Interiors

Subterms

    More stories

    • 138 Shares129 Views

      in Rooms

      Norm Architects creates warm yet minimalist interior for Y9 sailing yacht

      by

      Wood-lined walls meet supple suede furnishings inside this restrained interior, designed by Danish studio Norm Architects for a luxury yacht.

      Manufactured by German shipyard Y Yachts, the Y9 sailing yacht is almost 30 metres long and designed to be used by families and bigger groups, leading Norm Architects to strip the interior down to its essential features.
      Norm Architects has applied its signature minimalist aesthetic to the Y9 yacht”This way, the pared-back interior has room for the life lived within – a simplified space, yet still rich in details and thoughtful in terms of material choices,” the practice explained.
      The starboard side of the Y9 houses an intimate lounge, which has a built-in corner sofa topped with oatmeal-coloured cushions.
      The yacht’s lounge has a comfy corner sofaAdjacently lies the dining area, anchored by a large wooden table that can host up to eight guests.

      This is accompanied by a bench seat and a series of slender black-framed chairs which, when waters are rough, can be discreetly secured to the table with leather clips.
      Up to eight guests can gather to eat around the dining tableLeather handles were also fixed to the ceiling above so that passing guests and crew can steady themselves.
      “The security requirements are met in style through elegant, built-in furniture that appears unfixed to create a homely feel, ultimately accomplishing an understated luxury,” the practice explained.
      A short flight of steps leads up to a small study, separated from the dining area by a low wooden partition.

      Zaha Hadid Architects designs sinuous solar-powered catamaran

      The bow of the yacht accommodates the principal bedroom.
      Its bed is framed by a headboard upholstered in beige suede that extends to form a band around the lower half of the room, concealing built-in storage cupboards. The same suede was also used to cover the bed’s chunky base.
      A small study is tucked away behind the dining areaWhere possible, corners throughout the boat were curved or rounded off in order to create what the practice describes as “simpler, more coherent spaces with fluent transitions”.
      The walls of the Y9 are also lined with vertical wooden beams to make the rooms onboard appear loftier.
      Beige suede wraps around the yacht’s principal bedroomThis is the second time that Norm Architects has worked on the fit-out of a yacht, having completed another minimalist boat for Y Yachts back in 2019.
      The practice isn’t alone in turning its hand to boat design. Zaha Hadid Architects recently unveiled plans to create the sinuous solar-powered yacht Oneiric.
      Vertical wooden panels line the wallsAdam Richards Architects also built a 20-metre-long barge to accommodate a floating restaurant in London’s Little Venice, finishing it with a patinated aluminium roof.
      The photography is by Jonas Bjerre-Poulsen of Norm Architects.

      Read more: More

    • 125 Shares119 Views

      in Rooms

      JamesPlumb fuses bulrush and hemp elements at Cambridge Aesop store

      by

      London design studio JamesPlumb blended handwoven bulrush shelves with earthy hemp accents to create the interiors for this Aesop store in Cambridge, which takes cues from the nearby River Cam.

      Located on the city’s Trinity Street, the Aesop outlet was conceived as a “woven reading room” that provides a place to shop and leaf through books, according to the Australian skincare and cosmetics brand.
      The JamesPlumb-designed shopfront features a facade informed by leatherThe store’s understated shopfront is painted a dark brown hue informed by well-worn leather, which nods to antique book bindings in reference to Cambridge’s history of academia.
      Inside, a curved and slatted window seat doubles as a plinth for potted pelargoniums that frame the store’s light-filled, street-facing room featuring earthy-toned walls.
      Potted pelargoniums line a street-facing window seatThis space is defined by oversized, textured shelves created from freshwater bulrush plants – locally sourced and handwoven by rush weaver Felicity Irons of Rush Matters.

