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      Kelly Wearstler makes “bold and eclectic choices” for Downtown LA Proper hotel

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      American interior designer Kelly Wearstler paired the rich history of Downtown Los Angeles with other colourful global influences when creating this hotel, which features 136 unique types of tile.

      Part of the Proper hotel group, Downtown LA Proper sits between Downtown Los Angeles’ South Park District and the city’s Fashion District.
      Kelly Wearstler designed the eclectic interiors of Downtown LA ProperThe 148-room hotel is located within a former private club that was designed by architecture studio Curlett & Beelman in the 1920s.
      Real estate developer The Kor Group teamed up with Wearstler to transform the building into Downtown LA Proper, with Wearstler spearheading the interior design.
      Morgan Peck created a chunky graphite reception deskAccording to Wearstler, the hotel’s interiors take cues from LA’s “creative scene”, as well as the colours and forms of Mexican, Moroccan, Spanish and Portuguese design.

      “My point of reference for the Proper Hotels is always the location, so Downtown LA Proper really called for bold and eclectic choices,” she told Dezeen.
      Guest rooms feature patterned headboards”As the design of the hotel was greatly inspired by the community and history of the area, I used a deep, warm, colour and feel throughout to speak to this rich culture and history,” added Wearstler.
      “The [hotel’s overall] design comprises 136 unique types of tile, from vintage to custom.”
      Wearstler used a colourful palette throughout the hotelVisitors enter the hotel via the building’s original ornate archway, which is flanked by column-like cacti in rustic pots, where they are met with a graphite reception desk designed by ceramicist Morgan Peck.
      The original pink and white checkerboard floor tiling was retained in this area, while the ceiling is decorated with a hand-painted multicoloured mural designed by Abel Macias, which drew on the flora and fauna of Mexican folktales.
      Caldo Verde includes a bespoke stained-glass doorwayThis eclecticism is also reflected in Downtown LA Proper’s guest rooms. Wearstler blended contrasting elements such as chunkily-patterned headboards with smooth wooden floors, while the walls vary within a spectrum of charcoal, mauve, dusty blue, umber and ecru.
      The building contains three eateries including the lobby-level Caldo Verde restaurant and bar, which Wearstler designed to reflect the rest of the hotel’s interiors.

      Kelly Wearstler creates sculptural oak staircase for hotel in Austin

      A collection of vintage rugs and seating, cocoa and sandstone tiles and jungle-like plants are set against a bespoke stained-glass installation by Judson Studios that makes up the restaurant’s doorway.
      Other design elements that create Downtown LA Proper’s bright and bold atmosphere include Mexican brutalist hand-carved chairs, woven pendant lights from the south of France and stone mosaic tables.
      Brutalist hand-carved chairs add to the project’s eclecticism”The building itself is a historic-cultural monument, so we wanted to maintain some of the original integrity and fabric, like the window casing and brickwork, while elevating it with contemporary jewel tones, patterns and plasterwork,” said Wearstler.
      “I truly wanted to embark on a spirited exploration of materiality, colour and form, to share with guests a hyper-localised flavour of the city and create a hub for local creatives.”
      The work of emerging artists features throughout the hotelWearstler founded her eponymous interior design studio in 1995 and is responsible for the eclectic interiors of several other Proper hotels including its San Francisco and Santa Monica outposts.
      The designer also recently transformed a 1950s beachfront cottage in California into a bohemian retreat for her family.
      The images are courtesy of Kelly Wearstler.

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      h2o Architectes converts storage space into colourful studio for Louvre museum

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      French firm h2o Architectes has designed a brightly-hued educational facility, hosting art classes for young and old inside Paris’s Musée du Louvre.

