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      You Can Sit With Us aims to open doors that “were firmly closed to us” says 2LG Studio

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      Russell Whitehead and Jordan Cluroe of 2LG Studio have curated You Can Sit With Us, a London Design Festival show that offered “a seat at the table” to a diverse mix of emerging designers.

      The 2LG Studio founders invited 13 designers from a mix of nationalities, races, genders and backgrounds to be a part of the exhibition, which was on show at London Design Fair.
      Cluroe (top left), Whitehead (top right) and Adam Fairweather of Smile Plastics pictured with 9 of the 13 chair designersThe exhibition took the form of a dining room, featuring a long table surrounded by chairs that were each designed by a different participant.
      Whitehead and Cluroe came up with the concept based on their own experiences of trying to break into the design industry and being made to feel like outsiders.
      The chair by Anna Maria Øfstedal Eng features a black lacquer finish”When we launched our practice nearly 10 years ago, there was an inner circle that felt very out of reach to us,” Whitehead told Dezeen.

      “We were so bruised by the industry and felt blocked by certain doors that were firmly closed to us,” he continued.
      “Instead of chasing acceptance where it wasn’t forthcoming, we decided to accept the love that was coming our way and put our energy there.”
      Sam Klemick’s chair incorporates a sweater into its carved wood formThe aim of You Can Sit With Us, he said, was to give a platform to a new generation of designers who may be having similar experiences.
      The exhibition’s name is a reference to the 2004 movie Mean Girls.
      “We wanted this to be a safe space that actively welcomed new perspectives,” Whitehead explained.
      Helen Kirkum produced a lounge seat with upholstery made from trainer insolesAmong the most eye-catching designs in the show is a lounge seat with upholstery made from trainer insoles by Helen Kirkum, a footwear designer who typically crafts her designs from recycled sneakers.
      Norwegian designer Anna Maria Øfstedal Eng has contributed a CNC-cut version of a hand-crafted ash chair she first made during the pandemic in a new black lacquer finish.
      Benjamin Motoc’s piece playfully combines a sketch with a basic 3D formA backrest with a sweater slung over it is part of the carved wood form of a design by California-based Sam Klemick, who had a career in fashion before she moved into furniture.
      Rotterdam-based Benjamin Motoc created a piece that playfully combines a sketch with a basic 3D design, while Paris-based sculptor Bence Magyarlaki has produced a characteristically squidgy form.
      Bence Magyarlaki produced a characteristically squidgy formOther chairs were designed by Amechi Mandi, Divine Southgate Smith, Wilkinson & Rivera, Net Warner, Hot Wire Extensions, Byard Works, Pulp Sculptuur and Blake C Joshua.
      The participants were selected across design, art and fashion because Whitehead and Cluroe “didn’t want to enforce boundaries in that way”.
      Rob Parker of Byard Works contributed a chair made from plywood and corkTheir chairs were arranged around a table produced by Smile Plastics using recycled plastic bottles and old tinsel, which created a glittering effect.
      The exhibition was an important project for 2LG, and for Whitehead in particular, who battled mental health struggles following the pandemic.

      “Emerging talents require nurture” says Jan Hendzel

      The designer said the project allowed him to explore how “heart and emotion” can be a part of design.
      “A lot of healing has taken place in the lead-up to this show,” he said.
      Granite + Smoke produced blankets featuring the title, You Can Sit With UsThe project included a collaboration with textile brand Granite + Smoke, who produced colourful blankets emblazoned with the exhibition’s title message.
      Whitehead and Cluroe also worked with homeware brand Sheyn on a series of suggestive 3D-printed vases.

      “The collection we designed together is a celebration of our queerness, something we have not embraced fully in our product design output, but it felt more important than ever to put that out there right now,” added Whitehead.
      You Can Sit With Us was on show at London Design Fair from 21 to 24 September as part of London Design Festival. See Dezeen Events Guide for more architecture and design events around the world.

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      Shrek and Donkey invite guests to stay in mud-laden Shrek’s Swamp

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      Rental website Airbnb has designed Shrek’s Swamp, a grass-and-mud-covered hut underneath a tree in the Scottish Highlands.

