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    Stingray-shaped roof crowns Maldives restaurant by Atelier Nomadic

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    A bamboo canopy modelled on stingrays tops Overwater Restaurant, which architecture studio Atelier Nomadic has added to a lagoon in the Maldives.

    The Japanese restaurant is raised on an existing jetty that extends out from the shore and has a bamboo structure with tree-like columns to support its wavy roof.
    Drawing inspiration from the surrounding water, Atelier Nomadic designed its form to resemble the shape of pink whiprays, a species of stingray found in the lagoon.
    Atelier Nomadic has added a Japanese restaurant to a lagoon in the Maldives”Maldives is known for its spectacular underwater life,” studio creative director Olav Bruin told Dezeen.
    “We aimed to bring this sub-aquatic theme to the surface in an architectural form, without being too literal,” he continued.

    “For the main shape, we found inspiration in the pink whiprays that graze in the lagoon, as it was a convenient form to cover the open-air dining space.”
    The wavy roof is informed by a local species of stingrayAccessed beyond the long stretch of the boardwalk, the restaurant’s entrance is set under the lower and slimmer portion of the roof, which is intended to represent the tail of a stingray.
    A network of tree-like columns, which are formed from three angled lengths of bamboo, is arranged underneath the structure and extends from the entrance to the end of the jetty.
    A boardwalk provides access between the shore and the restaurant”This system allowed us to make an organic form from straight bamboo poles that provide stability to the structure in all directions,” Bruin explained.
    “By coincidence, we realised only after the structure was built that the interior space feels a bit like the mouth of a giant manta ray, with its rhythm of gills that filter plankton out of the seawater.”

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    The undulating bamboo structure of the roof sits on top of the columns, reaching its peak at a spine-like ridge. It is clad externally in timber shingles, which the studio hopes will resemble fish scales after ageing.
    “Timber shingles age gracefully and gain a grey-silverish patina over time,” said Bruin. “Together with the layered pattern, the roof will resemble the scales of a fish.”
    The structure is built from a network of bamboo columnsSet on either side of a walkway where the jetty widens are two bamboo-clad volumes, painted black, which hold the kitchen and bathrooms.
    The bar, coated in the same black bamboo, sits beyond the two blocks. It marks the transition into a large open-plan dining area filled with furnishings that match the colour of the bamboo structure.
    A lounge area sits at the end of the restaurantBeyond the covered dining space, the jetty steps down to a more casual, open seating area furnished with curved sofas and armchairs.
    At the end of the jetty is a swimming pool split across two levels, while white nets used as overwater seating areas wrap around the outer edges of the restaurant.
    The roof is clad in timber shingles intended to mimic scalesOther oceanside projects in the Maldives include a proposal for a garden-filled resort by Shigeru Ban and a complex made up of wooden villas that sit on an artificial island.
    In a recent interview with Dezeen, Atelier One engineer Chris Matthews said bamboo has the potential to be as dominant in construction as concrete and steel.
    The photography is by Joe Chua Agdeppa.
    Project credits:
    Architect: Atelier NomadicClient: Banyan TreeDesign team: Olav Bruin, with Louis Thompson, Habiba MukhtaContractor: Asali Bali

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      Soba restaurant Kawamichiya takes over century-old townhouse in Kyoto

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      Japanese studios Td-Atelier and Endo Shorijo Design have transformed a townhouse in Kyoto into a noodle restaurant that combines traditional residential details with modern geometric interventions.

      Kawamichiya Kosho-An is an outpost of soba restaurant Kawamichiya, which can trace its history of creating dishes using buckwheat noodles back more than 300 years.
      Diners enter Kawamichiya Kosho-An via a small gardenIt occupies a 110-year-old property in the downtown Nakagyo Ward that retained several features typical of traditional Japanese houses, including a lattice-screened facade and an alcove known as a tokonoma.
      Architect Masaharu Tada and designer Shorijo Endo collaborated on the townhouse’s conversion into a 143-square-metre restaurant, restoring some of the original elements while adapting others to suit its new purpose.
      Changes in floor height delineate different dining areas”Originally it looked like a townhouse with an elaborate design, but various modifications were made for living and those designs were hidden or destroyed,” said Tada.

      “Therefore, we tried to restore the elements of the townhouse such as hidden or lost design windows and alcoves and add new geometry to them to revive them as a new store.”
      Guests can sit on floor cushions in the traditional Japanese parlourA lattice screen at the front of the building was restored to help preserve its residential aesthetic, while renovations were carried out on walls, pillars and eaves within the open-air entrance passage.
      The entryway leads to a small genkan-niwa garden, where paving stones are laid to create a path using a traditional technique known as shiki-ishi.

