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    Gema Arquitetura brings colour to Sallve offices in São Paulo

    Shades of pink, purple and yellow run through the workspaces that Brazilian studio Gema Arquitetura has designed for skincare brand Sallve in São Paulo.

    Sallve’s offices, studios and labs sit above the company’s inaugural retail space in an existing five-storey building in the city’s Pinheiros neighbourhood.
    Sallve’s offices and studio spaces occupy a five-storey building in PinheirosThe studio transformed 1,500 square metres of space, spread across an elongated floor plan that allowed for a flow to be created between the different levels.
    “Focal points organise and direct the user’s trajectory, in a path that welcomes from the street and leads along the floors,” said Gema Arquitectura, which has offices in São Paulo and Belo Horizonte.
    Bright colours used in meeting rooms echo the skincare brand’s packagingThese focal points include splashes of bright colour on walls, floors and furniture, immediately visible when entering the building.

    The chosen hues echo those used across Sallve’s product packaging and visual identity to align the space closely with the brand.
    Flexible workspaces are incorporated throughout the building”We immersed ourselves in the brand, its positioning, vibration and sought a language that represented the company in a true, uncomplicated and unique way,” Gema Arquitectura said.
    From the front door, a corridor is lined in glossy bold purple film on one side, and bands of yellow and pink paint on the other.
    Pastel-toned furniture and glass partitions define areas across the different levelsThe ground floor includes areas for greeting guests, flexible meetings, making coffee and product testing.
    Pastel-toned tables and chairs are available for casual working, while further desk space is accessed through a row of bespoke pivoting screens framed in pale yellow.
    On the ground floor, bespoke glass doors pivot to open up the spaceOne level up are Sallve’s laboratories for developing skincare formulas, where the interiors continue the same colour scheme used in a more clinical environment.
    Meeting rooms and creative studios on the upper storeys are demarcated by glass partitions and feature pink and purple carpets.
    The ground floor is used for greeting guests, flexible meetings and making coffeeElsewhere in the building, the carpet was removed to reveal terrazzo floors that were restored. Ductwork and services were left exposed across the concrete ceilings throughout.
    Bathrooms were expanded to be more comfortable, and now include enclosed stalls, benches and large mirrors.

    Rapt Studio fashions soothing interiors for Goop HQ in Santa Monica

    On the exterior, the building’s front facade was covered in a wavy metallic veil, while walls that define the property boundaries were painted white.
    Separate entrances to the store and the workspace were clearly defined, and are set back from the street to create a welcoming forecourt.
    Bright purple and yellow line the corridor from the entrance”Intuitively, the building expands into the surroundings, seeking an affective connection with the city and the people,” said Gema Arquitetura.
    “Fluidity and dynamism define the space, in a tailoring of design, building this identity through simple and real connections.”
    The existing building facade was re-clad in a wavy metallic veilOther skincare and wellness brands have similarly used their office interiors to reflect the visual identity of their products, from Goop’s soothing HQ in Santa Monica to Aesop’s “simple and elegant” workspaces in London.
    The photography is by Felco.
    Project credits:
    Architecture: Gema ArquiteturaConstructor: Its InformovResponsible architects: Nara Grossi, Priscila Almeida, Joseana CostaTeam: Giuliana Mora, Renan Merlin, Luiza Langeani

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    Ten interiors tickled pink with Color of the Year Viva Magenta

    For our latest lookbook, we’ve cherry-picked 10 interiors clad in shades that recall Viva Magenta after American colour company Pantone named the bright pink hue as its Color of the Year for 2023.

    Pantone describes Viva Magenta as “a brave and fearless red shade that vibrates with vim and vigour” and reflects current attitudes towards experimentation and fearlessness.
    “It’s assertive but it’s not aggressive – we refer to it as a fist in a velvet glove,” said vice president of the Pantone Institute Laurie Pressman.
    Shades of bright pink magenta have been used by interior designers in the projects below to brighten up spaces in locations ranging from Copenhagen to Tokyo.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring homes with sliding doors, lounges with suspended fireplaces and cottage interiors.

