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      Semba Corporation creates own office interior from reclaimed materials

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      Interior construction firm Semba Corporation has renovated the interior of its headquarters in Tokyo to include reclaimed materials discarded during the demolition of other offices.

      The company’s redesign of its own office interior is shortlisted in the sustainable interior category for the upcoming Dezeen Awards, which will announce its winners next month.
      The interior is made from materials salvaged from demolished officesCalled Semba Good Ethical Office, the project features various pared-back tables, seating and shelving created from materials salvaged from previous office demolitions.
      This furniture is positioned across a single open-plan space in Japan’s capital, which is brightly illuminated by overhead lighting and rectilinear windows.
      Plinth-like seating and stairs forms a centrepieceA plinth-like centrepiece takes the form of both a staircase and a designated desk area, which was formed from boxy arrangements of surplus wood and old filing cabinets.

      Semba Corporation centred the interiors around two principles – “ethical” and “hackable” design – in order to complete the project, the company said.
      Semba Corporation applied its own design principles to the project”To incorporate ‘ethical design’, a circular interior design [theory], into the office renovation, we mined materials from unnecessary stuff generated by office demolitions,” Semba Corporation told Dezeen.
      “Under the theme of ‘hackable design’, we can redefine our working style and attitudes. We completely renovated our office to be friendly to the Earth, people and society,” explained the firm.
      Reconstituted foam was used to create padding on benchesAccording to the company, 80 per cent of the furniture in the Semba Good Ethical Office is reused, while the office achieved a waste-recycling rate of 99 per cent.
      Reconstituted foam was used to create the padding on benches that make up informal meeting booths, while various offcuts of wood were used to construct geometric shelves throughout the interior.

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      Semba Corporation explained that it hopes that other firms will begin to adopt similar design principles when creating their office interiors.
      “Especially in Japan, the lifespan from construction to demolition and disposal has become very short since [increasing] economic growth, and waste has been dumped in landfill,” the firm said.
      “However, Japanese culture has originally valued attachment to things and has an aesthetic sense to continue to use them with creative ideas. So I think our principles have an affinity to that culture.”
      “We hope that ‘ethical design,’ a future-friendly interior design, will be a basic principle in interior design for the future.”
      Reclaimed wood was used to form various shelvingSemba Good Ethical Office joins a group of existing self-designed studios that other firms have created to be more sustainable than the average office, according to the companies.
      These include German studio Urselmann Interior’s renovation of its studio to include biodegradable, recycled or upcycled materials.
      The images are courtesy of Semba Corporation.

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      M Moser Associates transforms historic power station in Singapore into Dyson HQ

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      International practice M Moser Associates has repurposed a former power station in Singapore to create the global headquarters for technology company Dyson, with interiors blending the station’s industrial heritage with contemporary materials.

      The transformation provides Dyson with 140,000 square feet (13,006 square metres) of office space. The design was both shortlisted and recently named public vote winner in the large workspace interior category of Dezeen Awards 2022.
      Amphitheatre-style seating encourages informal gatheringOriginally built in 1926 in the Edwardian style, the coal-fired St James Power Station was Singapore’s first municipal power plant and remains an important heritage landmark, decommissioned in 1976 and used as a warehouse for nearly two decades.
      During the transformation of Singapore’s industrial harbourfront into a commercial area in the 1990s, the plant became a bustling nightlife venue before closing in 2018, with the project to redevelop it beginning in 2019.
      A sculptural spiral staircase frames the former turbine hallThe focal point of M Moser Associates’ design was the former turbine hall, which has been used to create a dramatic, four-storey atrium framed by exposed black steelwork and a sculptural spiral staircase.