      “The city itself and the surrounding landscape were the starting point for our design,” studio founders Hannah Plumb and James Russel told Dezeen.
      “The River Cam plays a huge part in that – we were increasingly drawn to it and felt strongly that it sets the pace and the pulse of the city of Cambridge.”
      Hemp and bulrush form shelving and other cabinetryOther shelving in this room is made from hemp grown on the nearby Margent Farm, which was combined with bio-resin to form geometric slabs of cabinetry that display various Aesop products, as well as a large sink.
      “[The hemp] absorbs a huge amount of carbon as it grows, and to be so local to the project was wonderful,” acknowledged Plumb and Russel.
      “We wanted to use materials that were as local as possible, and bulrush being literally of the local waters made sense – both because of its beauty and tactility, and also because of the chance to use a material that would travel so few miles, and use so little energy in production,” they added.

      Aesop’s London store takes its colour from the red sandstone of Glamis Castle

      At the back of the store, another room features walls painted in a darker hue than the street-facing space, which takes cues from the brown flowers of bulrush plants.
      Visitors are invited to sit in a low-slung antique armchair upholstered in floral fabric or browse the various books displayed on the same hemp and bulrush cabinetry that exists throughout the store.
      The back room is dressed in darker huesOriginal nineteenth-century polished wooden floorboards also feature in both rooms and intend to echo the outlet’s emphasis on local history.
      “Each Aesop store has its own character, and for this one, we responded specifically to its location in the heart of Cambridge,” concluded Plumb and Russel.
      Similar shelving found in the front room features various books on displayThis Cambridge branch is not the first Aesop store designed by JamesPlumb. The studio also created one in London’s Bloomsbury where water runs from shelf to shelf and a stone-based store in Bath that celebrates the city’s architectural landscape.
      Other Aesop outlets worldwide include a Tokyo branch defined by plaster and steel and a Toronto store featuring Victorian balustrades.
      The photography is by Oskar Proctor. 

      Read more: More

    • 138 Shares199 Views

      in Rooms

      Atelier Fréderic Louis adds new curves to art-deco house in Antwerp

      by

      The rounded details of an art-deco-style facade are repeated throughout the interior of this house in Antwerp, which has been renovated by Atelier Fréderic Louis.

      Belgian architect Fréderic Louis has modernised the layout of House Mellinet, replacing the previously separate kitchen and living room with a large, open family room that opens out to the rear garden.
      The design – created in collaboration with interior designer Sarah De Pauw – celebrates the building’s existing curved details.
      The art-deco house has a brick facade with various curved detailsAccording to Louis, it was these details that first attracted the owners to the 145-square-metre property.
      “They bought the home because they fell in love with the original art-deco-style elements,” he told Dezeen.

      Extra curved details have also been added in, including a new fireplace and two focal staircase treads.
      The renovation created a more open layout for the ground floorThe ambition behind the renovation was to create a more open-plan ground floor layout, increasing natural light and making the living spaces feel more generous in size.
      Achieving this layout involved stripping the building back to its structure and installing new steelwork.
      An original arched opening was reinstated”Our starting point was trying to figure out how we could open the rooms to each other, as these were all closed off from each other by thick load-bearing walls,” explained Louis.
      “The structural elements we used for this were key for the design of the house, as they stayed partly visible.”
      New steelwork was required, although only some of the beams are left exposedWhen builders started stripping the interior back to its structure, they discovered hidden details such as a large arched wall frame. This fuelled Louis’ decision to make curves the key design motif.
      The new layout creates a circular route through the ground-floor spaces, defining a lobby space, a lounge area, a dining area and a kitchen, while a small office sits off to one side.
      The junction between floor surfaces is one of many new curved detailsTwo different floor surfaces feature here: a chevron-patterned oak parquet, and a speckled white terrazzo.
      The junction between these surfaces integrates another curved detail.