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      Customers enter Kawamichiya Kosho-An through a small retail area containing freestanding partitions that allow the original wooden ceiling structure to remain visible.
      Built-in bench seating is positioned along one wall and a window seat offers a view of the street outside. Customers here can eat with their shoes on, while beyond this space they are required to remove footwear as is customary when entering a Japanese house.
      Many of the building’s traditional lattice screens were retainedThe use of different materials and changes in floor height help to delineate areas within the restaurant and create a range of experiences. Guests can choose to sit on chairs in a porch-like space known as a doma or on floor cushions in the traditional Japanese parlour.
      The kitchen is positioned at the centre of the building and is set slightly lower than the surrounding floors, allowing staff working behind the counter to have a clear view of each diner.
      “We control the line of sight to the audience, the garden and the street by the height of each floor,” Tada said. “As a result, it is an original townhouse element […] and a new design that fuses old and new.”
      One of the upstairs rooms features a curved funazoko-tenjo ceilingSome of the existing features that help to preserve the building’s character include the tokonoma alcove in a room on the first floor, which also has a curved wooden ceiling known as a funazoko-tenjo.
      In Kawamichiya Kosho-An’s main dining area, a tokonoma was replaced with a low decorative shelf while the original screened window in this space was retained. Traditional wooden doors and paper shoji screens were also adapted and used to partition the space.
      The restaurant is set in a converted townhouse in KyotoTada studied at Osaka University before founding his studio in 2006. He has collaborated on several projects with Endo, who completed a master’s in plastic engineering at the Kyoto Institute of Technology before establishing his studio in 2009.
      The pair’s previous work includes the renovation of a typical machiya townhouse in Kyoto, which they modernised to better suit the living requirements of its occupants.

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      Cafe Kitsuné Los Angeles features Parisian-style interiors with “Japanese twist”

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      Paris-based lifestyle brand Kitsuné has opened a cafe next to its boutique in Silver Lake, Los Angeles, both with minimalist interiors featuring white oak and stainless steel.

      The interiors of the new Cafe Kitsuné and the renovated Maison Kitsuné store were designed by co-founder Masaya Kuroki to reflect the brand’s French-Japanese culture as well as the West Coast setting.
      The Cafe Kitsuné interior includes a mural by Jeffrey Sinich that imagines the space as an old-school marketFacing Sunset Boulevard on the east side of the city, this is the brand’s fourth cafe in North America – following locations in Manhattan, Brooklyn and Vancouver – and its first in LA.
      “A sprawling city of diverse findings, from cutting-edge restaurants to pockets of art and architecture second to none, LA has lent design inspiration and a backdrop to several campaigns for the fashion house,” said the Kitsuné team.
      White oak tables and surfaces are set against stainless steel counters and panelling for a minimalist look”Now, it’s the perfect setting for Café Kitsuné, a physical extension of the brand’s Franco-Japanese DNA, and reinvention of the classic Parisian cafe and wine bar experience with a Japanese twist,” they added.

      The building’s red-tile exterior and poured concrete flooring were preserved, and hand-painted signage by Californian artist Jeffrey Sincich was added over the large street-facing windows.
      Burnt orange dining chairs and upholstered benches highlight the colours of the muralInside the 700-square-foot (65-square-metre) cafe, white oak tables and brushed stainless-steel counters feature alongside burnt orange dining chairs and upholstered benches.
      Another Sincich mural covers the full length of a wall, offering “a whimsical take on Café Kitsuné’s standard appearance” and presenting the space as an “old-school market”.

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      A speaker system by Japanese audio company Rotel was installed in the cafe “to provide a top-notch sound experience for customers”, according to Kitsuné.
      Next door in the boutique, a similar material palette is used for elements including a built-in storage and display unit across the back wall.
      The existing Maison Kitsuné boutique next door has also received a refreshWhite oak forms the framing, shelves and doors that lead to the stock and fitting rooms, while ribbed stainless-steel sheets provide a backdrop for the items on show.
      More oak was used for the minimalist service counter and panelling behind, and a bright blue table sits in the centre to add a pop of colour.
      White oak and stainless steel are repeated in this space to create a visual connection with the cafeKitsuné was founded by 2002 by Kuroki and Gildas Loaëc and encompasses the fashion brand, Maison Kitsuné; a music label, Kitsuné Musique; and its line of cafes, bars and restaurants.
      Back in 2017, French designer Mathieu Lehanneur designed the Kitsuné store interior in New York’s Soho, adding snaking metal rails for displaying garments.
      The photography is by David Kitz.

