Interiors

Subterms

    More stories

    • 138 Shares189 Views

      in Rooms

      Linehouse designs Hong Kong hotel to evoke the comfort of home

      by

      Shanghai-based interior studio Linehouse used natural materials and a muted colour palette to give the Ying’nFlo hotel in Wan Chai, Hong Kong, the feel of an inviting home.

      The hotel occupies the podium of a 24-story tower on a hilly street in Hong Kong. Its ground floor holds a series of communal spaces that Linehouse designed to provide “home comfort” for guests.
      The ground floor comprises a series of rooms referencing living roomsThe Collectors Room, which greets guests at the entrance of the hotel, has a neutral palette of hand-rendered walls, timber paneling, and linen cabinetry that display curated objects and artworks. A communal oak table serves as a counter where guests can interact.
      This room also connects to an outdoor terrace through sliding glazed doors. Built-in bench seating and an olive tree sit at the centre of the terrace and invite guests to relax and socialise.
      A communal table and outdoor bench invite guests to socialiseA gridded timber screen leads further into the space through to the lift lobby and the Arcade room, where guests can gather to relax and play.

      Soft-rendered walls, timber shutters and an eclectic mix of furniture create a sense of intimacy, while floor tiles in various geometrical motifs add a sense of playfulness.
      The Music Room features ceramic tilesAdjacent to the Arcade is the Music Room, the social hub of the hotel. Here, ceramic tiles, a bespoke oak shelving system, a custom sofa and curated art and lifestyle objects were added to evoke a sense of a residential living room.
      The Music Room opens up to the Garden Terrace, where undulating greenery sits behind circular seating in yellow-striped fabric, a colourful contrast to the overall neutral colour palette of the Ying’nFlo hotel.
      Yellow-striped fabric seating on the terrace adds playfulness”The spaces are designed to have a warm, welcoming and familiar feel,” Linehouse said.
      “Against this backdrop of curated simplicity is an edge of youthful attitude and local context, with vibrant elements giving the hotel its own unique flavour.”

      Linehouse creates tactile restaurant with “Mediterranean soul” in Shanghai

      The guest rooms of the Ying’nFlo hotel are located on the upper floor and feature ceilings painted in a muted green hue, which the same green tone used to frame window seating nooks and for the hand-glazed tiles in the bathroom and kitchen.
      A clean palette of plaster, wood, white-washed oak and canvas add texture to the rooms. Seating nooks and lounge furniture serve multiple functions as spaces where guests can work, relax or dine.
      Muted green and selection of wood furniture create a warm feeling for the guest roomsLinehouse was founded by Alex Mok and Briar Hickling in 2013 and the duo went on to win emerging interior designer of the year at the 2019 Dezeen Awards.
      The studio has recently completed a Mediterranean restaurant with natural, tactile materials, as well as a space-themed cafe decorated with real meteorites, both in Shanghai.
      The photography is by Jonathan Leijonhufvud.
      Project credits:
      Design principle: Briar HicklingDesign team: Ricki-Lee Van Het Wout, Lara Daoud, Justin Cheung
      Dezeen is on WeChat!
      Click here to read the Chinese version of this article on Dezeen’s official WeChat account, where we publish daily architecture and design news and projects in Simplified Chinese.

      Read more: More

    • 88 Shares109 Views

      in Rooms

      Ember Locke hotel channels Kensington’s decadent heyday

      by

      Warm saturated colours and maximalist touches are combined inside Locke Hotels’ latest outpost in west London, designed by local studios Atelier Ochre and House of Dré.

      Occupying an imposing Victorian mansion block in Kensington, the Ember Locke hotel was designed as a homage to some of the area’s historic architecture.
      Atelier Ochre and House of Dré have designed the Ember Locke hotelAmong the references brought in by the designers were the art deco Kensington Roof Gardens and the now-defunct Biba department store, which rose to popularity in the Swinging Sixties.
      “We wanted to create interiors that are an extension and interpretation of the neighbourhood, a space that reflects the cultural heritage of Kensington but also somewhere that shows the area’s evolution over time,” Atelier Ochre founder Pauline Dellemotte told Dezeen.
      “We wanted to delve into the world of bold patterns, rich colours, eclectic furniture and art deco details, to tap into the sense of opulence that once dominated the Kensington scene.”

