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      Video reveals Austin guesthouse perched above existing family bungalow

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      This exclusive video produced by Dezeen features The Perch, architect Nicole Blair’s elevated house extension in Austin, which was designed to maximise living space.

      As its name suggests, the structure is perched just two feet above the roof of the existing home to minimise disturbance to the residence below.
      Blair clad the guesthouse in weathering-steel panels and added wood-framed windows provided by Windsor Windows & Doors. The Burnt Pumpkin colour of the windows was selected to complement the Corten-steel exterior.

      The structure spans 660 square feet and consists of an irregularly shaped steel volume supported by four columns.
      The assembly of the steel structure took place offsite, in order to minimise disruption to the mature vegetation on the premises and reduce on-site material storage.
      The wood-clad windows were provided by Windsor Windows & DoorsThe architect designed the interior of the guesthouse to have a bright, airy atmosphere and adorned it with colourful accents.
      It features wood flooring supplied and installed by local company Artisan Hardwood Floors, which was complemented with pink cabinetry and exposed plumbing fittings throughout the home.
      The materials used for the wood flooring were a mix of pre-finished plain and rift-sawn white oak, along with excess wood recycled from a larger project by the company.
      The wood flooring was supplied and installed by Artisan Hardwood FloorsThe first floor of the guesthouse encompasses an open-concept kitchen, living room and dining area with compact footprints and vaulted ceilings for an increased sense of space.
      The upper level includes a room facing the street and another overlooking the backyard, designated for use as a guest bedroom and a hair salon for one of the hairstylist owners.
      The photography is by Casey Dunn.
      Partnership content
      This video was produced by Dezeen for Windsor Windows & Doors and Artisan Hardwood Floors as part of a partnership. Find out more about Dezeen partnership content here.

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      Colour-drenched coffee shop by Uchronia references “sunsets in the Tunisian desert”

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      Gradated lava stone flooring and suspended planet-like orbs feature at the Cafe Nuances coffee shop in Paris, which was created by Dezeen Awards-nominated studio Uchronia.

      Located on the city’s Rue de la Tremoille, the coffee shop is the third Uchronia-designed branch for Parisian coffee roaster Cafe Nuances.
      Cafe Nuances’ latest branch has a bright white facadeThe one-room shop is fronted by a bright white facade in stark contrast to its vivid-hued interior.
      Studio founder Julien Sebban was informed by the landscapes he experienced on a recent trip to Tunisia when creating the cafe’s walls and lava stone flooring, which are decorated in ombre swathes of red, orange and blue.
      The colorful interior was informed by sunsets in Tunisia”They reminded him of the sunsets in the Tunisian desert – a veritable ode to the gentleness of summer days,” said the studio, known for its playfully eclectic designs and shortlisted in the emerging interior designer category at this year’s upcoming Dezeen Awards.

      The coffee shop’s entrance is flanked by two bright red benches topped with metallic-effect fabric – one curved, and the other straight.
      Uchronia crafted the counter from stainless steelLow-slung interlocking tables, which can double as stools, can be reconfigured to suit customers’ needs.
      Uchronia placed a chunky stainless steel counter at the back of the intimate cafe, which is overlooked by deep orange lacquered shelving – a design element found in the other two Cafe Nuances outlets.

      Beata Heuman designs colour-drenched Hôtel de la Boétie in Paris

      “This new address picks up on the codes present in the second shop, accentuating the [coffee] brand’s colourful, futuristic retro universe,” explained the studio.
      A cluster of striking, spherical objects were finished in the same colours as the rest of the space and suspended from the reflective ceiling.
      Planet-like orbs add decoration to the space”Unlike [this branch’s] two big sisters, whose interiors feature striated shapes, here, the poly mirror tiles are complemented by half-spheres in saturated colours, accentuating the dreamlike feel of the coffee shop,” continued Uchronia.
      “They create the illusion of floating balls, which could be mistaken for Saturn.”
      Bespoke interlocking tables also function as stoolsThe studio previously livened up a Haussman-era Paris apartment for a pair of jewellery designers with furniture crafted to nod to the appearance of precious stones.
      Elsewhere, Canadian design duo Julia Jamrozik and Coryn Kempster created a sky-blue coffee shop in a century-old house in Buffalo, New York, with an optical illusion staircase.
      The photography is by Félix Dol Maillot.

