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    Apple reveals Battersea Power Station store as latest “evolution of the Apple Store”

    Technology company Apple has unveiled its latest Foster + Partners-designed store in the recently revamped Battersea Power Station in London, which features updated fixtures and furniture.

    Set to open later today, Apple Battersea is the brand’s 40th UK store and represents an evolution in its retail design thinking with more of an emphasis placed on accessibility and sustainability.
    “We developed this material palette and this fixture set that is really trying to align with like Apple’s goals,” said Bill Bergeron Mirsky, a global retail design lead at Apple.
    “This material palette is new for us, it’s an evolution of the Apple Store,” he told Dezeen.
    Apple Battersea opens todayDesigned by UK studio Foster + Partners, the store is set on the ground floor of the shopping centre within the 1930s Turbine Hall A at the former power station, where the studio also designed the technology brand’s offices.

    The shop is arranged around four original brick piers and has steel roof supports exposed on the ceiling. On top of this base, Foster + Partners overlaid a revamped fixture set that Mirsky said “will become familiar over time”.
    Apple Battersea is the second store – after the recently reopened Tysons Corner store in the USA, which replaced Apple’s first ever store – to feature the redesigned fixtures.
    It features an updated fixture setAround the edge of the store is an oak framework of shelving that was developed with Foster + Partners.  The timber structure also defines a space dedicated to watches, a pick-up area and a redesigned Genius Bar.
    The Genius Bar has a counter for stand-up service along with a lowered area where people can be served sitting down. Along with its standard Parsons tables, which are made from sustainably harvested European oak, the store also has several lowered tables.
    The redesigned Genius Bar has a lower counter”We’ve thought about mobility issues across the whole fixture set,” explained Mirsky. “We have our traditional Parsons table with our standard height, but you notice that the tables in the back are varied and our new genius bar as well.”
    “We have a standing height because the team really prefers to stand and it lets them work with more people and then they can stand at the tables, but customers who want to sit or need to sit can actually use these slightly modified tables,” he continued.
    As part of the focus on mobility, Apple also increased the amount of circulation around the edge of the store.
    There is more space around the edge of the storeAlong with the timber framework, Apple aimed to replace other more carbon-intensive elements in the store with biomaterials.
    The floor, which was first used in the Brompton Road store, was made from aggregates bound together with a bio-polymer, while the acoustic baffles in the ceiling were made from biogenic material.
    The acoustic baffles and bright floor form part of a focus on improving visual and acoustic clarity in the store, with a dark band placed around the base of the walls to provide visual differentiation with the flooring.

    Foster + Partners designs Apple Brompton Road as “calm oasis” in London

    “Something I want to point out that is really part and parcel of the material palette, but also goes to our universal design, is the contrast in the store,” said Mirsky.
    “We wanted to make sure we have this really enhanced kind of navigation,” he continued. “So the floor is brightened – it helps us with our low energy – but it also makes it so that you can clearly see the table and the walls are defined.”
    The store has a dedicated pick-up cornerThe fixture set, flooring and ceiling baffles were also used at the Tysons Corner store and Mirsky believes the base can create a feeling of familiarity for Apple’s customers.
    “Each store is really dealt with as a unique circumstance Battersea has this incredible, incredible existing architectural fabric to work in,” he said.
    “We use the same fixture set at Tysons Corner in a mall setting in America which doesn’t have this sort of grand grandiose architecture, but the same fixture set can generate an environment that’s very familiar and welcoming no matter where you are.”
    The store is the latest to open in London, following the Brompton Road store that opened last year, which was designed to be a “calm oasis”. Other recently completed Apple Stores include the band’s first shop in India and a store in Los Angeles’ historic Tower Theatre.

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    Isern Serra turns renderings into reality to form pink Moco Concept Store in Barcelona

    Design studio Isern Serra has transformed a computer-generated image by digital artist Six N Five into a rose-coloured retail space for the Moco Museum in Barcelona.