      The hotel accommodates 121 serviced apartmentsInstead of traditional guest rooms, Ember Locke accommodates 121 serviced apartments over eight floors, alongside a bakery, restaurant and conservatory cocktail bar, a stage for live performances, a co-working space, a gym and a garden.
      Its interiors were designed to offer a contrast to the hotel’s location on bustling Cromwell Road – home to three of London’s most important museums including the V&A and the Natural History Museum.
      Velvet banquettes in the rooms are trimmed with ultra-long fringingThe building’s original arch-topped windows are mirrored in the arches and curves found in each room, from tubular-backed banquettes and chairs to the sculptural meandering clothes rail of the deconstructed wardrobe.
      “The curved edges of the banquette, the rotating mirror and the wardrobe rail are attempts to combine the unlikely trio of playfulness, comfort and practicality,” said House of Dré founder Andreas Christodoulou.
      “We’ve introduced some bold furniture and sculptural objects to spark a sense of curiosity and playfulness, and to allow guests to interact and reflect themselves within the space,” Dellemotte added.
      Each apartment also has a small kitchenetteThe velvet banquettes are trimmed with ultra-long fringing, echoed by the fringed pendant lights that hang low above the circular table in each room to zone the seating area.
      Brass detailing across coat hooks, wall lights and clothes rails adds to the sense of opulent modernity.

      Fettle designs Schwan Locke Hotel in homage to early German modernism

      An intense colour palette, which layers red, orange and mustard tones, is offset by the deep green of the apartment kitchenettes, highlighting the more practical nature of this area.
      “With the fringing and warm earthy colours, the rooms flirt with maximalism but still possess the calm and contemporary sophistication that one would expect from a Locke hotel,” said Christodoulou.
      The bed is separated from the kitchen via a cotton curtainHeavy recycled-cotton curtains in a claret colour, custom-created by London textile company Yarn Collective, track around the walls and create a flexible room divider, separating the bed and kitchen areas when needed.
      Many of the communal spaces feature art by local and up-and-coming artists alongside specially created works by House of Dré.
      Striped shower curtains jazz up the bathroomsThe project was a close creative collaboration between Dellemotte and Christodoulou.
      “We are old friends who met at a previous practice,” said Dellemotte. “Our friendship grew to include exciting collaborations across hospitality projects, where we combined our passions for design and art.”
      “At Ember Locke, we’ve been given the opportunity to blend the interior aesthetics and art curation of the spaces with the overall branding of the hotel in a holistic way.”
      Surfaces are finished in a salmony peach colourLocke Hotels already has a number of other outposts in London. Among them is one in Bermondsey – with interiors designed by Holloway Li to echo sunny California deserts – and one near St Paul’s Cathedral that is housed in a converted 1970s office block.
      The photography is by Kensington Leverne

      Read more: More

    • 175 Shares159 Views

      in Rooms

      Winning a Dezeen Award “made me feel like anything is possible” say past winners

      by

      With just three weeks until Dezeen Awards entries close, last year’s winners detail the positive outcomes of winning and encourage other studios to enter.

      One studio said that winning a Dezeen Award was “a thrilling, rewarding and inspiring experience” while another said it created “new relationships with retailers, media and customers”.
      “Winning a Dezeen Award has considerably raised my profile and helped me secure further collaborations,” said a studio that won for their consumer product design.
      Dezeen Awards 2023, in partnership with Bentley Motors, is open for entries. There are only three weeks left to submit your project before midnight London time on 1 June and avoid late entry fees.
      Read on to see what last year’s winners had to say:

      British company MysteryVibe won for their a sex toy designed to help with erectile dysfunctionSex toy company MysteryVibe, which won wearable design of the year for its vibrator aimed at tackling erectile dysfunction, considered winning a Dezeen Award “the ultimate honour”.
      “It’s the ultimate honour for us to be recognised for all the hard work over many years that has gone into improving the health and happiness of people across the globe,” said the studio.
      “The award resulted in press coverage and media attention in publications that we wouldn’t normally be featured in.”
      Japanese startup studio Quantum won Dezeen Awards 2022 overall design project of the yearJapanese firm Quantum won product design of the year and design project of the year for its lightweight foldable wheelchair and told Dezeen that winning last year offered the practice new clients and media exposure, and encouraged other studios to also enter.
      “We have received more inquiries from new clients and media who had heard about us winning the award,” said Quantum. “It also resulted in being selected as a part of the permanent collection of the museum Designmuseum Danmark.”
      Architecture practice Studio Bua won residential rebirth project of the year for its Icelandic artist’s studio and residence and agreed that winning has led to new opportunities.
      “It has positively affected our previous client relationships and it helps when acquiring new clients,” said Studio Bua. “We did see an increase in followers on our social media and clients have mentioned it after they saw that we posted about it.”
      Designer Kathleen Reilly playfully rests her winning designs on her trophy”It made me feel like anything is possible and I saw my future career as an artist and designer a lot more clearly,” said designer Kathleen Reilly, who won homeware design of the year for Oku, a knife informed by chopstick rests.
      “As a result of winning, I have managed to secure a new collaboration, as well as several press articles and new relationships with retailers, media, and customers.”
      “The wooden board which comes with Oku is now being made with Karimoku, Japan’s leading furniture manufacturer, and we are looking to launch this new collaboration this year.”
      Studio G8A Architecture’s Dezeen Awards trophy pictured in front of a scale model of the winning factoryThe team at Dutch practice Olaf Gipser Architects won housing project of the year for their apartment block with planted balconies and their win has served as motivation for future projects.
      “We display our Dezeen Awards 2022 trophy at our office close to the entrance and next to a 1:200 scale wooden model,” said Olaf Gipser Architects.
      “It reminds us of our achievements and recognitions and gives us all extra motivation to keep on going towards our goals.”
      Office G8A Architecture, which won for its stainless steel manufacturing factory designed in collaboration with Switzerland-based Rollimarchini Architects, told Dezeen that winning gained the studio international validation.
      “Winning a Dezeen Award can be described as a thrilling, rewarding and inspiring experience,” said G8A Architecture. “It helped us gain international recognition, reaching new clients and new talent for our team.”
      Practice Atelier Boter’s trophy and certificate are displayed on the shelves in their officeTaiwanese architecture studio Atelier Boter won small workspace interior for its glass-fronted community hub and also has its trophy on display in the office.
      “We put the trophy on the shelf together with all the books we gain inspiration from – it is a shelf we only place things that we’ve filtered through, as it is what falls in sight every time we walk into our studio,” said Atelier Boter.
      “Winning a Dezeen Award is certainly an important encouragement to us as a small studio and it reassures us that we are doing the right thing,” added the studio.
      Dezeen Awards 2023
      Dezeen Awards celebrates the world’s best architecture, interiors and design. Now in its sixth year, it has become the ultimate accolade for architects and designers across the globe. The annual awards are in partnership with Bentley Motors, as part of a wider collaboration that will see the brand work with Dezeen to support and inspire the next generation of design talent. More

    • 125 Shares199 Views

      in Rooms

      Cliffside hotel in China features cave-like pool with sea views

      by

      Chinese interior studio GS Design has created the nature-informed Miyue Blue and White Island Pool Homestay near Shenzhen, China.

      Located in Nan’ao Subdistrict, the Miyue Blue and White Island Pool Homestay was designed to reference its surrounding environment.
      Miyue Blue and White Island Pool Homestay is located near ShenzhenThe exterior of the five-storey building is punctuated by a series of arched windows, inviting the surrounding natural landscape of the cliffside hotel into the building. Each storey was stacked above one another, creating balconies and terrace pool areas on the upper three floors.
      The Shenzhen-based studio used white as the base tone of the interiors to contrast the rich blues of the surrounding sea and sky.
      Wood and bamboo were used in the hotel restaurant to reference the natural environment”Elegant vacation is the core idea of this space,” explained GS Design.