      Sheltered underneath tall trees in raised planters that double as desks, a cafe sits alongside an area of amphitheatre-style seating to encourage informal gathering.
      Employees enter through the turbine hall”A dramatic four-storey industrial space, inspired by the quadrangles of university campuses, this central space serves as a circulation hub, connecting all areas,” explained the practice.
      “Employees enter the Turbine Hall as they head to work, [and] are greeted with a symbolic reminder of the building’s new revitalised purpose – to spark design and technological innovation,” it continued.
      M Moser Associates created a mixture of spaces insideOrganised around this central space, four levels are zoned into a mixture of offices, laboratories, and social spaces, designed to provide a range of more private, quiet spaces and collaborative areas.
      On the top floor, spaces benefit from higher ceilings underneath the exposed, black steel trusses of the plant’s roof structure, and above this, a landscaped rooftop terrace provides external gathering space overlooked meeting rooms with full-height glazing.

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      Externally, the building’s brick and paintwork has been restored with Dyson’s logo emblazoned on a chimney, and the new material choices seek to reference this industrial heritage.
      A simple palette of dark stone, wood and metal complements and celebrates the contrast with the exposed structure, such as in an atmospheric meeting room housed at the base of one of the brick chimneys.
      An atmospheric meeting room is housed at the base of one of the brick chimneys”Concrete flooring and black metal speak of the building’s past, while technical materials like polycarbonate, metal mesh and mirrored cladding announce its new future,” said the practice.
      “This sympathetically repurposed building is a rare example of architectural renewal and urban sustainability,” it continued.
      Concrete flooring “speaks of the building’s past”In London, another historic coal-fired plant – the iconic Battersea Power Station – has recently reopened following an extensive redevelopment by WilkinsonEyre, and now houses shops, office space and apartments.
      The images are courtesy of M Moser Associates. 

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      Cun Panda designs escape room with tree at its centre for Chinese game company

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      Chinese studio Cun Panda has created a flexible space for immersive game company Qian Hu Zhi Wu in Xiamen, China, that features a silver-foil-clad tree, acrylic seats and mirror installations.

      The local game company runs 14 escape rooms in China. Cun Panda’s design for its latest space measures 330 square metres and was designed with a focus on flexibility to enable a number of gaming narrations to take place.
      “We aim to create a space that can tell stories,” the studio said. “The design injects extraordinary imagination and creativity into the space that integrates art and immersive experience.”
      A series of rock-like formations surround the central tree installationAt the entrance of the space, a giant tree made of resin and covered in silver foil stretches through the ceiling to form the centre piece of the space. Added light installations were designed to look like satellites and planets circling the tree, giving the piece a futuristic feel.
      The tree is surrounded by a series of rock-like formations, which were informed by Stonehenge.

      “Stonehenge is taken as the prototype to open the interlaced space leading to the new world and build a dimension door of virtual and real,” explained the studio.
      Light installations have been added to the silver treeThe rock-like sculptures in the space have round holes to create clear sightlines inside the escape room, where the lit-up floor is the main light source and creates a variation of shadows.
      Next to the entrance space, a narrow corridor connects the game room with a storage room, dressing room, and makeup areas. Stripes of lights and a mirrors installation on the wall and ceiling were designed to create an infinite sense of space.
      Green moss and black sand add a sense of nature inside a white roomIn another room, sand-dune shaped seats are supported by transparent acrylic to create a floating effect, revealing green moss and black sand in the otherwise completely white space.
      Here, another tree breaks through the wall into the space and connects to the main tree installation. The white wall is lit up by LED lights and printed with shapes of sand dunes.
      Stripes of lights and mirrors create a visual illusionCun Panda was founded by Xuanna Cai and Jiacheng Lin in 2019 and has offices in Beijing, Shanghai, Kunming and Xiamen.
      Other recent interiors from China include timber and travertine reading room by Atelier Tao+C and Fatface Coffee shop by Baicai, both shortlisted in this year’s Dezeen Awards.
      The photography is by Xinghao Liu.

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      Muhhe Studio inserts “wooden box” into old factory to create light-filled photographer's studio

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      A white-painted steel and timber volume that contains an office, dressing room, reception and studio space sits at the centre of this photographer’s studio in an old factory building.