      The small house, which has a bare-earth floor, is described as “a stumpy, secluded haven fit for a solitude-seeking ogre”.
      The holiday home is located underneath a tree trunkIt is being hosted by Donkey, Shrek’s best friend, who is swamp-sitting while Shrek himself is away for Halloween, according to an Airbnb description written as if by Donkey himself.
      In it, he says: “I love everything about the swamp: the boulder out front, the modest interiors, the seclusion (ideal for singing karaoke late into the night), you get the picture”.
      It features rough-hewn wooden furnitureThe holiday home, which sleeps up to three guests, has an open-plan design, with a sturdy wooden bed leaning against one wall.

      A matching table and two wooden chairs sit in front of an open fire on the opposite side of the house, which is held up by large tree trunks.
      A fish-shaped lamp decorates the bedside tableShrek’s Swamp Airbnb also features decorative touches, including a green “earwax candle” – a nod to a scene in which Shrek pulls out a stick of earwax from his ear and lights it.
      It also has a bedside lamp that looks like a stuffed pufferfish.
      The dining table sits in front of an open fireVisitors can also make use of Shrek’s outhouse, a well-known location from multiple Shrek films, which is located about 20 metres away from the swamp itself.
      Located in a forest in the Scottish Highlands, the hut is surrounded by signs reading “Stay out”, “Beware Ogre” and “Danger!” though these are “probably for decoration”, according to Donkey.

      Barbie and Ken unveil bright-pink lifesize dollhouse in Malibu

      The home will be available to book from 13 October for a two-night stay between 27 and 29 October and comes with an on-site concierge who will arrange meals for the guests – including morning waffles and parfaits.
      “This mud-laden, moss-covered, murky-watered oasis is a perfectly snug spot to escape from village life and embrace the beauty of nature,” Airbnb said.
      The home has a bare-earth floorThe company will make a one-time donation to the HopScotch Children’s Charity as part of the project.
      Airbnb also recently helped Ken rent out Barbie’s Malibu Dreamhouse and listed a 1970s wood cabin located in the iconic Sea Ranch development in California.
      The photography is courtesy of Alix McIntosh.

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      Yama fishmonger in Tel Aviv was designed to display fish “like jewels”

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      Israeli architecture studio Baranowitz and Goldberg Architects has created Yama, a fishmonger in Tel Aviv with a sculptural interior that was informed by jewellery stores.

      The studio completely renovated the space, adding a sculpted ceiling that was designed to “create a ship-bottom-like formation” to underline the connection to the sea.
      Yama is located in Tel Aviv’s Florentin areaYama – which was named after yam, the Hebrew word for ocean – features a display area for showcasing fresh fish as well as prepackaged ready-to-cook dishes made by its owner, chef Yuval Ben Neriah.
      The display counters were designed to resemble the shape of a fin and have an all-white finish that contrasts with the fishmonger’s colourful walls.
      A red refrigerator holds drawers full of fishFor one wall, Baranowitz and Goldberg Architects created a bespoke clay-red drawer refrigerator that holds prepackaged goods.

      With the brief to “redefine the shopping experience that customers are accustomed to”, Baranowitz and Goldberg Architects designed the interior to emphasise the value of the product being sold.
      The fish is displayed like gems in a jewellery store”We suggested that rather than working with quantities and nonchalant arrangements of the product with the preparation of the fish being exposed, we wished to emphasize the values of the product within an elegant setting,” studio founders Irene Goldberg and Sigal Baranowitz told Dezeen.
      “It is this aspect of the carefully set display that promotes the value of what is presented, very much like jewels in a jewellery store.”
      Baranowitz and Goldberg Architects gave the fishmonger a sculptural ceilingSteel shelves in the same red hue as the refrigerated drawers hold delicatessen food that goes with the fish.
      The studio chose the colour palette to nod to the graffiti-covered walls in the surrounding area – the up-and-coming Florentin neighbourhood in southern Tel Aviv.