      Graux & Baeyens designs three brick volumes to form Belgian house with wetland views

      This is echoed by the shape of the kitchen island counter, which is made from a marble that matches the tones of the terrazzo floor.
      “The end of the wall was also curved, not only as a reference to the original style elements, but also to ease the circulation around the kitchen island and the spaces next to it,” said Louis.
      Other curves feature on the kitchen counter and the fireplaceNew windows were installed in place of the previous PVC frames, with slender aluminium details that look more akin to the steel designs that would have been on the building originally.
      Heating, plumbing and electrical systems have also been upgraded to bring them up to modern standards.
      Focal staircase treads repeat the curve themeGhent-based Louis has run his own studio since 2014, but he also works for Graux & Baeyens Architecten, where he has led projects including the blocky House J-VC.
      House Mellinet is one of several historically sensitive renovations the architect has undertaken. He believes the design has returned the building “to its former grandeur”.
      The renovated first-floor bathroom features a similar terrazzo to the kitchen”The living areas have evolved from closed, dark spaces, to a vivid, daylight-rich living space with a great view over the green garden,” he said.
      “The kitchen has become a point of attraction, while the new and restored art-deco elements have restored the original feel of the house.”
      The photography is by Tim Van de Velde.

      Read more: More

    • 138 Shares129 Views

      in Rooms

      Earthy colours bring warmth to clifftop Aethos Ericeira hotel in Portugal

      by

      Lisbon-based Pedra Silva Arquitectos has teamed up with Spanish design studio Astet to convert a former clifftop farmstead on Portugal’s west coast into a destination for surfers.

      Aethos Ericeira is a 50-room hotel positioned high up on sandstone cliffs, overlooking the beach on a stretch of coastline known to offer some of the best waves in Portugal.
      Aethos Ericeira occupies a converted farmhouse. Photo is by Francisco NogueiraPedra Silva Arquitectos oversaw the building work, which included reworking the facades, while Astet replanned the spatial flow and designed the visual aesthetic of the interiors.
      Their design draws from its setting, combining references to the rural landscape with elements of surf culture, and also taking advantage of the elevated view.
      The original facade is updated with protruding box windows. Photo is by Francisco NogueiraGrand windows, simple furnishings and an earthy colour palette help to create an environment where visitors can feel relaxed and connected with the setting.

      “When we came across the property, we immediately knew it was a unique opportunity – a secluded destination on top of a 40-metre cliff, surrounded by lush fields with unrivalled ocean views,” said CEO and co-founder Benjamin Habbel.
      “The building, a former farmhouse turned into a rehab centre, had been abandoned for many years,” he told Dezeen. “Despite its bad shape, we saw huge potential.”
      Arched windows are a key feature in the lobby. Photo is by PION StudioThe venue is one of five properties under the Aethos brand, along with locations in France and Italy.
      Like its sister venues, the ethos behind Aethos Ericeira is to promote mindfulness among guests, by offering wellbeing-focused spaces and experiences.
      The materials palette includes wood, rattan and soft-green tiles. Photo is by PION StudioFor Pedra Silva Arquitectos, this meant bringing a greater sense of cohesion to the existing buildings and the various extensions that had been added over the years.
      The old farmhouse was kept simple, with light-rendered walls, a clay tile roof, arched recesses and protruding box windows. Meanwhile other parts of the building were updated with timber slats and metal panelling.

      Ian Pablo Amores creates pink hotel with courtyard garden in San Miguel de Allende

      “We felt the solution was to establish a clear distinction between old and new, restoring the existing building to something closer to its original state, and giving recent extensions and new construction their own distinct character,” said studio founder Luís Pedra Silva.
      “For the areas of more recent expansion, the challenge was to achieve a contemporary look and feel that was well integrated,” added architect Bernardo Nadais.
      “We achieved this by combining a strong materiality with surgical instances of demolition – removing some sloped roofs, opening up the balconies – allowing us to reinterpret the facades into clearer shapes and volumes.”
      Timber slats clad one of the newer buildings. Photo by PION StudioAstet’s interior design strategy centred around the year-round experience.
      The materials palette incorporates warm natural materials like wood, velvet and rattan, but also brings in cooler surfaces that include marble and stone.
      A swimming pool is framed by the buildings. Photo by PION Studio”Ericeira can be great and sunny but there are a few months where it’s windy and rainy, so the number one goal was for rooms and common spaces to function in the summer and be cosy in the winter,” said Astet’s Ala Zureikat.
      “Yet we didn’t want to be too literal and use Portuguese tiles, because I think that’s the first thing that everyone associates with Portugal,” he told Dezeen. “We wanted to achieve a more sophisticated twist.”
      The hotel is designed for surfing enthusiasts. Photo is by PION StudioThe most distinctive space is the hotel reception, which is characterised by the original arched windows, soft-green tiles and large louvre screens.
      The bedrooms are more minimal, with custom headboards, muted fabrics and wooden flooring.
      “The door of the room is a full-size mirror, so wherever you are, you always have a view of the ocean,” said Zureikat.
      Onda is the hotel restaurant. Photo is by PION StudioAethos Ericeira facilities include a restaurant, a gym, a heated saltwater pool, a meditation and yoga deck, and a spa with hammam, hot slab and treatment rooms.
      Landscape works help to create easy flow between these spaces, and link up with pathways leading to the beach.
      Other recent beach hotels to open include Ethos Vegan Suites in Santorini, Villa W in Saint-Tropez, and Patina Maldives.
      The photography is by Francisco Nogueira and PION Studio.

