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    Out Of Office is a Mad Men-inspired drinks bar in Guangzhou

    The TV show Mad Men informed the retro feel of this bar in Guangzhou, China, which designer Vinki Li has finished with wood-panelled walls, marble floors and plush mid-century furniture.Vinki Li – who is based in Hong Kong – had been told to make the interiors of Out Of Office unlike any other bar in Guangzhou, so she looked to foreign films and television shows for aesthetic inspiration.
    Her main point of reference ended up being Mad Men – a TV series which follows the life and times of Don Draper, a creative director working at an advertising agency on New York’s Madison Avenue during the 1960s.

    The bar is entered via a lobby that looks like a secretary’s office

    Not only is Li a fan of the show, but she liked that its 1960s setting would give her the opportunity to showcase mid-century furnishings inside Out Of Office.
    “I have always been a big fan of mid-century architecture and designs, I considered it very timeless, well-designed…it still feels fresh today,” she told Dezeen.

    A typewriter and old-school telephone top the desk in the lobby
    Li named the bar after season one, episode 13 of Mad Men, in which protagonist Draper leaves the office for the evening and remaining staff members throw a revelrous, alcohol-fuelled party in anticipation of presidential election results.
    “I wanted to create a similar atmosphere when guests come to unwind after working during the day, a feeling of the boss not being here,” added Li.

    The main bar features wood-lined walls and marble floors
    Guests enter Out Of Office via a grey tiled lobby that’s been styled to resemble a secretary’s office, complete with shuttered window blinds.
    At the centre of the space is a glass-topped desk scattered with paraphernalia that would have appeared in workplaces of the 1960s, such as a typewriter and a rotary dial telephone.
    The desk backs onto a tall shelving unit featuring artsy ornaments, leather-bound books and a globe. In the corner of the lobby there’s also a coat rack, off which a suit jacket, tie and fedora hat have been hung.

    Vintage advertisements have been mounted on the walls
    A door leads through to the main bar, where Li has used a palette of rich, dark materials that she felt evoked the “machismo of executive boardrooms”.

    Retro Helsinki bar takes its design cues from 60s and 70s disco music

    While the floor boasts a mix of murky-green Kesariyaji marble and white Statuario marble, walls have been lined with cherry wood.
    Vintage advertisements have been mounted as decoration.

    High-gloss steel and velvet was used to make the drinks counter
    The base of the drinks counter is crafted from high-gloss stainless steel and inlaid with strips of caramel-coloured velvet. In front runs a row of stool seats upholstered in chocolate-brown leather.
    Alternatively, guests can choose to sit in one of the heavy mid-century armchairs that have been placed at the centre of the bar.

    Seating has been arranged in desk-style set ups
    Extra clusters of seating run down the side of the room and are hidden by walnut and brass partitions – much like how desk cubicles were screened-off in 1960s offices.
    A select few are able to enjoy their drinks in Out Of Office’s VIP room. It boasts deep-red sofas and a gridded cabinet that displays special whiskies inside illuminated box shelves.

    Out Of Office includes a VIP room for select guests
    The world of television and film offers a wealth of inspiration to designers and architects.
    Earlier this year, Spanish studio Masquespacio created a co-working space in Valencia that draws on a scene from the 1960s film Playtime. British architect Adam Richards also modelled the layout of his home in Petworth, England around the story of post-apocalyptic flick Stalker.
    Photography is by Hoshing Mok.

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    Archmongers uses primary colours to revive a home in the modernist Golden Lane Estate

    London studio Archmongers has renovated a duplex flat in one of the city’s most influential housing estates, using shades of red, yellow and blue to complement the modernist materials palette.The three-bedroom home is located within Hatfield House on the Golden Lane Estate, a complex designed and built in the 1950s by Chamberlin, Powell and Bon, the same architects responsible for the Barbican.

    The renovation celebrates the original design of the Golden Lane flat
    Archmongers’ refurbishment is designed to celebrate the flat’s key features – the bright and open living spaces, the efficient organisation of spaces, and material details like the terrazzo stairs and tiled surfaces.
    Referencing historic photos of original Golden Lane flats, architects Margaret Bursa and Johan Hybschmann sought to reinstate details that had been removed or covered over in an earlier remodelling, which they described as “mundanely neutral”.