      Citrons et Huîtres oyster bar creates impression of “diving into an aquarium”

      “The colour palette is light in its essence, consisting of white and warm grey,” Baranowitz and Goldberg Architects said. “It is only the drawer refrigerator and display shelves that bring in the deep and vivid colour of clay-red.”
      “The purpose of the colour was two-fold: to create an assertive and strong backdrop of the central island and to recall the vitality of the downtown neighbourhood it is located at, with its graffiti art walls and vibrant young population.”
      The red-and-white interior references the surrounding neighbourhoodDespite designing the store to have a high-end look, the studio used deliberately simple materials as a contrast.
      “To balance the experience and merge with the vivid alive-and-kicking neighbourhood the store is located in, the finishes and materials selected for the store are not particularly high-end,” Baranowitz and Goldberg said.
      The architects used simple materials for the interior”On the contrary, most of them are simple in their essence and consist of concrete flooring, plaster and paint-finished metal,” the duo added. “The heart of the store is constructed in stone to elevate the display of the fish specifically on the central island.”
      To further underline Yama’s connection with the ocean, Baranowitz and Goldberg Architects added a decorative coral motif to the door handle leading into the fishmonger.
      The studio said it always designs bespoke door handles for its projects since the entrance is “the beginning of the story”.
      The door handle was given a decorative detail”For Yama, which has a very clean and pared-back design, the door handle is the only part that was given a decorative motif,” Baranowitz and Goldberg Architects said.
      “We used the graphic design motif that was developed by Anaba studio for all the packages in the fish shop,” the studio added.
      “The graphic element reminds [us of] elements from the sea, coral reef indeed, which also reminds us of seawater. We like to combine existing elements, it is part of a story of the place.”
      Other recent Tel Aviv projects include an indoor playground with tree-like columns and a pair of apartments with trees growing through the facade.
      The photography is by Amit Giron.
      Project credits:
      Architects: Irene Goldberg and Sigal BaranowitzLighting design: Orly Avron AlkabesStone Work: Fervital

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      USM Haller creates “techno-chic” Coperni retail space at Parisian shop-in-shop

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      Parisian fashion brand Coperni has collaborated with Swiss furniture company USM Haller to create its first-ever boutique, a shop-in-shop at French department store Printemps Haussmann.

      The shop-in-shop, installed at Printemps Haussmann in Paris, marks Coperni’s first-ever physical retail location and will be replicated at London’s Selfridges store and China’s Duty Free Mall in Hainan Island.
      Coperni collaborated with Swiss furniture brand USMDescribed by Coperni’s co-founder as “techno-chic”, the interior is defined by its cubic, space-age-style look that was achieved by reinterpreting USM Haller’s cubic storage systems as tables, walls and display areas.
      The floor of the retail space was covered in Versailles parquet flooring, with each of the wooden floor panels separated by USM Haller’s silver tubing. This typically lines the corners and edges of its storage systems and furniture.
      USM reinterpreted its iconic modular storage systemsThe Versailles parquet flooring was chosen for its artisanal and timeless spirit that draws on Parisian craftsmanship, which Coperni said pays homage to its ethos as a brand.

      The use of USM Haller’s silver tubing within the Versailles parquet flooring system marks the first time that USM has adapted and reinterpreted its modular systems into a wooden material.

      Dress sprayed onto model on Coperni catwalk at Paris Fashion Week

      USM Hallers modular systems also form arch-shaped display units along the perimeter of the shop-in-shop, which were fitted with rails allowing Coperni’s ready-to-wear collection to be displayed.
      A display table constructed from larger cubic modules was placed at the centre of the space, while a wall behind was branded with the Coperni logo.
      It marks the first time USM used its silver tubing in a wooden systemIn 2022, Coperni’s Spring Summer 2023 show during Paris Fashion Week went viral for live spraying a dress onto the body of supermodel Bella Hadid using Fabrican’s sprayable liquid fibre.
      AMO recently created a terracruda-clad shop-in-shop for Parisian fashion brand Jacquemus in Selfridges, London, that was designed to have a “Provence atmosphere.”
      The photography is courtesy of Coperni.

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      Eight living rooms enhanced by decorative and striking art pieces

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      For our latest lookbook, we have gathered eight examples of serene living rooms where well-curated artworks add a touch of creativity.

      Paintings, sculptures and other art pieces can add a more personal feel to interiors, as seen in these eight art-filled living rooms.
      While some have gone all in on the art, others chose just one or two signature pieces to create a creative atmosphere.
      Either way, smartly placed artworks can enhance an interior and give homes a more personal feel.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring living rooms with cowhide rugs, monochrome interiors and basement apartments.

