit like a stage set”.
      Heuman chose contrasting elements for the colour-drenched interiors. Bedrooms feature a mixture of dark-hued woven headboards and pale pink sheets, while downstairs, the reception area’s jumbo flower lamps balance the steely silver of the lounge walls.
      Find out more about Hôtel de la Boétie ›
      Photo by Felix BrueggemannChâteau Royal, Germany, by Irina Kromayer
      A series of eclectic spaces make up the Château Royal in Berlin, which references the heyday of the German capital at the turn of the 20th century.
      Interior architect Irina Kromayer designed the hotel to be “authentic” rather than retro, choosing art noveau tiles and brass and nickel hardware in a nod to the finishes commonly found in Berlin’s historic buildings.
      Find out more about Château Royal ›
      Photo by Christian HarderEsme Hotel, USA, by Jessica Schuster Design
      Plush velvet flooring, textural tassels and plants in wicker pots come together at the Esme Hotel in Miami, renovated by New York studio Jessica Schuster Design.
      The interiors draw on the “bohemian grandeur” of the hotel’s 1920s history, with decadent alcoves clad with contrasting patterns.
      Find out more about Esme Hotel ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring residential mezzanines, Mexican holiday homes and minimalist bathrooms.

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      Post Company restores hotel known as birthplace of Apple’s Macintosh computer

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      New York design studio Post Company has revived a historic hotel in Carmel-by-the-Sea, California, drawing on the building’s illustrious past and recent acclaim to inform its interiors.

      The 75-key La Playa Hotel is situated a few blocks from the beach in the town, located on California’s Pacific Coast Highway and renowned for its bohemian spirit.
      The moody lobby of La Playa Hotel features dark coffered ceilings and textured plaster wallsIt was taken over in 2012 by Marc & Rose Hospitality – which also operates the recently overhauled High Country Motor Lodge in Flagstaff, Arizona – and reopened in October 2023 following a long renovation process.
      “As the fifth owners in its more than 115-year history, we focused on letting the building lead us to a design that supports the stories of the past, while infusing thoughtful amenities to meet the expectations of the modern traveller,” said Marc & Rose president John Grossman.
      Restored elements of the building include a staircase with tiled risers and iron railingsThe team worked with Post Company to uncover historical details about the property, which was originally built in 1905 by landscape painter Chris Jorgensen for his wife, chocolate heiress Angela Ghirardelli.

      After the death of her niece at Carmel Beach, the couple sold the mansion and it was converted into a hotel by adding 20 rooms, then further expanded to its current size in 1940.
      The hotel bar, Bud’s, is designed to be dark and intimateIn 1983, it was the site of an Apple company retreat, during which founder Steve Jobs unveiled the first working prototype of the Macintosh computer.
      With all this history, as well as ties to key figures of the bohemian movement, Post Company restored the Spanish Colonial-style building in a respectful manner while introducing new elements to enhance its character.
      A brighter approach to the decor was taken in the hotel’s guest rooms and suites”Our design honours the hotel’s history and vernacular while ushering in the works and objects of contemporary artists and muses,” said Post Company.
      “Each space is a singular and inviting design – much like the diverse cast of patrons and local characters engrained in its extensive past – resulting in an eclecticism that is a deeper reflection of what has always been and paves the way for a new generation to gather, create, and explore.”
      Cream walls and linen curtains complement the original shell pendant lights by Frances Adler ElkinsThe moody and atmospheric lobby features terracotta floors, a dark coffered wood ceiling and textured plaster walls, and is furnished with a variety of vintage pieces.
      A sweeping staircase leading upstairs to the guest rooms is adorned with patterned tiles on its risers and thin iron railings.
      Dark wood furniture contrasts the lighter-toned walls and textilesThe hotel’s bar, Bud’s, is named after Howard E “Bud” Allen – a Carmel local who took over the hotel in the 1960s and introduced a full-time bar and 10-minute happy hour.
      The space is dark and intimate, with plenty of wood panelling, leather-upholstered booths and banquettes, and decorative unlacquered brass and carved details.
      One of the guest rooms boasts a star-shaped stained-glass windowIn the guest rooms, Post Company took a lighter approach to the decor by choosing cream for the walls and the linen curtains.
      Curvaceous furniture is complemented by modern sconces and original plaster shell pendants by Frances Adler Elkins.