    Situated in Barcelona’s El Born neighbourhood, the Moco Museum exclusively exhibits the work of modern artists such as Damien Hirst, Kaws, Yayoi Kusama and Jeff Koons.
    The institution’s eponymous concept store has a similarly contemporary offering, selling a mix of design, fashion and lifestyle goods.
    The store’s interior is completely covered in pink micro-cementIts surreal pink interior started out as a computer-generated image by Six N Five, a digital artist known for envisioning other-worldly dreamscapes in pastel hues.
    Barcelona-based design studio Isern Serra then brought the image to life, using pink micro-cement to achieve the same uniform, ultra-smooth surfaces seen in the drawing.

    Products are displayed inside huge circular display niches”The Moco Concept Store represented an interesting challenge, as I had to combine the purpose of the store with actual architecture remaining true to our original dreamy world I had built in CGI,” explained Six N Five, whose real name is Ezequiel Pini.
    “But these concepts were able to go one level further, both in decisions and execution, thanks to Isern Serra who brought its extraordinary talent and experience.”
    Arched and square niches have also been punctured into the wallsThe store’s rosy interior can be seen through two large openings in its facade – one of them is rectangular, while the other is slightly curved and contains the entrance door.
    A series of chunky columns run through the middle of the space. Surrounding walls have been punctured with arched, square and circular display niches, some of which are dramatically backlit.
    Rows of shelves and a frame for a tv screen have also been made to project from the wall.
    A faux skylight sits directly above pink display plinthsThe store’s largely open floor plan is only interrupted by a few pink cylindrical plinths used to showcase products, and a bespoke pink cashier desk with an integrated computer system.
    Custom spotlights have been installed on the ceiling, along with a faux skylight.
    The store’s custom furnishings, like the cashier desk, are also rendered in pinkAn increasing number of creatives are making their virtual designs a reality.
    Last year, digital artist Andres Reisinger collaborated with furniture brand Moooi to produce a physical version of his Instagram-famous Hortensia chair, which was initially a rendering.
    The piece is covered with 20,000 pink fabric petals, emulating the almost fluffy appearance of a hydrangea flower.
    In Sweden, designer Christoffer Jansson passed off a virtual apartment as an Instagram home renovation project.
    The photography is by Salva Lopez.
    Project credits:
    Authors: Six N Five and Isern SerraBuilder: Tegola Rosso SL

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    Kelly Wearstler adds pattern-filled bar to Austin Proper Hotel

    American designer Kelly Wearstler has created an intimate cocktail lounge within a hotel she designed in Austin, Texas, which is intended to evoke “a balance between old-world opulence and modern elegance”.

    The Quill Room forms an extension to the existing dining and drinking options at the Austin Proper Hotel and Residences, which Wearstler completed the interiors for in 2019.
    The Quill Room offers hotel guests and residents an additional lounge and bar spaceThe lounge is tucked away on the second floor of the Handel Architects-designed building in Downtown Austin, and offers a French-inspired menu and live music programming for the hotel’s guests and residents.
    Wearstler’s interiors for the bar are awash with pattern, mixing gold, brown and black to create a space that appears warm, rich and elevated.
    A variety of vintage and contemporary chairs populate the spaceMany of the design elements blend nostalgia and contemporary twists, like tufted leather armchairs positioned beside funky sculptural lamps.