    Photo is courtesy of BHDMShoreline Waikiki, Hawaii, by BHDM
    The interior of the beachside Shoreline Waikiki hotel in Hawaii has a flamboyant colour scheme, giving it a jubilant feel that matches the island’s surrounding tropical flora and fauna.
    Redesigned by US studio BHDM for the “millennial-minded traveller”, the accommodation has a hot-pink carpet that stretches from the reception to the ground floor lounge and contrasts the brightly coloured yellow, teal, blue and red furniture upholstery.
    Find out more about Shoreline Waikiki ›
    Photo is by Tim LenzAtrium, US, by Smith Hanes Studio
    Rich tones of green, raspberry and gold collide with smooth terrazzo, shiny tiles and tropical wallpaper in Atlanta bistro and restaurant Atrium.
    Local architecture studio Smith Hanes Studio looked to the lines, patterns and shapes found in colourful French cafes and art deco buildings for the space, which is filled with an array of large leafy plants.
    Find out more about Atrium ›
    Photo is by James McDonaldFamily Kitchen, UK, by Mizzi Studio
    British design studio Mizzi Studio renovated this restaurant in London botanical garden Kew Gardens, creating a whimsical eatery that wouldn’t look out of place in the Charlie and the Chocolate Factory film.
    Designed to introduce young children to new foods, the space features playful decor such as an apple-shaped seat, giant timber-weaved fungi sculptures and a magenta-coloured Ethiopian Enset tree.
    Find out more about Family Kitchen ›
    Photo is by John ShortMaggie’s Centre, UK, by Ab Rogers Design
    At this Maggie’s Centre cancer treatment site in Sutton, England, patients can rest and convalesce in a pinky-purple-toned living area that studio Ab Rogers Design wanted to feel cheerful, yet sensitive.
    “Believing in colour’s sensual and psychological power, we coloured the surrounding rooms to suit the functions and activities they host,” said Ab Rogers Design founders Ab Rogers and Ernesto Bartolini.
    Find out more about Maggie’s Centre ›
    Photo is courtesy of Patricia UrquiolaRotazioni and Visioni by Patricia Urquiola
    The rust, mustard, dusty pink, baby blue, yellow and caramel block colours and black lines in these rugs by Spanish designer Patricia Urquiola contrast the circular openings that punctuate the walls in this pared-back room.
    Made from Himalayan wool and silk, the soft rugs have been used to add depth and warmth to the space.
    Find out more about Rotazioni and Visioni ›
    Photo is by John ShortScape, UK, by Ab Rogers Design
    A ribbon of magenta pink courses through the central areas of Scape, a housing block that Hackney-based studio Ab Rogers Design refurbished for students in London’s East End.
    Vibrant colour-coding knits the buildings’ internal parts together, while the bedrooms are informed by the sleeping quarters of train carriages, with space-saving furniture such as cupboards that double up as desks and seating nooks nestled in the windows.
    Find out more about Scape ›
    Photo is by Shingo NakashimaToggle Hotel, Japan, by Klein Dytham Architecture
    Sandwiched between a raised expressway, a railway line and Tokyo’s Kanda River, Toggle Hotel was designed by Tokyo-based Klein Dytham Architecture to stand out from the neighbouring infrastructure.
    Inside each of the rooms, which guests are able to choose based on their colour preferences, the furniture, bedding, carpets and soft furnishings are all coloured in the same shade.
    Find out more about Toggle Hotel ›
    Photo is by Gianluca Di IoiaCasa Lana, Italy, by Triennale di Milano
    A plush pinkish-red carpet covers the floor of this model apartment, which was recreated within the Triennale di Milano as part of a permanent new installation.
    Originally designed by Memphis Group founder Ettore Sottsass for a friend, Casa Lana is arranged around a wooden enclosure with built-in shelving and sofas.
    Find out more about Casa Lana ›
    Photo is by MasquespacioResa San Mamés , Spain, by Masquespacio
    Valencia-based studio Masquespacio injected splashes of its signature colour-blocking style throughout Resa San Mamés, a 1,850 square-metre building that houses 351 students in Bilbao, Spain.
    In the main lobby, millennial pink paint clashes with the crimson tiles that line the walls, while soft furnishings and partitions were used to define zones elsewhere on the ground floor.
    Find out more about Resa San Mamés ›
    Photo is by Itay BenitHayarden school, Israel, by Sarit Shani Hay, Chen Steinberg Navon and Ayelet Fisher
    A rainbow of colours, including a bright pink that straddles fuschia and magenta, have been used to brighten up this two-storey school in Tel Aviv, which local designer Sarit Shani Hay, architect Chen Steinberg Navon and Ayelet Fisher overhauled in 2019.
    Situated in Tel Aviv’s Hatikva Quarter – a neighbourhood with a high number of asylum-seekers – the school has a house-shaped reading nook and colourful paintwork, which the team hoped would help to create an inspiring learning area for the children of refugees.
    Find out more about Hayarden school ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring Bauhaus-informed interiors, homes in converted warehouses and neutral living rooms.