      Post Company imbues Mollie Aspen hotel interiors with earthy hues

      Each room has a curated bar, while the bathrooms have been updated with colourful tiles and blackened nickel fixtures.
      One of the ground-floor rooms boasts a star-shaped stained glass window, which is surrounded by foliage on the exterior.
      The hotel’s grounds are landscaped with brick paths and patios between plantingThe hotel’s grounds are landscaped with flowerbeds and lawns, criss-crossed by brick pathways that connect arched colonnades with patios and the outdoor swimming pool.
      Several guest rooms open directly onto the gardens, and a handful are in the pavilion that faces the pool terrace.
      The building’s historic Spanish Colonial architecture, typified by the arched colonnades around it periphery, was restored during the renovationLa Playa has multiple spaces for meetings and events, including a game room and the 2,160-square-foot (200-square-metre) Pacific Room that is typically used to host weddings.
      Breakfast is served in an indoor-outdoor dining room, whose covered terrace extends towards the ocean and provides a spot for evening cocktails while watching the sunset.
      The dining area extends out to a covered terrace where guests can watch the sunsetPost Company, formerly known as Studio Tack, is renowned for its hospitality projects and also recently completed the warm, wood-filled interiors for the Mollie Aspen hotel.
      The studio’s earlier work includes The Lake House on Canandaigua in New York’s Finger Lakes region, the Sound View hotel on the North Fork of Long Island and The Sandman converted motel in northern California.
      The photography is by Chris Mottalini.

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      Tigh Na Coille cottage receives “Scandi-Scot” makeover

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      Hospitality company Wildland and Swiss designer Ruth Kramer have converted a former manse in the Scottish Highlands into a holiday cottage featuring a mix of classic Scandinavian furniture and traditional Caledonian details.

      Tigh Na Coille, which is Gaelic for “house in the forest”, is a four-bedroom property on a wooded hill overlooking Loch Ness in the Cairngorms National Park.
      Tigh Na Coille is a holiday home in a former manseThe 19th-century stone building was carefully restored and refurbished with help from Kramer, who has worked with Wildland on several of its historic properties.
      Kramer coined the term “Scandi-Scot” to describe the way these buildings seek to combine Scandinavian simplicity with a playful take on Scottish heritage.
      A Papa Bear armchair by Hans J. Wegner stands in the lounge”Scandi-Scot is about creating a clean and modern aesthetic that weaves in elements of Scottish craftsmanship,” she told Dezeen. “Everything is calm and natural, the colours don’t scream at you and the furniture is comfortable like you’re at home.”

      Tigh Na Coille was once a manse – a dwelling created for the Christian minister of a now-ruined church that stands on the grounds. The heritage-listed building was modernised by a previous owner and had lost much of its original character.
      Several fireplaces were uncovered during the renovationKramer preserved the layout of the rooms but the interiors were stripped back and redecorated, with original features reintroduced to bring an authentic feeling to the spaces.
      The house is located on the Aldourie Castle estate, which Wildland renovated at the same time.
      The interior scheme combines Scandinavian and Caledonian referencesThe refurbishment merges the Scandi-Scot aesthetic with nods to the castle’s more traditional decor. Modern carpets and softwood flooring were replaced with oak floorboards salvaged from the castle, which add warmth and tactility to the spaces.
      Several of the beds were also sourced from the castle and were refurbished by local joiners, who created new parts for the four-poster frames.

      Kyle House is a remote Scottish holiday home with a “monastically simple” interior

      All of the bathrooms were completely remodelled and the kitchen was brought up to modern standards, with a new island unit providing an additional worktop in the centre of the room.
      Fireplaces uncovered during the renovation were carefully restored along with the property’s existing doors and windows, which were redressed to preserve their original appearance.
      The bedrooms feature dramatic four-poster bedsOver the years, various sections of the cornicing and architraves around the rooms had been replaced, so new parts were produced using mouldings taken from the original plasterwork.
      According to Kramer, roughly half of the furniture was sourced second-hand and given a new life through bespoke joinery or reupholstery. The majority of the remaining pieces are vintage designs that add to the timeless feel.
      “The ambition is that people walking into the house shouldn’t be able to tell what is new versus what is original,” she added. “We’re going for an ageless look that will also become better over time rather than being fashion-led.”
      Many of the furnishings were salvaged from the nearby castleThe centrepiece of the dining room is a vintage wooden table surrounded by midcentury chairs that were sourced at an auction and reupholstered using linen fabric and leather for the armrests.
      Every Wildland property features one of Kramer’s favourite furniture designs, the Papa Bear armchair created in 1951 by Hans J. Wegner and produced by PP Møbler.
      At Tigh Na Coille, the chair sits in a corner of the living room where it has a view of the fireplace. A wall-mounted lamp provides gentle illumination for reading.
      The cottage is set on a wooded hill overlooking Loch NessKramer collaborated closely on the project with Wildland co-owner Anne Holch Povlsen, the wife of Danish businessman Anders Holch Povlsen who made his fortune in the fashion industry with brands such as Bestseller.
      Wildland owns three large estates in Scotland on which it operates hotels and self-catering accommodation as part of its 200-year vision to preserve the landscape and contribute to local communities.
      The group’s other properties include a formerly derelict cottage that was transformed into a pared-back holiday home by Edinburgh-based GRAS architects, and another converted manse that was converted into an art-filled guesthouse.
      The photography is by Fran Mart.