    Wooden frames create subtle separation between kitchen and living spaces

    The architects added chunky wooden frames to recreate separation between the kitchen and lounge space, without losing the visual connection.
    Bespoke steel storage cabinets were installed, while original hardwood window frames and parquet flooring were uncovered.

    Details are picked out in primary colours
    “The biggest change was, in many ways, bringing it back to what it once was,” Hybschmann told Dezeen. “Not because we had to, but because it made a lot of sense.”
    “The original palette of materials felt very modern and we wanted any new element or surface to be as relevant for many years to come.”

    These bright colours also feature in the bedrooms
    Bursa and Hybschmann chose to apply primary colours to various details in the renovated flat, referencing some of the historic exterior details on the Golden Lane Estate.
    Shades of red and yellow highlight the front door and entrance area. The same hues feature in the first floor bedrooms and bathroom, along with blue tones – the idea was to give every room its own colour, in a high-gloss finish.

    Each bedroom has its own colour
    “We’ve tried as best as possible to colour match the red, yellow, blue and dark blue exterior panels of each of the blocks making up the estate,” explained Hybschmann.
    “They work very well together and it’s a nice reference to bring into the interiors of the building.”

    The colours reference details on the building’s exterior
    Other material details also help to tie spaces together. The granite surfaces in the kitchen echo the terrazzo of the staircase, while the new black quarry tiles in the kitchen match up with those in the external hallways.

    Studio Ben Allen makes Room for One More inside Barbican flat

    The bathroom was given an upgrade too, to make it more suitable for modern living. It now includes a Japanese-style bath and a walk-in shower, with a new internal window that allows more daylight in.
    The home is brought to life by the addition of the clients’ midcentury furniture and large book collection.

    The bathroom was updated with a Japanese-style bath and walk-in shower
    Archmongers has previously worked on other modernist refurbishments, in the Barbican and The Ryde in Hertfordshire, along with various council houses in London. The architects’ ongoing aim is to show the inherent potential in these midcentury buildings.
    “Being able to work on another of London’s iconic modernist estates was a privilege,” added Bursa.
    “Our experience helped us to deliver spaces sympathetic to the original vision while also creating a home that will intrigue, invite exploration, and provide opportunities for people to discover, enjoy, and deepen their engagement with modernist architecture.”
    Photography is by French + Tye.

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    Century-old Japanese dwelling transformed into minimalist guesthouse

    Japanese architect Uoya Shigenori stripped back and reconfigured this 100-year-old townhouse in Kyoto to create moody and tranquil interiors for Maana Kamo guesthouse.Located in the historic Higashiyama District, the hotel was designed by Shigenori for Maana Homes, the owner of a collection of luxury retreats hidden within some of the Japanese city’s old streets.

    The main living room inside Maana Kamo guesthouse
    The goal of the renovation was to preserve and expose the dwelling’s original structure while creating a minimalist retreat for quiet contemplation.
    It has been shortlisted for the hotel and short stay interior of the year at the Dezeen Awards 2020.

    Its guestroom can be adapted into a yoga space

    “Preserving and highlighting the house’s imperfectly aged beauty is the backbone of our design philosophy,” said Maana Homes.
    “The beauty and soul of a traditional Japanese townhome is in its structural elements.”

    The kitchen has a central island covered with layers of Urushi
    Prior to the renovation, Maana Kamo was in a poor condition with unsightly vinyl wall coverings, tile ceilings and broken floorboards.
    These finishes were all removed, exposing the old house’s rough, wooden structure and original walls that are made from clay.

    A double vanity features in the new moody bathroom
    These original details have been teamed with dark, moody furnishings and subdued lighting, alongside new timber walls and floors lined with traditional straw tatami mats.
    Ornament is kept to a minimum throughout, while storage spaces for the hotel staff are disguised within the walls.

    Events space opens inside revamped century-old machiya house in Kyoto

    The lack of ornament is to ensure Maana Kamo guesthouse is “visually quiet” and free from distraction, providing occupants with space to slow down and reflect.
    It also allows rooms to be easily adapted, for example, a guest room on the second floor can be quickly converted into a space for yoga and meditation.