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      Bird feathers and burls inform New York restaurant by Polonsky & Friends

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      New York design studio Polonsky & Friends has lined this tiny New York omakase restaurant with burl wood veneer panels, while its counters and cabinetry are coloured to resemble bird feathers.

      Designed as a sister location of Rosella, an East Village sushi spot that opened in 2020, Bar Miller is located a few blocks away in Alphabet City.
      The compact Bar Miller space seats eight covers around a counter made from rare Avocatus stoneThe owners brought back Polonsky & Friends to complete the interiors so that the two outposts could share the same “warm, welcoming energy”.
      Although the menu borrows from traditional sushi craft, it’s not authentically Japanese, so the designers wanted to steer clear of any tropes that might deceive customers.
      Burl wood veneer panels on the walls are framed in white oak, matching the building’s original floors”The design had to incorporate local and craft-centric elements and honour the food’s Japanese inspiration, but not fall into any folklore since the team isn’t Japanese and the menu is untraditional,” studio founder Anna Polonsky told Dezeen.

      The restaurant only seats eight covers, which surround the open kitchen in the centre of the compact space.
      Custom wallpaper hand-painted by Hollie M Kelley displays the feathers of an eastern rosella birdDeep blue-green Avocatus stone – a rare quartzite with a leathered finish – forms the entire bar counter
      A custom ceiling pendant by Madrid-based designer Pablo Bolumar is suspended above the counter like a string of pearly beads.
      Pieces by several local designers are featured in the restaurant, including ceramic vases by FefostudioOn the walls, panels of burl wood veneer are framed in white oak, which matches the refinished original parquet floors.
      “We were able to sand back [the flooring] after it was hidden for years in the previous restaurant,” Polonsky said.
      To contrast the blue-green dining area, kitchen cabinetry is coloured maroon as another nod to the rosella bird’s feathersA trio of panels feature a custom wallpaper drawn by artist Hollie M Kelley, displaying the feathers of an eastern rosella bird.
      Kelley also drew the icon for the sister restaurant, a western rosella, which has different colours in its plumage.

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      The maroon hues in the wallpaper are echoed on the cabinetry behind the kitchen counter, differentiating the food preparation area from the blue-green of the dining space.
      Other details include a panel of vertical wood slats for storing plates above the sink and moulded-glass scones shaped like scallop shells.
      Vertical wood slats provide spaces for storing dishesThe bar stools were crafted by Maderas Collective in Nicaragua and upholstered by Ecua in Queens, while ceramic vases were sourced from New York-based Fefostudio.
      In the bathroom, green tiles laid in a herringbone pattern cover the walls and a rice paper pendant light hand-painted by Claire Dufournier hangs from the ceiling.
      The bathroom features dark green tiles and a hand-painted rice paper pendant lightFor those looking for more Japanese restaurants with notable interiors, New York City has plenty of options to choose from.
      Check out the Rockwell Group-designed Katsuya close to Hudson Yards, Rule of Thirds by Love is Enough in Greenpoint, and Tsukimi in the East Village designed by Post Company – formerly known as Studio Tack.
      The photography is by Nicole Franzen.

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      Space tourism informs design of Ichi Station sushi restaurant in Milan

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      Valencian design studio Masquespacio has completed a dine-in restaurant for takeaway sushi chain Ichi Station in Milan, with interiors designed to resemble a futuristic spaceship.

      Set in a historic building in the Brera district, the chain’s latest outpost builds on the same travel and transport concept established across its other outlets – including eight in Milan and another in Turin.
      Masquespacio has designed Ichi Station’s Brera outpostBut Masquespacio wanted to take this idea to the next level for the new restaurant by drawing on the visual language of sci-fi and space tourism.
      “We proposed approaching the travel concept as a trip to the future,” said Masquespacio co-founder Christophe Penasse.
      “When you enter Ichi, it’s like entering a capsule-like spaceship travelling through light, where you will disconnect from reality in order to get in touch with the food.”

      Customers can pick up orders at the takeaway counterMasquespacio completely redeveloped the layout of the 80-square-metre site – previously another restaurant – creating a central dining area along with a tunnel where diners can observe some of the sushi-making process.
      A pick-up bar close to the entrance was added to separate the circulation routes of take-away customers and diners.
      The dining area is housed in a cylindrical tunnelThe tunnel motif was developed as a way to express the idea of travel and make a reference to Japan without falling into cliches.
      “Some elements were incorporated to remind the customer of Japan, like the huge lighting circles, although we tried to avoid making typical references to Japan such as using wooden structures,” Penasse explained.