      “The whole building takes pure white as the basic tone, combined with blue sea and sky, expressed the relaxation of the exotic vacation, as if people immersed in nature
      A cave-like pool features in one guest roomThe entrance of the hotel on the third floor where a public restaurant is also located. A bamboo ceiling painted in white and wooden furniture add to the overall nature-informed interiors of the hotel. GS Design cladded the bar in black bamboo to create a sense of mystery.
      Other public spaces of the hotel include a water bar, reading recreation area and a conference room. GS Design created 25 different guest rooms spread throughout all floors, each with a unique view framed by various shaped windows.

      GS Design repeats arch motifs throughout Sumei Skyline Coast hotel on Hainan Island

      One room features a cave-like pool that extends from within the inside of the room to the outside. The polished rugged surface of the cave envelopes the bath, protecting the privacy of the guests as well as connecting them directly to the outdoor nature.
      “The natural scenery corresponding to different caves and pools has become the core of space,” said GS Design. “Through the visual, tactile, auditory sensory experience , we create a more delicate appropriate sense of vacation for travellers.”
      The base tone of white contrasts the blues of surrounding sea and skyThe top attic rooms were designed specifically for family with children.
      According to the studio, triangle oblique top modelling and window framing evoke the memory of childhood corner, as they discovered in a survey a huge demand for parent-child serviced rooms for urban hotels.
      GS Design was established in 2014 and is based in Shenzhen. Previously it has designed a similar hotel on the beachside of Sanya, China, with arched windows and sculptural vaulted corridors.
      The photography is by Aoxiang.
      Project credits:
      Design director: Li Liangchao, Huang YuanmanSoft outfitting design director: Feng YuDesign team: Fu Qixin, Xu Zuohua, Zheng Yong, Zhong Zhige

      Read more: More

    • 125 Shares169 Views

      in Rooms

      Anne Holtrop organises Parisian jewellery boutique around wavy acrylic wall

      by

      Dutch architect Anne Holtrop has used rippled sheets of acrylic to create a water-like partition inside this Parisian boutique by jewellery designer Charlotte Chesnais.

      The store is set along Boulevard Saint Germain and is the second retail location that Anne Holtrop has devised for the brand.
      Anne Holtrop has designed a boutique for Charlotte ChesnaisLike the inaugural branch – which features a striking acrylic display table – Chesnais wanted this space to present her jewellery in a way that fosters a “unique spatial experience”.
      Holtrop’s answer was to use acrylic again – but this time to construct a towering partition wall.
      A wavy acrylic wall runs through the middle of the boutique”In the first store, we included a very large table that is almost the full size of the space,” he told Dezeen. “In the second store, we flipped this concept as the existing space has a great height and small floor area.”

      The translucent partition runs across the middle of the store and was CNC milled to have a rippled, almost watery surface texture. The divider is also inbuilt with tiered shelves and drawers, meaning any rings, necklaces or bracelets showcased inside seem to float.
      An infinity mirror is one of the few other decorative items in the storeThe rest of the store’s interior was largely kept simple. Walls surrounding the partition were washed with beige marmorino plaster and decoration was restricted to a curvaceous gold sculpture that mimics the form of Chesnais’ designs.
      There is also a trompe l’oeil infinity mirror and a small wooden stool.

      Studio Anne Holtrop creates gypsum walls that look like fabric for Maison Margiela store

      A doorway in the acrylic partition guides customers to a curved flight of stairs at the rear of the store.
      These lead up to a mezzanine-level room that’s dedicated to showcasing the brand’s fine jewellery collection.
      A curved staircase leads up to a room where fine jewellery is displayedAcrylic was used here again to make an expansive wall-mounted display unit. Other surfaces were coated with glossy forest-green epoxy paint.
      A plump sofa was set into the room’s back wall and a thick jade-coloured carpet was been laid across the floor.
      “We wanted to give it a different, more intimate atmosphere, in which you sit and relax like in a little cocktail bar,” Holtrop said.
      The second room is covered with glossy green paintThis isn’t the first time that Anne Holstrop has designed a space for a fashion brand.
      In 2021, the architect remodelled Maison Margiela’s London store, where he inserted a series of gypsum walls that resemble fabric cuttings.
      The photography is by James Nelson. 