      Photo by Nicole FranzenAmagansett house, US, by Athena Calderone
      Plaster walls, marble details and linen fabric were used to decorate this renovated mid-century home in Long Island, New York.
      Owner and designer Athena Calderone also added plenty of sculptures and paintings to the interior, including in the living room where white artworks with playful textures and shapes add interest to the pale walls.
      Find out more about the Amangansett house ›
      Photo by Fran ParenteGale Apartment, Brazil, by Memola Estudio
      Brazilian studio Memola Estudio aimed to balance natural and industrial materials in this apartment in São Paulo, which has a double-height living room.
      The owners took advantage of the height to create a gallery wall on one side of the living room. Artworks also decorate an adjacent mosaic wall, giving the whole room a gallery-like feel.
      Find out more about Gale Apartment ›
      Photo by Salva LópezCasa Vasto, Spain, by Mesura
      Designed to be both an apartment and an art gallery, this home in a former factory in Barcelona features an exquisitely curated living and exhibition space.
      A large abstract blue-and-beige painting sits on top of a low bookshelf, which also displays a sculpture and multiple smaller paintings.
      Find out more about Casa Vasto ›
      Photo by Trevor Mein and Sharyn CairnsKew Residence, Australia, by John Wardle Architects
      A large contemporary painting in a bright green hue decorates the living room of this house in Melbourne, the home of architect John Wardle.
      Other artful details include playful side tables held up by mannequins, a sculptural wooden coffee table and numerous small vases and sculptures.
      Find out more about Kew Residence ›
      Photo by Olmo PeetersRiverside Tower, Belgium, by Studio Okami Architecten
      Located inside the brutalist Riverside Tower in Antwerp, this pared-back apartment has made a feature out of its original concrete structure.
      In the living room, the material is juxtaposed with a dark blue wall and a large painting in green and blue hues. Cosy leather sofas and green plants add a homely feel.
      Find out more about Riverside Tower ›
      Photo by Andrey Bezuglov and Maryan BereshLog cabin, Ukraine, by Balbek Bureau
      This house in Ukraine, a modern interpretation of a log cabin, features a number of striking and strategically placed artworks in the open-plan living room and dining room.
      Above the dining table hangs a large painting in a neo-expressionist style, integrating turquoise, white and pink to create an eye-catching focal point among the room’s more neutral colours.
      Find out more about the log cabin ›
      Photo by by Ingalls Photography and Mark Durling PhotographyMalibu Surf Shack, USA, by Kelly Wearstler 
      Designer Kelly Wearstler created Malibu Surf Shack, a renovated 1950s beachfront cottage, as a bohemian retreat for herself and her family.
      Its wood-clad living room has been enhanced by artworks in tonal colours that match the warm panelling, as well as tactile timber sculptures and geometric stone tables.
      Find out more about Malibu Surf Shack ›
      Photo by Giulio GhirardiParis apartment, France, by Rodolphe Parente
      This apartment in a Haussmann-era building in Paris was given a makeover by interior designer Rodolphe Parente.
      Parente played with contrasting materials and colour palettes in the apartment, which was designed around the owner’s “radical” art collection. In the living room, a framed photo print hangs on an otherwise empty wall overlooking two sculptural coffee tables.
      Find out more about the Paris apartment ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring living rooms with cowhide rugs, monochrome interiors and basement apartments.

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      Home Studios utilises reclaimed timber for Montauk restaurant renovation

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      Brooklyn-based Home Studios has renovated a bar and restaurant in Montauk, using materials like white-washed plaster, glazed tiles and reclaimed timber for a “deliberately minimal approach”.

      Formerly known as Bird on the Roof, the establishment reopened as The Bird earlier this year with refreshed interiors by Home Studios.
      The bar and restaurant areas at The Bird are connected through a cased openingThe space is run by the team behind the Daunt’s Albatross motel, located across the street, which Home Studios overhauled the previous year. The menu was created by chef Marcos Martinez Perez and a beverage programme by Sophia Depasquale.
      “[The clients’] intent was to celebrate the legacy of a 40-year-old adored Montauk establishment, imbuing a familial sense of warmth and hospitality threaded throughout the experience and the design,” said the team.
      Reclaimed timber clads the back bar, while white tiles cover the front of the counter”The aim of the space is to capture the spirit of old Montauk, providing a welcoming home-away-from-home for both visitors and locals to gather at any hour and any season.”

