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      Studio FB creates gallery-like interior for Frame store in Marylebone

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      French interior design Studio FB and the co-founder of fashion brand Frame, Erik Torstensson, have designed a California-informed store for the brand in London.

      The store’s concept draws from the brand’s Californian origins as well as European influences, which is reflected in the lighting, furniture and materials.
      Studio FB designed a minimalist store for Frame”The Californian universe with these modernist architectures with a free plan, skylights and the opening of spaces to the outside was our inspiration basis,” Studio FB told Dezeen.
      “We imagined this new concept design layout as open as possible, which can be compared to a gallery.”
      The store is arranged round a large central pillarTo create a greater connection with the street, the studio redesigned the facade by adding a curved, full-height glazed wall, which was set behind the original piers.

      “We designed a long-curved glass like a contemporary insert which contrasts radically with the classic London pillars preserved,” said the studio.
      The studio aimed to create a gallery-like atmosphereWithin the store, the studio aimed to mimic the atmosphere of an art gallery with a polished concrete floor serving as a base for a central pillar constructed from stained birch wood veneer.
      The store’s rails were custom-designed with a distinctive hand-moulded abstract-shaped end-piece serving as the highlight
      With in the fitting room, the ceiling, walls and doors were upholstered in fabric by textile company Kvadrat.
      Custom-designed rails were created for the store”The rounded central wooden element was designed as a sculptural object, which gives a residential feeling from the 50s,” the studio explained.
      “The backspace invites the cabins and lounge area becomes more intimate all-in fabric and brings sophistication to the space. Pieces of furniture and artwork sublimate the atmosphere,” the studio continued.
      “The general atmosphere is similar to an art gallery with raw materials such as concrete on the floor and white walls.”
      The stores changing areas have fabric wallsFB Architects and Torstensson worked together to acquire artwork and collectable design pieces to reinforce the gallery atmosphere.
      “It was a thorough process to ensure the most unique response possible to Frame,” said the studio.
      “Erik had a precise vision of his brand, so we exchanged a lot together on many artistic fields to build the brand’s architectural DNA.”

      Traditional Korean pavilions inform open-sided Aesop store in Seoul

      A sculpture by Serbian visual artist Bojan Šarčević crafted from wood and limestone sits in the display window. Also in the store are two original 1950s Gio Ponti stools, crafted from wood and textiles.
      The store was decorated with wall-mounted fixtures designed by French lighting designer Jean Perzel, as well as geometric fixtures created by French architect Pierre Chareau, to create a soft and gentle lighting ambience.
      Artworks feature throughout the storeTorstensson used AI as a sketching tool to design custom objects for the space, such as large brutalist stone tables and chrome custom-made sculptures that were then realised by architecture studios including Bucktron Studio Sweden.
      “I’ve been learning and expanding my skills with AI for the last year, it creates a superpower when it comes to speed, as it allowed me to generate the visual concept at a greater pace and scale,” said Torstensson.
      “This creates exciting results and provides a new outlook on design. I simply use it to visualise my initial ideas in greater detail in order to bring my ideas to life.”
      The store is Frame’s second in the UKOther retail interiors recently featured on Dezeen include a stationery store interior made from white-oiled wood by Architecture for London and a store interior for Ms MIN in Shanghai, China, by Neri&Hu.
      The photography is courtesy of Frame.

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      Five days left to book early-bird tickets to Dezeen Awards 2023 party

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      There are just five days left to save on tickets for the Dezeen Awards 2023 party. Book now to secure your place at our reduced early-bird rate and see this year’s winners announced.

      Early-bird tickets will be on sale until 23:59 London time on 31 October 2023. Save 20 per cent and book your ticket for the special early-bird price of £145 (excluding VAT) if you order before 23:59 on 31 October 2023.
      You can also save a further 10 per cent if you book a package of 10 tickets or more.
      Buy your early-bird tickets now!
      Taking place at Shoreditch Electric Light Station in London on 28 November, we will celebrate the winners of Dezeen Awards 2023 with food, drink, live entertainment and music throughout the night.

