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      Venice floodwaters inform two-tone interior of Warsaw bar Va Bene Cicchetti

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      Sea green floors and skirting tiles are contrasted against the all-red interior of this bar in Warsaw, Poland, which local studio Noke Architects has designed to recall the high waters of Venice.

      Billed as Poland’s first cicchetti bar – an Italian bar selling drinks alongside small plates of food – Va Bene Cicchetti is located in a huge Socialist Realist housing estate from the 1950s called the Marszałkowska Housing District.
      Va Bene Cicchetti is a bar in WarsawCustomers enter the bar via an arched doorway lined with antique mirrors. Inside, they are met by a huge red travertine counter with a large drinks cooler, which is hollowed out of the stone and filled with ice and bottles of prosecco.
      Most of the interior is rendered in warm hues of red and gold in a nod to the colours of the Venetian flag.
      But the floor, and everything up to about 20 centimetres in height, is finished in sea green to suggest the high waters of the Veneto region, locally known as acqua alta.

      Its interior was informed by Venice’s floodwatersSeveral times a year, when the tide in the Adriatic Sea rises, these floodwaters will cover streets and piazzas in Venice in a layer of water.
      To recreate this “flood effect” inside the interior of Va Bene Cicchetti, Noke Architects coloured the floors and skirting tiles, as well as the base of table legs, chairs and plinths in a watery shade of turquoise.
      Tables resemble Venice’s red-and-white striped mooring poles”We wanted the place to be unambiguously associated with Venice but we also wanted for this reference to be fresh and unique,” said Piotr Maciaszek, who co-founded Noke Architects alongside Aleksandra Hyz and Karol Pasternak.
      “We took inspiration from the colours of the Venetian flag, which dominate all finishings, and incorporated the acqua alta motif in the interior as an element of surprise.”
      Turquoise skirting tiles run along the perimeter of the roomThe scheme is completed with glass lamps that resemble rippling water and bespoke furniture pieces including tables that pay homage to the red-and-white striped mooring posts found in Venice’s canals.
      Taking over an entire wall of the bar is an intricate mosaic made from reclaimed materials including glass panes from the Murano glass factory in Venice and fragments of wine bottles from Va Bene Cicchetti’s sister restaurant Va Bene.

      Moroccan carpets line walls of Warsaw’s Aura cocktail bar

      The mural depicts the bar’s owners and their dog Koko enjoying wine and food at a table in Venice.
      “Veneto is where the famous Murano glass and antique mirrors are manufactured,” Maciaszek explained.
      “The region is famous for its ceramics and wine. We came up with the idea to use mini pieces of Venice as the building blocks of our artwork. Mosaic was the perfect solution for this.”
      The bar is centred on a red travertine counterThe bar’s basement level is completely saturated in the same greeny-blue hue as the floors upstairs to create the impression of being underwater.
      Bathrooms, meanwhile, are finished in black and white stripes and topped with a red ceiling in a reference to the uniforms worn by Venetian gondoliers.
      An intricate mosaic covers an entire wall of the barPolish illustrator and graphic designer Ola Niepsuj was responsible for creating the bar’s visual identity, which depicts the Lion of Saint Mark – a winged lion that represents the patron saint of Venice and is found on buildings across the city.
      At Va Bene Cicchetti, this motif can be found in the form of door handles and the neon light above the entrance.
      The bar’s basement level is covered in sea green tilesElsewhere in Poland, local practice Paradowski Studio recently channelled the glamour of Kraków’s interwar cafes and the clean functionalism of its mid-century modern cinemas for a hotel renovation.
      The Puro Stare Miasto hotel is located next to Kraków’s historic old town and spans 138 rooms alongside an extensive open-plan reception, lobby space and restaurant.
      The photography is by Piotr Maciaszek.

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      Vibrant glazed tiles divvy up Madrid apartment by Sierra + De La Higuera

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      Spanish architecture studio Sierra + De La Higuera has used traditional Moroccan zellige tiles to define the different spaces in this open-plan apartment in Madrid.

      Housed in a 1940s building in the city’s bohemian Conde Duque neighbourhood, the apartment belongs to a well-travelled couple that wanted to stamp its Mexican and Galician heritage onto the interior.
      Colourful tiling features throughout the Conde Duque apartment”Our clients wanted to bring part of their origins to Madrid,” Sierra + De La Higuera told Dezeen. “This project is the outcome of a quest to find colour in Madrid, a characteristic marked by the owners’ journeys and origins.”
      The studio was commissioned to carry out a complete refurbishment of the apartment, which included totally changing its layout.
      The apartment is housed in a 1940s building in MadridThe original plan consisted of a series of rooms laid out along a long windowless hallway. Sierra + De La Higuera removed as many walls as possible to create an open-plan kitchen, dining and living space.