      Located in a former factory building that looks out onto a busy T-junction near a park in Nanjing, China, HNS Studio was designed by architects Muhhe Studio for local photographer Huai Nianshu.
      The studio began by removing all partitions and ceilings in the space to reveal a pitched timber roof structure.
      HNS Studio is a photography studio that was renovated by Muhhe Studio”In the early summer before the reconstruction, we went to the site, after the old partition was removed, the high-rise space of the old plant was warm and transparent in the sunlight of the afternoon,” recalled Muhhe Studio.
      “The photographer himself is extremely sensitive to light. His only expectation for the new space of the studio is a ‘transparent’ space.”

      In order to capture the light, the studio used BIM software to simulate the movement of daylight across the space throughout the course of the day. In response to this study, the studio created several different-sized openings along the building’s west gable end and roof to ensure that the space would be evenly lit at all times.
      It sits within a former factoryIn addition, the architects inserted three large windows that function like a storefront for the studio and increase its connection to the street outside.
      A two-storey structure that resembles two stacked boxes and contains all of the studio’s amenties was built in the centre of the space. At ground floor level, an office, dressing room and toilet are clad in marine-grade plywood.

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      A set of stairs at the back of the plywood volume leads up to a floor wrapped in white-painted steel. This open top floor overhangs the space below and will be used as a large photostudio space with a reception and open-plan office.
      The architects left the original factory space with its brick and plaster walls largely untouched to function as a “continuous and rhythmic open space”.
      The interior was painted white and decorated with wooden furnitureThe original street-facing entrance on the south side was moved to the back so that before entering the office, you now have to pass through a semi-enclosed courtyard.
      “We pay attention not only to the indoor space, but also to the outdoor space, and even the relationship of the entire park, as well as the relationship between the history and the present of this space,” the architects told Dezeen.
      “We designed the space very delicately to allow users and visitors to enjoy it. [To be] people-oriented is our ultimate goal.”
      Windows were inserted to function as storefront-style glazingThis project has been shortlisted in the small workspace interiors category of Dezeen Awards 2022.
      Other projects in the category include a part-workspace and part-community hub in a sleepy fishing village in Taiwan, and a wine-bar workspace for a consultancy company in Sweden.
      Photography is by Xiaowen Jin unless stated otherwise.

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      Life House transforms motor lodge in the Berkshires into hotel

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      A former motel in rural Massachusetts has been transformed by American hospitality brand Life House into a hotel decorated with objects influenced by 1970s hospitality.

      Life House converted an existing, two-storey motel property with its in-house design team. While the 64 guest rooms maintain the same layout, a new extension was added for the lobby, restaurant and lounge.
      Life House, Berkshires is a reimagined 1970s-era lodge”Set in the middle of the mountains, Life House, Berkshires is a reimagined 1970s-era lodge that culls inspiration from the lodge styles of the past century and reinterprets the architecture via modern materiality and forms,” said Life House.
      The property is located in the Berkshires mountains, between the towns of Pittsfield and Lenox.
      Its design “culls inspiration from the lodge styles of the past century”Visitors access rooms via exterior walkways, a feature that Life House has reinterpreted for a more contemporary hotel set-up.

      “The exterior is rendered in oat-colored wood shingles juxtaposed with dark gray trims that give the building a cozy and luxurious appearance,” said Life House.
      The main communal space is called the Club RoomThe most important addition to the property was the communal space, which is nicknamed the Club Room.
      In addition to being the first space visitors see as they enter the hotel, this is the main gathering space, as it contains a fireplace, the bar, lobby and a restaurant.
      A custom mural covers the wallsThis double-height room features cathedral ceilings, exposed wooden beams and ornamental chandeliers that give the space a warm light and a sense of scale.
      “The gargantuan, 28-foot ceilings house custom Murano glass chandeliers handmade in Venice by Sogni di Cristallo and hang high above the bar millwork that showcases a marble countertop and leather upholstered panels,” said Life House.
      The terrace provides a space to loungeA custom mural painted by artist Lei Xing covers the walls of the Club Room. Vitage prints and found objects – as well as other electric accents – cover the walls.
      This indoor space is connected to a terrace via sliding glass doors, where guests can lounge on several large couches surrounding fire pits.