      Over 1,200-square-metres, The Studio encompasses a common area and nine studio spaces on the lower ground floor of the Louvre’s Richelieu wing.
      The Studio (top image) has nine workshop rooms (above)What was once a storage depot for the Islamic art department is now a space for learning, where anyone from school children to professionals can expand on their own artistic skills and find out more about the artworks displayed in the museum.
      The Studio’s grand arched entrance leads visitors into The Forum, which functions as a reception and plays host to a changing roster of free 20-minute workshops.
      Workshop rooms towards the rear of The Studio are painted in bright huesh2o Architectes designed the interior as “a place for conviviality and exchange”, with a broad bank of tiered wooden seating allowing visitors to perch and chat.

      The cushioned seats can be lifted up to reveal storage boxes for workshop participants to stow away their jackets and other personal items.
      One of the rooms is vermillion teal blueBuilt into the surrounding walls is a series of backlit niches.
      These showcase work by members of the public, as well as small-scale pieces made by the Louvre’s in-house roster of expert guilders, painters, framers, metalworkers and other craftsmen.

      Virgil Abloh creates Off-White streetwear collection for the Musée du Louvre

      Towards the back of The Studio are nine rooms for hosting lengthier workshops and training courses in everything from art history to project management.
      These rooms have been painted in bright, punchy colours like lemon yellow, teal blue and vermillion red.
      Another of the rooms is lemon yellowIn contrast, the corridors connecting the rooms are much more neutral-toned and entirely lined in wood.
      Their curved walls meet to form snug corners where visitors can stop and socialise while simple spherical pendant lights cast a warm glow throughout the interior.
      The Forum doubles as a reception area with tiered seatingh2o Architectes was established by Jean Jacques Hubert and Charlotte Hubert in 2005.
      Since then, the studio has completed a diverse array of projects in France including an angular timber wine-tasting pavilion, a nursery extension topped with a fabric canopy and an apartment with hidden space-saving storage.
      The photography is by Maxime Verret.
      Project credits:
      Architect: h2o ArchitectesStructural consultant: Équilibre StructuresConstruction economist: Cabinet PiltéFluid engineering office: INEXLighting designer: Agence OnMultimedia: Labeyrie & AssociésSignage: Wanja Ledowski StudioAcoustics: ABC DecibelFire prevention and safety: CASSO & AssociésSupervision unit: Alpha ContrôleHealth and saftey coordination: Qualiconsult

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      Oku restaurant in Mexico City features “floating tables” made of wood and steel

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      Curved booths are suspended over a dining room at a Japanese restaurant in Mexico City designed by local firms Michan Architecture and Escala Arquitectos.

      The sushi eatery is located in the upscale neighbourhood of Jardines del Pedregal, across from a famed church known as Parroquia de la Santa Cruz del Pedregal.
      Oku is a sushi restaurant in Mexico CityIt is the second Oku restaurant designed by Michan Architecture. The other – which features a cave-like ceiling made of huge concrete lights – is found in the district of Lomas de Chapultepec.
      For the Pedregal location, the architects worked with another local firm, Escala Arquitectos. The team aimed to elongate the space’s proportions and take advantage of its height.
      The restaurant is Michan Architecture’s second of its kindRectangular in plan, the eatery has two levels. The lower level encompasses a sushi bar, indoor and outdoor seating, and a back-of-house zone.

      Additional seating is found upstairs, where a series of “floating tables” are arrayed along a corridor.
      “Floating tables” are arrayed along a corridor”The mezzanine level features individual tables hung from the existing structure, giving guests a unique dining experience,” the studio said.
      Two of the tables hover above the sushi bar, and two extend over the outdoor terrace. Each has wooden walls that enclose a single booth.
      Curved stairs connect Oku’s two levelsA similar enclosure was used for the stairs connecting the restaurant’s two levels.
      The dining pods are supported by light steel members that are welded into the building’s existing steel structure.