    “The design of The Quill Room is a balance between old-world opulence and modern elegance,” she told Dezeen. “The salon-style bar pairs the aesthetics to transport guests to another time within Downtown Austin, while still reflecting the city’s creative and music scenes.”
    Golden patterned wallpaper covers the wallsGolden patterned wallpaper covers the majority of the walls and continues across the ceiling, helping to make the room feel more intimate.
    “A highlight would have to be the gold wall covering,” said Wearstler. “It’s actually an adaptation of a piece from my own archive, originally created during the UK’s 1920s Arts & Crafts movement.”
    Within niches, folded screens feature a checkerboard of gold mirrorSmall tables and mismatched seats are positioned in recesses, against folding panels with a checkerboard of gold mirrors and floral motifs within wooden frames.
    Wearstler’ also included low leather and upholstered seats, as well as taller dining chairs along the sheer-curtained windows.
    Furniture pieces were sourced from Europe and a famous Texas antiques marketMost of the furniture pieces are vintage, or were crafted specifically for this project, including the rugs, lighting and additional decorative items.
    “The Quill Room features a lot of inspired furnishings that represent design through the decades – mainly from the 1960s to 1990s – which we’ve sourced from Europe and as nearby as the famed Round Top Antiques Market,” Wearstler said.

    Kelly Wearstler creates sculptural oak staircase for hotel in Austin

    The bar itself runs straight along the back wall, fronting an open cabinet filled with liquor bottles that is topped with red neon tubes. “It’s a detail crafted by an Austin artist, bringing the modern and the local to the forefront amongst the vintage-inspired,” said Wearstler.
    Another feature element is the illuminated, self-playing Edelweiss piano that was custom designed to offer “a uniquely Texan experience” for guests. There’s also a small, shaded outdoor terrace for enjoying drinks and bites in the warm Austin weather.
    An illuminated, self-playing Edelweiss piano was custom designed to entertain guestsThe new space joins the hotel’s Mediterranean-influenced restaurant The Peacock, private ground-floor cocktail bar Goldie’s, and Mexican-inspired rooftop restaurant and bar La Piscina.
    “I see The Quill Room as a complement to The Austin Proper’s existing restaurants and bars,” Wearstler said. “Like the rest of the property, it embodies modern elegance and refined luxury that heightens guests’ experience of the city while offering an immersive escape.”
    The Quill Room serves cocktails and French-inspired light bitesWearstler has completed multiple locations for the Proper hotel group, including several outposts in her home state of California, such as San Francisco and Santa Monica – which was named AHEAD Americas Hotel of the Year in 2020.
    Her most recent project for the franchise, in Downtown LA, opened last year and features a suite with its own indoor swimming pool.
    The photography is by The Ingalls.

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    YSG draws on beach clubs of Ibiza and Cancun for redesign of Sydney coastal home

    Australian interiors studio YSG has updated a holiday home in Sydney’s Palm Beach suburb, layering it with a maximalist mix of colours, patterns and textures.

    The 400-square-metre house belongs to a young family who wanted a place to escape during the holidays while still providing space for remote working.
    YSG renovated a holiday home in Sydney’s Palm BeachThe home’s original furnishings were included in the sale but the clients were less than enthused by the nautical colour palette, seashells and model yachts.
    “The weathered features and cliched seaside tropes, amongst other things, deterred their visits,” said Yasmine Ghoniem, founder and director of YSG.
    Its living and dining area are separated by a small stepYSG took cues from the rustic beach clubs of Ibiza and Cancun for the revamp, with a touch of French Riviera refinement to create “a palpably playful mood for entertaining”.

    The house was given a full overhaul, with worn floorboards sanded back to reveal warmer timber accents while windows and doors were replaced with more slimline versions.
    Details from a painting in the lounge were carried over onto the wallsIn the sunroom, tongue-and-groove panelling was removed for a more contemporary look while a mirrored wall was taken out because it caused the room to overheat.
    A new rose-tinted marble floor extends to skirting height, amplifying the sense of space while helping to keep the room cool. In the kitchen, YSG added a stone island “that recalls the ombre shades of a freshly poured tequila sunrise”.
    Chequerboard tiles surround the poolThe couple also asked for a second master suite, so that they could each have their own retreat while working remotely.
    “We designed integrated marble and timber desks, enabling both to simultaneously work privately from their rooms whilst enjoying views from the upper level,” Ghoniem said.