      Located in the town centre, the A-frame building that houses the restaurant has a white bird painted on the side of its roof – hence the original name.
      Red brick flooring is laid in a basketweave bond in the barThe interior is divided in two, with the bar area on one side and the restaurant on the other, connected through a cased opening.
      A muted colour palette across the spaces echoes that used at Daunt’s Albatross and is based on the natural coastal surroundings.
      A similar muted palette continues into the dining roomHome Studios describes it as “a spectrum of whites, warm grays, browns, faded yellows, rusts and ocean blues”.
      In the bar area, red bricks are laid in a basketweave pattern across the floor, and the russet hue is continued by the leather that covers the built-in seating and stool tops.
      Blue tapestries hang above wooden tables and chairsFlooring shifts to reclaimed timber in the dining area, where banquette cushions are upholstered in yellow fabric and the accompanying vintage chairs are all slightly different designs.
      “The restaurant includes a deliberately minimal approach to furniture, lighting and decor, which allows the materiality to shine on its own,” said Home Studios.
      Blue-grey glazed ceramic tiles surround the window and door framesBlue-grey glazed ceramic tiles surround the window and door frames, while thin white tiles wrap the front of the bar counter.
      The same white tiling is found in the bathroom, accessed via a powder-blue door, but with red grouting for a more contemporary twist.

      Home Studios refreshes Daunt’s Albatross motel in Montauk

      Both The Bird and Daunt’s Albatross are run by third-generation proprietor Leo Daunt and his sister Zoe, who grew up in the town and wanted to return both properties to their former glory while retaining their neighbourhood feel.
      “Open year round and transforming with the seasons, [The Bird] will proudly continue its legacy as a community staple – and true Montauk landmark,” said the team.
      Wooden dining chairs that accompany the two-top tables are all slightly different designsSituated at the eastern tip of Long Island, Montauk is a popular summer getaway for New Yorkers that offers a more affordable alternative to the Hamptons nearby.
      However, it’s not without its fair share of expansive beach houses, with a grey wood-clad home by Desciencelab and a residence topped with a swimming pool by Bates Masi as examples.
      Accessed via a powder-blue door, the bathroom features white tiles and red groutingHome Studios was founded by Oliver Haslegrave in 2009 and has since completed a variety of hospitality projects across the US.
      Most recently, it has carried out a revamp of a Nantucket bar and restaurant using maritime references and an Italian restaurant close to Harvard University filled with plush booths and banquettes.
      The photography is by Brian W Ferry.

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      Mesura furnishes Casa Vasto apartment and gallery with “constellation of objects”

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      Local studio Mesura has designed a live-work home for a gallery owner that combines exhibition space with living quarters in a former factory in Barcelona.

      Casa Vasto is situated in the city’s seaside neighbourhood El Poblenou, characterised by its 18th-century industrial buildings that were deindustrialised in the 1960s and 70s.
      Unfurnished areas serve as exhibition spaceThe apartment is located in one of these former factories and comprises two spaces – the public living and kitchen area that also houses gallery exhibitions, and the private bedroom and bathroom that are reserved solely for the owner’s use.
      A service core made from birch wood divides the space without being attached to the walls or to the ceiling, which has an unusual vaulted design characteristic of factories built in Barcelona in the 19th century. This channels services to the kitchen and bathroom components and contains a toilet, shower and storage.
      Bespoke furniture sits alongside design classicsOn one side of the core is the living and gallery space. This has plenty of space to hold exhibitions and is filled with monolithic furnishings that create functional zones, including a long dining table with cylindrical legs and a blocky stainless-steel kitchen island.