      The winners of all 39 Dezeen Awards project categories will be revealed, as well the overall architecture, interiors, design and sustainability projects of the year.
      We will also be announcing the six Designers of the Year and revealing the winner of the inaugural Bentley Lighthouse Award.
      Stay at One Hundred Shoreditch
      If you are travelling to London for Dezeen Awards 2023 you can save further on your stay with our hotel partner, One Hundred Shoreditch. Located just under a 10 minute walk away from the venue in the heart of Shoreditch, it is the ideal spot for your stay in London.
      Use the code Dezeen23 as a “rate access/corporate code” when booking to save an extra 20 per cent off the best available price.
      Book your Dezeen Awards 2023 party ticket now via Eventbrite: dezeenawards2023.eventbrite.co.uk
      Email [email protected] if you have any questions. Sign up to our Dezeen Awards newsletter to get updates on the winners party and future editions of Dezeen Awards. More

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      Tembo Tembo lodge hides among landscape of South African game reserve

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      Rammed earth walls and an organic colour scheme help this South African family lodge designed by architecture practice Studio Asaï to blend into its natural surroundings.

      Tembo Tembo sits close to the Sabie River on the western edge of Kruger National Park – a sprawling game reserve that’s home to a wide array of flora and fauna, including what’s known as the “big five”: lions, leopards, rhinos, elephants and buffalo.
      Tembo Tembo’s rammed earth walls blend into the landscape of the game reserveThis setting was a large point of inspiration for Paris-based Studio Asaï, which decided to construct the home from rammed earth, emulating the materiality of towering termite nests that can be seen across the reserve.
      “More locally, [rammed earth] is only used for singular walls in the house, thought of as a decorative object,” explained the studio. “For Tembo Tembo, we decided to use it as the main material for the entire house.”
      Dark wood lines the home’s moody entrancewayTo ensure the stability of the home, Studio Asaï worked alongside local architect Nicholas Plewman to develop a structural skeleton that could support the roof and walls.

      Locally sourced rammed earth was then applied to the structure, mixed with a sealant to make the material less porous and crumbly.
      A green sofa in the living area is meant to emulate the colour of the foliage outdoorsThe house was also built atop an 80-centimetre-high concrete platform to keep away lizards and other critters while minimising flooding from the heavy downpours that frequently occur in the region from September onwards.
      The property’s flat steel roof is meant to give the home a lower, more discrete profile.
      The dining area opens onto a shaded terraceInhabitants access the home through a moody entryway lined with dark wood panels. A papery, three-tier pendant light hangs from the centre of the space directly above a white marble table.
      The home’s rammed earth walls were left exposed in the adjacent living area, which is anchored by a modular green sofa that nods to the foliage of the South African bush.
      Cream plaster walls and a coffered ceiling can be seen in the home’s libraryTo the side of this space is a contemporary kitchen complete with dark wood cabinetry and a blocky breakfast island crafted from black Zimbabwean granite.
      In the corner of the room is a travertine marble dining table surrounded by chairs with woven seats. This is positioned directly next to an expansive glazed panel that, when slid back, lets inhabitants step onto a shaded terrace.
      Curtains help give the principal bedroom a tented safari-camp feelCreamy plaster walls appear in the home’s library, complementing the rustic beige fabric that was set into the room’s coffered ceiling.
      Studio Asaï revived the “bush” green of the sofa but this time in the form of a glossy work desk.
      The house’s rammed earth walls are revealed again in the guest bedroomDesigned to feel akin to a “modern safari camp”, the principal bedroom features a large bed that can be enclosed with gauzy curtains on all sides.
      There’s a cosier feel in the guest bedroom where Studio Asaï has once again left the rammed earth walls bare and installed a black metal fireplace for use in the cooler months.
      There’s also a striking bathroom that’s almost entirely lined in a flecked Namibian stone.
      Namibian stone covers surfaces in the bathroomTembo Tembo has made the shortlist of the home interior category at this year’s Dezeen Awards.
      It will compete against other projects such as Prior Barraclough’s Union Street House, which is entirely lined in Australian hardwood, and Keiji Ashizawa Design’s Hiroo Residence, which is decked out in muted tones to amplify the space’s sense of light.
      The photography is by Adrien Dirand.
      Project credits:
      Interior design and architecture: Studio AsaïArchitecture: Nick Plewman ArchitectsLandscape design: Green Inc

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      Linehouse adds tactile textures and warm tones to coastal home in Hong Kong

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      Chinese studio Linehouse has designed the interiors of Cape Drive Residence in Hong Kong to respond to the surrounding coastal views.