    The decoration is limited to a few handcrafted ornaments
    One of the biggest changes Shigenori made to the dwelling was the repositioning of the kitchen from a narrow space at the rear of the dwelling to a larger area at the front.
    This made space for a large kitchen island that is covered with layers of Urushi – a traditional Japanese lacquer made of tree sap that is water-resistant –and a wall of wooden cabinetry and shelves filled with local, handcrafted kitchenware.

    The building’s original structure clay walls are exposed throughout
    Where the old kitchen once stood, Shigenori has inserted a double-vanity bathroom with a shower that overlooks a private garden at the rear of the dwelling.
    The guesthouse is complete with an oversized Japanese-style bathtub that is accessed from the living room. It has a view out to the private garden and is intended to evoke the feeling of bathing in an onsen – a Japanese bathing facility positioned around a hot spring.

    Its old and dark wooden structure has also been revealed throughout
    In 2016, Shigenori collaborated with Masashi Koyama on the restoration of a century-old machiya house in Kyoto to create an events space. Similarly to Maana Kamo, the goal of the design was to celebrate the architecture and history of the space.
    Other projects up for short stay interior of the year at the Dezeen Awards 2020 include the small Escondido Oaxaca Hotel in Mexico by Decada and Carlos Couturier and OHLAB’s extension of a rural hotel in Mallorca.
    Photos are courtesy of Maana Homes.

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    Thirty kitchens designed by architects

    Looking for inspiration for your dream kitchen? Here are thirty architect-designed kitchens from our archives.This roundup is the latest in a series of stories that bring together visual inspiration for the home. See our recent posts showcasing ten colourful kitchen interiors, thirty bathrooms designed by architects and seven bedrooms with statement walls.

    Home Farm by John Pawson
    British architect John Pawson designed three kitchens for his own retreat, Home Farm, including this minimal example with pale lime plaster walls.
    Find out more about Home Farm ›

    Paris Apartment by Atelier Sagitta
    An emerald-green apartment is the focal point of this apartment in Paris overhauled by Atelier Sagitta, which features grooved oak cupboards made by a local cabinet maker.
    Find out more about Paris Apartment ›

    Makers House by Liddicoat & Goldhill
    Deep blue cabinets provide a contrast to the exposed brick walls,  steel beams and polished concrete floor of this London home.
    Find out more about Makers House ›

    Stine Goya’s House by Reform 
    Danish brand Reform gave a standard IKEA kitchen set a glitzy golden makeover for the house of a Copenhagen-based fashion designer.
    Find out more about Stine Goya’s house ›

    Caroline Place by Amin Taha
    Cherry wood cabinets and a kitchen island topped by dark brass surfaces feature in this 1950s house in London updated by Amin Taha Architects.
    Find out more about Caroline Place ›

    Shelter by Vipp
    An all-black kitchen sits underneath a light chimney in this steel-framed prefabricated cabin with floor-to-ceiling glazing.
    Find out more about Shelter ›

    Slab House by Bureau de Change Architects
    Every surface of this kitchen designed for a London house extension by Bureau de Change Architects is blue, including the ceiling and the resin floor.
    Find out more about Slab House ›

    Oscar Freire Apartment by Claudia Bresciani and Júlia Risi
    Bright white square tiles and baby pink cabinets define this kitchen in São Paulo, which has a walk-in pantry that’s painted turquoise.
    Find out more about Oscar Freire Apartment ›

    The Olive Houses by Mar Plus Ask 
    The sink and stovetop of this off-grid house in Mallorca, Spain, overlook an ancient olive grove framed by pink stucco walls.
    Find out more about The Olive Houses ›

    House in Los Velos by Ryue Nishizawa
    A jaw-dropping view of the ocean provides the backdrop to this kitchen made of wood in a house built on a spit of land jutting into the Pacific Ocean in Chile. All the kitchen elements are housed in three central islands, leaving the windows unobstructed.
    Find out more about House in Los Velos ›

    The Parchment Works by Will Gamble Architects
    This kitchen built in the ruins of a cattle shed and a 17th-century parchment factory in England features exposed timber beams.
    Find out more about The Parchment Works ›