      A low, sprawling sofa defines the lounge area, which centres around a coffee table fashioned from waste material created during the apartment’s construction by designer Sara Regal.
      Low-lying furnishings underline the height of the space and the unique ceilingArtworks and furniture have been arranged throughout the space, which was curated in collaboration between the owners and Mesura.
      “The project’s interior design is reinterpreted as a constellation of unique objects detached from the apartment’s limits,” said Mesura.
      “These elements contrast with the white-washed walls and light-wood furnishings to emerge as accents of colour and form, weaving a cohesive and contemporary identity throughout the project, drawing focus to the pieces and artwork.”
      The minimalistic kitchen unit shares the central core’s oblong profileBespoke pieces custom-made for Casa Vasto are flanked by iconic design classics, such as architect Mies van der Rohe’s MR10 Chair and architect Mario Botta’s Seconda Chai.
      “Some of the interior pieces were specifically designed for the space – kitchen, dining table, service core, bathtub – and the others – sofas, chairs, lighting – were more of a process with the clients, who had their own preferences and interests,” Mesura told Dezeen.

      Auba Studio converts 1980s bakery in Spain into industrial NZ10 Apartment

      Frames are hung on the walls in the bedroom, which also contains two sinks and a bathtub encased in blocky concrete volumes.
      As in the rest of the space, rectangular windows extend from floor level to let natural light into the space.
      The bed, bath and sink unit are all custom-made for the project”We think the pieces selected for the interiors create a comfortable and unique atmosphere when in touch with the bespoke furniture we designed for the project,” the studio told Dezeen.
      Other adaptive reuse apartment projects on Dezeen include an apartment in a converted bank office by Puntofilipino and a flat in a former chocolate factory by SSdH.
      The photography is by Salva López.

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      Light and Air opens up Z House in Brooklyn to the outdoors

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      Local studio Light and Air has introduced a light-filled void at the centre of a Brooklyn townhouse as part of a major reconfiguration and extension project.

      The home in the leafy Clinton Hill neighbourhood was bought by a family of four with roots in India and required a complete gut renovation to open up the spaces to the outside.
      The overhaul of Z House involved a significant rear extension, comprising cube volumes clad in pale brick”They wanted a house that exhibited a strong connection to nature, featuring a more seamless integration between inside and out,” said Light and Air.
      The project involved extending the building one level vertically, bringing its total number of storeys to four, as well as pushing it out significantly at the back.
      The brick continues into the kitchen and dining area on the lower floorWhile the historic front facade was carefully restored, the rear elevation now presents as a contemporary stack of pale-brick cube volumes.

      The interior was completely reorganized to allow sightlines between the original spaces, the new extensions and the outdoors.
      Oak millwork in the kitchen continues through the minimal interiorsThe most dramatic change involved swapping the stacked staircase with a switchback configuration – a similar approach taken by the studio at another Brooklyn townhouse in 2018.
      This arrangement allows for improved visual connections between the levels and gave the project its name, Z House.
      Reconfiguring the house involved swapping the stacked staircase for a switchback arrangement from the parlour level to the top floorIn addition, an angled skylight was added above the staircase void, bringing in light all the way down to the parlour 40 feet (12 metres) below.
      “Filled by light and air, the stair’s drama is heightened by the placement of large windows punctuating the rear facade, allowing the vertical space to open to the exterior,” said the studio.
      A skylight over the staircase void brings light down into the homeOf the home’s four storeys, the lower levels are occupied by the public spaces including the kitchen, dining, living and media rooms.
      The top two levels are reserved for the children’s rooms and the primary suite respectively. The uppermost floor also accommodates a home office and provides access to a roof terrace created by the rear extension.

      Light and Air Architecture transforms Brooklyn row house with “switchback” staircase

      “This private, elevated, exterior space offers a unique domestic experience not typically found in most Brooklyn rowhouses,” Light and Air said.
      Interiors throughout are clean and minimal, with white walls and custom oak millwork, built-ins and furniture.
      The primary bedroom on the top floor features a custom oak bed and built-insThe pale brick of the rear facade is also expressed inside the double-height kitchen and dining area, which is open to the back patio.
      “Located above the garden level addition is a green roof that buffers sightlines from the parlor floor, creating the effect of a floating garden beyond,” said Light and Air.
      The historic street facade of the Clinton Hill townhouse was also restored as part of the renovationFounded by Anne Diebel in 2018, the studio has completed many staging and interior design projects across New York City.
      These include a Brooklyn apartment retrofitted with ample custom cabinetry and a spiral staircase and a Financial District loft where partitions were removed to create an open, inviting space.
      The photography is by Kevin Kunstadt.

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