      “Historically in Madrid, houses had a lot of rooms and partitions,” the studio told Dezeen.
      “But nowadays, we like to live on a more open-plan basis. The main aim of the new layout was to open spaces, eliminate corridors and hallways, and to gain as much natural light as possible.”
      A wood-panelled entrance hall separates the living and dining spacesTwo bedrooms – one with a walk-in wardrobe and both with adjoining bathrooms – are located at the north end of the apartment while a bright sitting room wrapped by south-facing terraces sits at the opposite end.
      Throughout the apartment, natural timber, terracotta tiles and white walls were used as foils to the zellige tiling, which is distinguished by its imperfect hand-moulded surfaces.
      Emerald green zellige tiles distinguish the kitchenThe wood-panelled entrance hall with its arched doorways was conceived as a buffer between two different zones. On the one side is the Mexico-influenced kitchen and dining area finished with emerald green tiles.
      And on the other side are the living room and the terraces with their bold yellow colour scheme, which were informed by the couple’s travels to Singapore.
      “We focused on vivid colours: bright yellows, greens, blues and reds, paired with materials like tiles, ceramics and fine wood,” explained Sierra + De La Higuera.

      Artchimboldi Menorca is a work retreat inside an abandoned girls’ school

      In the sitting room and the two bathrooms – finished in red and blue respectively – the tiles were used to create decorative striped skirting that frames the different zones.
      In some areas, the colours of the tiles are applied to other furnishings to create a cohesive feel, with the green upholstery in the living room echoing the glazed green tiles in the kitchen.
      Yellow was applied liberally throughout the terraces and in the living roomA large bookshelf that runs around the kitchen, dining and living room area was custom designed for the space by Sierra + De La Higuera.
      “This element is very important to the clients, as it holds all the objects they have collected on each of their journeys in addition to all their books,” the studio explained.
      Tiles were also used to create decorative striped skirting in the bathroomsIn the bedroom, the architects designed custom cabinetry and specified a cloud-grey carpet to create a calm and cosy ambience, which is intended to evoke Galicia.
      Other projects that use tiles to delineate rooms include a Barcelona bed and breakfast by Nook Architects that features vibrant blue tiles and cobalt-blue paintwork.
      The photography is by German Sáiz.

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      Ten maximalist interiors that are saturated with colours and patterns

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      Clashing colours, statement furnishings and mismatched patterns feature in this lookbook, which rounds up ten flamboyant interiors that embody the maximalist aesthetic.

      Maximalism is a style of art and design that rejects the rules of minimalism. Instead, exuberance is celebrated and anarchic use of pattern, colour and texture are encouraged.
      According to Claire Bingham, author of the book More is More, the style can be attributed to the Memphis Group – the 1980s design and architecture collective known for their bold postmodern creations.
      However, as demonstrated by this roundup, maximalism continues to make its mark today, as designers apply the aesthetic to the interiors of our homes as well as to public spaces.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks showcasing brutalist interiors, walk-in wardrobes and colourful living rooms.

      Photo is by Benoit LineroHotel Les Deux Gares, France, by Luke Edward Hall
      Contemporary pea-green walls stand in stark contrast to chintzy wallpaper and soft velvet sofas in the rooms of the Hotel Les Deux Gares in Paris.
      According to its designer Luke Edward Hall, the aesthetic is intended to be “anti-modern” – harking back to a Paris of the past.
      Find out more about Hotel Les Deux Gares ›
      Photo is by Adrián LlagunoCasa TEC 205, Mexico, by Moneo Brock
      The bright-coloured works of Mexican architect Luis Barragán informed the look of this maximalist-style home in Monterrey, designed by architecture studio Moneo Brock.
      Inside, striking wallpaper prints are juxtaposed with geometric tiling and colour-blocked walls, such as in the kitchen and dining room where a large floral mural takes centre stage.
      Find out more about Casa TEC 205 ›
      Photo is by Günther EggerRookies, Germany, by Stephanie Thatenhorst
      Designer Stephanie Thatenhorst challenged the conventional look of healthcare facilities when designing this kid-friendly optician in Munich.
      Intended as a “noisy, wild and unique paradise for children”, it marries a bright blue carpet with geometric wall tiles, U-shaped neon lights and display areas covered in apricot-coloured fabric.
      Find out more about Rookies ›