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      The tunnel motif also informed the circular and cylindrical details that pop up throughout the space across seat backs, bar stools and decorative elements such as the circular feature light in the main dining area.
      “The shapes and forms give the project the futuristic look that it needed,” the designer said.
      Diners can also watch sushi being prepared at the counterMasquespacio opted for a simple and restrained material palette that includes glass and micro-cement, which was used along with fully integrated tables and seating to create a seamless look reminiscent of a spaceship.
      The restaurant’s custom-made furniture brings in another reference to transport design tropes. “You can recognise it as a reinterpretation of the seating in a station and especially on a train,” Penasse explained.
      LED light panels are integrated into the walls, ceilings and table topsThe interior is finished in neutral shades of beige and off-white but is cast in different vivid colours thanks to the LED lighting system that is integrated into the walls, ceilings and even the table tops.
      The lights alternate between shades of blue, green, purple and peach at variable speeds and, according to Penasse, create a veritable “explosion of colour”.
      The toilets are finished in contrasting navy blueAlthough based in Spain, Masquespacio has completed a number of projects in Italy in recent years.
      Among them are two colour-block restaurants for fast-food chain Bun – a blue-and-green interior in Turin and a green-and-purple version in Milan.
      The photography is by Luis Beltran.

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      Hello Sunshine features “unlikely juxtaposition” of Japanese psychedelia and cabins

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      A “psychedelic inverted cabin” provided Canadian studio Frank Architecture with the design narrative for this Japanese casual bar and restaurant in Banff, Alberta.

      Located in the mountains of Alberta, Hello Sunshine offers barbecue, sushi and karaoke in a retro-influenced space by Frank Architecture.
      Fireplaces sit at the centre of special tables at Hello SunshineThe team imagined an alternate reality, in which Japanese graphic designer Tadanori Yokoo ventured into the mountains and holed up in a cabin for years, and based the interiors on what the result might have been.
      “Taking cues from the unlikely juxtaposition of Japanese psychedelia meets spaghetti western meets mountain cabin, Hello Sunshine is bold, playful, and distinct,” said Frank Architecture, which has an office in Banff.
      The wood-panelled restaurant features a rounded bar at the backThe eatery is located in the middle of the town, which is a popular destination for tourists and winter sports enthusiasts and is laid out to offer a sense of discovery.

      “The spatial planning is intended to feel organic and meandering,” the team said. “Upon entry, the restaurant isn’t immediately visible but is slowly revealed as one moves through space.”
      Japanese elements like paper lanterns and textile artworks and paired with plaid curtains and plenty of woodThe restaurant occupies a tall open space lined almost entirely in wood, with the rounded bar located at the back and a variety of table seating options scattered around.
      Diners can choose between communal benches, four-tops, booths, bar stools, or sit at one of two special tables.
      Booth seating is lined up against angled, shingle-covered wallsThis pair of large circular counters both feature a raised fire pit at their centre, below fluid-shaped flues clad in glossy, glazed ceramic tiles.
      Japanese design staples like paper lanterns and ceiling-hung textile artworks are combined with mountain tropes such as plaid curtains, exposed stone and plenty of wood.

      Frank Architecture creates intimate setting for Calgary’s Lonely Mouth noodle bar

      Blue corduroy fabric is used to cover banquettes, while the booth seating is tucked into a niche formed by angled walls covered with timber shingles.
      In the karaoke rooms tucked away at the back, patterned carpet, lava lamps and disco balls add colour and sparkle to the wood-panelled spaces.
      Karaoke rooms are enlivened by disco balls and lava lampsThere’s also a concealed tiny bar based on those crammed into the alleyways of Golden Gai in Shinjuku, Tokyo.
      “The result is a bold and encapsulating space that surprises and delights guests with unexpected moments and distinctive style,” said the team.
      A tiny concealed bar is based on those found in Golden Gai, ShinjukuThis isn’t Frank Architecture’s only Japanese restaurant – the studio also created an intimate setting for the Lonely Mouth noodle bar in its other home city of Calgary.
      For another spot in the Western Canada metropolis, the team drew inspiration from author Truman Capote to set a 1960s vibe at Major Tom on the 40th floor of a downtown skyscraper.
      The photography is by Chris Amat.

