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    Moooi furnishings “tell a different story on every floor” of Lisbon hotel says Rebelo de Andrade

    Father and son architect duo Luís and Tiago Rebelo de Andrade explain how they furnished Lisbon’s Art Legacy Hotel entirely with Moooi products in this video produced by Dezeen for the Dutch furniture brand.

    Lisbon practice Rebelo De Andrade designed the interiors of the five star Art Legacy Hotel, located in the Baixa-Chiado district in the city’s centre.
    The hotel is notable for its exclusive use of Moooi products and rooms with bold primary colour schemes.
    Art Legacy Hotel is a five star hotel in Lisbon”Hospitality is always about image and stories,” said Luís Rebelo De Andrade, founder of the studio, in the exclusive Dezeen video interview. “We wanted the guests, when they come to this hotel, to have a completely unexpected experience.”
    “So, we proposed to our client that we make a hotel with only Moooi products, to give it a very strong identity.”

    IDEO designs Pallana suspension lamp with adjustable ring lights for Moooi

    Moooi’s products were used throughout the hotel, including carpets, furniture, lighting, wall coverings and art pieces.
    “Moooi is everywhere in the building,” said Tiago Rebelo De Andrade, who is partner and principal architect at the studio and Luís Rebelo De Andrade’s son. “When you enter the hotel, all the colours, all the textures, all the furniture from Moooi helps us to tell a different story in every floor.
    Rebelo De Andrade furnished the Art Legacy Hotel entirely with Moooi productsThe project is a renovation of a historical office building. Alongside overhauling the hotel’s interior, Rebelo De Andrade also redesigned its facade.
    According to Tiago Rebelo De Andrade, Moooi’s blend of modernity and classical references suited the studio’s approach to designing the hotel’s interiors.
    “Moooi is classic but in a way that can also be modern,” he said. “It’s a modern-classic building.”
    Art Legacy Hotel is a renovation of a historic building in Lisbon’s centreLuís Rebelo De Andrade decided to partner with Moooi on the hotel’s interiors after visiting the brand’s Museum of Extinct Animals exhibition at Milan design week in 2018.
    Each room in the Art Legacy Hotel has either a blue, red, yellow or green colour scheme, with matching wall coverings, furniture and tiling in the bathrooms.
    “When I first met Moooi’s products, I felt that it uses a lot of primary colours,” he said. “So I used primary colours in a very strong way in the hotel. They are colours that provoke you.”
    Moooi’s lighting, furniture, wall coverings and carpets are used throughout Art Legacy HotelIn the video interview, the duo also discussed their working relationship.
    “My son, he provokes me,” said Luís Rebelo De Andrade. “We had to educate ourselves on how to work together.”
    “I offer my experience, he offers his youth in projects,” he continued. “So I think it’s a good mix.”
    Rebelo De Andrade used primary colour schemes in Art Legacy Hotel’s rooms”It’s difficult because it’s a father and son relationship,” added Tiago Rebelo De Andrade. “We are always arguing, but at the end of the day, we drink a bottle of wine so that we can make peace with each other.”
    Other recent projects from Moooi include the IDEO-designed Pallana suspension lamp, made up of adjustable ring lights, and the rope-like Knitty Chair designed by Nika Zupanc.
    The photography is by João Guimarães.
    Partnership content
    This video was produced by Dezeen for Moooi as part of a partnership. Find out more about Dezeen’s partnership content here.

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    Bacana Studio designs “amphibious” interiors for riverfront restaurant in Lisbon

    Lisbon interior design practice Bacana Studio took cues from Portugal’s coastal traditions for the interiors of a João Luís Carrilho da Graça-designed Anfibio restaurant.

    Located alongside the Tejo river, the restaurant was designed to “merge the duality of the sea and the land,” the interiors studio told Dezeen.
    Striped benches create a corridor from the bar to the terraceNamed Anfibio – Latin for amphibious, meaning suited for both land and water – the restaurant serves both local seafood and “countryside produce”.
    It is located in a glass-walled, pavilion-like structure designed by local architecture studio João Luís Carrilho da Graça alongside the Tejo river and its interiors were informed by its riverfront location drawing on the “dazzling reflections of the sun on the water”.
    The lighting is designed to “allow Anfibio to transform between day and night”Within the 500-square-metre restaurant, which is used as a nightclub in the evenings, wooden flooring was stained with a “watery green” colour and a mirror-like fabric was used on the ceiling to reflect and refract light.