      Read more: More

    • 63 Shares149 Views

      in Rooms

      Happy new year from Dezeen!

      by

      Happy new year from Dezeen! We’ll be back tomorrow, but in the meantime, you can read the most-read stories of 2022 and our full review of the year.

      The review looks at the most interesting architecture, design and interior stories from 2022. It includes roundups of the top houses, home interiors, staircases, skyscrapers, rebrands, furniture and much more.
      Read the review of 2022 ›
      The main image is from Matsuyama house by TTArchitects, which features dedicated spaces for watching fireworks. The photography is by Kei Sugino.

      Read more: More

    • 125 Shares179 Views

      in Rooms

      Upstairs lounge with “DIY” design approach opens at Public Records

      by

      Public Records co-founders Shane Davis and Francis Harris have added a bar and lounge on an upper floor of their multi-purpose creative venue in Brooklyn.

      Upstairs is the latest addition to Public Records, which was opened in 2019 by musician Harris and creative consultant Davis, who led the design of both the original spaces and the new lounge.
      The Upstairs lounge at Public Records is anchored by a dark marble bar and glossy black floorThe extension joins a variety of programmed areas in the industrial brick building, including a cafe and record store, a plant-based bar and restaurant, an outdoor garden and a Sound Room for live performances.
      For Upstairs, Davis collaborated with DSLV Studio on the interiors, Arup for the acoustics, and a cast of makers to renovate the upper-level space – once occupied by Retrofret Vintage Guitars.
      A “DIY approach” was taken to the design of the space, which involved multiple collaborators”We felt that people would value a space that inspires more intimate connection than our other spaces,” said David. “This framework then provides opportunities to explore our ideas and showcase those of our collaborators on various scales, whether it be a sound system, a chair, an event series, or a cocktail.”

      The room is anchored by a dark, patterned marble bar, which together with the glossy black floor contrasts the mostly white walls and furniture.
      Particular attention was paid to the sound quality in the space, which includes large subwoofer speakers by OJASParticular attention was paid to the sound quality in the space, where walls are furred out and undulated to bounce music around the room from large subwoofer speakers.
      These are housed in cabinets by Devon Turnbull of OJAS and positioned against the back wall, with either side of the cabinets containing a diverse array of equipment including a reel-to-reel tape player.
      Custom furniture pieces include the PR Lounge Chair, designed with local fabricator Joe CauvelPatrons will be able to choose from a curated selection of records and CDs available to play during gatherings, events and parties.
      “Intentional listening on an audio system that showcases the practices of production in the music space allows for a deeper understanding and appreciation of the cultural significance of musicians and producers who are an integral part of how we shape our perception of the world,” said Harris.