      Schiphol airport lounge, Netherlands, by Marcel Wanders
      The flamboyant rooms of the Schiphol airport lounge were all given a distinct look when renovated by Marcel Wanders, a creative best known for his uninhibited maximalist style.
      Among them is an animated seating area that references canal houses in Amsterdam. Its finishes include wall panels resembling giant stained-glass windows and a cartoonish lamp that mimics a street light.
      Find out more about Schiphol airport lounge ›
      Photo is by The IngallsAustin Proper Hotel and Residences, USA, by Kelly Wearstler
      Interior designer Kelly Wearstler teamed local art and textiles with one-off vintage details when creating the eclectic interior for Austin Proper Hotel and Residences.
      This includes the hotel’s drinking establishment, which occupies a room with high ceilings covered in decorative wallpaper. Below, a cobalt blue-painted bar sits against low stuffed armchairs, chunky wooden tables and stone plinths.
      Find out more about Austin Proper Hotel and Residences ›

      Annabel’s, UK, by Martin Brudnizki Design Studio
      This dim hallway features in London members’ club Annabel’s, which was recently overhauled by Martin Brudnizki Design Studio to make visitors feel as though they have been “transported somewhere else”.
      Similarly to the rest of the building, the corridor features clashing animal prints across all its surfaces and is overlooked by a sculpture of a gorilla on a seat – just one of the fanciful features hidden inside.
      Find out more about Annabel’s ›

      Mondrian hotel, Qatar, by Marcel Wanders
      Marcel Wanders also applied his signature maximalist style to the interior of the Mondrian hotel in Doha, which is filled with mismatched patterns and oversized furnishings.
      Among its standout spaces is the swimming pool on the 27th floor. Crowned by a floral-patterned stained-glass dome, it features bulbous white seating, a tactile grass-like bridge and monochrome tiling.
      Find out more about Mondrian hotel ›

      Studio Job office, Belgium, by Studio Job
      Studio Jobs’ founder Job Smeet describes his maximal self-designed home and office in Antwerp as being “like a visual assault”.
      Encased by an exposed concrete shell, it comprises a central gallery space, kitchens, bathrooms and bedrooms – one of which clashes paint-splattered walls with shark-patterned wallpaper, a maze-like rug and spaghetti-print bed sheets.
      Find out more about Studio Job office ›
      Photo is by Christian HarderEsme Hotel, USA, by Jessica Schuster Design
      In an overhaul of the boutique Esme Hotel in Miami, New York studio Jessica Schuster Design opted for saturated tones and sculptural furnishings to “create an artful collage of bohemian grandeur”.
      Among its decadent spaces is a mahogany cocktail bar that is encircled by fringed stools and sculptural pendant lighting, set against a checkered floor and a wooden ceiling.
      Find out more about Esme Hotel ›
      Photo is by Prue Ruscoe with styling by Alicia SciberrasPolychrome House, Australia, by Amber Road and Lymesmith
      Pops of bright primary colours feature in every room of this 1960s house in Sydney, which was recently renovated by studio Amber Road and colour consultant Lymesmith.
      When extending the ground floor, the team introduced an open-plan living space with graphic paved floors modelled on aerial photographs of the surrounding terrain, which contrasts with white-painted brick walls that are partly covered by an abstract mural.
      Find out more about Polychrome House ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks showcasing brutalist interiors, walk-in wardrobes and colourful living rooms.

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      Vermilion Zhou Design Group opts for rich hues in revamp of Haidilao hotpot restaurant

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      Shades of blue and green feature throughout this hotpot restaurant in Shenzhen, which has been updated by Chinese studio Vermilion Zhou Design Group.

      Haidilao, which was established in 1994, is the biggest hotpot restaurant chain in China, with overseas branches in cities such as London, New York and Sydney.
      When its Shenzhen location was in need of a revamp, Vermilion Zhou Design Group was brought in to lead on the design.
      Sky-blue seating lies at the centre of the restaurantFrom the outset, the Shanghai-based studio knew it wanted to avoid the red and black colour scheme that has previously been used in Haidilao restaurants.
      The space has instead been decked out in shades of blue and green that are meant to nod to the chain’s use of natural, fresh ingredients.