      Read more: More

    • 125 Shares129 Views

      in Rooms

      Daniel Boddam converts Sydney warehouse into calm and plant-filled office

      by

      Local firm Daniel Boddam Studio has transformed a warehouse in Australia into a workplace for landscape design practice Wyer & Co, bringing nature into the space by using greenery and natural materials.

      “I saw the project as an extension of Wyer & Co’s desire to bring in nature,” said Daniel Boddam, founder of Daniel Boddam Studio.
      “Sustainability was discussed with the client from the outset and informed every aspect of the design – from materials and furniture to services and staff amenities.”
      Green plants at the front door soften the red brick and black steel of the industrial warehouseLarge green plants at the entrance were used to conceal the building’s oversized dark steel doors, with the aim of reducing the scale and softening the red brick industrial warehouse.
      A sandblasted limestone floor was extended from the building’s exterior to the interior to connect the spaces.

      At the front foyer, a large miniature date palm (Phoenic roebelenii) reaches towards the skylight above, reflecting the tone of the entrance garden.
      Locally designed and crafted furniture was selected by the studioBehind the foyer is a gallery used for client presentations, industry events, talks and workshops. A series of bespoke, honey-coloured plywood cabinets decorate the space and showcase materials the studio uses in its work.
      Throughout the office, workstations and meeting rooms were clad in various natural materials. Pine plywood, Tasmanian oak, walnut and sandblasted limestone create a warm palette that has been subtly embellished with cork and brass.
      The office interiors features a variety of natural materialsDownstairs, an underground staff area holds plywood lockers and a kitchen space, and was designed to encourage staff to gather and socialise away from their desks.
      Swiss cheese plants (Monstera deliciosa) were selected as the main indoor plant and used to trail the walls and ceilings to create a green environment over time.
      Custom pots made with milled steel and finished in a clear powder coat nod to the industrial origin of the warehouse.

      SSdH tucks Melbourne warehouse apartment into former chocolate factory

      Daniel Boddam Studio also curated a series of locally designed and crafted furniture for the workspace, including its low-lying Booham chair and the Wave sofa and armchair in the welcome foyer that nod to the coastal location of the office.
      A meeting room opposite the foyer features the studio’s Geo Long table, accompanied by a custom-designed cabinet.
      Materials used in the client’s work are displayed on plywood cabinets”The result is a quiet and considered interior that harmonises with the Australian landscape and celebrates the artisanal; a testament to simplicity, comfort, calmness and wellbeing,” Boddam concluded.
      This project was longlisted in the small workspace interiors category of Dezeen Awards 2022.
      Elsewhere in Australia, Dane Taylor Design has completed a multipurpose garden room in New South Wales with a compact form clad in charred wood, while Matt Gibson Architecture + Design has transformed a Victorian home in Melbourne’s suburbs with a faceted extension clad in black metal.
      The photography is by Pablo Veiga.

      Read more: More

    • 138 Shares129 Views

      in Rooms

      Basile Studio enlivens Moxy Williamsburg hotel with “eclectic grab-bag” of spaces

      by

      Hotel brand Moxy has opened its first outpost in Brooklyn, with plentiful gathering spaces including a bar with motorised 20-feet-tall liquor shelves and an eatery modelled on Tel Aviv’s Bauhaus architecture.

      Californian hospitality design practice Basile Studio spearheaded the interior design of the 216-room hotel, set in the heart of Williamsburg on bustling Bedford Avenue.
      The aim was for the design to reflect the area’s rich history and its eclectic inhabitants while creating a slew of public spaces for locals and visitors to enjoy.
      Moxy Williamsburg’s public spaces include the lobby (above) and Jolene lounge (top)”The design for Moxy Williamsburg was inspired by the neighbourhood’s history as a magnet for mavericks, immigrants and creators while taking its place at the centre of Brooklyn’s contemporary social scene,” Basile Studio’s lead designer Ashley Evans told Dezeen.
      “The hotel’s eclectic public spaces reflect the area’s melting pot character, finding inspiration in both past and present with influences from both near and far.”