      Samurai armour and Kanji characters inform Mexico City’s Tori Tori restaurant by Esrawe Studio

      Above the mezzanine is a drop ceiling with curved cutouts that expose the steel framing and add height to the space.
      Moreover, the openings provide a “sensation of cutting and pasting the ceiling onto the tables”, the architects said.
      Cylindrical black lighting fixtures hang from the ceilingHung from the ceiling are cylindrical, black lighting fixtures, which merge electrical cables with structural elements.
      Throughout the restaurant, the team used neutral colours and clad surfaces in pine, pigmented stucco and panels made of glass-fibre-reinforced concrete (GFRC).
      The team used neutral colours and clad surfaces in pinewood throughout OkuThe effect is a “light and open atmosphere that plays with polished and raw finishes”, the team said.
      Other Japanese eateries in Mexico include Mexico City’s Tori Tori by Esrawe Studio, which features elements inspired by Samurai armour, and a restaurant by TAX Architects in the coastal town of Puerto Escondido that is topped with a thatched roof.
      The photography is by Alexandra Bové.
      Project credits:
      Architect: Michan Architecture and Escala ArquitectosProject team: Narciso Martinez, Benjamin Espindola, Emilio Gamus, Isaac MichanStructural engineer: Arturo Rosales + MdOMechanical, electrical, plumbing: RAGER, Rafael Barra

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      Ten offices with wooden bleachers that c​​ater for collaboration

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      An industrial London workspace and the home of software company Slack feature in our latest lookbook, which spotlights 10 office interiors animated by wooden bleacher-style seating.

      Traditionally found in sports stadiums, bleachers are an inexpensive form of stepped seating composed of rows of benches. They are accessed by built-in staircases or directly from the stepped seats themselves.
      In recent years, bleachers have also become a workplace staple for many modern companies as they offer flexible auditorium-style spaces for presentations, impromptu meetings and collaboration.
      While they are typically made from metal, many architects designing office bleachers are opting for a wooden finish instead.
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing homely office interiors, workspaces filled with plants and garden studios for remote working.

      The Forge, UK, by Emrys Architects
      Two banks of bleachers feature in this listed ironworks in London, which Emrys Architects transformed into a studio complex with co-working spaces and workshops.
      Crafted from birch plywood, the seating is positioned at the building’s heart to provide access to the first floor of the complex while doubling as a gathering point for occupants.
      Find out more about Millwall Ironworks ›
      Photo is by Mark CraemerQuartz offices, USA, by Desai Chia Architecture
      The Quartz offices in New York feature a large events space, lined on three sides with chunky bleacher seating made from plywood.
      The seating was designed by Desai Chia Architecture to accommodate everything from parties to symposiums and is complemented by moveable furniture. It also incorporates hidden storage units at its base.
      Find out more about Quartz offices ›
      Photo is by Ema PeterSlack offices, Canada, by Leckie Studio
      Company-wide meetings are hosted on these cushioned bleachers, which form the focal point of the Slack offices designed by Leckie Studio in a Vancouver warehouse.
      Set in a double-height atrium, the stadium-like seating runs alongside a staircase that links two floors of open-plan workspace and incorporates plug sockets to allow employees to work from the bleachers.
      Find out more about Slack offices ›