      At the periphery of the floor plan are jade-green dining cabinsAt the heart of the restaurant is a bank of sky-blue dining chairs accompanied by tables with flecked, terrazzo-style countertops.
      Bands of shiny brass panelling have been suspended from the ceiling overhead, inset with LED ticker boards that project interactive messages to diners.
      A large LED screen has also been integrated into Haidilao’s facade; it displays moving silhouettes of different people, hinting at the buzzing activity of the restaurant’s interior.
      Tables have terrazzo-style countertopsAround the periphery of the main dining room is a sequence of high-backed, jade-green booths that form intimate “cabins” where small groups can enjoy their meals.
      There are also a number of cosy nooks designed to accommodate solo diners.
      Jade-coloured fixtures and furnishings also appear in the private dining roomTowards the rear of Haidilao there is a drinks counter and a private dining room that can be hired out for special occasions. Tall pivoting doors help close the space off from the rest of the floor plan.
      In keeping with the rest of the restaurant, it features jade-coloured walls and brass-edged furnishings.
      In the bathrooms, terrazzo washbasins meet scalloped wallsVermilion Zhou Design Group has created a small manicure bar within the restaurant’s entryway – not only is it meant to lure in more passersby, but it also gives prospective diners a fun way to kill time while waiting for a table.
      The bar has been rendered blush-pink, boldly deviating from the restaurant’s colour scheme, and has a scallop feature wall.
      Scalloped surfaces go on to appear in the customer bathrooms, which have been finished with oblong mirrors and terrazzo-like washbasins.
      A pink nail manicure bar has been created in Haidilao’s entrywayThere are a number of visually striking hotpot restaurants across China.
      Examples include Jin Sheng Long in Qinhuangdao, where diners sit among thick stucco partitions, and Xinhua Nufang in Chengdu, which perches on the edge of a lotus pond.
      The photography is by Vincent Wu.
      Project credits:
      Creative director: Kuang Ming (Ray) ChouConcept design: Ting Ho, Ming ShiInterior design: Garvin Hong, Xudong Wang, Yuqin Chou, Dandan Guo, Jing Wu, Zihao Yao, Yuxuan Li, Changsong LiLighting design: Vera Chu, Chia Huang LiaoFF&E design: Ping Xue, Ruiping HeVideo: Ming Shi

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      Ten beautiful brutalist interiors with a surprisingly welcoming feel

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      For our latest lookbook, we’ve collected 10 brutalist interiors from the UK to Brazil and Indonesia that show how textiles, plants and colours can be used to soften monolithic concrete spaces and create a cosy atmosphere.

      Brutalism as an architectural style often makes use of concrete to create large, sculptural buildings. These interiors in brutalist buildings feature plenty of concrete and hard angles but still manage to feel both warm and welcoming.
      Colourful tiling, wooden details and tactile textiles as well as an abundance of green plants were used to create inviting living rooms, bathrooms and even workspaces in these brutalist buildings, which include the Barbican in London and Riverside Tower in Antwerp.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring granite kitchens, terrazzo eateries and atriums that brighten up residential spaces.
      Photo is by Tommaso RivaA Brutalist Tropical Home, Indonesia, by Patisandhika and Dan Mitchell