      Public Records in historic Brooklyn building pairs vegan cafe with nightclub

      Wrapping the room are cream leather banquettes, accompanied by circular glass tables, and black ceramic and foam stools commissioned from Zurich-based artist Cristian Anderson that are reminiscent of used paint buckets.
      Also scattered through the space is the custom PR Lounge Chair, designed with local fabricator Joe Cauvel and constructed of plywood and steel with exposed joinery.
      Exposed ductwork and services found throughout the old industrial building are also present in UpstairsExposed ductwork and services found throughout the building are also present in Upstairs, which continues the same “DIY approach” taken to all of Public Records’ spaces.
      Brooklyn has no end of venues that act as community hubs, workspaces and nightlife spots geared towards its thriving creative population.
      Black ceramic and foam stools by artist Cristian Anderson are reminiscent of used paint bucketsAmong others are The Mercury Store performing arts centre in Dumbo and the 77 Washington artist studios in the Navy Yard.
      Elsewhere in New York City, creative co-working space Neuehouse recently updated its hospitality areas.
      The photography is by Ill Gander.

      Read more: More

    • 125 Shares179 Views

      in Rooms

      No Architects completes “seamless” revamp of 1920s house in Prague

      by

      Czech studio No Architects has renovated and extended a 1920s villa in a Prague suburb, adding bespoke joinery and modern details that complement the original architecture.

      The studio headed by artist Daniela Baráčková and architect Jakub Filip Novák oversaw the modernisation of the property in the Smíchov district on the left bank of the Vltava river.
      The joinery on the ground floor was painted duck-egg blueThe extensive remodelling and extension aimed to retain the character of the house, which was built in the 1920s in a romantic style that references the steep-pitched roofs and brick cladding of arts and crafts-style English villas.

      No Architects removed all of the existing floors, ceilings and non-load-bearing walls of the semi-detached property and added a side extension to accommodate containing a ground-floor guest suite and a bedroom on the first floor.
      Bespoke joinery was added throughout the interiorThe extension utilises the same palette of clay roof tiles, painted brick and a pumice stone plinth in order to produce a timeless aesthetic that is in keeping with the original architecture.

      “Other contemporary extensions in this neighbourhood got very old very quickly and don’t fit in well anymore,” Jakub Filip Novák told Dezeen.
      “Our addition refers to the original facade details and is hardly recognisable as separate to the original house. The connection between the new and old parts is not just via design, but it seems seamless even by structure and same ageing of material.”
      The interior layout was reconfigured to modernise the villaThe revamped interior has a contemporary layout, with an open living and dining area linked to the adjacent kitchen. A new doorway in the rear elevation provides direct access from the kitchen to the garden.
      A custom-built unit next to the back door discreetly conceals a pantry and toilet, along with plenty of storage and space for the refrigerator.

      Butterfly House renovation contrasts traditional features with modern materials

      No Architects designed bespoke joinery added throughout the house to make optimal use of the available space and to create a sense of aesthetic consistency between the various rooms.
      “The living space consists of many details and we like to frame them because it helps connect plenty of technology and infrastructure which surround us in any house,” said Novák.
      “It’s also an economic decision,” he added, “because every square metre of living space in Prague is expensive so it is rational to use it sensibly. We see joinery as part of such thinking, uniting architecture, construction and technology.”
      Green woodwork adds a splash of colour to the staircaseSome of the interventions were painted in pastel shades that add a distinctive character to the spaces. The upper floor and staircase feature green woodwork, while the ground-floor joinery is painted a shade of duck-egg blue.
      The clients spent part of their lives working in Japan and the United Kingdom, so some of the colours and details reference these experiences.
      The decorative panelling and exposed radiators on the first floor recall traditional British houses, while the minimal bench seating in the living room and the tiled porch evoke Japanese living.
      The studio designed built-in seating in the living roomA small door on the first-floor landing provides access to a previously unused space above the entrance that now contains a private play area accessible only by the children.
      Throughout the project, No Architects adapted existing features to give them a new purpose or to enhance the character of the building while ensuring it meets the client’s requirements.
      The bespoke joinery was designed to optimise space in the home”We work with intuitive ‘memory of architecture’ and aesthetics which belongs to the original era but we don’t follow it directly,” Novák added, “we just use it to make a nice place that makes the most of the potential which is in the atmosphere of the house.”
      No Architects’ founders met while studying at the Academy of Arts, Architecture and Design in Prague. The studio combines the disciplines of art and architecture to produce detailed-oriented solutions that reflect their clients’ requirements and personalities.
      The photography is by Studio Flusser.