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      Studio XAG creates fixtures for Coach pop-up using discarded leather scraps

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      A colourful, reconstituted leather made from cutting room scraps was among the recycled materials used to create the fixtures and fittings for Coachtopia, a London pop-up store for American label Coach.

      Located in the Wonder Room at Selfridges in London, the temporary store was created to launch a new collection of Coach products crafted from reused leather bags and recycled materials.
      Called Coachtopia, the collection seeks to challenge fashion’s linear system where most products end up in landfill.
      Coachtopia was located in department store Selfridges’ Wonder RoomEach of the products in the Coachtopia collection has a clear pathway for reuse and recycling, according to the brand, and comes with an embedded NFC chip that tracks its lifecycle.
      Chosen by Coach for its sustainable approach and B Corp-certified status, retail experience agency Studio XAG was commissioned to create a temporary store space to launch the product line.

      The resulting space, which features a modular display system made of recyclable parts that slot together, has been shortlisted in the retail interior (small) category of Dezeen Awards 2023.
      It features display counters made from reconstituted leather”The Coachtopia product line is designed to be ‘circular from the start’ – considering the future life of a product proactively, rather than reactively,” Studio XAG said.
      “We mirrored Coach’s circular ethos for the collection through three approaches to the physical space.”
      The first approach was to keep the use of virgin materials to a minimum by using repurposed neon flex, recycled leather scraps and Ecoboard – a material made from agricultural waste.
      The modular fixtures were “made to be remade”Secondly, Studio XAG ensured that the modular fixtures, like the products on sale, were ‘made to be remade’ and could be disassembled and repurposed at the end of their current use.
      Finally, the studio selected materials that offer meaningful recycling opportunities at their eventual end of life and said it considered the embodied carbon, toxicity and afterlife opportunities in every component.

      Akin Atelier houses Gallery Shop at Sydney Modern in “translucent bubble”

      “The challenge was to create a pop-up that would have visual impact, but could be dismantled and rebuilt in new locations, again and again,” explained Studio XAG.
      “Any items which couldn’t be used in a future pop-up, such as the hoarding and some of the wall panels, were donated to Selfridges to use in their future launches.”
      Studio XAG used Ecoboard to create displaysThe collection’s slogan Have Taste Love Waste, which serves as a statement of intent and action, was boldly written in neon signage crafted from offcuts of neon flex that would otherwise be discarded.
      The lighting will be reused for other key stores, including Coach’s flagship on Regent Street.
      The store’s slogan was made from reused neon flex”To create a sustainable lighting solution was a challenge, as most neon alternatives are manufactured from virgin materials,” explained Studio XAG.
      “To resolve this, we contacted a lighting manufacturer and requested that they collect all their offcuts from previous projects over the months leading up to the installation of Coachtopia,” it added.
      “All of these offcuts were then meticulously threaded together to make a unique set of signs, made up of hundreds of individual scraps which would have otherwise been thrown in the bin.”
      Studio XAG chose materials that “offer meaningful recycling opportunities”The Coachtopia tables and display units are covered in reconstituted leather made using scraps from the cutting-room floor that might have otherwise gone to landfill.
      These modular pieces can easily be taken apart using a system of slotting together rather than permanent glueing or fixing.
      Colourful leather scraps were used to create displaysEcoboard – a carbon-negative material manufactured in the Netherlands from seasonal agricultural waste like straw, seeds, rice and corn – was used in place of MDF. Unlike MDF, Ecoboard does not emit any damaging organic acids.
      “In the Wonder Room, visitors are given insight into what circularity means for the future of fashion,” commented the studio. “The space feels exploratory and educational, using sustainable materiality and clear signage as a guide.”
      Other projects shortlisted in the retail interiors (small) category include a gallery shop in Australia housed in a “translucent bubble” and a steel-clad boutique in Bratislava.

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      WOA designs own studio space using materials that had been “relegated to landfill”

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      Indian architecture studio Workers of Art has converted a former storage space into its own plant-filled office, using recycled and repurposed waste materials in almost every aspect of its design.

      Called WOA Second Home, the office is located in Kochi, Kerala, and occupies a 1,450-square-foot (135-square-metre) concrete structure that was previously used for storing tiles.
      Aiming to “underscore the necessity of the curtailment of waste output in architecture,” Workers of Art (WOA) made use of materials that had been “relegated to landfill” including concrete board, PVC pipes and acrylic sheets, to create a workspace that would reflect the studio’s ethos.
      WOA has converted a former storage space into an office in Kerala”The design celebrates the value of materials that might have otherwise been discarded, creatively forming patterns and combining different elements to breathe new life into the space,” said the studio.
      “For instance, odd-shaped waste tiles are harmoniously mixed and matched, finding their new home in the powder room. A strikingly repurposed tile piece also elevates the entry steps, underscoring the studio’s attention to detail and innovative flair,” it added.