      Eventbrite offices, USA, by Rapt Studio
      Rapt Studio added cushions to the stadium-like seating that it designed for the offices of e-ticketing company Eventbrite in San Francisco.
      Built from light wood, the seating was introduced to support large company meetings and offers a counterpoint to the one-on-one workrooms and quiet nooks elsewhere in the office. The cushions are upholstered in blue fabrics and teamed with matching ottomans.
      Find out more about Eventbrite offices ›
      Photo is by Inpetto foto grafischThe Houtloods, the Netherlands, by Bedaux de Brouwer Architecten
      This wooden bleacher-style seating was designed by Bedaux de Brouwer to conceal private offices, toilets and storage at this advertising agency in an old railway building in Tilburg.
      The seating also provides the office with an informal auditorium for group meetings. At the top of the structure are personal workstations for employees, accessed by a staircase built into its bleachers or metal stairs along its edge.
      Find out more about The Houtloods ›
      Photo is by Bruno GilibertoFintual offices, Chile, by Studio Cáceres Lazo
      Studio Cáceres Lazo mounted this small bank of bleachers on wheels to allow employees at Fintual in Santiago to move it around their office for group meetings or gatherings.
      The office, which occupies an old mansion by architect Sergio Larraín García-Moreno, was designed as a flexible work environment for the financial startup. The stepped seating is made from laminated wooden boards and finished with square cushions and potted plants.
      Find out more about Fintual offices ›
      Photo is courtesy of Nacása & PartnersNikken Space Design offices, Japan, by Nikken Sekkei
      Books and magazines can be found in the hollowed-out steps of this bleacher-style seating structure, located at the centre of the Nikken Space Design offices in Osaka.
      Built from recycled scaffolding planks and complete with small side tables, the rows of seating-cum-bookshelves encourage staff to pick up a book at any time to help support their creativity.
      Find out more about Nikken Space Design offices ›

      Airbnb offices, Singapore, by Farm
      At Airbnb’s Singapore office, local studio Farm positioned a group of small wooden bleachers in a room for informal meetings and presentations.
      Each bank is lined with four rows of cushioned seating and also incorporates a small nook at its rear. Fitted with benches, these nooks provide employees with a cosy space to work alone or with colleagues.
      Find out more about Airbnb offices ›
      Photo is by Michael GrimmSlack offices, USA, by Snøhetta
      Wooden stadium-like seating also features at the Slack offices in New York, which Snøhetta created to suit “a variety of social interactions and work styles”.
      Positioned at the heart of the office, the large plywood steps are used for everything from informal conversations between colleagues to large company presentations. Snøhetta incorporated plants and a mix of cushions that help to soften its visual impact.
      Find out more about Slack offices ›
      Photo is by Rasmus Hjortshoj – COASTRed Cross Volunteer House, Denmark, by Cobe
      Architecture studio Cobe lined one side of this auditorium with tiered seating for the volunteer training, meetings and events held at the Red Cross Volunteer House in Copenhagen.
      It is framed by a dramatic stepped ceiling cast from concrete, which is the inversion of the stepped seating on top of the building that acts as a public meeting place.
      Find out more about Red Cross Volunteer House ›
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing homely office interiors, workspaces filled with plants and garden studios for remote working.

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      Studio Rhonda uses saturated colours and glass bricks to revamp Zetteler's headquarters

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      Interiors firm Studio Rhonda has redesigned communications agency Zetteler’s London office using contrasting colours and tactile vegan and deaf-friendly materials.

      The studio, which is led by Rhonda Drakeford, created a distinctive feeling for each of the headquarter’s three zones – a main work area, a smaller cafe-style space for meals and relaxing, and a meeting space.
      The Zetteler headquarters is located in east LondonAs Zetteler founder Sabine Zetteler has severe conductive hearing loss, it was also important that the office didn’t feature details such as hard floors and high ceilings, which can create a disruptive atmosphere.
      “The space was to be split into three zones, each with a different ambience and function, with an emphasis on the whole space to be deaf-friendly, plus there was the need for the materials used to be vegan,” Drakeford explained.
      Plants are dotted throughout the spaceThe choice to use vegan materials was based on the fact that most of Zetteler’s staff is vegan or vegetarian.

      “The research process was enlightening; for example, I was surprised to learn that some paints include casein, a dairy product,” Zetteler told Dezeen.
      “I’m proud that we’ve been able to find vegan options for all our integral building materials, but I would really like to see manufacturers take more responsibility for transparency, so we can all make more informed decisions.”
      A duck-egg blue decorates the main workspaceTo create distinctive zones in the office, located in a mid-century industrial block off Broadway Market in east London, Drakeford used different colours and materials to define the spaces.
      A pale duck-egg blue was used for the main work area, which also features a large desk in natural wood and a jute carpet that gives the room an organic feel.
      Glass bricks create a light meeting roomThe adjacent meeting room is enclosed in glass brick walls, which Zetteler had requested to allow for light to flow through the space.
      “I sourced some Czech glass bricks with graphic linear mouldings for a contemporary edge,” Drakeford explained.