      Read more: More

    • 150 Shares129 Views

      in Rooms

      Tala Fustok fills Hyde Park apartment with contemporary art and vintage furniture

      by

      Tala Fustok Studio has transformed the interior of an apartment in west London into a “calm sanctuary” containing carefully chosen artworks and furnishings influenced by the travels of its owner.

      The Palace Gate apartment is located on the fourth floor of a Victorian mansion block neighbouring Hyde Park in the Royal Borough of Kensington and Chelsea.
      Tala Fustok has designed the The Palace Gate apartment in LondonLocal interior designer Tala Fustok set out to turn the four-bedroom property into a relaxing pied-a-terre containing a collection of contemporary artworks.
      “I wanted to create a calm sanctuary to balance the hustle and bustle of the city and the owner’s lifestyle,” Fustok told Dezeen.
      “Our client is an ardent traveller, frequenting North Africa and copious European cities,” she added. “We wanted to ensure this was reflected in the design, as a sort of escapism and bringing a dose or reminder of those settings to their London home.”

      Integrated storage conceals steel beams in the living roomThe interior features a palette of soft colours intended to evoke a sunset, with textures of stone and earthy fabrics adding to the nomadic and natural feel.
      The 252-square-metre interior was reorganised through several structural interventions that opened up the living and dining area, as well as combining two bedrooms to form a large principal bedroom and dressing area.
      A woven chair and a vase from east London’s M.A.H Gallery stand in the entrance hallIn the main living space, steel beams are concealed within a room divider featuring curved surfaces and open shelves that allow light and views throughout, while providing spaces for displaying artwork.
      Deep hues and textures including plastered walls and velvet upholstery add richness and variety to the scheme, making the most of the light that floods into the southwest-facing spaces.
      Wooden cabinetry contrasts with brass details in the kitchenA monochromatic colour scheme forms a simple backdrop for the artworks, vintage furniture and bespoke elements created to enhance the home’s restful atmosphere.
      Fustok’s studio was involved in selecting the unique furnishings and art for the home in order to elevate the spaces and create consistency throughout the different rooms.

      Tala Fustok Studio layers different metals to create calm ambience in Manhattan loft apartment

      A pared-back entrance hall – containing a Venetian mirror, a woven chair and a vase from east London’s M.A.H Gallery – leads through to the dining room where a mirror from The Antique Mirror Company hangs above a painted brick fireplace.
      A 1970s Italian travertine table combines with a curved sofa to create a space for informal dining. On top of the table is a centrepiece from London’s Vessel gallery and beneath sits a shaggy rug by designer Tim Page.
      A huge pink-velvet bed is the centrepiece of the bedroomFustok added double arched doors to connect the dining room with the adjacent kitchen, where wooden cabinetry contrasts with brass details including the cooker hood.
      The living room features a travertine fireplace along with a mirror and rug that match those used in the dining room. Bespoke furnishings made of bleached plywood, brass and timber contribute to the space’s relaxed, rustic character.
      The same pink tones carry over into the bathroomIn the main bedroom, a 1960s-style bed upholstered in dusty pink velvet provides a bold centrepiece.
      The tapestry above the bed is from London gallery Schmid McDonagh, while a bespoke mirror by French artist Christophe Gaignon is positioned above the stone fireplace.
      A dressing area alongside the main bedroom is arranged around a bespoke storage island wrapped in leather and plywood, which is illuminated from above by a pendant light from British design studio Pinch.
      The dressing room is arranged around a bespoke storage islandThe Moroccan-informed en-suite bathroom contains a bespoke travertine sink and zellige tiles in the shower. The design of this space encapsulates the nomadic inspirations seen throughout the residence.
      Tala Fustok studied at the Architectural Association before setting up her studio in west London.
      Her previous projects include a Manhattan loft with a calm ambience and an office for game developer Ninja Theory in Cambridge, which features a blood-red bar and an all-blue cinema room.
      The styling is by Sania Pell and photography by Michael Sinclair.

      Read more: More