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      Sella Concept adds “classic theatrical flair” to Locke am Platz hotel

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      London design studio Sella Concept has designed interiors to balance modern and classical elements for the latest Locke hotel in Zurich, Switzerland.

      Called Locke am Platz, the hotel in Zurich’s Enge neighbourhood is surrounded by parks and botanical gardens, with Lake Zurich nearby.
      Sella Concept co-founder Tatjana Von Stein aimed to reflect the area’s cultural identity through her design, which draws upon Swiss Riviera aesthetics combined with modernism.
      Sella Concept completed the interiors for Locke am Platz in Zurich”Zurich has so many layers, an old school elegance mixed with brutalist modernist architecture,” Von Stein told Dezeen.
      “Everything pointed towards a very layered concept, juxtaposing modernism with a classic theatrical flair.”

      Each studio apartment has its own living areaSet across six floors, Locke am Platz contains 80 units, including 40 hotel-style rooms for shorter stays as well as studio apartments, each with their own living area and kitchenette alongside a bedroom and en-suite.
      With warm red and yellow tones, strong patterns and rich upholstery, apartment interiors have been curated to resemble a series of boudoirs – the traditional term for a woman’s bedroom or interior space.
      Red bedspreads match velvet-lined decorative curtainsRed velvet bedspreads were paired with matching decorative curtains that frame the bed.
      “It is important to create a little sense of drama, moments of subtility to moments of indulgence,” Von Stein said.
      Kitchenettes are fitted with red cabinetsKitchenettes were designed with contrasting red cabinets and petrol-blue marble backs.
      Wooden shelves are decorated with books, sculptures and ornaments, while parquet wooden flooring is arranged in a mosaic-like pattern.
      Staircase walls are clad with stainless steel panelsDownstairs, the reception area continues the juxtaposing material palette with deep orange velvet drapes and carpets alongside stainless steel, wood and high gloss finishes. According to the designer, materials were chosen as part of a careful “balance between hard and soft”.
      “We clad the existing staircase walls in stainless steel in contrast to its warm terracotta-coloured carpet, traditional statues and marble plinths,” Von Stein described.
      Bespoke furniture designed by Sella Concept and manufactured by Parla features throughoutShared social spaces include a lounge, bar, restaurant and private dining area. Velvet-lined curtains wrap around the lounge area, which sits on a raised, carpeted platform overlooking the wider common area.
      “When planning the spaces on the ground floor, I introduced various apertures between the spaces, a typical modernist character trait,” said Von Stein.
      “My aim is always to create a sense of intimacy while still being connected.”
      A wood-panelled bar is paired with green velvet stoolsA central bar connects the lounge and restaurant spaces.
      Taking cues from the modernist era, the front of the bar was decorated with geometric wood panels and topped with a marble surface. It was paired with stools upholstered with green velvet.
      Yellow and green finishes by Yarn Collective appear in the hotel restaurantChoupette, the main hotel restaurant, echoes the wider interior scheme and includes yellow curtains and green velvet-skirted banquettes by London textile company Yarn Collective.
      The restaurant and lounge areas incorporate bespoke furniture designed by Sella Concept and manufactured by Parla.
      “Designing bespoke furniture makes it so unique to the project, allowing us to work perfectly into our space, and for our materials and forms to reflect the narrative set,” Von Stein explained.

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      Connected to the restaurant, a separate private dining area was adorned with a classical mural on the ceiling by decorative painter Magdalena Julia Gordon.
      “We commissioned Magda to create the ceiling mural to bring this dark room to life through artistry and a little touch of humour,” said Von Stein.
      A mural by Magdalena Julia Gordon adorns the ceiling of the private dining roomSince its first location opened in 2016, Locke has expanded to include 15 sites across the UK and mainland Europe.
      Other projects by Sella Concept recently featured on Dezeen include office interiors for a tech company in New York and the London headquarters for fashion brand Sister Jane.
      Photography is courtesy of Locke and Sella Concept.