      Fathom Architects designs London office with more meeting areas than desks

      “I devised an anchor line of 2,300 millimetres from the ground as the top height of any structures so as to maintain coherence in all three zones and also to help the space retain an open-plan feel,” she added.
      “The roof of the glass-brick ‘pod’ stops at the 2,300 millimetres anchor line, allowing light to travel over it.”
      The Zetteler kitchen features wood and Valchromat surfacesIn the kitchen, the interior designer used furniture from brand Hølte, a Zetteler client whose showroom is close to the office.
      “I specified custom oversize recessed handles and an unusual matching oak splash-back combined with a beige tap by Toniton for a mono-material/colour effect ‘block’,” Drakeford said.
      “We also used the oversize circular handles on the adjoining orange Valchromat storage cupboards, which were also produced by Hølte, and the green Valchromat sliding doors to the right of the kitchen block,”
      Pale blue walls meet green storage spaces and a glass-brick meeting roomThe use of colour was defined by the light in the different rooms of the office, which sits on a north-south axis.
      “I worked with a cool, duck-egg blue at the front, south-facing area as I knew that the space tends to get very warm in the summer,” Drakeford explained.
      “A warmer, buff colour was used at the rear, north-facing section, to counteract how cold that area can feel in the winter months.”
      Warmer hues were used at the north-facing rear of the buildingThe neutral backdrop hues were complemented by pops of colour in a variety of textured materials and chalky tones. To make the space deaf-friendly, the designer chose to add plenty of soft materials to the interiors.
      “Curtains and rugs are used throughout to help with zoning and privacy as well as optimising the acoustics,” Drakeford said.
      “The meeting pod is purpose-built, very solid and lined with acoustic vegan wool, creating a quiet sanctuary from the more open-plan spaces. Planting is also a key part of the acoustic softening, as well as making the space more welcoming.”
      A deep blue hue makes the meeting room feel cosyThe overall design aimed to create an office that didn’t have the “matchy-matchy” feel of many corporate office spaces, Drakeford said.
      “I approached this space in the same way I would treat a residential interior, with the warmth and comfort of a mismatched but visually coherent family of furniture and materials,” she added.
      Other notable London offices include The Crown Estate’s Fathom Architecture-designed space in St James’s and a “homely” office in the brutalist Smithson Tower.
      Photography is by Taran Wilkhu.

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      Gisbert Pöppler designs Berlin apartment like a “tailor-made suit”

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      Architecture and interior design studio Gisbert Pöppler has overhauled an apartment in the heart of Berlin, adding a number of one-off furnishings and custom fixtures to suit the clients’ needs.

      The apartment, which was renovated from top to bottom, occupies a glass pavilion on the roof of a 1930s residential building in the borough of Mitte.
      Gisbert Pöppler has renovated a Berlin apartment and opened up its floor plan”In this project, our clients gave us a lot of freedom,” said Gisbert Pöppler, the studio’s eponymous founder. “That, however, does not mean that we imposed our design and taste on them.”
      “A good design is like a tailor-made suit,” he added. “It should fit perfectly without being the centre of attention.”
      Teak walls visually separate the study from the lacquered walls of the entrywayThe studio reorganised the floor plan so that the main bedroom, guest bedroom and bathroom are the only areas of the apartment that are completely closed off.