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      “The design of the outdoor spaces exudes the nonchalance of its environs telegraphed via a color palette inspired by the striking sunrises and sunsets of the Berkshires,” said Life House.
      Throughout the property, the team selected furniture and decor pieces that create a sense of nostalgia.
      Life House selected furniture that intends to evoke nostalgiaWithin the guest rooms, there are custom wardrobes created by the Life House team, alongside lamps and armchairs with a vintage aesthetic.
      “Collage artwork by Annie Lynch, whose pieces present black and white portraits of female figures with superimposed aerial photographs of local landscapes, are hung alongside framed poetry by artist Russell Markus who used an antique typewriter and vintage paper to produce each art piece,” said Life House.
      Custom wardrobes by Life House feature in the guest roomsOther hotel properties that can be found in the region include Hotel McKinsley, which was designed to avoid the typical aesthetic of “antlers or plaid and reclaimed wood” and a property in Armenia, NY that is set within an English-style country home.
      The photography is by Sophie Fabbri for Life House.

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      Snarkitecture uses recycled materials for Pharrell Williams' streetwear brand store in Miami

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      New York design studio Snarkitecture has designed a flagship store for the streetwear clothing brand Billionaire Boys Club, created by American musician Pharrell Williams and Japanese graphic designer Nigo.

      Located in a former warehouse on a corner in Miami’s Wynwood neighbourhood, the store is a flagship for Billionaire Boys Club (BBC), which was founded in 2003 and includes sub-brands Icecream, Bee Line and Billionaire Girls Club.
      Snarkitecture designed a flagship for Billionaire Boys Club in Miami”I’m very grateful that we have the opportunity to bring our flagship store to Miami,” said Williams. “It’s going to be a place where people can come in to get inspired by the mix of fashion, culture, art and design.”
      The 5,000-square-foot (465 metres) store includes retail space as well as art installations created for the store by Snarkitecture.
      The space used to be a warehouseIn order to light up the warehouse space, the studio added windows to the side of the structure and created a domed entryway, also with panelled windows.

      The exterior of the store is clad in a light plaster material and the walls feature decorative murals.
      Recycled materials were used throughoutInside, the designers used influences from Florida’s Everglades National Park as well as brand imagery from BBC to create an open space for the retail experience.
      “The space is a reimagination of the traditional retail model, taking the form of an art gallery, with the goal to drive social engagement and exploration,” the clothing brand said.
      Cages were designed to hold some of the goodsWooden panels with a beige hue clad the walls of the store, creating a solid base element to contrast the colourful retail elements – such as the white and seafoam green cages that hold the merchandise.
      According to BBC, many of the elements used for the interiors were reused.
      Displays line the walls”The design makes use of environmentally-friendly materials, such as recycled plastics, glass and wood panels,” it said.
      The ceiling is covered with white slats that are top-lit between the exposed HVAC elements.
      An astronaut statue is the centrepiece”The store also features a spacious open-concept layout that was designed to meet BBC’s need for a flexible retail environment,” said the brand.
      “Now, more than ever, we believe that curating brand physical experiences via brick-and-mortar shopping locations and in-store experiences are imperative to connect on a deeper level with our customers,” said BBC chief sales officer Matt Kaden.
      Beige panels line the wallsGlass elements with stainless-steel accents line the walls of the store, creating space for smaller items to be displayed.
      In the centre is a large blue-painted astronaut statue – the symbol of the brand as well as a nod to Florida’s space-faring history.