    Glyn House by Yellow Cloud Studio
    Yellow Cloud Studio created a kitchen island using black terrazzo with oversized chunks as a counterpoint to the pale oak cupboards and splashback of terracotta tiles in this London extension.
    Find out more about Glyn House ›

    Kew Residence by John Wardle Architects
    The founder of John Wardle Architects used specially sourced Japanese ceramic tiles for the kitchen while remodelling his house in Melbourne, Australia.
    Find our more about Kew Residence ›

    Cabin at Rones by Sanden+Hodnekvam Arkitekter 
    Big windows make the most of the views from this kitchen in a cabin on a rocky outcrop in Norway, featuring simple birch plywood furniture and a concrete floor.
    Find out more about Cabin at Rones ›

    House P by MDDM Studio
    Chunky terrazzo used for the island and the splashback contrasts with the bright yellow walls and teal cupboards of this kitchen for an apartment in Beijing by MDDM Studio.
    Find out more about House P ›

    Hood Cliff Retreat by Wittman Estes
    The kitchen opens right out onto the deck of this cabin in the Pacific Northwest designed by Wittman Estes. A pass-through window allows the outdoor grill to become a seamless culinary extension.
    Find out more about Hood Cliff Retreat ›

    Parisian Apartment by SABO Project
    SABO Project designed this apartment in Paris to be as kid-friendly as possible with a birch plywood kitchen complete with a cosy nook for the family’s pet cat to retreat to.
    Find out more about Parisian Apartment ›

    Z House by Geza
    Z House is a gabled house set into the slopes of an Alpine village in Italy. The dark kitchen of steel and wood is designed as a backdrop to the sweeping views of the mountains.
    Find out more about Z House ›

    Mixtape Apartment by Azab
    Architecture studio Azab gave a 1960s apartment in Bilbao a fun makeover centred on a baby-pink kitchen with wood-trimmed cupboards and a mosaic-style herringbone tiled floor.
    Find out more about Mixtape Apartment ›

    The Mantelpiece Loft by Note Design Studio
    The sage-green kitchen of this reconfigured apartment in Stockholm, Sweden, has contrasting countertops of terrazzo flecked with orange stone.
    Find out more about The Mantelpiece Loft ›

    Edinburgh Apartment by Luke and Joanne McClelland
    This refurbished Georgian townhouse in Edinburgh, Scotland, has an open plan kitchen with herringbone floors made of oak and affordable kitchen units from IKEA.
    Find out more about Edinburgh Apartment ›

    Flat House by Practice Architecture
    The hemp walls of this house on a farm in Cambridgeshire are a feature in the kitchen, which has sunshine-yellow cupboards below floating wooden shelves.
    Find out more about Flat House ›

    Marine Extension by David Barr Architects
    David Barr Architects used pale birch plywood for this bright kitchen in Perth, Australia, which displays a crockery collection on open shelves hanging from the ceiling.
    Find out more about Marine Extension ›

    Duplex in Sarrià-Sant Gervasi by Arquitectura-G
    Bright yellow is a theme in this Barcelona apartment designed by Arquitectura-G. The kitchen is no exception, with lemon-coloured square tiles to contrast the brushed steel worktop.
    Duplex in Sarrià-Sant Gervasi ›

    Casa Mille by Fabio Fantolino
    Copper handles accent the blue-green cabinets of the kitchen with herringbone floors in this Turin flat renovation by Italian architect Fabio Fantolino.
    Find out more about Casa Mille ›

    Hygge Studio by Melina Romano
    Brazilian designer Melina Romano used terracotta flooring and vertical brick walls in the kitchen of an apartment in São Paulo themed around the Danish concept of cosiness.
    Find out more about Hygge Studio ›

    Apartment XVII by Studio Razavi
    Studio Razavi overhauled an abandoned apartment in Lyon, France, plastering the walls and creating a serene kitchen with sea-green coloured MDF cabinets and a patterened splashback to match.
    Find out more about Apartment XVII ›