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    This week we announced Dezeen Awards grand prize winners

    This week on Dezeen, we revealed the overall architecture, design and interiors winners of the 2022 Dezeen Awards at a party in London.

    At the ceremony, Argo Contemporary Art Museum and Cultural Centre by Ahmadreza Schricker Architecture North was named architecture project of the year, Ecole Camondo Méditerranée by Émilieu Studio won interiors project of the year, and the Wheeliy 2.0 wheelchair by Quantum was named design project of the year.
    The winners of the six studio categories were also announced, with all the winners receiving a Dezeen Awards trophy designed by Dutch studio Atelier NL.
    Plans to revamp the Sainsbury Wing were approved this weekAlso in London, planning permission was granted for the controversial revamp of the Grade I-listed postmodern Sainsbury Wing of the National Gallery, originally completed in 1991 and designed by Denise Scott Brown and Robert Venturi.
    Ahead of the decision, Scott Brown has urged planners to refuse permission for the remodel, describing the plans by US studio Selldorf Architects as “destructive”, “arbitrary” and “irreversible”.

    Foster + Partners revealed its design for the King Salman International AirportIn other architecture news, British studio Foster + Partners this week unveiled its design for the six-runway King Salman International Airport in Riyadh, which will be Saudi Arabia’s principal airport.
    Named after Saudi Arabia’s king Salman bin Abdulaziz Al Saud, the building is the third airport the studio is currently designing in the country.
    SANAA’s Art Gallery of New South Wales completed this weekIn Sydney, Pritzker Architecture Prize-winning studio SANAA completed the Art Gallery of New South Wales ahead of its public opening today.
    Occupying a series of overlapping pavilions that step down towards Sydney Harbour, the gallery was designed to contrast the 19th-century neo-classical architecture of the existing art gallery.
    We began our review of the year by focusing on reuse projectsAs 2022 draws to an end, we kicked off our review of the year with a round-up of the 10 most eye-catching reuse architecture projects completed over the last 12 months. Among them is a Dezeen Award-winning art museum in Tehran, a Marcel Breuer-designed hotel and the renovation of a former church in Edinburgh (above).
    We continued by looking at 10 skyscrapers that had the greatest impact this year, including the EU’s tallest building by Foster + Partners and the world’s skinniest skyscraper in New York.
    CLT House was one of this week’s most-viewed projectsPopular projects this week included a vibrant yellow-rendered CLT extension to a house in London (pictured), a concrete house in the Mexican desert and a Kéré Architecture-designed community centre in Uganda.
    Our most recent lookbook showcased homes with sliding doors and lounge areas with fireplaces suspended from the ceiling
    This week on Dezeen
    This week on Dezeen is our regular roundup of the week’s top news stories. Susbscribe to our newsletters to be sure you don’t miss anything. More

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    Architects and designers from around the world celebrate at Dezeen Awards 2022 party

    Dezeen Awards judges joined architects and designers from all over the world for this year’s Dezeen Awards party where this year’s overall winners were revealed.