      Instead of walls, living spaces are now demarcated by different materials. In the study, surfaces are overlaid with teak while the entryway is panelled in red-lacquered wood.
      “The original plan was classic: hallway, room, room, room,” Pöppler explained. “We turned it into an open village.”
      The clients sourced the limestone used for the kitchen’s relief wallIn the kitchen, Gisbert Pöppler collaborated with the clients to design a simple geometric relief wall. This was crafted from a pale grey limestone that the owners sourced during a trip to Verona, Italy.
      The space is finished with an olive-green prep counter and mint-coloured cabinetry, both tailor-made to accommodate the owners’ selection of pots and pans.
      Bespoke storage cupboards hold the clients’ belongingsThe cane-inlaid storage cupboards that run throughout the apartment are also bespoke.
      Inside there are several shoe cubbies and shallow drawers, perfectly sized to hold the client’s array of shirts. The interior of the storage unit is lined with orange Formica, as the clients wanted it to be durable and easy to clean.

      Point Supreme Architects uses colour to define different functions in Athens apartment

      More unique details appear in the guest bathroom, which features a rounded washbasin made of white-glazed lava stone from Sicily’s Mount Etna. In contrast, dark oakwood was used to construct the basin’s base.
      The bathtub is set inside a deep wall niche clad in South American marble, with a dropped ceiling giving this space a cosier feel.
      A custom sink made from lava stone can be found in the guest bathroomThe ceiling in the living room was also lowered and covered with stainless steel panels.
      “One could assume that metal seems cool but it is the contrary,” Pöppler said. “The hazy reflections in the steel give the room a sense of height and have a comforting warmth to them.”
      Stainless steel lines the living room’s ceilingBespoke furnishings in the living room include the pentagonal white oak table in the breakfast nook and the formal wooden dining table, which Pöppler says has an “elaborately designed” underside.
      “We knew that the owner of the house often lies on the carpet listening to music, so we didn’t want him looking at a technical construction,” he said.
      The dining table was also made bespokeGisbert Pöppler isn’t the only studio to forgo off-the-shelf furnishings in its projects. Dutch practice i29 recently created a custom storage system for an Amsterdam apartment to accommodate the client’s extensive compilation of artworks and books.
      And in San Francisco, architect Jamie Bush filled a residence with an eclectic mix of custom furniture and vintage finds to make it look as if the owners had collected the pieces themselves.
      The photography is by Robert Rieger.

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      Ten eateries with nostalgic retro interiors

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      A decadent 1920s-style restaurant and a pastel-hued cafe informed by the playful symmetry of Wes Anderson movies are included in our latest lookbook, which collects ten eateries featuring retro design.

      The stylish details in these projects range from dark-cherry wood panelling and bulbous sconce lights to pops of bright red colour similar to that found in 1950s American diners.
      In other projects, the designers maintained the original design features found in the cafes and restaurants – such as vintage ceiling beams or reclaimed furniture – to create retro interiors that still feel modern.
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing self-designed homes by architects and designers, modernist open-plan living rooms and interiors with cosy conversation pits.
      Top: photo is by Derek Swalwell. Above: photo is by Mikael LundbladCafe Banacado, Sweden, by ASKA 