    Belgium Apartment by Carmine Van Der Linden and Thomas Geldof
    This duplex in the dunes of the Belgian coast has a kitchen with seaweed-coloured birch cabinetry and a marble-topped steel island.
    Find out more about Belgium Apartment ›

    Paris Apartment by Sophie Dries
    French architect Sophie Dries renovated a 19th-century flat in Paris, France, using bold colour blocking of dark grey cabinets against rusty-orange floors, walls and countertops for the kitchen.
    Find out more about Paris Apartment ›

    Apartment on a Mint Floor by Fala Atelier
    As the name suggests, this two-bedroom apartment in Porto, Portugal, by Fala Atelier has a mint-green epoxy resin floor complimented in the kitchen by the two shades of turquoise used for the kitchen cabinets.
    Find out more about Apartment on a Mint Floor ›

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    Tiny exhibition centre on remote Chinese farm features timber interiors

    SHAW Architecture & Design Studio has created a modest exhibition centre for an organic farm in Loudi, a secluded village in China’s Shanxi province.The exhibition centre sits beside an eco-farm in Loudi called Huo-shui-yuan. Presided over by the village collective, the farm focuses on cultivating organic produce and educating locals about the natural environment.

    The interior of the exhibition centre is almost entirely lined with timber
    SHAW Architecture & Design Studio wanted the centre to pay homage to the surrounding landscape, which forms part of the Loess Plateau – an arid area of highland in northern China that’s distinguished by its crumbly, yellow-grey soil that has been deposited by the wind throughout the ages.
    “In two to three million years, this land changed from forest into broken valleys, wrinkled like an old man’s skin,” explained the studio, which is based in Shanghai.

    Visitors can rest on built-in seating nooks at the peripheries of the room

    The interior of the centre has therefore been made deliberately dark in order to steer visitor sightlines towards the outdoors. Timber beams – some of which are slightly charred – line the walls, while the floor has been inlaid with large black tiles.

    Red mesh shades the interior of a farm visitor centre by Vector Architects

    Only a few pendant lamps have been suspended from the ceiling. Gridded or slanted window frames that the studio crafted from wooden twigs, salvaged from the farm’s broken fences, also filter the natural light seeping through to the centre.

    There are a couple of long tables for community workshops
    Seating nooks for visitors have been built-in around the periphery of the room, along with a series of cabinets and shelves where agricultural objects will be put on display. The only freestanding furnishings in the centre are two long tables and a handful of stools, which are used for community workshops.
    One of the tables balances on chunky rammed-earth legs, which the studio included as a nod to the materiality of yaodongs, or “house caves” – earthen shelters which are carved out of hillsides in the Loess Plateau region.

    One of the tables balances on chunky rammed-earth legs
    SHAW Architecture & Design Studio was founded by Xu Zhifeng in 2013. Similarly to this project, Vector Architects created a visitors centre for a farm in Kunshan, China.
    The centre occupies a restored outhouse and is externally clad with louvres of weathered steel.
    Photography is by Shuyin Wu.
    Project credits:
    Interior design: SHAW Architecture & Design StudioLead designer: Shuyin WuClients: LSM Rural Reconstruction Center, Beijing Common Justice FoundationLocal project coordinator: Lixia YanConstruction team: Hongwei Mei, Qingfeng Kong, Yongkang Bai, Long Li, Weixing WangLighting installer and painter: Yuanping LiRe-used wood manufacturer: Xinliang FengRam earth consultant: Zengfei LiangIllustration: Shuyin Wu

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    Ola Jachymiak Studio brightens Beam cafe in London with orange hues

    Tangerine-coloured walls and terracotta-tile floors help enliven the formerly gloomy interior of Beam cafe in west London, designed by Ola Jachymiak Studio.Beam is nestled amongst a parade of shops in the affluent Notting Hill neighbourhood and serves up a menu of Mediterranean-inspired brunch dishes.

    The exterior of Beam cafe in London’s Notting Hill neighbourhood
    Locally-based Ola Jachymiak Studio was brought on board to design the cafe, tasked with creating an inviting interior that would be able to comfortably accommodate just over 90 customers.
    There was just one key issue – the cafe unit had an awkwardly long and narrow plan that allowed in very little sunlight. The studio therefore decided to utilise a colour and material palette that would foster a sense of brightness and warmth.