    The event at One Hundred Shoreditch hotel in London welcomed guests from Australia, Mexico, India, Iran, USA, China, Brazil and Japan to celebrate 50 winners.
    The three overall project winners, which recognise the best building, interior and design of the year, were chosen from the project winners and were revealed at the party by head of Dezeen Awards Claire Barrett.
    Winners joined co-CEOs Benedict Hobson and Wai Shin Li (centre) for a group photographGuests included Italian architect Fabio Novembre, Sharjah Architecture Triennial curator Tosin Oshinowo, artist Rosey Chan, designer Tom Dixon and experiential designer Nelly Ben Hayoun, amongst others.
    Studios MVRDV, RSHP, Scott Whitby Studio and Proctor and Shaw were among the project category winners that attended to collect their Dezeen Awards trophies designed by Dutch studio Atelier NL.

    Guests networking and celebrating at the Dezeen Awards partyGuests at One Hundred Shoreditch enjoyed drinks provided by this year’s Dezeen Awards drinks sponsors X Muse, Pasqua, Maestro Dobel and The Dalmore, as well as music by Next Door Records. The winners also received a bottle of X Muse vodka.
    The photography is by Luke Fullalove. More

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    Yinka Ilori draws on “unapologetic” architecture of Burkina Faso for debut pop-up shop

    Modular display stands modelled on buildings in Burkina Faso feature in the first brick-and-mortar shop that London-based designer Yinka Ilori has created for his self-titled homeware brand.

    Taking over a compact retail space in Shoreditch in the leadup to Christmas, the pop-up shop features a colour-block interior designed to match the products on sale, as slime-green walls clash with pink and orange flooring.
    Yinka Ilori has opened a pop-up shop in LondonThis “more is more” philosophy to colour also extends onto the store’s glossy lacquered product displays, designed by Ilori to reference the construction of mosques and homes in Burkina Faso.
    “I am really obsessed with their design language which is very African, very rich and very unapologetic,” he told Dezeen.
    “There is a recurring use of squares and triangles and you sometimes also see poles sticking out of the structures. I found these poles fascinating. They are structural but also used to make it easy for people to climb up and repair the building.”

    Products are displayed in modular colour-block storage unitsIn the store, these shapes are reflected in the modular storage units, which are constructed from medium-density fibreboard (MDF) and each topped with a stepped pyramid.
    Strategically placed holes can be used much like those on a pegboard to add poles of different sizes and provide storage for a changing array of products.
    Longer rails can be slotted in to hang T-shirts and throws, while smaller pegs can hold umbrellas or prop up shelves for presenting mugs, notebooks and other lifestyle items.
    The units end in stepped pyramidsBulkier items such as the designer’s collection of tableware and limited-edition basketballs are displayed on counters panelled in ribbed MDF that is sprayed in a gradient of colours to emphasise their sinuous shapes.
    At the store’s entrance, six of Ilori’s hand-painted Square Stools are arranged into a towering window display that shows off their stackability.

    “I use colour as a way of starting a conversation” says designer Yinka Ilori

    The opening of the pop-up also coincides with Ilori’s latest product drop. Themed around “memory-making, togetherness and play”, this includes everything from notebooks and basketballs finished in sunny, childlike patterns to a collectible version of the traditional Yoruban strategy game Ayo.
    In line with this idea, the shop will also host different events for the local community, from an Ayo tournament to a tasting of Nigerian palm wine.
    The counters have slatted legs painted in a gradient of coloursOpening his first physical store is “an absolute dream come true”, Ilori said.
    “My public projects are all about interaction both between audiences and with the work itself but I don’t often get to interact directly with people and I feel it’s time for me to do that,” he added.
    “Through the store, I’m able to get their feedback on my work and also see how they interact with each of the products and the stories I’m trying to tell through these pieces.”
    The shop’s floor was finished in a vibrant colourIlori started his homeware brand in 2020 with the aim of reworking “unexpected, functional household items as artworks” by imbuing them with bold colours and patterns that reference his British-Nigerian heritage.
    The products feature many of the same patterns he previously developed for his large-scale installations, such as The Colour Palace pavilion he created for the London Festival of Architecture together with local studio Pricegore.