      Design influences from Anderson’s movies collide with Cuban aesthetics at Cafe Banacado, an all-day breakfast cafe in Stockholm by architecture studio ASKA.
      Known for his playfully retro sets, American filmmaker Anderson’s visual style typically includes bold symmetrical layouts similar to the geometric built-in sofas and custom tables reflected in a large mirror at the Stockholm eatery.
      Find out more about Cafe Banacado ›
      Photo is by Felix SpellerMaido, UK, by Child Studio
      Local design office Child Studio converted a London former post office into a sushi restaurant featuring interiors that reflect the late modernist building’s 1960s style.
      The eatery’s retro elements include dark-cherry wood panelling, a glass-block wall and a soft blue coffered ceiling that hangs above rows of Mies van der Rohe’s iconic MR10 chair, which hug petite circular tables.
      Find out more about Maido ›
      Photo is by Niveditaa GuptaElgin Cafe, India, by Renesa
      Chunky blocks of emerald-green granite sourced from Udaipur, India, take centre stage at Elgin Cafe, a restaurant in Punjab that was built on what was once dilapidated farmland.
      Architecture and interior design studio Renesa was informed by “the feel of the outdoors,” adding curved wicker chairs and various potted plants to the all-green space, which celebrates bold maximalist design.
      Find out more about Elgin Cafe ›
      Photo is by Francis AmiandAbstinence, France, by Lizée-Hugot
      Abstinence is an elegant Parisian eatery that features materials commonly found in traditional French brasseries, including low-slung lacquered seating and wooden panels adorned with sconce lights.
      The project is the first by local studio Lizée-Hugot and also has tubular steel furniture and other elements that recall 1970s interior design, such as birdseye maple and olive and tan leather.
      Find out more about Abstinence ›
      Photo by Nicole FranzenThe Harvey House, USA, by Home Studios
      Created to evoke “the golden age of train travel,” a Wisconsin former rail baggage-claim building was transformed into a retro restaurant that takes cues from the 1930s and 1940s supper club culture in the midwestern state.
      Brooklyn-based Home Studios combined a mixture of dark wooden furniture, decadent tiling and tactile upholstery with the space’s original design features, which include vintage ceiling beams and sliding doors.
      Find out more about The Harvey House ›
      Photo is by Derek SwalwellThe Budapest Cafe, Australia, by Biasol
      The Budapest Cafe in Melbourne is another eatery informed by Anderson’s films, which have a whimsical style that nods to retro design.
      Local studio Biasol designed the space as an ode to Anderson’s 2014 feature film The Grand Budapest Hotel, with soft pink interiors and quirky architectural motifs that evoke the filmmaker’s playful symmetry and nostalgic colour palette.
      Find out more about The Budapest Cafe ›
      Photo is by Mikko RyhänenJackie, Finland, by Studio Joanna Laajisto
      Named after the song Jackie by late musician Scott Walker, this Helsinki bar, which also serves food, was created after designer Joanna Laajisto was given a soundtrack of 1960s and 1970s Italian lounge music and 1970s French cosmic disco by the bar’s owner to gain an idea of his vision for Jackie.
      “The dark green walls and ceiling with long tan leather sofas take you away, maybe to a bar in Milan in the 1970s,” explained Laajisto. “A Pipistrello table lamp designed by Italian architect Gae Aulenti in 1965 reinforces the illusion.”
      Find out more about Jackie ›
      Photo by Nicholas WorleyPiraña, UK, by Sella Concept
      Retro signage and red banquette seating pay homage to the interiors of 1950s American diners at Piraña, a restaurant in London by Sella Concept.
      Bold shapes and colours persist throughout the space, including a bespoke jade terrazzo floor, a bar lined with curved timber slats and an abundance of red accents resembling the colour palette of traditional diners. Circular lamps match the round cafe tables and add a playful geometric detail.
      Find out more about Piraña ›
      Photo is by Maha Nasra EddéMimi Kakushi, UAE, by Pirajean Lees
      British firm Pirajean Lees channelled the spirit of Japan’s 1920s jazz age in this richly textured Dubai restaurant that was converted from a nightclub.
      The studio maintained a party theme at Mimi Kakushi through the placement of beaded curtains and mirrored tables that refract light, while a bespoke stained-glass window adds a touch of colourful glamour.
      Find out more about Mimi Kakushi ›
      Photo is by David DworkindCaffettiera Caffé Bar, Canada, by Ménard Dworkind
      1970s-style Rubik’s Cube mirrors and a floor tiled to look like checkerboard Vans trainers stars at Caffettiera Caffé Bar, a coffee bar in downtown Montreal.
      Canadian studio Ménard Dworkind mounted curved mirrors onto faux-wood plastic laminate panels, while framed photos of iconic 1990s supermodels line the walls, aiming to connect customers through a sense of shared nostalgia.
      Find out more about Ménard Dworkind ›
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing domestic gyms, modernist living rooms and kitchen extensions.

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