      Organised across one floor, the entrance to the office leads into a large space lined with a zig-zag of ferrocement desks along the eastern wall, next to a meeting table and sample board at the centre of the room and a more private workspace to the west.
      The design uses recycled and repurposed waste materialsA new partition with a large arched opening and blackout curtain leads through to a breakout area and facilities space containing a locker area, kitchen and bathroom.
      “The design of the workstations, which meander through the shared workspace, was strategically planned to encourage teamwork while also allowing for individual space,” WOA co-founder Priya Rose told Dezeen.
      “The philosophy was to create a workspace that feels like a ‘second home’ – evident in the thoughtful design elements that prioritise comfort, aesthetic pleasure, and a sense of belonging,” she added.

      Terroir revamps 1960s Tasmanian office “using no new resources at all”

      Custom black light fittings on the ceiling were created by repurposing lengths of PVC pipe, while bespoke planters were made using ferrocement lined with blue plastic barrels.
      The existing tile floor in the building was retained, with areas that had become cracked removed and infilled with microcement to create contrasting dark grey geometric areas.
      Throughout the studio, discarded antiques and over 100 species of local plants were introduced to bring a “homely” quality to the space.
      A large arched opening forms a new partition within the officeWOA Second Home has been shortlisted in the workplace interior (small) category of Dezeen Awards 2023.
      In Madrid, designer Lucas Muñoz used upcycled junk and construction waste to create nearly every interior element of the Mo de Movimiento restaurant.
      The photography is by Ishita Sitwala. 

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      Olson Kundig and Erica Colpitts renovate mid-century house in North Vancouver

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      US architecture firm Olson Kundig and Canadian designer Erica Colpitts have renovated a mid-century house near Vancouver, warming the modernist structure with natural materials and neutral colours.

      The residence is surrounded by tall cedar trees on a quiet plot in Edgemont, a village-like neighbourhood of North Vancouver, across the water from the Canadian metropolis.
      Wood lines the ceiling and floors of the renovated home, contrasting the blackened steel structural elementsIts new owners are a family of four who relocated to the West Coast from New York City, looking for a community to put down roots.
      Olson Kundig, which has an office in nearby Seattle, was asked to update and slightly expand the building to meet the owners’ needs while respecting the original design.
      The living spaces are all connected along the back of the house, in its single-storey portionLocally based Erica Colpitts was brought on to complete the interiors with a softer, warmer feeling than typical mid-century designs.

      “The pure challenge of this home completely appealed to me,” said Colpitts. “My task was to meld Olson Kundig’s overall design for the home with an ever so slightly soft and romantic interior.”
      Dark tones in the kitchen, including the steel hood and shelving, match the building’s beams and columnsLike many homes from the period, the building has a low-slung form, a shallow roof pitch and large expanses of glass across its facades.
      Blackened steel structural elements were highlighted throughout the interior, and their dark colour is repeated across several other elements.
      The kitchen connects to the patio via a bar counter and sliding windowThese range from the guardrails and supports for the staircase unit, which connects the home’s multiple split levels, to a custom hood and shelving in the kitchen.
      The staircase is separated from the lounge by a huge bookcase that is original to the house, along with a red-brick fireplace on the other side.
      An original bookcase separates the lounge from the entry hallway and staircaseAll of the primary living spaces run along the back of the home, in the single-storey portion, facing the landscaped garden and a plunge pool through huge windows.
      Wide-plank flooring and a wood-covered ceiling connect the open-plan areas, which culminate at the dark-stained kitchen.
      Bedrooms in the two-storey side of the house follow the same design aestheticThe hues and materials chosen for the these spaces are warm and inviting, such as cream surfaces and heathered oatmeal textiles paired with cognac-coloured leather, dark flax, and deep grey.
      “This home has a decidedly neutral colour palette to go with the natural materials selected; however, it is warmly neutral and texturally layered,” said Colpitts.