      Designer Dan Mitchell worked with architecture studio Patisandhika to create this brutalist home in Bali, which features a double-height living room filled with books, records and green plants.
      The house has a split-level design that was modelled on modernist architect Ray Kappe’s Kappe Residence. Inside, colourful objects, textiles and furniture draw on the work of Clifford Still, Ellsworth Kelly and the Bauhaus movement to make the house feel homely.
      Find out more about A Brutalist Tropical Home ›
      Photo is by Niveditaa GuptaHouse of Concrete Experiments, India, by Samira Rathod
      As the name suggests, House of Concrete Experiments features sculptural concrete walls. Warm wood detailing offsets the grey hues, while the concrete floor has been inlaid with black stones to create an interesting pattern.
      Large windows and geometric skylights help make the room feel bright and inviting.
      Find out more about House of Concrete Experiments ›
      Photo is by Olmo PeetersRiverside Tower Apartment, Belgium, by Studio Okami Architecten
      Studio Okami Architecten stripped the walls of this flat in Antwerp’s Riverside Tower to let its original structure take centre stage.
      Colourful details such as a turquoise table and baby-blue spiral staircase and a playful, sculptural lamp make the home feel contemporary, while plenty of green plants give more life to the otherwise grey interior.
      Find out more about Riverside Tower Apartment ›
      Photo is by PhotographixBeton Brut, India, by The Grid Architects
      Designed as a “neo-brutalist” house, Beton Brut in India has a number of dramatic features, including a skylit atrium that extends through the home.
      The Grid Architects described the home as “typified by bare concrete, geometric shapes, a monochrome palette and a monolithic appearance”. Wooden flooring and furniture and plenty of textiles soften the house’s brutalist interior and potentially stern appearance.
      Find out more about Beton Brut ›
      Photo is by Anton GorlenkoBarbican flat, UK, by Takero Shimakazi Architects
      This flat in the Shakespeare Tower of London’s brutalist Barbican estate was overhauled by Takero Shimakazi Architects in a nod to the client’s strong ties to Japan.
      Details such as gridded timber panels and timber joinery were added throughout the flat, which also features Japan-informed details including an area lined with tatami mats.
      Find out more about the Barbican flat ›
      Photo is by Joana FrançaConcrete home, Brazil, by Debaixo do Bloco Arquitetura
      Debaixo do Bloco’s design for this sculptural house in Brazil is divided into three sections to provide a clear distinction between the various programmes.
      Inside, the interior has a mid-century modern feel, with gleaming wood parquet flooring and a glass PH table lamp by Danish designer Louis Poulsen decorating a side table.
      Find out more about the concrete home ›
      Photo is by Lorenzo ZandriSmithson Tower office, UK, by ConForm
      The brutalist Smithson Tower in Mayfair is the location for this “homely” office designed by ConForm Architects. The studio split the space into eight zones defined by the strong structural grid of the existing building, and added low-level joinery.
      The result is a design that softens the stark office spaces and makes the rooms feel more intimate.
      Find out more about the Smithson Tower office ›
      Photo is courtesy of The StandardThe Standard London, UK, by Shawn Hausman
      Designer Shawn Hausman created the colour-drenched interior of hotel The Standard in London, which is located in a brutalist building, to contrast “the greyness of London”.
      “I would say with this property we were a bit more colourful than usual, and I think part of that is acting in contrast to the brutalist building that the hotel’s in,” explained Hausman.
      In the bathrooms, stripy pink-and-black tiled walls and pops of pale mint green give the room a fun, playful feel.
      Find out more about The Standard London ›
      Photo is by Casey DunnPreston Hollow, US, by Specht Architects
      The long corrugated concrete volumes of Preston Hollow in Dallas were designed to reference brutalist Texan architecture from the 1950s and 60s, but the house was built to wrap around courtyards, creating a lively, open impression.
      Inside the low-slung buildings, mid-century modern-style furniture nods to the home’s architectural references but the interior is brought up-to-date with the addition of modern art.
      Find out more about Preston Hollow ›
      Photo is by Gilbert McCarragherBarbican apartment, UK, by John Pawson
      British architect John Pawson created this flat in London’s Barbican building using his signature minimalist aesthetic.
      The flat, which overlooks central London and has a small concrete balcony, has been kept almost empty with just a smattering of furnishings and pale wooden surfaces. Three artworks, a Buddha sculpture and a grandfather clock are the only decorative elements in the space.
      Find out more about the Barbican apartment ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring granite kitchens, terrazzo eateries and atriums that brighten up residential spaces.

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      Ten sunny interiors that make use of the Colour of the Year 2023

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      For our latest lookbook, we’ve curated 10 interiors decked out in Wild Wonder after paint brand Dulux named the pale yellow hue as its Colour of the Year for 2023.

      Dulux describes Wild Wonder as a “soft gold with hints of green” that speaks to people’s desire for a closer connection to nature and better mental health in light of the recent period of upheaval.
      “As people search for support, connection, inspiration and balance in the world today, they’re diving into the wonders of the natural world to find it,” the brand explained.
      “Wild Wonder is a positive, natural tone that, by connecting us with the natural world, can help us feel better in our homes.”
      The optimistic hue, reminiscent of “fresh seed pods and harvest grain”, is particularly suited to brightening up living spaces – as seen below in an all-yellow Barcelona duplex and a renovated 19th-century apartment in Stockholm by Note Design Studio.