    Arched niches in the walls display amber-hued ornaments

    At the front of Beam is a casual seating area dressed with egg yolk-yellow armchairs and a couple of tropical potted plants.
    The black gridded windows that previously featured on the cafe’s facade have also been swapped for expansive panels of glazing. During the warmer summer months, these can be pushed back to let in more light and fresh air.

    A burnt-orange seating banquette is set against an exposed-brick wall
    Just beyond lies a more formal dining area. The wall on the right-hand side has been painted white and punctuated with arched niches that display amber-hued glass ornaments.
    On the left-hand side is an exposed brick wall. Along its lower half runs a curvaceous seating banquette upholstered in burnt-orange velvet.

    Tangerine-coloured paint covers the middle section of the cafe
    Tangerine-coloured paint has been applied to the walls in the middle section of the cafe, where the coffee and pastry bar is located.
    Customers who are getting their orders to-go can flick through the books and magazines displayed here on wall-mounted shelving units.

    The central coffee bar is made from oak and white Calacatta marble
    The base of the bar is lined with strips of oak, while the countertop is crafted from white Calacatta marble. Hanging directly overhead is a Bubble lamp by American designer George Nelson.

    10 visually striking cafes to visit in cities all around the world

    This section of the cafe also features flooring clad with terracotta tiles. The same tiles appear again in the bathrooms, covering the toilet cubicles and the arched panels that the sinks back onto.

    A lighting installation illuminates the dining area at the back of the cafe
    Additional dining tables and bistro-style chairs with orange seat cushions have been placed at the rear of Beam, which was once the darkest area of the cafe.
    To counter this, Ola Jachymiak Studio has created a light installation across the ceiling. It comprises several spherical pendant lamps from Danish brand New Works that have been suspended at different heights.
    Sheer white curtains have also been draped around the room’s periphery.

    More arched niches appear in the cafe’s bathrooms, which are lined with terracotta tiles
    Ola Jachymiak Studio was established in 2013. Its Beam project joins a number of trendy eateries in west London’s Notting Hill neighbourhood.
    Others include Cha Cha’s, a Latin-fusion restaurant that’s set within the three-floor HQ of fashion label Sister Jane.
    Photography is by Simon Carruthers.

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    Embers restaurant in Taipei features a “vortex” of cedar wood planks

    Bowed panels of cedar form a chaotic vortex-like structure in Embers, a restaurant in Tapei’s Da’an district designed by local practice Curvink Architects.The structure, which Curvink Architects says could also be likened to a bird’s nest or whirlpool, sits over the bar of Embers. It’s shortlisted in the restaurant interior of the year category in the 2020 Dezeen Awards.

    The focal point of Embers is a vortex-like structure that sits above the restaurant’s bar
    To build the structure, Curvink Architects called on the help of designer and maker En-Kai Kuo. He sourced three 25-metre-high cedar trees from the forested mountainsides of Hsinchu, a city in northern Taiwan.
    The trees were being felled as part of thinning – a process where a select number of trees are purposefully removed in order to improve the health and growth rate of those remaining.

    Cedar planks were used to make the structure

    After being transported to a nearby timber factory, the three cedar trunks were sliced into thin layers and steam-bent. This formed arched panels which each span three metres in diameter.
    The panels were then set aside for several weeks to allow their curved form to stabilise.
    When the panels were brought on-site to Embers, Kuo haphazardly arranged them in a clockwise direction to create the final vortex-like structure. One cedar beam has been partially embedded into one of the restaurant’s structural columns to act as a counter where guests can rest their drinks.
    It’s illuminated by a striplight which has been fitted in the grooves of another beam hanging directly above.

    During the construction process, the cedar trunks were sliced into thin layers
    Beneath the structure sits a chunky serving island crafted from a further 64 cedar beams, which are stacked in an eight-by-eight formation.
    One end of the island has undergone shou sugi ban or yakisugi – a traditional Japanese method of wood preservation, where the surface is lightly charred to become waterproof and overall more durable.
    Inside, the island accommodates a small fridge, freezer and storage for tableware.