      Eight renovated mid-century homes that marry period and contemporary details

      “Where colour was used, we wanted those colours and their textures to be reminiscent of a gentleman’s library,” she added.
      The bedrooms, bathrooms, and additional living areas are organised within the two-storey side of the house, where the same design aesthetic continues.
      The home’s large expanses of glass connect it to the surrounding landscape, designed by Amelia SullivanOn the exterior, weathered ebony siding and a Corten steel front door were added in keeping with the building’s modern-industrial appearance.
      “This home is a juxtaposition of all good things,” Colpitts said. “Dramatic and serene. Rustic and refined. Industrial and romantic. Exquisite and comfortable.”
      Olson Kundig aimed to respected the building’s original design while slightly expanding its footprintThe mid-century architecture style remains incredibly popular with homebuyers across the US and Canada, which has led to many renovations that align these residences with contemporary living.
      Recent examples include a Hamptons home that owner Timothy Godbold transformed to resemble a lair from a James Bond movie, and the former seaside home of modernist architect Henry Hill respectfully overhauled by Studio Schicketanz.
      The photography is by Ema Peter.
      Project credits:
      Architect: Olson KundigInterior design: Erica Colpitts Interior DesignContractor: Brent Braybrook / Braybrook ProjectsMillwork: Robin Woronko / Intempo InteriorsLandscape architect: Amelia SullivanMetalwork: Drabek Technologies

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      Eight imaginative home interiors created on a budget

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      In this lookbook, we collect eight residential interiors that were put together with limited funds but still have a certain richness.

      Featuring exposed structures, simple materials and sparing use of finishes, these budget interiors prove that adventurous design doesn’t have to be reserved for the very wealthy.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring interiors made with reclaimed materials, inviting entrance halls and industrial-but-cosy living rooms.
      Photo by José Hevia10K House, Spain, by Takk
      Renovated on a material budget of only 10,000 euros, this Barcelona apartment takes raw, pared-back aesthetics to extremes.

      Leaving traces of dismantled fixtures visible, Spanish studio Takk chose not to apply coatings to the floors and walls, while utilitarian medium-density fibreboard features throughout.
      Find out more about 10K House ›
      Photo by Trieu ChienBinh Thuan House, Vietnam, by MIA Design Studio
      Simple white curtains divide spaces inside the Binh Thuan House, designed by MIA Design Studio for a family of four using limited resources.
      An exposed steel frame lends a distinctly industrial feel and is also an easily adaptable means of fitting windows, curtains, furniture and pictures.
      Find out more about Binh Thuan House ›
      Photo by Taran WilkhuSegal House, UK, by Fraher & Findlay
      UK architecture studio Fraher & Findlay avoided using specialist trades and bespoke products to keep costs down in the renovation of this house in south London that was originally designed according to Walter Segal’s self-build methods.
      Extensive use of plywood meant there was no need to hire a plasterer, for example, while other materials and products were chosen for being widely available off the shelf.
      Find out more about Segal House ›
      Photo by Ariadna Polo/Sandra Perez NietoCasa Nakasone, Mexico, by Escobedo Soliz
      This small, simple house on the outskirts of Mexico City was designed by Escobedo Soliz for a retired teacher.
      Cheap structural materials were left exposed in the interiors, such as brickwork walls, tiled floors and pale wooden beams on the ceilings.
      Find out more about Casa Nakasone ›
      Photo by Jumpei SuzukiMinimum House, Tokyo, by Nori Architects
      Minimum House, in Tokyo, was designed by Nori Architects as a prototype for a low-cost, low-waste, adaptable model of urban housing.
      Ductwork and wiring was left exposed with only simple light fittings, while the timber structure is left uncovered on the walls and used for kitchen and storage units.
      Find out more about Minimum House ›
      Photo by José Hevia105JON, Spain, by Vallribera Arquitectes
      Simple materials feature throughout this house in Vallès, Spain, modernised by Barcelona studio Vallribera Arquitectes.
      Chunky chipboard is a recurring motif, contrasting with blue linoleum flooring in the bathroom and with exposed brick party walls in the living spaces.
      Find out more about 105JON ›
      Photo by Richard ChiversMaison Pour Dodo, UK, by Studio Merlin
      Studio Merlin incorporated an abundance of storage in its revamp of this Stoke Newington flat to ensure that the available space could be kept luxuriously serene and clutter-free.
      Touches include a large floor-to-ceiling shelving unit in the living and dining area, and a wall of deep-set IKEA cabinets with smokey blue door fronts from Danish brand Reform in the kitchen.
      Find out more about Maison Pour Dodo ›
      Photo by Javier de Paz GarcíaUpHouse, Madrid, by CumuloLimbo Studio
      Completed on a shoestring budget of $39,000, this extensive renovation of an apartment in Madrid by CumuloLimbo Studio prioritised using inexpensive materials such as salvaged plywood.
      The kitchen area features a simple open shelving system with a black-tile backsplash, while the counter forms part of an unusual staircase leading up into a newly inserted mezzanine.
      Find out more about UpHouse ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring interiors made with reclaimed materials, inviting entrance halls and industrial-but-cosy living rooms.