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      Bernard Dubois designs Canal Saint-Martin hotel to feel “far from Paris”

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      Belgian architect Bernard Dubois designed bespoke 1970s-style wooden furniture and interiors for the revamped Bouchardon hotel in Paris, which references mountain hotels.

      Located in the Canal Saint-Martin district of the French capital, the Bouchardon is an aparthotel containing 11 suites. Every apartment has its own kitchen and dining area.
      Each suite has a private dining areaThe entire building has been rebuilt and Dubois was appointed to create its interior, which he wanted to provide “both refuge and an intimate feel,” the designer said.
      “The place is inviting, showcasing wood, brown fabrics and green carpeting,” Dubois told Dezeen.
      Wood panels line the walls of the corridorsAt first, Dubois designed the entire project in wood, before deciding to introduce a material palette of contrasting textures, using lacquer on some pieces to add gloss.

      This shiny element balances the various wood textures.
      While pairing opposing finishes, Dubois aimed to keep the space cohesive by using the same colour palette throughout.
      “Coherence is all about finding common grounds between references – [to] create a family with shapes and materials referencing different periods and contexts,” he said.
      Yellow soft furnishings and custom lamps also feature throughout the spaceDubois designed all of the furniture specially for the space and had them manufactured by two millworkers.
      The architect also designed all of the interior architecture details for the Bouchardon.

      Beata Heuman designs colour-drenched Hôtel de la Boétie in Paris

      As part of this tailor-made approach, Dubois created a focal point for each bedroom using statement headboards made from terracotta.
      The terracotta-coloured headboards are uniquely shaped for each room and “evoke the 1970s in both their shape and glossy lacquer finish,” Dubois said.
      The bedrooms each include a unique large statement headboardDubois also took cues from the aesthetics of mountain hotels combined with American cinema references.
      “The concept of this space was to break away from conventions, far from Paris,” he explained.
      “You can imagine opening a window in the morning and suddenly discovering a landscape reminiscent of Twin Peaks or Colorado.”
      The aim was to give visitors an experience evocative of a ski holiday.
      “The colours and materials evoke mountain hotels, with carpeted hallways and entrances where one can hear the warm muffled sound of ski boots,” Dubois added.
      A rail-like wooden partition separates the bedroom and living areaDubois studied photography before moving into architecture and set up his eponymous firm in 2014.
      For this project, he borrowed from the principles of photographers William Eggleston and Stephen Shore, known for their simple compositions and highly saturated photos respectively.
      Dubois describes his design approach for the Bouchardon, and more broadly, as “creating universes”.
      “Designing is all about creating stories, universes,” he said. “Like a film-maker, a photographer, it’s about digesting references and coming up with something different that, although rooted, creates its own identity and its own story.”
      Other projects from the studio recently featured on Dezeen include a Parisian clothing store that features nods to nightclub interiors and a yellow-bricked store for skincare brand Aesop.
      The photography is by Ludovic Balay.

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      FDA designs playful colour-block interiors for Italian seaside hotel

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      Italian architecture office FDA has updated several guest rooms and suites at the family-friendly Hotel Haway on Italy’s Adriatic coast, introducing bespoke furniture in colours that evoke the sea and mountains.

      Fiorini D’Amico Architetti (FDA) was tasked with modernising the interiors of the 50-room hotel in Martinsicuro, a popular seaside resort in the Abruzzo region.
      FDA has updated the 1980s interiors of Hotel HawayThe first phase of the project involved refreshing rooms on the fifth floor of the 1980s building to make them more appealing for all sorts of families.
      “The main goal we wanted to achieve with the design of the new rooms was to create a unique space where guests can discover a new way of feeling at home,” said Alessio Fiorini, who founded FDA together with fellow architect Roberto D’Amico.
      The studio brought in colours of the nearby sea”The spaces emphasise the importance of being together, the joy of sharing happy moments and the refreshment that comes from a sense of community,” he added.

      The architects sought to inject a sense of creativity and surprise into the rooms by incorporating colourful bespoke elements such as bed frames, bunk beds and built-in furniture.
      Bespoke details include lozenge-shaped mirrors by PolvanesiHotel Haway has views of the sea as well as the nearby Apennines mountains, which led FDA to reference both of these features in its welcoming colour palette.
      Colour blocking was used to create visual separation between different zones within the rooms, where walls, floors, ceilings and furniture are finished in shades of blue or green.
      One of the custom-made elements in the sea-facing rooms is a double bed with a pull-out cot hidden underneath. A headboard that emerges from one side functions as a backrest so families can lounge together on the bed.