      Located on the south side of Hong Kong Island, the three-floor home is a short walk from the beaches of Stanley and Chung Hom Kok and has panoramic ocean views to the east and west from its elevated position.
      “The design harnesses a costal essence through materiality, light and an easy flow, seamlessly connecting the interior and exterior spaces,” Linehouse explained.
      The home is located on the south side of Hong Kong Island with expansive ocean viewsAn open living area on the ground floor connects to the kitchen and dining space while an internal courtyard was inserted between theses areas and includes a centralised tree and surrounding seating.
      The living area extends to the main terrace with full-height windows that frame the expansive ocean views.

      Clad in stone, the terrace forms a sunken seating area with pockets of greenery surrounding it, which shelters the sea wind.
      A timber staircase framed by a shuttered screen connects all three floorsWhite timber louvers were used as a continuous ceiling plane in the living area which also extends to the terrace as a canopy.
      “The design of the home reflects the relaxed and laidback lifestyle of a beach setting,” said the studio. “Warm tones, tactile surfaces and textures, a clean and simple material palette, and a seamless flow between inside and out.”
      An outdoor terrace was clad in stone with a sunken seating area”Cape Drive Residence offers the fitting backdrop for coastal living,” it continued.
      A warm oak timber staircase was punctuated by a shuttered screen that runs vertically through all levels of the home while arranging more private areas such as bathing and dressing.

      Linehouse designs Hong Kong guesthouse to evoke the comfort of home

      The whitewashed timber material of the screen echoes the coastal location and reflects light through the spaces.
      A white metal rod screen can be slide open at each level, offering transparency and light through different spaces.
      An internal courtyard was inserted between the dining and kitchen areaBedrooms, a second living area and a study were placed on the upper two levels, all with coastal views.
      The same whitewashed timber material used on the shuttered screen was adopted to form storage, seating and shelving in these private spaces, providing a textural contrast to the hand-raked plaster walls.
      The bathrooms add a fresh moment of colour into the space, using patterned tiles handmade in Portugal by Elisa Passino.
      Shelving and storage spaces were created from whitewashed timber materialLinehouse was founded by Alex Mok and Briar Hickling in 2013 and the duo went on to win emerging interior designer of the year at the 2019 Dezeen Awards.
      The studio has recently completed a guesthouse in Hong Kong that evokes the comfort of home and a Mediterranean restaurant in Shanghai with natural, tactile materials.
      The photography is by Jonathan Leijonhufvud.
      Project credits:
      Design: LinehouseDesign principal: Briar HicklingDesign team: Ricki-Lee Van Het Wout, Cindy Pooh

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      Figure and Studio J Jih perform “stair gymnastics” inside Boston rowhouse

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      American firms Studio J Jih and Figure have overhauled a historic house in Boston, which now revolves around a sculptural “hairpin” staircase influenced by the twists and turns of mountain roads.

      Locally based Studio J Jih and San Francisco studio Figure collaborated on the transformation of the four-storey rowhouse in the city’s South End.
      Studio J Jih and Figure have renovated Hairpin HouseThe owner, a Boston native, desired more useable space in the 15-foot-wide (4.6-metre) home, which was only achievable by entirely reorganising the floor plan.
      The hefty existing staircase took up a third of the building, so it was removed and redesigned to be more efficient and help define the remaining programme while adhering to Boston’s strict building codes.
      A new staircase cuts a diagonal path through the houseThe result is a new white oak staircase that “unspools diagonally through the home” around a 40-foot-high (12-metre) atrium, increasing the useable floor area by 20 per cent.

      “Aptly named Hairpin House, the project takes the tight, unpredictable, and ultimately poetic switchback turns of a mountain road as inspiration for the overall renovation – and in particular a new unravelling central stair,” said the team.
      Lime plaster was applied to the walls throughout the homeOther rooms were adjusted around this new element so that the most-used ones – like the dining room, living room and primary bedroom – were increased in size while ancillary spaces such as the foyer, powder room and bathroom shrunk.
      “We performed a sort of stair gymnastics where each flight was distinct from the others, because of its necessary interface with the unique programmatic and circulatory conditions on each floor,” said James Leng, partner at Figure.
      Windows on the south facade were enlarged by 200 per cent to let in more light”Like how a mountain road derives its form from the slope it rests on, this central stair was truly shaped contingently through the pressures of its interior context,” he added.
      The stair flights were fabricated by hand individually off-site before being assembled into a singular element, connected by a continuous rounded handrail.
      The kitchen and dining room on the ground floor are anchored by a travertine islandMaterials throughout the rest of the house were chosen to match or complement the staircase.
      White oak and French limestone cover the floors while lime plaster is applied directly onto the brick walls.
      The dining area opens onto a bluestone patio enclosed with cedar panelsThe main entrance to the home is on the second of its four floors, where the main living room is also located.
      Downstairs, on the ground floor, the open-plan kitchen and dining area are organised around a monolithic island carved from a single piece of travertine – similar to the fireplace on the level above.