      But the colour can also be used to give a homely feel to commercial interiors, from a floating spa to a church-turned-coworking space, where it is often contrasted against shades of dusty pink or deep red.
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing residential atriums, floating staircases and kitchens with polished granite surfaces.
      Photo is by Note Design StudioHidden Tints, Sweden, by Note Design Studio
      Set in a 19th-century building in Stockholm, this kitchen envisioned by Swedish practice Note Design Studio is entirely enveloped in buttery yellow paint – covering everything from the walls and mouldings to the window frames.
      “Colour helps to emphasise the splendour in the detailing of the architecture,” interior architect Sanna Wåhlin told Dezeen. “In fact, the approach to colour in architecture in the old days was much braver than we see today. It deserves its place again!”
      Find out more about Hidden Tints ›
      Photo is by Felix SpellerCubitts Belgravia, UK, by Child Studio
      Child Studio reinstated many of the Georgian design features found in this 19th-century Belgravian townhouse when turning it into a shop for eyewear brand Cubitts.
      The London design firm painted its walls in a chalky yellow hue that was typical of the period and uncovered the original floorboards to create an “intimate and domestic atmosphere”, complete with a cast iron fireplace installed in the front room.
      Find out more about Cubitts Belgravia ›
      Photo is by José HeviaDuplex in Sant Gervais, Spain, by Arquitectura-G
      To make this duplex apartment in Barcelona with its convoluted floor plan and shadowy living spaces feel more bright and spacious, local practice Arquitectura-G introduced an all-yellow colour scheme that features throughout the home.
      It was even chosen for the metal grating used to form shelving in the kitchen, which was designed to provide storage without obstructing sunlight from reaching every corner of the space.
      Find out more about Duplex in Sant Gervais ›
      Photo is by Mikael LundbladCafe Banacado, Sweden, by ASKA
      Swedish architecture firm ASKA aimed to create a warm and peaceful atmosphere inside this all-day breakfast cafe, using sunny hues across its nostalgic checkerboard floors, storage walls and custom-made tables with integrated cutlery holders.
      “In order to create an environment that feels harmonious, we work with subtle layering and tone-in-tone methods,” said ASKA co-founder Madeleine Klingspor. “The same yellow is used on the walls, lamps, tables and floor but in different scales and intensity.”
      Find out more about Cafe Banacado ›
      Photo is by Jérôme GallandVilla Noailles gift shop, France, by Pierre Yovanovitch
      When overhauling the gift shop of the Villa Noailles arts centre in Provence, French designer Pierre Yovanovitch created a series of colour-block alcoves to “dramatise” the presentation of the products on offer.
      The mellow yellow backdrop of these wall niches stands in stark contrast to the salmon-pink walls and cobalt blue trims, nodding to the villa’s “cubist” garden designed by Armenian architect Gabriel Guevrekian.
      Find out more about the Villa Noailles gift shop ›
      Photo is by Dylan PerrenoudOrigin spa, Switzerland, by Bureau
      Blocks of pastel-toned tiles overlap across the different surfaces of this float spa in Geneva. The colour-blocking was specifically designed to evoke the vague spots and flashes of colour that can sometimes be seen behind closed eyes after looking at a light source.
      The interior was designed to reflect the visuals that guests experience in the spa’s sensory deprivation tanks, which are filled with warm salt water but completely devoid of light to create the feeling of floating weightlessly in space.
      Find out more about Origin ›
      Photo is by Rei Moon13 Square Metre House, UK, by Studiomama
      Custom-made plywood furniture fringes this tiny 13-square-metre home set in a former mini cab office, which “might be London’s smallest house,” according to architect Studiomama.
      Beyond providing crucial storage, the light wooden elements help to create a cohesive interior, while functional zones such as integrated sliding doors are highlighted in swatches of soft yellow, pink and blue.
      Find out more about 13 Square Metre House ›
      Photo is by Mikael LundbladMaria Nila salon, Sweden, by ASKA
      Undulating shelves of hair products wind their way around the perimeter of this salon by Swedish haircare brand Maria Nila in Stockholm to evoke dripping shampoo.
      The storage is rendered in pastel gradient colours informed by the brand’s packaging, which fade from ballet-slipper pink to a pale coffee colour and finally a washed-out yellow.
      Find out more about the Maria Nila salon ›
      Photo is by Carola RipamontiImarika boutique, Italy, by Marcante-Testa
      Another interior that showcases the perfect match between yellow and pink is this boutique in Milan, designed by Italian studio Marcante-Testa.
      Here, an understated daffodil-colour covers the walls, while pink clay was used to render partitions and rose-gold rails hold up the glass shelves displaying accessories.
      Find out more about Imarika boutique ›
      Photo is by Cándida WohlgemuthThe Ruby Street, USA, by Francesca de la Fuente and Working Holiday Studio
      An abstract wall mural by Los Angeles artist Dakota Solt ties together the baby blue, pink and tan furnishings in this co-working space with the pale yellow of the wood-panelled walls and the rattan pendant light.
      Called The Ruby Street, the shared office and events space is set in a former church in the city’s Highland Park neighbourhood, whose stained-glass windows were retained and paired with simple, contemporary furnishings.
      Find out more about The Ruby Street ›
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing residential atriums, floating staircases and kitchens with polished granite surfaces.