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    Finnish Design Shop creates forest-set logistics centre to enable “a more sustainable future”

    Avanto Architects and Joanna Laajisto have designed a logistics centre for retailer Finnish Design Shop that features warm timber, a foraged-food restaurant for staff and visitors, and views of the surrounding forest.

    Located on the outskirts of Turku, west of Helsinki, the logistics centre is the hub for storage, management and dispatch of products from the Finnish Design Shop, which says it is the world’s largest online store for Nordic design.
    The company needed a new logistics centre after a period of high growth, but founder and CEO Teemu Kiiski also aimed for it to be a meaningful place for employees and visitors.
    The Finnish Design Shop logistics centre is located in the Pomponrahka nature reserve in Turku. Photo is by KuvioEmployees of the logistics centre can enjoy plenty of light and forest views as well as warm timber environments and a restaurant run by Sami Tallberg, an award-winning chef who specialises in foraging.
    The Finnish Design Shop had first explored whether it could convert an existing building in the Turku area, but, finding nothing suitable, chose to build on a site in the Pomponrahka nature reserve, where the surrounding forest would provide a calming work environment and reflect the appreciation for wood in Nordic design.

    To undertake construction there responsibly, the Finnish Design Shop says the builders saved as many trees as possible and landscaped the area with natural forest undergrowth and stones excavated from the site.
    The entrance features glass curtain walls that connect the interior and exterior. Photo by KuvioAvanto Architects designed the 12,000-square-metre building to blend into the forest as much as possible — a challenge given its massing, a product of the warehouse layout.
    The layout was created beforehand by specialist consultants to maximise the efficiency of operations, which are carried out by robots in an automated system.
    The centre includes a showroom. Photo by Mikko RyhänenThe architects opted for a dark facade with a vertical relief pattern that becomes visible on approach and echoes the tree trunks in the surrounding woodlands.
    “The pattern forms a more human scale to the large facade surfaces,” Avanto Architects co-founder Anu Puustinen told Dezeen. “We also used warm wooden accents in the main entrance vestibule, balcony and windows.”
    There is also a restaurant that specialises in foraged food. Photo by Mikko RyhänenThe architects gave the office spaces large windows so the employees could enjoy frequent views of the forest and lots of light, and included a balcony for access to the outdoors on the first floor.
    The entrance to the centre is through the showroom, which features glass curtain walls that showcase the use of the building and a long, straight staircase made from two massive glulam beams.
    The first-floor offices have a view of the warehouse floor. Photo by KuvioThe interior was designed by Laajisto and her studio, who aimed to make the space feel well-proportioned and comfortable despite its size and to create a good acoustic environment by liberally applying sound-absorbing materials.
    She kept the colour and material palette neutral and natural, with lots of solid pine and ash wood to continue the forest connection, but used furniture from the Finnish Design Shop in bright colours to punctuate the space.

    Formafantasma and Artek’s Cambio exhibition explores Finnish design’s link to forestry

    “The aim was that every aspect in the interior should be done well and beautifully,” Laajisto told Dezeen. “Attention to detail was embraced in things that typically are overlooked, such as doors, plumbing fixtures and electrical hardware selections and applications, acoustic ceiling panels and ceramic tiles.”
    The project is the first logistics building in Finland to be certified BREEAM Excellent, the second highest level.
    Special attention has been paid to creating a good acoustic environment with sound-dampening materials. Photo by Mikko RyhänenKiiski, who positions the company as the opposite of multinational e-commerce players such as Amazon, aimed for the new centre to be the most socially and environmentally sustainable online store.
    “The values that life in the Nordic countries is based on include transparency, equality and respect for nature,” said Kiiski. “It would have been impossible to create this company and our new logistics centre without unwavering respect for these values.”
    Wood is featured throughout the interiorHe believes that global online shopping can be socially and environmentally sustainable when issues in supply chains, logistics and operations are addressed.
    “Many studies show that online shopping can have a lower carbon footprint as compared to in-store shopping,” said Kiiski. “This is due to the more efficient logistics in e-commerce and the fact that in-store shopping usually involves private transport.”
    “We want to push the whole industry towards a more sustainable future,” he continued.
    The hub is meant to offer employees a healthy and humane working environment. Photo by Mikko RyhänenPast work by Avanto Architects includes the Löyly waterfront sauna in Helsinki, which has a multifaceted exterior that visitors can climb, and the Villa Lumi, a house with a sculptural white staircase.
    Laajisto’s previous projects include office interiors for service design company Fjord and the Airisto furniture collection for Made by Choice, which was inspired by Scandinavian holiday culture.