      OverUnder renovates landmarked Boston building to create single-family residence

      A trio of French doors open onto the bluestone back patio enclosed with cedar panels and enlarged windows continue up this south-oriented facade to bring in the maximum amount of natural light.
      “Each was increased in scale by over 200 per cent, creating a rear facade graced with daylight, views and which elegantly blends into the age-old brick of Boston’s historic architecture,” the team said.
      Large windows run up the south facadeThe building’s third floor is occupied solely by the primary suite – comprising a bedroom, bathroom and closet – and the uppermost storey accommodates an additional bedroom, bathroom and lounge area.
      “A great deal of the joy we found in this project was in the process of shaping it from so many dizzying constraints,” said Leng. “But it also needs to be said that the project could only have been sculpted from the intensely productive collaboration between our two firms.”
      The rowhouse is located in the South End of BostonBoston has no shortage of historic brick houses, many of which have undergone significant renovations to make them more suitable for modern living.
      Examples include a heritage-listed Victorian home that was extended and updated with minimalist interiors by local architecture studio OverUnder.
      The photography is by James Leng.
      Project credits:
      Design architect: J Jih (principal: J Jih) and Figure (principals: James Leng and Jennifer Ly)Structural engineer: Team EngineeringLandscape design: Pate Landscape ArchitectureGeneral contractor: Evergreen Group CompanyMillworker: Kenyon WoodworkingStair fabricator: Stairworks of BostonPlastering: Trowel Inc. Plastering

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      Gym Town in Hong Kong was “inspired by Elon Musk’s vision of colonising Mars”

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      In Hong Kong’s fast-paced Central District, local practice MR Studio has modelled this fitness studio on a futuristic Martian dwelling to offer members an escape from their busy lives.

      Gym Town’s entryway and reception are finished entirely in an an earthy shade of orange, chosen to reflect the colours of Mars, while moody black workout areas were designed to allow visitors to focus on their individual health goals.
      Gym Town is entered via a dramatic escalator”We wanted to create a unique and immersive experience for gym-goers,” MR Studio founder Myron Kwan told Dezeen. “The concept of Mars was chosen to represent escapism and a sense of adventure.”
      “Inspired by Elon Musk’s vision of colonising Mars, we wanted to create a space that felt futuristic and cutting-edge.”
      The gym’s reception doubles as a loungeThe studio created a bespoke sculptural lighting piece that can be seen from the street to create a sense of intrigue about the gym.

      From the entrance, members are taken up to the lobby by an escalator. In a bid to make this ascent feel like an event, MR Studio turned the space into a tunnel-like “portal” that provides a sense of voyage.
      Bespoke lights were modelled on satellite dishesAround the escalator, the walls undulate to create a series of vertical ridges, designed to add depth and visual interest while suggesting walls that have buckled under the heat of the red planet.
      “By using the tunnel-like form, we wanted to create a visually striking feature that would set the tone for the entire space,” Kwan said.
      “The tunnel creates a sense of anticipation and excitement as guests enter,” he added. “The design itself aims to transport visitors to another world.
      Decorative rocks are fixed to the ceilingThe escalator delivers members into a large reception area, arranged as a lounge with various seating areas.
      One of the challenges of the project was the absence of natural light, which MR Studio addressed with a feature ceiling light.
      Composed of concentric circles with an illuminated core, it suggests both a natural skylight and the crater-studded terrain of Mars.