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      Ten kitchens with polished granite surfaces

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      The durable, stain-resistant qualities of granite make it a choice material for kitchens. Our latest lookbook showcases 10 kitchens on Dezeen that celebrate the light-coloured stone.

      Waterproof and scratch-resistant, the igneous rock granite has been used in construction and interior design for centuries.
      Today, the versatile material is often used as an alternative to marble to top kitchen counters and work surfaces, as well as in bathrooms or on floors.
      From a large grey granite kitchen island in a Mexican apartment to a chevron-patterned granite floor in a London house, the examples below showcase the many ways in which the stone can be used to furnish kitchens.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks homes with characterful floating staircases that appear to defy gravity, atriums that brighten and expand residential spaces and calm green bedrooms that showcase the power of natural colours.

      Photo is by Federica Carlet403 Greenwich, US, by Stefano Pasqualetti
      A mix of materials including steel, marble, granite and wood were peppered throughout this New York residence, which Italian architect Stefano Pasqualetti aimed to make feel “soothing and timeless”.
      In the open-plan kitchen, which offers views onto Tribeca’s West Historic District neighbourhood, walnut cabinets are fitted with granite worktops while a standout blackened metal staircase runs through the property’s core.
      Find out more about 403 Greenwich ›
      Photo is by Ståle EriksenGrove Park, UK, by O’Sullivan Skoufoglou Architects 
      Designed for a client with a keen interest in the outdoors, Grove Park is a terraced house that offers expansive views of the greenery and wild woodland outside.
      London-based studio O’Sullivan Skoufoglou Architects paired the ash-lined kitchen interior with creamy Shivakashi granite countertops and splashback and polished concrete flooring, which was cast in situ.
      Find out more about Grove Park ›
      Photo is by Denilson MachadoDN Apartment, Brasil, by BC Arquitetos
      Located in a 1970s building in the Jardins neighbourhood of São Paulo, this 230-square-metre apartment was designed for a landscape architect by local studio BC Arquitetos.
      The apartment comprises a primarily warm natural walnut interior that is complemented with harder materials, such as concrete columns, stone flooring and granite countertops. A collection of mid-20th century art adds the finishing touch.
      Find out more about DN Apartment ›
      Photo is by Joana França308 S, Brazil, by Bloco Arquiteos
      Brazilian architecture studio Bloco Arquitetos transformed 308 S, an apartment in Brasília, by removing several walls and reconfiguring the challenging layout to make it more open plan.
      To add to the stripped-back look, the architects opted for a neutral colour palette, while pale granite was used for the kitchen and bathroom countertops and flooring.
      Find out more about 308 S›
      Photo is by José HeviaVillarroel Apartment, Spain, by Raúl Sánchez Architects
      The three main areas inside this apartment in Barcelona are distinguished by contrasting materials rather than traditional walls, making it appear more spacious and flexible.
      Wooden floors and white-washed walls define the living area while functional spaces such as the kitchen – where a granite breakfast island takes centre stage – are completed in shades of grey.
      Find out more about Villarroel Apartment ›
      Photo is by Onnis LuqueCasa Nicté-Ha, Mexico, by Di Frenna Arquitectos
      A large granite kitchen island with an adjoining wooden counter is positioned in the middle of the double-height kitchen and dining area inside Casa Nicté-Ha, a home designed by Di Frenna Arquitectos in Colima City, Mexico.
      Elsewhere in the three-bedroom house, the studio mixed dark and light decor including white-painted walls, warm wood and concrete floors and exposed steel beams.
      Find out more about Casa Nicté-Ha ›
      Photo is by Serena EllerDiplomat Apartment, Italy, by 02A
      Antique and mid-century furnishings join sleek, contemporary cabinetry to create this one-bedroom flat in Rome by local architecture and interiors studio 02A.
      The stateless diplomat who owns and lives in the dwelling wanted to make his home a sanctuary filled with items he collected during his trips abroad.
      Find out more about Diplomat Apartment ›
      Photo is by NosheArt-Apart, Germany, by Raum404
      Swiss-based studio Raum404 chose to keep the interiors as minimal, white and spacious as possible in its renovation of Art-Apart, a 19th-century apartment-cum-gallery in Berlin.
      The artist owner tasked the studio with creating a space that could be opened up to the public for exhibitions, which resulted in furniture that could be folded up and plenty of white cupboards that could conceal personal belongings.
      Find out more about Art-Apart ›