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      Gachot Studios creates cosy New York neighbourhood bar

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      New York City-based Gachot Studios has revamped a NoHo townhouse to host a snug cocktail bar, in which exposed stone walls and dark wood contrast a creamy colour palette.

      Named after Jack Champlin, a beloved member of the NoHo community, Jac’s on Bond opened in February 2023 within a 1800s townhouse formerly occupied by The Smile cafe.
      Jac’s on Bond features a series of niches for enjoying cocktailsBoth the previous and new iterations are owned and operated by Authentic Hospitality, which tapped Gachot Studios to overhaul the interiors.
      “We wanted to open a place that felt like a causal hang out for our Bond Street neighbours, but also elevated and expertly executed, where adults could gather around a well-made cocktail and meet each other – a lost art in New York!” said the Gachot team, whose office is just a few blocks away.
      Original fireplace surrounds were recovered in limewash plaster during the renovation workEntered below grade through a heavy velvet curtain, the main bar space unfolds as a series of cosy niches and warmly lit corners.

      A neutral palette of creams, browns and black was applied to create “a wonderful juxtaposition of the old and new; the rough and the sophisticated that we felt accurately captured the building and neighborhood’s history”, according to the team.
      A new guardrail with curved newel posts surrounds the staircase to the basementThe bar counter is wrapped in dark wood panels and features a St Laurent marble top, while a mahogany-framed arched bronze mirror reflects the scene from the bar back.
      Two cylindrical columns and a pair of vintage 1920s sconces frame the bartenders as they mix cocktails, including the establishment’s signature Caprese Martini.
      A pool table with a custom camel-coloured top is positioned towards the back of the main barOpposite, newly revealed stonework above charcoal-painted wainscoting and a drinks rail spans between open fireplaces, which are lime plastered above.
      “When considering the build out of the bar, we knew we wanted to preserve and showcase as much of the original 1800s townhouse as possible,” the design team said.
      The Back Room offers additional space for expanded weekend service or private eventsA series of circular two- and four-top tables topped with back-painted glass run along this wall, while seven Artemest barstools line up along the underlit bar.
      In the centre of the room, a solid guardrail with curved newel posts wraps around an opening for a staircase, which descends to the basement.
      A dining table is placed within a niche accessed via mahogany-trimmed archesA geometric fabric-wrapped pendant light hangs above the stairwell, and a pool table with a custom camel-coloured surface is positioned behind.
      Formerly a wine cellar, the downstairs space has a dimly lit speakeasy vibe and features velvet-upholstered seats built into arched niches in the stone walls.

      GRT Architects references “vacation Italian” at New York bar and restaurant

      The original metal and wood ceiling was restored, and four 1970s table lamps by Czech lighting firm Kamenicky Senov Preciosa were added to create the right ambience for small private parties.
      For larger events and expanded walk-in service on weekends, The Back Room is decorated like a parlour with lime-washed bricks.
      In the former wine cellar is another space that can be rented for private eventsThis space has a second bar, and can be configured with long dining tables, seating for small groups, or cleared for standing room depending on its requirements.
      There’s also a dining space with tiled flooring tucked into a corner, accessed through mahogany-trimmed arched openings.
      Banquettes are built into the original stonework and the lighting is kept low for an intimate atmosphereAdorning the walls throughout Jac’s on Bond are photographs of New York’s hip-hop scene in the 1980s and ’90s, by local artist Janette Beckman.
      “Her photos are of a New York past – they highlight the up and comers of 1980s and 90s New York hip hop, including some names that went on to become world famous: Run DMC, LL Cool J, Salt n Pepa, Andre 3000,” the team said.
      Jac’s on Bond occupies the lower floors of an 1800s townhouse on Bond Street, in New York’s NoHo neighbourhoodFounded by John and Christine Gachot, Gachot Studios has previously completed hospitality projects that range from a boutique hotel in Detroit for watchmaker Shinola to an open-air restaurant on NYC’s Union Square.
      The firm also designed the New York flagship store for the cosmetics brand Glossier, which includes soft-pink plasterwork and a Boy Brow Room.
      The photography is by William Jess Laird.