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    Julia van Beuningen adds spiral stair in Dutch barn conversion

    A spiral staircase made from plywood is the showpiece of this thatched barn in Gelderland, the Netherlands, which architectural designer Julia van Beuningen has converted into a residence.

    Van Beuningen has overseen a complete transformation of the late 19th-century building, named Barn at the Ahof, turning it into a rental home with four bedrooms and a large open-plan living space.
    The plywood staircase was produced by manufacturer EeStairsThe plywood staircase, produced by manufacturer EeStairs, sits at the heart of the floor plan. With its precise curved geometry and slender components, it offers a playful contrast with the barn’s rustic wooden columns and beams.
    “We thought, if we’re going to do something, we have to do it properly,” Van Beuningen told Dezeen.
    The staircase leads up to a new first floor within the converted barn”This is very different and very unusual in a barn like this,” Van Beuningen added. “It’s something you either love or hate, but it’s definitely a statement.”

    Barn at the Ahof is one of several buildings on an ancient farming estate named Landgoed Appel that Van Beuningen inherited from her family.
    She is planning to overhaul the entire site through a mix of rebuilds and refurbishments and create a series of low-energy houses that can be used for either long-term or holiday rentals.
    An open-plan living space occupies the ground floorAs the barn had been previously renovated approximately 10 years ago, it didn’t require as much work as some of the other properties on the estate.
    Van Beuningen is not a qualified architect – she is primarily a cellist and works in architecture part-time – so she enlisted local studio Flip Wentink Architecten to oversee the planning stages.
    However, she decided to manage the detailed-design phase herself, adding in extra details like the spiral staircase and some built-in joinery elements.
    The first floor provides two bedrooms and bathroomsOn the ground floor, the staircase creates a divide between a dining area and a lounge with a wood-burning stove. A minimal steel kitchen island runs along the side of this space.
    Also on this storey is an accessible bedroom and bathroom suite.
    The newly added first floor, which is much smaller in size, accommodates two additional bedrooms and bathrooms.
    Bespoke joinery provides in-built storageVan Beuningen tried to use simple natural materials wherever possible.
    As well as the plywood staircase and joinery, the renovated barn features walls of flax and lime plaster.

    Alibi Studio cuts slice through disused barn to frame sky views

    “It’s quite a proud building,” said the designer, “and it’s quite strong and industrial.”
    “I wanted to respect this industrial nature, which is not easy when adding in a new floor that is quite a heavy element. So I thought we should be quite humble in terms of materials.”
    Glazing skirts the edge of the first-floor bedroomsClever glazing details help to elevate the design.
    Highlights include large glass doors that can be concealed behind stable-style shutters, tall and slender skylights, and a narrow strip of glazing that skirts the edge of the first floor.
    A third bedroom is located on the ground floorExternally, the building has a more traditional appearance thanks to its thatched roof and red brick walls.
    Barn at the Ahof is the second completed building at the Landgoed Appel estate, following the refurbishment of the former bakehouse. Still to come is the overhauled farmhouse, revamped sheep shed and a new-build barn.
    Large glass doors are fronted by stable-style shuttersEnvironmental sustainability is a key concern for Van Beuningen, so all of the buildings are being designed to incorporate solar panels and ground-source heat pumps.
    Some sections of the estate have been rewilded, while ancient wetlands have been reinstated.
    Skylights puncture the traditional thatch roofVan Beuningen hopes the project can pave the way for more sustainable tourism in Dutch rural communities. At a time when the government is restricting the farming industry, in order to reduce greenhouse gas emissions, she hopes to show farmers can explore other revenue streams.
    “It’s really a long-term project in that sense,” she added.
    Other recent barn conversions featured on Dezeen include the stone Woodthorpe Stables in Surrey by Delve Architects and North River Architecture’s extension of an 18th-century farm building in New York.
    The photography is by Alex Baxter.
    Project credits
    Client: Landgoed AppelArchitect: Flip Wentink ArchitectenInterior architect: Julia van BeuningenStructural engineer: Peter Rommers/Luuk van Doeveren ArchitektuurM&E consultant: Peter RommersQuantity surveyor: Peter RommersLighting consultant: Julia van BeuningenStaircase engineering/fabrication: EeStairs