      Among the hotel’s communal spaces are several co-working studios with modular rearrangeable furnishings as well as four different dining and nightlife venues created in collaboration with Bar Lab – the hospitality company behind Miami’s famous Broken Shaker cocktail bar.
      Bar Bedford lies just off the lobby”For Moxy Williamsburg, we envisioned an eclectic grab-bag of experiences that mirrors Williamsburg’s diversity,” said Bar Lab founders Elad Zvi and Gabe Orta. “Once you enter, you don’t want to leave.”
      It is housed in an 11-storey building, designed by local studio Stonehill Taylor, which has a glass-fronted facade that opens completely onto the sidewalk of Bedford Avenue.
      Guests enter via a lobby with exposed 20-foot ceilings, reminiscent of Brooklyn’s many converted warehouses.
      The room is organised around a curved barOn one side, custom timber joinery frames a small seating area with a built-in bench and a long planter, helping to soften the otherwise industrial space.
      A monumental artwork by creative studio RareCulture presides over the hotel’s two blacked-steel check-in counters. Stretching up all the way across the ceiling, this shows a pointillist depiction of nearby Williamsburg Bridge formed from thousands of colourful crayons.
      Immediately to the right lies Bar Bedford, which was designed to resemble a comfortable living space.
      Oblong windows connect the bar to the neighbouring Mesiba restaurant”Our seating is miscellaneous and meant to feel warm and inviting, modular in the sense that we want to invite people to move around and get social,” Evans said.
      The room’s centrepiece is a curved bar, which houses 1,500 bottles of wine and liquor inside a custom 20-foot-tall cabinet made from white oak and glass, with motorised shelves that move up and down like dumbwaiters.
      Although designed largely for entertainment value, the system was actually modelled on New York’s historic automat restaurants.
      The restaurant features plentiful planting and leather-upholstered booths”The automats, ubiquitous in New York in the first half of the 20th century, were fast food restaurants where customers would pick up their food from a wall of glass-fronted cubbies,” said Mitchell Hochberg, president of the hotel’s developer Lightstone.
      “We thought it would be fun to take something that was iconically New York and introduce it into the design.”
      Timber also features here in the form of the dramatic pendant lights – designed by Basil to resemble a giant nest of twigs – and the portals that provide a peek into the neighbouring Levantine restaurant Mesiba.

      Yabu Pushelberg references multi-faceted LA culture in conjoined hotels

      With its textured plasterwork, abundant greenery and curved seating booths upholstered in burgundy-red leather, the eatery was designed to reference the buildings of Tel Aviv.
      “The curvilinear lines of Bauhaus architecture find echoes in the rounded bar overhang and the oblong wood-framed etched-glass windows that offer a glimpse into Bar Bedford,” Evans said.
      “Travertine tabletops hearken back to Tel Aviv’s historic architecture, providing a striking contrast to the Bauhaus-influenced elements.”
      The hotel’s club has marquee-style lights integrated into its ceilingMoxy Williamsburg has three co-working and meeting rooms that can be used independently or combined to host larger groups thanks to their modular furnishings.
      After hours, the hotel also has its own club, named Jolene in homage to the iconic Dolly Parton song and outfitted with a sound system designed by DJ Nicolas Mater – the owner of infamous New York nightclubs Output and Cielo.
      Informed by 70s interiors and mid-century recording studios, the space is lined with rows of integrated high-fidelity speakers and rectangular acoustical panels in shades of green and gray.
      The hotel also has a rooftop bar and terraceWalnut, leather and fabric finishes ensure warm, resonant acoustics while hundreds of multicoloured, marquee-style lights that sync to the music are integrated into the ceiling.
      Modular furniture, including floating banquettes and low semicircular armchairs, allows the space to act as a lounge, a club or something in between.
      On the top floor, Basile Studio imbued the LiliStar rooftop bar with Balinese influences that can be seen in the hand-shaped timber chairs and the theatrical ceiling lights, which resemble giant lotus flowers carved from copper, glass and leather.
      Custom birch wood joinery defines the guest rooms”It’s much more playful here with an elevated tropical feel while, again, not being too literal,” Evans said. “We stuck to patterns and textures along with shelving inspired by shutters and exteriors of homes in Bali.”
      The hotel’s 216 bedrooms are pared back and fitted with space-saving birchwood joinery such as collapsible desks and wall-mounted pegs, that guests can be folded away when they are no longer needed.
      Moxy has recently completed a number of other outposts across the US. Among them is New York’s Lower East Side branch designed by Michaelis Boyd and another in Downtown Los Angeles by Yabu Pushelberg.