      Snøhetta unveils “green lung” urban farm in Hong Kong

      Curves and circles feature heavily throughout Gym Town, from wavy walls and rounded furniture to lights inspired by the form of a satellite dish.
      “Custom-made table lamps adorned with sleek metal finishes and cracked glass details capture the silhouette of high-gain antennas used in space exploration,” the studio explained.
      The room is centred on a semi-circular brass-wrapped reception desk, which doubles as a bar during events or after-hours gatherings.
      Rooms get progressively darkerThe walls here feature the same dusty red-orange finish as the entrance tunnel, while decorative rocks are fixed to the ceiling.
      “Envisioned as a modern Martian house, the space is painted in a textured monochromatic palette of tangerine, referencing the iconic red planet’s signature colour and rough terrain,” said Kwan.
      “It adds vibrancy and warmth to the space, creating a visually intriguing element that complements the overall design theme.”
      The workout areas are finished in muted black and grey tonesProgressing into the changing rooms, workout areas and studios, the colour palette shiftsto more sober greys and blacks.
      “To encourage members to fully devote to their fitness routines, the workout area is grounded in an organic and unpretentious style,” the studio said.
      Orange accents delineate different areasGym Town has been shortlisted in the health and wellbeing interior category at this year’s Dezeen Awards.
      Also in the running is the dusty-pink welfare centre of a boys’ school in Melbourne and a pediatric clinic in Seattle with “no blank walls”.
      The photography is by Steven Ko.

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      Studio Tre models Bronx chocolate cafe on Puerto Rican general stores

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      This South Bronx cafe that serves a chocolate-focused menu is designed by Brooklyn-based Studio Tre to reflect the brand’s Caribbean roots.

      Bright colours, palm fronds, references to Spanish architecture and wallpaper made of advertisements feature in the second cafe location of the chocolate manufacturer Chocobar Cortés.
      Several design elements in the cafe nod to spaces in Viejo San Juan, including arched openings and chequerboard floorsChocobar Cortés is a fourth-generation family company that has been growing cacao and manufacturing chocolate since 1929, first in the Dominican Republic and then in Puerto Rico.
      In 2013, they opened their first cafe-restaurant in Viejo San Juan (Old San Juan) – Puerto Rico’s historic capital – where every dish or drink incorporates chocolate in some way.
      Studio Tre travelled to Puerto Rico at the project’s onset to learn about the Chocobar Cortés brandThe second location in The Bronx brings the concept to New York City and is modelled on the “colmadito” general stores found in Viejo San Juan as a nod to its origins.

      “The design embraces the warmth of the Caribbean and recognisable textures, colours and patterns of the Viejo San Juan neighbourhood of the first location,” said Studio Tre.
      The 1,600-square-foot (150-square-metre) space on Alexander Avenue features a variety of elements borrowed from the colmaditos, including chequerboard cement-tile flooring.
      Historic photos and a rotation of works by local artists are displayed on the wallsA trio of arches that form niches for the back bar and an opening to the bathrooms echo Spanish colonial architecture.
      These arches were painted in the brand’s signature yellow hue, matching the front of the cafe counter and together adding warmth and vibrancy to the space.
      Pale green-grey plaster was applied above wood wainscoting in the cafe”Retired chocolate bar moulds repurposed as design feature above the cafe counter,” said the Studio Tre team, who travelled to San Juan at the project’s onset to learn about the company and its values.
      Ogee wood panelling and bronze hardware on the bar were chosen as an homage to the large doors found across the old city.

      Fumihiko Sano Studio creates cedar-lined chocolate cafe in Kyoto

      On the cafe walls, pale green-grey plaster was applied above wood wainscoting, and a mix of historic photos and a rotation of works by local and Caribbean artists are displayed.
      The bathrooms are lined with a collage of brightly coloured cartoons and old advertisments, while radio jingles play over the speakers.
      Yellow counterfronts match the brand’s signature colour, while chocolate moulds are installed aboveThe cafe also hosts a series of events and cultural programming for the neighborhood’s queer community, creating a “spirit of acceptance and celebration”.
      “Imbuing this Caribbean spirit into the design, with also the vibrant and artistic spirit of the neighborhood in The Bronx, the interiors of the restaurant establish Chocobar Cortés as the joyful celebration of culture, chocolate, and community that it is,” said Studio Tre.
      The bathrooms are lined with a collage of old advertismentsChocolate shops and cafes are popular across the globe, and their interiors vary dramatically based on their context.
      Others around the world include one that occupies a century-old house in Kyoto and another in São Paulo where the production processes are put on show.
      The photography is by Grant Legan.

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      Ten dining rooms where built-in seating provides extra space around the table

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      Our latest lookbook explores homes where built-in benches or banquettes offer an inviting place to sit around the dining table, while also helping to save space.

      Built-in seating is a popular solution in kitchens and dining rooms where the optimal position for a table is along a wall rather than in the centre of the space.
      For homes where space is limited, a fixed bench can provide more seats than would otherwise be possible. It can also be a clever way of integrating extra storage, with concealed compartments under the seat.
      The most straightforward approach is to build a fixed seat along one side of the table and then add dining chairs on the opposite side, although L-shaped or curved seating installations can also be possible, depending on the layout.
      Whatever the design, the key to getting it right is ensuring that the table legs don’t clash with the base of the bench, so that it’s easy for people to get in and out.