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      Miami’s Wynwood neighbourhood was chosen for the store as it has become the epicentre of the city’s art, fashion and design scenes.
      “The choice of Wynwood, Miami for the new storefront is a conscious move to be in the heart of the art community and within a cultural environment that speaks to the brand’s values and inspirations,” said BBC general manager Loic Villepontoux.
      Glass display cases hold smaller itemsOther stores in the area include a showroom for Mexican stone company Grupo Arca designed by Mexico-based Esrawe Studio in collaboration with art collective Superflex.
      Other projects by Snarkitecture – a studio founded by Alex Mustonen and Daniel Arsham – include a “self-care” club in Washington DC and a Parisian mansion-turned-streetwear-outlet that includes a Nike Air Max chandelier.
      The photography is by Billionaire Boys Club.

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      Beer-filled baths and straw beds feature in Brussels' Bath & Barley spa

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      Set in a vaulted cellar in the old city centre of Brussels, Bath & Barley is an updated take on a traditional Czech beer spa from design studio WeWantMore.

      Beer spas offer beer-infused spa treatments, most notably beer baths where guests soak in water mixed with hops, malt and medicinal herbs.
      WeWantMore has designed the Bath & Barley spa in BrusselsBath & Barley is the “very first” beer spa in Belgium, according to local practice WeWantMore, offering a modern take on the traditional day spas.
      “Beer spas are a tradition in the Czech Republic but not in Belgium, despite our nation’s rich beer culture,” the studio explained.
      Privacy screens were designed to look like stained glass”We noticed that most Czech beer spas are more beer than spa – dark, lots of neon and an overall pub vibe,” the practice added. “This wasn’t our idea of a soothing wellness experience.”

      “Instead, we decided to create a sense of relaxation and intimacy, but with a link to what distinguishes Bath & Barley: beer, bathing and Belgium’s beer.”
      The spa’s reception is located on the ground floorTo realise this vision, the studio drew on a palette of raw natural materials such as lime stucco, wood and straw, alongside copper and stained glass to evoke Belgium’s medieval beer brewing culture.
      The spa is split across two floors, with the oak bathtubs nestled into the vaulted basement and framed by draft beer machines, where guests can pour themselves a pint.
      A stone tasting counter defines the entrance spaceAfter the bathing ritual, guests can use the spa’s sauna or rest on a staw-upholstered lounge that allows them to “connect with nature”, according to WeWantMore.
      “The design supports social wellbeing and creates a unique escape from the daily rush,” WeWantMore said.

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      The spa’s reception is located one level up on the ground floor and is wrapped in curved copper sheets to resemble the kettles used in traditional Belgian breweries.
      Dried barley hangs from the ceiling above a stone tasting counter, where guests can taste a variety of beers and select the hops they want to add to their bath. 
      Steel balustrades depict the different stages of brewing beer”The natural scent of the dried barley branches dangling from the ceiling adds to the sensory experience and sets the mood,” said the studio.
      Ecclesial illustrations from Bath & Barley’s visual identity are integrated throughout the interior in the form of privacy screens, which resemble stained-glass church windows, and steel balustrades that depict the different steps of the brewing process.
      Copper accents feature throughout the interiorBath & Barley has been shortlisted in the leisure and wellness interior category of this year’s Dezeen Awards.
      Other projects in the running include a hotel spa in the Maldives designed by Marcio Kogan of Studio MK27 and a Shenzhen cinema with a copper-lined lobby.
      All images are courtesy of WeWantMore.

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      Melanie Raines designs “weird and funky” interiors for Austin residence

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      Interior designer Melanie Raines has applied her experience in hospitality design to ensure the large spaces of this Austin family home feel cosy, playful and “a bit irreverent”.