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      VSHD Design creates “intriguing and mysterious” interior for sushi restaurant Origami

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      Emirati studio VSHD Design has completed a dark and dramatic interior for a restaurant in The Dubai Mall, featuring a pared-back palette of natural materials chosen to reflect Japanese minimalism.

      Origami is a sushi restaurant, whose first outpost opened in Dubai’s Jumeriah neighbourhood in 2014.
      VSHD Design has designed the Origami restaurant in The Dubai MallFor its second branch, the owners asked VSHD Design to create a space that provides a unique experience within the cookie-cutter environment of a shopping mall.
      The studio, led by interior architect Rania Hamed, used materials such as textured grey plaster, matte-black tiles and low lighting to create an atmosphere that evokes the underground sushi bars found throughout Japan.
      Glass bricks form a low bar in the waiting area”Origami’s interior makeover features simple forms in natural materials, and organic shapes reflecting the simplicity and minimalism of traditional Japanese culture,” VSHD Design explained.

      The interior features monolithic columns and walls informed by the architecture of temples, along with seating covered with draped fabric and textured glass partitions that contribute to the feeling of “intrigue and mystery”, the studio said.
      Six-metre-thick columns frame the restaurant’s entranceThe restaurant is entered through the gaps between a number of six-metre-thick columns, designed to enhance the sense of separation between the mall and the main dining room.
      A small retail space on one side of the entrance hosts a concession selling chocolates while on the other side, a low bar area with wooden stools and a glass-block counter provides a waiting area for diners.

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      “The solid shop front facade made of rammed-earth clay and glass bricks evokes a feeling of intrigue meant to draw people inside,” said VSHD Design.
      The narrow entrance also limits the amount of natural light entering the dining room, which helps to maintain the dark and intimate feel.
      The main dining room is dimly litThe restaurant is arranged over two split levels that offer different seating arrangements, with the main area featuring built-in bench seating arranged around its perimeter.
      Three steps lead up to a space housing the sushi bar, which is illuminated by an overhead light box and allows diners to watch the chefs at work.
      A sushi counter at the back allows diners to watch the chefs at workBlack tiles covering the walls, floors and counter create a dark and minimalist ambience throughout the interior.
      The furnishings, including wooden chairs and benches upholstered with draped white fabric, provide a more relaxed and tactile element.
      “Overall, it is the lines, the materials and the colours incorporated within the design that uphold a Japanese sensibility and spirit, while still appealing to a modern sense of luxury,” the studio said.
      Black tiles cover the walls and floorsRania Hamed founded VSHD Design in 2007 and has since worked on residential and commercial projects in countries including Jordan, Egypt and the United Kingdom.
      The studio’s projects in Dubai include a gym that references brutalist architecture and underground fight clubs, as well as a coffee shop with a curved ceiling and boulder-like counters.
      The photography is by Oculis Project.

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      Frank Architecture creates intimate setting for Calgary's Lonely Mouth noodle bar

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      Canadian studio Frank Architecture has designed a Japanese restaurant in Calgary where wood panelling, low lighting and corduroy-upholstered chairs all contribute to a cosy atmosphere.

      The Lonely Mouth bar and restaurant is named in reference to the Japanese concept of kuchisabishii, which means “when you’re not hungry, but you eat because your mouth is lonely”.
      A screen of wooden dowels divides the bar and restaurants areas at Lonely MouthFound at the eastern end of Calgary’s 17 Avenue commercial strip, only a few blocks from Frank Architecture’s studio in the city, the bar serves udon made in-house and boasts an extensive sake selection.
      “Lonely Mouth is a place where tradition meets innovation,” said the team at Frank Architecture. “They offer a carefree and interactive dining experience, featuring a dynamic and playful menu with modern and energetic flavours.”
      Wood panelling lines the rooms above built-in banquette seatingFor the interiors, the designers chose a warm palette of green and brown tones, along with textured plaster and soft upholstery to create an intimate atmosphere.

      “Inspired by Japanese minimalism, the interior takes a ‘less is more’ approach,” the team said. “The design is very restrained.”
      A trio of spherical lights hang above the central row of tablesA screen of wooden dowels divides the bar and dining spaces, adding to the sense of intimacy. The restaurant’s noodle maker can be seen working in the bar area, allowing guests to watch their food being prepared.
      Shelving behind the bar, which displays the sake collection, was built using wood salvaged during the renovation of the space.
      Green and blue upholstery complements the warm wood tonesAlong the sides of the main dining area runs built-in seating with blue-fabric backs.
      Wood panelling above is decorated with works by local artists Rhys Douglas Farrell, and Harry Kiyooka, who died aged 94 earlier this month.