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      Some of the rooms feature bunk beds with curtains for privacy and guard rails incorporating playful tensioned bungee ropes in matching colours.
      Other bespoke details include vertical lozenge-shaped mirrors fabricated by Polvanesi – an industrial carpentry workshop and regular FDA collaborator.
      The lighting was designed to create different atmospheres throughout the day, with bright ambient lights for daytime play and more targeted task lighting for evening relaxation.
      Several of Hotel Haway’s rooms also feature a small deskThe en suite bathrooms are decorated with ceramic tiles featuring playful geometric patterns. High-quality fixtures and finishes including speckled Staron countertops bring these spaces up to modern standards.
      According to FDA, the rest of the hotel is set to be refurbished in a similar style over the next four years. The project will include the ground floor areas including the lobby and breakfast room, as well as all outdoor spaces and two top-floor suites with private terraces.
      Other Italian hotels that have recently been featured on Dezeen include a converted 12th-century monastery and a cliffside hotel that incorporates medieval stone defences.
      The photography is by Carlo Oriente.

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      Suspended bridges connect round cabin hotels in Mexico

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      Mexican architect María José Gutiérrez has placed a series of round, pine-clad cabins connected by suspended bridges onto a vineyard in Mexico to serve as vacation rentals.

      Located in Valle de Guadalupe, Ensenada on the Baja Peninsula, Zeuhary Hospedaje Campestre includes a community lounge and four vacation rental cabins.
      Top: photo by Martin Acevedo. Above: the cabins are located in Baja California, Mexico. Photo by Jonatan Ruvalcaba Maciel”Beyond creating spaces we aim to create experiences, where nature and human beings integrate and recognize each other,” María José Gutiérrez, who leads Mexican studio Arqos Arquitectura Arte Y Diseño, told Dezeen.
      “The architecture and interior design were focused on connecting with the environment and maintaining harmony with it.”
      Central bedrooms feature in the round buildingsCompleted in June 2022, the 250 square metres (2,690 square feet) of built area is divided into five 40-square metre (430-square foot) structures that look outward to the surrounding wine region.

      The ground floor of each cabin is divided orthogonally, splitting off a portion for a partially covered exterior porch that leads into the sleeping space through a glass sliding door.
      Their interiors are sectioned into bathrooms along one sideThe interiors were sectioned into a bathroom along one side, a central bedroom and a kitchenette tucked behind the headboard wall.
      “In the furniture and interior decoration, we used organic materials from the region and different areas of the country, earth tones and grey contrasts, crafts, natural fibers, textiles, local wood and stone, recognizing Mexican handicraft talent and tradition,” the studio said.
      “The chukum finish on the interior walls gives an organic texture and helps keep the interiors cool in summer, while the exterior coating of recycled pine wood allows the cabins to be thermally insulated in both winter and summer for greater energy efficiency.”
      Small private gardens feature round jacuzzisThe cabins are all rotated to face a particular northern or eastern view without compromising privacy for the occupants.
      A small planted garden protected by a grey wall rings a quarter of each plan, terminated by a private in-ground jacuzzi, connected to the cabin by a wooden deck with planks that align with the vertical cladding boards as if the facade radiates down the wall and along the ground.
      Rooftop terraces are included atop each cabinUp a delicate metal spiral staircase with wooden treads, the round plan becomes a rooftop terrace complete with a rope net set into the roof of the porch like an integrated hammock.
      A free-swinging wooden bridge with rope netting guard rails is suspended from the roof of each cabin and leads to the roof of the common area, allowing guests to congregate in a central location.

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      “The circular floor plan of the cabins, together with their transition spaces such as the hanging bridges, wooden paths and spiral staircases generate fluid and dynamic routes which allow us to reconnect with ourselves and awaken our inner child through play and movement,” the studio said.
      In addition to the material selection that responds thermally to the environment, the design works to preserve what little water the agricultural region has, reusing grey water for the irrigation of the vineyards.
      Zeuhary Hospedaje Campestre is positioned within a vineyardOther cabins recently completed in Mexico include a house deconstructed and separated for glamping within a forest in Nuevo León by S-AR and a brutalist cube-shaped holiday home tucked into a pine forest in Alférez by Ludwig Godefroy.
      The photography is by Jonatan Ruvalcaba Maciel unless otherwise stated. 
      Project credits:
      Architect: María José GutiérrezEngineering and construction: Specialized Urban Services

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