      Raines, who recently moved to the Texas capital from LA, was discovered by the clients after they visited the Soho Little Beach House in Malibu and researched the team behind its interiors.
      The home’s large living room features vertical elements including a concrete-block fireplace and a swingAfter connecting on LinkedIn and realising they are now based in the same city, the family asked her to design the interiors of a property they were building.
      The house, designed by local firm Ryan Street Architects, was originally conceived as a 12,500-square-foot (1,160-square-metre) California barn-inspired home with vast living spaces, six bedrooms and a guest house.
      Furniture is arranged to create zones, like a seating area framed by a brown leather sofaHowever, the music-loving homeowners decided that the interiors should better reflect their creative personalities, and provide a “weird and funky” environment for their four children and two dogs.

      “By the time we were brought onto the project, they were hoping to see more of themselves in the interior design: colorful, playful, and artful people who love music and don’t take things too seriously,” Raines told Dezeen.
      Above the bar, a section of mezzanine floor is replaced with a rope net”For this reason, the central design challenge was to marry the architecture of exposed steel and reclaimed wood with an interior that felt fresh, playful, and distinctive.”
      One of the biggest challenges was to make the huge open living room feel intimate and cosy.
      Walnut is used throughout the home and prominently in the kitchenThis was achieved by arranging furniture in different zones, a trick borrowed from Raines’ career in the boutique hospitality sector.
      A large wooden ping-pong table that doubles as a dining surface sits at the centre, accompanied by velvet-upholstered stools.
      The millwork echoes the exterior reclaimed timber cladding visible through large windowsOn the other side, a curve chocolate-brown leather sofa sits atop textured red rugs to create a nook in front of a bar area, which has a built-in pizza oven.
      Above the bar, a cut-out in the floor of a mezzanine balcony is replaced with a rope net to form a hammock.
      The primary bedroom is decorated in dark colours to create a relaxing atmosphereOther vertical elements help to draw the eye up, including the fireplace clad in split-face, industrial concrete blocks and a swing suspended on ropes from the 22-foot (6.7-metre) ceiling.
      To unite the various ground-floor spaces, walnut is repeated across several surfaces and details.
      Colour is used boldly in several of the smaller rooms”Occasionally we joked that it’s the ‘house that walnut built’ – the floors, millwork, and many of the furnishings are a beautiful American black walnut,” Raines said.
      This is especially true in the kitchen, where millwork on the island and built-in cabinetry are all crafted from the material – echoing the reclaimed timber ceilings and the exterior cladding visible through giant windows.
      A green sofa set the retro tone in the dark movie roomWhile colour is used sparingly as accents in the living area, a much bolder approach was taken in other rooms.
      “The clients came to develop a trust in some colour sensibilities that became the moods around the home,” explained Raines. “We landed on a creamy off-white in the main spaces, then got especially playful in the ancillary spaces.”

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      Dark blues were chosen to create a relaxing atmosphere in the primary bedroom, where a corner is designated for the couple to enjoy tea together, while a retro aesthetic was guided by a green sofa in the near-black movie room.
      Smaller spaces like closets and bathrooms are decorated with a variety of patterned wallpapers, some of which Raines described as “PG-13”.
      Wallpaper chosen for closets and powder rooms includes a design that Raines described as “PG-13″In the guest house, wood panelling paired with tan and orange leathers offers a “1970s lakehouse feel”, and the primary powder bath has a black terrazzo stone ceiling.
      “The atmosphere needed to be creative, inspirational, artful, and un-precious,” said Raines. “Anything ‘fancy’ was immediately thrown out!”
      “It was a reaction on both my part and theirs to the age of over-design, and we were really able to throw some wild ideas out to see what stuck, then remix them to create an intentional – but a bit irreverent – final design,” she added.
      The ombre wallpaper in this powder room is another example of the designer’s playful approachAustin is one of the fastest-growing cities in the US and has seen a spike in residential architecture and interior projects as a result.
      Others that have been completed recently include a gabled family home clad in limestone and fibre cement by Clayton Korte and a residence with dark grey walls and a crisp silhouette by Side Angle Side.
      The photography is by Chase Daniel.

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