      Read on for 10 examples, ranging from a minimalist terrace in London to a warm and tactile family home in Melbourne.
      This is the latest in our lookbook series, which provides visual inspiration from Dezeen’s archive. For more inspiration, other recent lookbooks feature colourful shower rooms and kitchens with tiled worktops.
      Photo is by Peter Bennetts10 Fold House, Australia, by Timmins + Whyte
      This extension to a family home in Melbourne, designed by architecture and design studio Timmins + Whyte, includes a casual dining space that slots into a corner between the kitchen counter and the end wall.
      The L-shaped bench is topped with peach-toned cushions, which match the warm tone of the mid-century-style oak table. As well as providing comfort, they conceal storage areas underneath.
      Find out more about 10 Fold House ›
      Photo is by Rory GardinerSpruce House, UK, by Ao-ft
      A bench seat forms an extension of the polished concrete floor in this cross-laminated timber-framed house in east London, designed by Ao-ft founders Liz Tatarintseva and Zach Fluker as their own home.
      This is possible because the living space is slightly sunken. This means the concrete plinth, which actually sits at ground level, is the perfect height for sitting at the table.
      Find out more about Spruce House ›
      Photo is by Tim Van de VeldeKarper, Belgium, by Hé!
      This converted warehouse in Brussels was designed to serve as either a family home or a co-living building, so it features a range of different live and work spaces. One of these is a casual dining space located next to the kitchen on the second floor.
      A custom-made bench anchors this space to the side wall. A matching table has a squashed circle shape, creating the feel of a round table while also aligning with the seating fixture.
      Find out more about Karper ›
      Photo is by Gilbert McCarragherFrame House, UK, by Bureau de Change
      When remodelling this south London terrace, architecture studio Bureau de Change added a three-tiered extension at the property’s rear.
      The stepped terrazzo floor was designed to incorporate casual seating areas, with one of them serving as a seating area for the adjacent dining table.
      Find out more about Frame House ›
      Photo is by Lorenzo ZandriSteele’s Road House, UK, by Neiheiser Argyros
      If a kitchen has a window bay, this can be a good place to create a seating area. This is what London studio Neiheiser Argyros did in its renovation of a Victorian terrace in the west of the city.
      A curved banquette wraps the base of the window, framing a fixed cafe-style round table.
      Find out more about Steele’s Road House ›
      Photo is by José HeviaGirona Street Apartment, Spain, by Raúl Sanchez Architects
      Barcelona studio Raúl Sanchez Architects employed colour-blocking to create the dining space for this renovated apartment in the city’s Dreta de l’Eixample neighbourhood.
      A seating bench and the wall behind it are both painted deep blue, in contrast with the white tones elsewhere, which gives the dining space an increased emphasis.
      Find out more about Girona Street Apartment ›
      Photo is by Tom RossSunday, Australia, by Architecture Architecture
      A kitchen island provides the backdrop to the dining table in this house in Melbourne designed by local studio Architecture Architecture.
      Upholstered in a muted colour textile, the banquette has a cantilevered seat that slots neatly under a long, slender table, while traditional dining chairs are positioned on the opposite side.
      Find out more about Sunday ›

      Scalloped Concrete House, USA, by Laney LA
      California-based studio Laney LA found another way to position a dining space beside a kitchen island for this home in Manhattan Beach, Los Angeles.
      Instead of extending out, the bench seat is built into a recess within the wooden volume.
      Find out more about Scalloped Concrete House ›
      Photo is by Ståle EriksenKensington Place, UK, by O’Sullivan Skoufoglou Architects
      In this extension of a mid-terrace property in London’s Kensington, a built-in bench allowed O’Sullivan Skoufoglou Architects to fit a dining table into a narrow space.
      Built from plywood, the bench incorporates storage. It is slightly recessed at the base, while a backboard makes it feel more integrated with the wall behind.
      Find out more about Kensington Place ›

      Nido House, Australia, by Angelucci Architects
      The ground floor spaces of this family home in Melbourne wrap around a glazed courtyard, so an L-shaped seat was the best solution for fitting in a dining table.
      Designed by Angelucci Architects, the space incorporates a green leather banquette and a dining table featuring a marble surface and a base wrapped in ceramic tiles.
      Find out more about Nido House ›

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