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      Wooden tables form rows beside the banquettes, with an additional line through the middle of the room.
      Diners at these central tables sit on chairs covered in brown velvet corduroy, while other seats are upholstered in green fabric.
      Sake is displayed on repurposed shelves behind the barA trio of spherical, paper pendant lamps cast a dim glow into the restaurant, assisted by spotlights, fringed table lamps and candles in setting the mood.
      “Light levels are dimmed and offer a soft, even glow to diners,” the team said.
      Textured plaster walls and fringed artworks are found near the entranceFrank Architecture was established in 2009 by principals Kelly Morrison, Kate Allen and Kristen Lien.
      Along with Calgary, the firm has an office in Banff and was longlisted for interior design studio of the year at the 2021 Dezeen Awards.
      The photography is by Chris Amat.

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      Rockwell Group takes maximalist approach to Japanese design at Katsuya NYC restaurant

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      Elements of traditional Japanese architecture and design are combined and given a contemporary spin by New York studio Rockwell Group at this sushi restaurant in Manhattan.

      Katsuya is the latest restaurant of its name by chef Katsuya Uechi, following locations in Los Angeles, Miami and the Bahamas all serving sushi with a Californian twist.
      Katsuya serves Californian-influenced Japanese cuisine by chef Katsuya Uechi. This and top photos by Nikolas KoenigFor its interior, Rockwell Group looked to a variety of Japanese aesthetic traditions, and blended them together to create a theatrical experience.
      “The interior dining rooms take a maximalist approach to Japanese aesthetics, an entertaining departure from the contemporary minimalist vogue,” said the team.
      A long red-lacquered communal table occupies the centre of the dining room. Photo by Nikolas KoenigThe restaurant totals 6,890 square feet (640 square metres) and seats up to 305 diners. Guests enter past the sushi bar and lounge, which is set up for casual diners to enjoy light bites in view of the kitchen.

      In the main dining area, the space is divided into three sections by a pair arched openings and a series of translucent glass screens subtly printed with images of wagasa – Japanese umbrellas.
      Translucent screens divide up the hall-like spaceThe archways, shaped to reference torii and pagoda architecture, are trimmed with red lacquer and inlaid with square wooden tiles.
      Screens are suspended from a black powder-coated metal framework, reminiscent of kumiki wood joinery.
      Secluded banquettes are positioned towards the back. Photo by Emily AndrewsDominated by red, the central space has a long communal table, plus several two-tops and a trio of secluded banquettes towards the back.
      Small to medium-sized parties are accommodated in the section to the right, where the red tones are swapped for warm creams and the wagasa patterns appear again on the wallpaper.
      Several traditional Japanese wagara motifs decorate the wallsMore banquette niches are framed by curved ceilings, and decorated with other traditional wagara motifs and imagery of performers with fans.
      The final indoor dining area includes a variety of table sizes, as well as a robata grill – a specialty that the chef is “renowned for pioneering in the West” according to the team.
      A private dining room seats 10. Photo by Nikolas KoenigConcentric pendant lights by Allied Maker spotlight individual tables and booths throughout the restaurant.
      Meanwhile, the red-lacquered communal table is “illuminated by a custom chandelier with a lazily undulating form that appears like waves rendered in ink”.

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      A private dining room at the end of the hall-like restaurant features red-leather-backed chairs around a circular wooden table, which seats 10.
      In the warmer months, a terrace influenced by autumnal Japanese gardens will provide space for 98 guests outdoors.
      Screens are subtly printed with images of wagasa – Japanese umbrellasKatsuya opened in March 2022 as one of two full-service restaurants inside the Citizens food hall, located within the Manhattan West development between Hudson Yards and Penn Station.
      Rockwell Group was also responsible for the interior design of Citizens, as well as the other fine-dining option Casa Dani, which serves Andalusian cuisine in a setting to match.
      Allied Maker’s Concentric pendant lights are hung throughout the restaurantThe firm was founded by architect and designer David Rockwell in 1984, and is best known for hospitality projects, and production design for theatre and events.
      Its studios have recently collaborated with fellow designers Joyce Wang on the first Equinox Hotel, Yabu Pushelberg for the Moxy Chelsea hotel and Diller Scofidio + Renfro to build 15 Hudson Yards and The Shed – all in New York City.
      The photography is courtesy of Katsuya, unless stated otherwise.

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