    Neri&Hu draws upon Taipei’s urban landscape for design of Kimpton Da An Hotel

    To keep diners’ attention on the sculpture, the restaurant’s fit-out is otherwise kept simple.
    Walls are loosely rendered with sandy-beige plaster, while the floor is finished with concrete. Pendant lamps made out of recycled glass have also been suspended from the ceiling.

    Some cedar beams have been inset with striplights
    Embers will go head-to-head against four other projects in this year’s Dezeen Awards. Among them is DooSooGoBang in South Korea, which is designed to reflect the humble practices of Buddhist monks.
    There’s also Voisin Organique in China, which features soaring ceilings and shadowy dining areas to make guests feel as if they’re “wandering in a valley”.
    Photography is courtesy of En-Kai Kuo.
    Project credits:
    Design: En-Kai Kuo with Yu-Hao Huang, Curvink ArchitectsAdditional cooperators: Wes Kuo, Kit-Chen, Your Kitchen Ally, Yule Space, Weihsun Chen, Zhēnzhēn Lab

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    MW Works uses dark wood and sandy walls for interiors of Ocean Drive apartment in Miami

    American studio MW Works has converted and refurbished a large beachside apartment on Ocean Drive in Miami, Florida, using tropical hardwood and sand-coloured plaster.The studio knocked together two units in a new high-rise building to create a home for a family of six relocating from Seattle.

    Living areas feature plaster walls and concrete floors
    Materials were chosen to make the most of the quality of light and views of the seashore.
    “The irregular surface of the plaster highlights the changing quality of light throughout the day and lends a softness to private spaces,” said MW Works.

    Dark tropical hardwood in the dining area

    The Ocean Drive apartment’s five bedrooms are placed around the perimeter and decorated in a paler palette, while the kitchen and dining areas in the middle are darker and moodier.
    “Bedroom volumes are treated in pale, sandy tones of hand-troweled plaster reflecting natural light deep into the floor plate,” said the studio
    “The heart of the unit is clad in dark tropical hardwood with careful detailing emphasising mass and craft.”

    Plaster and dark wood in the kitchen
    Wide wooden planks form the floors. Handles and light switches are set into the doors and walls to create an uncluttered atmosphere.
    In the living room and media room, pale concrete floor slabs and a plastered ceiling bounce light around from the floor to ceiling glazing. Balconies overlook a stretch of beach with Miami’s signature lifeguarding huts.

    The home is for a family of six
    Gauzy curtains and earthy-coloured rugs continue the highly textured, refined yet beachy aesthetic of the apartment on Ocean Drive.
    “Woven baskets and patterned floor coverings add a layer of softness,” said MW Works. “Amongst the neutral canvas varied shades of blue, orange and red respond to the native flora and fauna of southern Florida.”

    Bas relief texture in the master bedroom
    In the master bedroom, the headboard wall dividing the bed area from the bathroom has a detailed geometric pattern in bas relief.
    “This design opportunity grew out of the client’s extensive travel in the middle east and their interest in mathematical patterns,” said MW Works.
    “Working with the craftspeople who would install it, we developed a pattern and a fabrication procedure to create an abstracted surface to catch the morning light.”

    The Miami apartment has ocean views
    In the ceilings, an LED lighting system is programmed to track with the sun and change across the course of the day. At night, one of the bathrooms lights up with an approximation of moonlight.
    Based in Seattle, MW Works was founded in 2007 by Steve Mongillo and Eric Walter. The studio often works with natural textures, cladding a cabin in Washington with blackened cedar and using reclaimed timber for a home in Seattle.
    Project credits:
    Architecture and interiors: MW WorksGeneral contractor: DowbuiltLocal contractor: WoolemsEngineer (MEP): Shamrock EngineeringEngineer (low volt): Visual AcousticsEngineer (structural): PCS Structural SolutionsLighting: NiteoFurnishings: Studio DIAA; Matt Anthony DesignsCarved Countertops: The Vero StonePlaster (walls, master headboard): Cathy Connor Studio CWood (casework, floor, ceiling): DowbuiltMetal (casework, hardware, patinas): DowbuiltInterior landscape garden: FormanetaCustom concrete: John DietrichMetals: Argent

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