    YSG designs playful Sydney penthouse for empty nesters

    For the all-important exterior areas, which wrap around the house on each level, YSG provided a material refresh by removing the old heavy paving and weathered grey timber as they distracted from the views.
    The pool area now features a chequerboard pattern of tumbled marble cobblestones while the dark blue pool tiles were replaced with a lighter finish and the chrome fence posts were powder-coated in a soft white tone to prevent glaring reflections.
    The home’s stone kitchen island is made from thickly veined stoneYSG added a playful painting in the living room that acted as a starting point for the home’s entire interior scheme, including the colour palette of ochres, yellows, and reds.
    Its motifs such as palm trees and fruit are repeated throughout the house across prints and cushions, as well as being hand-painted onto walls and doors.
    The home also has a second lounge areaEven the painting’s chequered top border is continued as a hand-painted datum line across the living room to enliven the otherwise plain walls.
    Ghoniem also repeated the same device on the side of the raised step that lead to the dining area, “artistically acknowledging a trip hazard”.
    The bedrooms were designed to provide space for remote workingIn the sunroom, hand-painted swirls soften the beams while in one of the master bedrooms, the vertical red lines of a nude painting were playfully continued onto the wall above the artwork.
    The rich material palette features many types of marble, including Giallo, Toledo and Tiberio along with honed travertine and French wash walls, while the textiles include linen and kimono silk.
    Chequerboard tiling also features in some of the bathroomsYSG has completed a number of projects across Sydney, including another house in a coastal suburb with tactile finishes and a penthouse for a couple of empty nesters.
    The photography is by Prue Ruscoe.

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    Nina+Co uses salvaged materials and biotextiles for Big Beauty’s first store

    Design studio Nina+Co has used materials informed by the ingredients used in natural skincare products for Big Beauty’s first store in Hackney, London.

    For its first retail space, Big Beauty founder Lisa Targett Bolding wanted to create a space that was an extension of the brand’s ethos. She worked closely with Nina+Co, which chose to incorporate waste materials and biomaterials like mycelium into the design.
    According to Nina+Co founder Nina Woodcroft, every material choice was aimed at minimising waste or reviving waste products.
    The Big Beauty shop was designed by Nina+Co”Lisa was determined to push the boundaries of material use and circularity and is willing to take risks, which is necessary when experimenting with materials and processes that are new,” she told Dezeen.
    “There are many great materials and solutions that we desperately need to become mainstream, but making them commercially viable can be a slow and long-winded process,” she continued.