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      Eight immersive saunas in peaceful settings

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      A floating sauna and a cavernous coastal grotto feature in our latest lookbook, which collects eight sauna interiors that provide a warming antidote to colder months.

      Usually contained within a single room, a sauna is a sealed place where visitors experience dry or wet heat produced through a variety of mechanisms that are designed to clean and refresh the body – a ritual that is reported to date back to as early as 4000 BC.
      Saunas are typically made of wood due to the material’s ability to absorb heat but remain cool to the touch. The following projects demonstrate how architects and designers have interpreted this longstanding practice in contemporary settings.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring cosy living rooms, retro eateries and dining rooms with built-in seating.
      Photo is by Filip GränströmBig Branzino, Sweden, by Sandellsandberg 

      The Big Branzino is a floating sauna by Swedish studio Sandellsandberg that was topped with a distinctive bow-shaped roof.
      Designed to drift against the shifting backdrop of the Stockholm archipelago, the sauna features a red cedar-clad interior including a bespoke stove flanked by two-tiered seating.
      Find out more about Big Branzino ›
      Photo is courtesy of PartisansGrotto, Canada, by Partisans
      Canadian studio Partisans designed a cavernous cedar interior for a private burnt-timber sauna that was created to emulate a seaside grotto.
      Situated on a craggy spot on the shore of Lake Huron, north of Toronto, the structure features skewed porthole windows and a curvy alternative to traditional geometric stepped sauna seating.
      Find out more about Grotto ›
      Photo is by Jonas Aarre SommarsetThe Bands, Norway, by Oslo School of Architecture and Design students
      A trio of staggered timber bands forms this student-designed sauna, which also functions as a picnic terrace and has a sunken hot tub on its exterior.
      The building has three different gabled roof profiles, as well as glass and translucent polycarbonate plastic windows that illuminate the larch-clad interior.
      Find out more about The Bands ›
      Photo is courtesy of HaeckelsSauna, UK, by Haeckels
      Skincare brand Haeckels took cues from traditional Victorian bathing machines – wooden carts that provided privacy for people to change clothes at the seaside – when creating this sauna on the beach of southeast England’s Margate.
      The brand used materials that were as close as possible to those that would have been used to design original bathing machines. A wood-burning stove features inside, while timber benches provide seating with a sea view framed by an external wax-cloth awning.
      Find out more about this sauna ›
      Photo is Riikka KantinkoskiTullin, Finland, by Studio Puisto
      Finnish practice Studio Puisto paid tribute to the concept of the late nineteenth-century korttelisauna, or neighbourhood sauna, when designing this communal complex in the city of Tampere.
      Throughout the complex, the interior is characterised by rough concrete finishes layered with warm local pine – a material used in saunas all over Finland.
      Find out more about Tullin ›
      Photo is by Noé CotterLöyly, Switzerland, by Trolle Rudebeck Haar
      Designer Trolle Rudebeck Haar built a prefabricated floating sauna on Lake Geneva while studying at the Lausanne University of Art and Design.
      Created to explore the concept of micro-architecture, Löyly spans 2.2 square metres and features a Japanese sliding door – known as a shōji – made from ribbed translucent glass.
      Find out more about Löyly ›
      Photo is by RaumlaborGothenburg Public Sauna, Sweden, by Raumlabor
      German studio Raumlabor worked with local residents in Gothenburg to design this public sauna, which is raised over the water in the Swedish city’s Frihamnen port and accessed via a wooden bridge.
      Thin larch strips line the interior and create texture across the curved and angular surfaces of the ceiling and walls.
      Find out more about Gothenburg Public Sauna ›
      Photo is by Riikka KantinkoskiSaunaravintola Kiulu, Findland, by Studio Puisto
      Studio Puisto designed the Saunaravintola Kiulu wellness centre to combine a duo of saunas and a restaurant.
      Characterised by dark wood cladding and red epoxy flooring, the smaller of the two saunas is contained within its own independent timber cabin.
      Find out more about Saunaravintola Kiulu ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring cosy living rooms, retro eateries and dining rooms with built-in seating.

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