      Hackney House, UK, by Applied Studio
      Black timber decor and plenty of windows were installed in architecture and interior design studio Applied Studio’s overhaul of this house in east London’s Hackney.
      Afterward, the studio fitted the glass extension that houses the kitchen and dining table with chevron-patterned granite flooring.
      Find out more about Hackney House ›
      Photo is by French + TyeGolden Lane, UK, by Archmongers
      Quirky modernist elements such as pops of primary colours and glossy furnishings were reinstated by Archmongers in its renovation of this 1950s flat in an inner city London estate.
      In the peninsula kitchen, which is separated from the dining area by chunky white door frames, white cabinets are topped with steel, while grey terrazzo with granite chips highlights the counter end and splashback.
      Find out more about Golden Lane ›
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing residential interiors bolstered by exposed wooden beams, living spaces with glossy surfaces that create depth and dimension and gardens with swimming pools that are made for summer.

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      Balenciaga opens tinted-glass couture store beneath historic Paris atelier

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      Fashion house Balenciaga has opened a couture store with smoked-glass-panelled walls in the same building as its original couture salon in Paris.

      The store is located beneath Balenciaga’s historic atelier at 10 Avenue George V, which was recently renovated to exactly replicate the interior of the original couture salon that was first opened in 1937.
      The interior of the store was clad in tinted glass”The newly renovated space at 10 Avenue George V is dedicated to preserving Balenciaga’s heritage in its original couture location, first opened in 1937, as well as creating a couture for today,” said the brand.
      The design of the store beneath the couture salon was created by long-time Balenciaga collaborator Sub, a Berlin-based architecture studio that was founded by Niklas Bildstein Zaar and Andrea Faraguna.
      The store is located in the same building as Balenciaga’s original couture salonThe boutique’s exterior is marked by oversized serif Balenciaga signage, a nod to Balenciaga’s 20th-century branding that also forms a distinction from the narrow, sans serif typeface that currently identifies the brand.

      Beneath the signage, four arched openings frame swooping curtains that are given a golden hue by the brown-tinted glazing.
      Grey curtains zone spaces throughout the storeThe interior of the couture store echoes Balenciaga’s raw architecture concept, which was applied internationally across the interior of its stores, but this edition has been clad in panels of tinted glass instead of concrete.
      Between the unfinished but glass-clad walls, ash-hued curtains conceal carpeted areas while wrinkled-leather ottomans were placed throughout the two-storey store.

      Balenciaga transforms former aviation fuel tanks into couture salon in Shanghai

      Wrought iron balustrades and a curving marble staircase, with glass panelling slotted around it, hint at the building’s history and the former decor and interior scheme of the atelier above.
      “The concept of the couture store is a gateway to couture, which remains a very closed universe, especially for new generations,” said Balenciaga CEO Cédric Charbit.
      Remnants of the store’s history were incorporated into the design”In this new store, products, made-to-measure services and retail excellence are a reinvention of the Balenciaga client experience,” said Charbit.
      “It is exciting to be able to present this level of craft, creativity and made-in-France savoir-faire in our historical address.”
      Balenciaga’s couture atelier is located above the storeMetal shelving was decorated with couture items, ranging from artisanal to technological, from the brand’s most recent Autumn Winter 2022 couture show.
      Items on display include its speaker bag, which was created in collaboration with Danish audio brand, Bang & Olufsen.
      Earlier in 2022, Balenciaga wrapped its Mount Street store in London in a bright pink faux fur to celebrate its Le Cagole bag.
      Photography is courtesy of Balenciaga.

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