    “The goal at Nina+Co is to bridge this gap, to show how beautiful and useful these materials and processes can be, and to work on changing attitudes towards waste and considering end-of-use.”
    The project features salvaged and biomaterialsRaw stone edges, metal patination, and earthy tones were blended with soft, oversized, rounded forms to create a calming effect throughout the space where, besides the retail area, there is a private treatment room for massages and facials.
    The main space was designed to be flexible and host events, with seating arranged around a large travertine stone table, which was sourced 50 per cent from salvage and 50 per cent from offcuts.
    Salvaged travertine stone was used for the central table with only minimal shaping to some edgesThe travertine used for the central table was kept in the large slabs in which it was found, with only minimal shaping to some edges, in a bid to reduce wastage and retain integrity for future applications.
    As well as the reclaimed natural stone, Nina+Co used expanded cork blocks that were shaped into storage units and salvaged steel, which has been re-worked into shelving.
    Expanded cork blocks are used to create storage unitsMany of the materials chosen were informed by the minerals and ingredients used in natural skincare such as clay, seaweed and mushroom extracts.
    Mycelium was grown to form plinths and legs using the reishi species. Reishi mushroom and clay were also used to pigment curtains of a seaweed biotextile, which have tiny trapped air bubbles to look like sea foam or bath bubbles.
    The seaweed biotextile, along with hemp fabric, was hung as a backdrop for the window display that shades the interior.
    Seaweed biotextile panels feature tiny trapped air bubblesWhen asked about the challenges of working with mycelium, Woodcroft said “every project has its hiccups. Mycelium needs precise conditions to grow and contamination is tricky to avoid without serious lab facilities.”
    “We inoculate organic waste with mushroom spores then the fungus digests the substrate and binds together with tiny hyphae threads into a homogenous form within a mould; when gently dried, the mycelium becomes inert and we are left with strong, organic pieces of furniture that are ultimately compostable,” she explained.
    “There’s so much more to explore with mycelium and I intend to.”
    A glass block wall encloses a private treatment room.Also as part of the renovation, the studio removed the existing timber floor and underlay, which were both sold locally with proceeds going to charity.
    The grey concrete beneath was then stained to a warmer brown using iron sulphate, a common grass fertiliser. Cork tiles with a natural hard wax finish were used for the kitchen and toilet. The walls and ceiling were coated with a limewash paint made from clay, minerals and natural pigments.
    Mycelium and Reishi mushroom species were used to create plinths and legs for the displaysAccording to Woodcroft, each area of the shop tells a story of material exploration and experimentation.
    The space offers – as the brand puts it – “a sense of provenance, connection and reverence” for the natural components of the skincare products on the shelves.
    Big Beauty’s windows feature panels of mycelium biotextileNina+Co has previous experience working with ancient and pioneering materials like mushroom mycelium, algae and bioplastics. The design studio worked on the fit-out of Silo, a zero-waste restaurant in the London suburb of Hackney Wick, and more recently the MONC eyewear store also in the British capital.
    The photography is by Anna Batchelor

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    Kim Kardashian brings poolside vibes to SKIMS swimwear pop-up at Selfridges

    A three-tiered diving board stands next to a metallic palm tree inside this pop-up shop that designer Willo Perron has created for Kim Kardashian’s lingerie brand SKIMS in London.

    The brand’s first physical retail space in the UK, at the Selfridges department store in London, follows the same formula as its debut shop in Paris. Here, surfaces were coated in panels of glossy plastic with gentle thermoformed curves to suggest the shape of the human body.
    SKIMS has opened a swimwear pop-up in SelfridgesBut for this temporary summertime pop-up, Perron abandoned the brand’s typical fleshy colour palette in favour of a pale blue hue reminiscent of a heavily chlorinated swimming pool.
    The resulting plastic panels are so glossy they look almost wet as they form everything from mirror frames and bench seats to wall panels and the shop’s monolithic till counter, which is embossed with the SKIMS logo.
    A three-tiered diving board sculpture forms the centrepiece of the storeA huge replica of a three-levelled diving board stands at the heart of the store, with a stepped base and springboards formed from lengths of the same baby-blue plastic.

    Shiny chrome tubes act as handrails and are repeated throughout the store in the form of gridded partitions and clothing rails, curving around the columns of the Grade II-listed department store.

    Kim Kardashian launches first pop-up SKIMS store in Paris

    Rounding off the poolside atmosphere is a matching metal palm tree sculpture, integrated into the long bench set that runs along the shopfront.
    To display stacks of rolled-up nude-coloured SKIMS towels, Perron also added two smaller freestanding platforms with the same steps and chrome handrails as the diving platform but minus the springboards.
    Thermoformed plastic panels in glossy blue glad most of the interiorTaking over Selfridges’ ground-floor pop-up space The Corner Shop until 8 July 2023, the shop will offer the brand’s core collection of swimsuits and bikinis alongside limited editions and seasonal colourways.
    Customers will also be able to buy ice cream to match their swimwear, stored in baby-blue freezers courtesy of London gelato company Chin Chin Labs.
    A metallic palm tree decorates the store”I’m thrilled to bring SKIMS Swim to London for the first-time ever and take over The Corner Shop at Selfridges with our most conceptual pop-up experience to date,” said SKIMS co-founder and creative director Kim Kardashian.
    “We have followers all over the world,” she added. “As we enter the next phase of SKIMS retail, I look forward to connecting with these customers through innovative shopping experiences on a global scale.”
    A metallic palm tree completes the poolside atmosphereReturning for its second year, SKIMS’s swimwear offering is pitched towards providing various levels of coverage for different body types and modesty requirements.
    This is an extension of the brand’s drive to create inclusive underwear and shapewear that works for people of different sizes and abilities, following the launch of its Adaptive Collection last year.
    Over the next three years, the brand is planning to open a roster of freestanding stores across the UK and EU.