      Read more: More

    • 125 Shares159 Views

      in Rooms

      Rodolphe Parente respectfully rethinks a classic Haussmannian apartment in Paris

      by

      French interior designer Rodolphe Parente has completed a contemporary overhaul of a 19th-century Parisian apartment, reflecting both the building’s heritage and the “radical” art collection of its owner.

      Originally built during Haussmann’s major reconstruction of Paris, the 150-square-metre flat is located in the Canal Saint-Martin neighbourhood in northeastern Paris.
      Rodolphe Parente has renovated a Haussmann-era apartment in ParisAs part of the renovation, Parente sought to celebrate the apartment’s extensive period details. In the entrance hall, a band of gold leaf now highlights the geometry of the circular ceiling and missing sections of the mouldings were painstakingly reinstated.
      “The main idea was to preserve and at some points restore the classic Haussmannian codes of a Parisian apartment,” Parente told Dezeen. “It was important for me to keep the Parisian vibration as well as the radical tone of my client’s art taste.”
      Redfield & Dattner created an abstract fresco behind the dining tableParente began by opening up the apartment to improve the sense of flow, exposing long sealed-off doorways and connecting the dining room with the kitchen.

      Taking cues from the craftsmanship inherent in the apartment, Parente drafted in several contemporary craftspeople including custom painting studio Redfield & Dattner, which created an abstract fresco on the new wall behind the dining table.
      The kitchen balances cabinet finishes of stainless steel and pastel pink”I wanted to bring the hand of craftsmanship into this project,” said Parente.
      “The people I have worked with on this apartment bring something to the creativity in general.”
      A sculptural vintage sofa centres the living roomThroughout the space, a palette of warm neutrals was used to create a sense of immersion.
      “I chose neutral tones to subtly enhance the classical heritage of the apartment and keep an enveloping atmosphere,” the interior designer explained.

      Studio Razavi inserts sculptural furniture block into 19th-century Parisian apartment

      Against this cohesive backdrop, surprisingly colourful elements leap out including the lacquered yellow light above the dining table – Parente’s own design – and the vivid purple rug used against caramel-coloured walls in the main bedroom.
      The kitchen balances cabinet finishes of stainless steel and pastel pink with a frame-like marble splashback, created by French artist Alice Guittard for Double V Gallery.
      “The kitchen is a deconstructed block sitting in the Haussmanian environment,” Parente said. “It is connected to the historical elements through its composition.”
      Period wall panelling remains in the reading roomIn the living room, a sculptural vintage sofa is sited in the centre of the space, anchored by a graphic rug and positioned to disrupt the angles of the room.
      Parente played with contrast via the material and colour palettes throughout the apartment. In the reading room, period wall panelling highlights the modernity of the sofa and chair with their highly lacquered side panels.
      Parente designed a custom chair and sofa for the space”For this room, we have designed custom-made furniture with contemporary and radical shapes bringing a form of reflection to the space,” the designer said.
      The idea of juxtaposition continues with the art displayed in the apartment, with the client’s often provocative pieces completing the aesthetic in each room.
      Colours clash in the main bedroom”The client showed total faith in this balance between modernism and legacy for the interior design. He also wanted to keep this dialogue for the decoration and focused on staying eclectic in his choice of furniture and art,” said Parente.
      “The client has a radical point of view regarding art and design. It was a real pleasure to create a dialogue between the existing pieces and the interior design.”
      A vivid purple rug contrasts with caramel-coloured wallsOther Hausmann-era apartment renovations in Paris have seen interior designers make more dramatic interventions, with Atelier 37.2 adding a sculptural wooden volume to house a new bathroom while Studio Razavi inserted a multifaceted furniture block that takes on a different function in each room.
      The photography is by Giulio Ghirardi.

      Read more: More