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    No Architecture inserts “garden folly” into New York duplex apartment

    Wooden structures supporting net hammocks rise up through the two-storey interior of this apartment in New York’s West Village, designed by No Architecture.

    The Urban Tree House residence comprises two units in a skyscraper overlooking the Hudson River called 165 Charles Street, designed by Richard Meier & Partners and completed in 2005.
    A spiral staircase connects the pair of timber towers added into the double-height living space”We combined two units by first, redrawing all rooms into a cohesive ‘matrix plan’ and second, inserting a ‘garden folly’ that relates the interior to the adjacent Hudson River Greenway,” said New York-based No Architecture.
    Spanning 3,512 square feet (326 square metres), the apartment’s new double-height living space is surrounded by 22-foot-tall (6.7-metre) glass walls on three sides.
    Net hammocks are suspended above seating areasTo reduce the scale of this volume without blocking the light from entering, the architects added two “tree houses” constructed from vertical, horizontal and diagonal timber beams.

    One of the structures aligns with the home’s floor plan, while the other is rotated to face the park and the river beyond.
    One structure is aligned with the floor plan and the other is angled to face the park and river beyondBoth incorporate elevated hammocks made from black netting stretched between the beams, which are accessed via a spiral staircase between the two towers.
    “Like inhabitable diagrams, these installations can be read as two fragments of a 3D gridded matrix – the timber framework expressing x-, y- and z-lines of interconnecting spatial relations,” said No Architecture.
    Rooms are made flexible thanks to operable walls, like a bookshelf that rotates 360 degreesUnder and around these structures, tall plants add to the tree house aesthetic, and furniture is coloured in grey and neutral shades to match the exposed concrete columns and ceilings.
    This palette continues throughout the apartment, which includes four bathrooms and four bedrooms that the architects refer to as “chambers” due to their multi-functional capabilities.

    No Architecture arranges Flower House in the Berkshires around hexagonal courtyard

    The flexibility is made possible by a series of operable walls that can be shifted to control levels of privacy or connectivity.
    For example, giant moveable bookshelves divide the open living space and adjacent chambers. One slides sideways on tracks, while the other rotates 360 degrees.
    Douglas fir panelling is used throughout the apartmentThe same concept is applied to several of the doors, which are detailed to match the full-height Douglas fir panelling found in many of the rooms.
    “Across these multiple iterations, the architectural question of the ‘wall’ no longer functions primarily as separation, but also –through the added quality of motion – as connection,” No Architecture said.
    A neutral and grey palette complements the exposed concrete structureThe studio was founded by Andrew Heid in 2014, and has completed projects across the US – from a family nature retreat in rural Massachusetts to a house designed around a glazed garden in Oregon’s wine country.
    The Urban Tree House is one of many homes that incorporates net hammocks as playful furniture to occupy spare space – see six examples here.
    The photography is courtesy of No Architecture.
    Project credits:
    Team: Andrew Heid, Chengliang Li, Chuhan Zhou, Feng Zhao, Kun Qian, Nadya Mikhaylovskaya, Theo Dimitrasopoulos, Trendelina Salihu, Wanpeng Zu, Xiangxiang Wang, Zhe Cao, Ziwei DengCollaborators: GMS, Gallon Engineering, Blueberry Construction

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