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    Yoonede exhibition brings together emerging and established designers

    Chair-shaped sculptures and a doughnut-shaped paper lantern were among objects displayed inside a Copenhagen apartment during 3 Days of Design.

    Yoonede – derived from the word “unity” – was a group exhibition featuring the work of 20 artists, designers and brands.
    Yoonede took place in an apartment on Gammel MøntThe idea behind the show was to promote collaboration, with everyone’s work displayed together. Some designers also teamed up with other participants on their exhibits.
    Objects were displayed in the rooms and courtyard of an apartment on Gammel Mønt, a street in the heart of the Danish capital.
    Works included a chair-like sculpture by Maria Brunn and Anne Dorthe VesyterLine Øhlenschlæger, one of the three founders of Yoonede, told Dezeen: “The only stipulation we made to the artists, designers and brands involved was that they should be willing to combine with others who may or may not be on the same level.”

    “Normally when you do a group exhibition, you have one designer in one corner and one designer in another corner, but the idea here was to lift everyone together,” she said.
    Tables by Line Øhlenschlæger displayed objects by other participating designersØhlenschlæger, who works as an art director, put together the exhibition in partnership with product designer Sofie Østerby and interior architect Maaria Repo.
    The trio, who are former colleagues, had long wanted to work together on an exhibition and decided to invite other creatives that they admired to join.
    They only expected a few of them to say yes, so were shocked to see the list reach 20 participants.
    Øhlenschlæger’s contribution to the exhibition is a series of circular tables, supported by three-pronged volumes made from either steel or aluminium.
    Anne Brandhøj and Signe Fensholt created totems that combine skills in wood and ceramicØsterby created a sculptural coffee table using wenge, an African hardwood, while Repo exhibited a bowl with a distinctive streaky glaze finish.
    MBADV – an ongoing collaboration between designers Maria Brunn and Anne Dorthe Vesyter – was behind the chair-shaped sculptures, one made from oak and the other from stone.
    Atelier Madirazza presented a grand marble-framed mirrorThe paper lantern, by lighting designer Laura Fiig, was suspended above a bench made by Studio Oro using both epoxy resin and travertine.
    Designers Anne Brandhøj and Signe Fensholt combined skills in wood and ceramic to create a series of totem-like sculptures, while Atelier Madirazza presented a grand marble-framed mirror.
    A woven textile by Bettina Nelson hung from the wallCabinet-maker Antrei Hartikainen contributed a slender, curved shelving unit as well as mouth-blown glass vases.
    Other key pieces included a minimal chandelier by Kasper Kjeldgaard and a woven textile by Bettina Nelson.
    Sofie Østerby created a sculptural coffee table using an African hardwoodBrands on show included Kusiner, which presented wool carpets, and Danish audio brand Iril, which showed its minimal speakers.
    The exhibition continued outside, where terracotta plant pots by heritage brand Bergs Potter sat alongside sculptures by artist Josefine Winding.
    Objects by Bergs Potter and Josefine Winding were shown in the courtyardThe founders plan to run Yoonede as an exhibition platform, so that it can continue beyond this 3 Days of Design debut.
    “The exhibition is built around the wish of bringing creatives together, learning from each other’s differences and sharing a passion for design, art, and objects,” said Østerby.
    The name, Yoonede, is derived from the word “unity””We’re showcasing inspiring individualism while letting a strong and curated cohesiveness stand out,” added Repo.
    The photography is courtesy of Yoonede.
    Yoonede was on show from 7 to 9 June 2023 as part of 3 Days of Design. See Dezeen Events Guide for information, plus a list of other architecture and design events taking place around the world.

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    Dezeen launches China edition of Dezeen Awards in partnership with Bentley

    Dezeen has launched a new edition of Dezeen Awards to celebrate the best architecture, interiors and design in China. Start your entry today!

    Dezeen Awards China is the first regional edition of Dezeen Awards, which has grown rapidly to become one of the most entered awards programmes on the planet and is a benchmark for international design excellence.
    Dezeen Awards China to spotlight Chinese design talent
    Launched in partnership with Bentley Motors, Dezeen Awards China will shine a spotlight on the best Chinese architecture, interiors and design, providing international recognition from around the globe.
    Dezeen Awards China will be a celebration of Chinese design talent. It is therefore for architects, designers and studios based in China, rather than for projects by international firms that are built in China.

    Multinational firms that have an office in China are free to enter, as long as the majority of the work on the project was completed by the Chinese office.
    Just like the international edition, Dezeen Awards China is open to studios large and small and will celebrate both established names and emerging studios working in China today.
    Judges include Rossana Hu, Alex Mok and Michael Young
    Dezeen Awards China will be judged by a stellar jury made up of the top Chinese architects and designers, as well as high-profile international names with experience working in China.
    Judges confirmed so far include architect Rossana Hu, interior designer Alex Mok and designer Michael Young. More names will be announced in the coming weeks.
    Seventeen categories spanning architecture, interiors and design
    There are 17 project categories to enter across architecture, interiors and design. The winners of these project categories will go head to head for the chance to be crowned one of three project of the year winners across architecture, interiors and design.
    In addition, six China Designers of the Year awards will celebrate the leading emerging and established names working in China across architecture, interiors and design.
    However, these awards are nomination-only and our judges will shortlist names – it is not possible to enter these awards.
    Dezeen Awards China is open for entries now until 24 August 2023, but studios can save money on their entry if they enter before 13 July 2023.
    Scan the code above using WeChat to download entry formsGo to dezeen.com/awards/china to find out more about Dezeen Awards China, including how to enter and information on the categories and entry prices and deadlines.
    Or, scan the code above using WeChat to access the WeChat mini app for all the information about Dezeen Awards China in Chinese and to download entry forms.
    Dezeen Awards China launches in partnership with Bentley
    Dezeen Awards China launched in partnership with Bentley, as part of a wider three-year collaboration that also includes headline sponsorship of the international edition of Dezeen Awards, which closed for entries last week, and a design competition to redefine the future of luxury retail that launched last month.
    “We are thrilled to be working with Bentley to launch Dezeen Awards China, our first regional awards programme,” said head of Dezeen Awards Claire Barrett.
    “We are looking forward to discovering a wealth of design talent and promoting it both locally and on a global stage, showcasing the country’s rising position as a design powerhouse.”
    “We are delighted to be working with Dezeen to deliver a new global platform that will celebrate both new Chinese design talent and established names,” added Steven De Ploey, Bentley’s global head of marketing.
    “Partnering with Dezeen in this way enables us to reward and support cutting-edge innovators in the design industry who strive to deliver transformational experiences and best solve the design challenges of our age.”
    Winners to be announced in December 2023
    Dezeen Awards China is open for entries until 24 August 2023
    Shortlists will be announced in October and the winners will be revealed at a ceremony in December 2023.
    Sign up to our Dezeen Awards China newsletter
    Join our mailing list to get updates about Dezeen Awards China 2023! Subscribe here.
    Questions?
    If you have any questions about Dezeen Awards China, please email [email protected] or send a message to our WeChat account DezeenCN and someone from the team will get back to you.
    Good luck with your entries!

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