    “The building’s architecture aims to blend in and go unnoticed, striving to merge with the river and reflect the city of Lisbon,” said Bacana Studio founder Ingrid Aparicio.
    The restaurant is located on the Tejo riverAccording to the Bacana Studio, the open plan layout and five-metre-high ceilings posed a lighting and acoustic challenge.
    As a result, the studio focused on “creating visual and functional interest from the ground up” with decorative elements, lighting and architectural features rising up from the floor.
    “It’s the lighting itself that shapes and defines the spaces,” Aparicio explained. “We devised a concept where lighting emanates from the furniture, creating intimate spaces and avoiding the sensation of being in a vast and cold space.”
    Light fittings emerge from the furnitureSmall brass-shaded table lamps and arched brass and glass lamps, which were crafted to resemble the antennas of aquatic creatures, provide ambient lighting for each table and unify the space.
    Visitors are greeted by a curvilinear “snake sofa” that divides the restaurant into two areas – an intimate zone with smaller tables on one side, and a more communal area with a large 10-seater table on the other.
    “The design is meant to encourage you to let loose, which is why the organic shapes in the sofas, tables, and chairs, create an interesting flow to the space,” explained Aparicio.

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    On either end of the intimate zone is a long, 20-seater community table. The studio designed these with an aim to pay homage to the spirit of Lisbon’s traditional fish markets, serving as “a symbolic nod to the shared dining experiences fostered in such lively and communal settings”.
    The wait-staff station and the wood, wicker and brass bar separate the kitchen from the dining area.
    The “snake sofa” divides the spaceTwo long, striped benches, positioned with their backs facing each other, lead out to the terrace, “segmenting the expansive layout of the restaurant into more intimate sections”.
    The terrace, overlooking the port and the city of Lisbon, aims to “evoke the essence of an authentic beach club”.
    Stripes were prominently used on the walls, upholstery, and furnishings, reminiscent of Portuguese fishermen’s cottages and coastal awnings.
    Natural materials such as wood and wicker were prominently usedOther restaurant interiors recently featured on Dezeen include a Mexico City restaurant arranged around an upside-down pyramid bar and a converted Norwegian restaurant covered in restored paintings.
    The photography is by Filipe Neto.

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    White leather curtains enclose Lisbon wellness centre by AB+AC Architects

    Portuguese practice AB+AC Architects has designed a multifunctional wellness centre in Lisbon that doubles up as an artists’ residence.

    The Open Hearts wellness centre is arranged around one large room, which AB+AC Architects refers to as the shala. This Sanskrit term refers to the idea of home but also, in the context of yoga, a place where people can learn and practise together.
    The Open Hearts centre is orientated around a curtained room known as the shalaAs well as yoga classes, this adaptable space will host everything from breathwork classes and sound baths to meditation sessions, film screenings, dining experiences and creative writing workshops.
    Running around the periphery of the shala are floor-to-ceiling curtains crafted from white vegan leather, which can be drawn to keep the room out of view from the bustling street outdoors.
    At the front of the room, a wall of gold-tinted mirrors conceals a series of storage compartments. When an event is being held, the room can also be temporarily dressed with floor cushions and long birchwood tables.

    Behind the shala is the artists’ residence”Normally, when a design is very flexible, there is a risk of ending up with a very generic or sterile space, as if the only way to address adaptability is through non-specific design,” explained AB+AC Architects.
    “We knew that creating a neutral mood that could accommodate a variety of programs would not be stimulating, so we decided that the centre had to be able to evoke different emotions based on the function occurring at that given moment.”
    This includes a dining room and bespoke kitchenA grand limestone archway to the side of the shala grants access to the artists’ residence, which is entered via a narrow lounge area.
    The room is topped with a light-up ceiling that measures eight metres long and, when the artist is hosting an exhibition, washes their work in a complementary glow.

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    Next up is a small dining area and a custom-made kitchen suite featuring wooden cabinetry and a terrazzo-style countertop.
    Surfaces in the adjacent bedroom are painted a crisp shade of white while the corner dedicated to the bathroom – complete with a freestanding tub – is clad in distinctive terracotta tiles.
    The same gold-tinged mirrors from the shala are used here to help disguise the toilet.
    A terracotta-tiled bathroom contrasts with the white walls of the bedroomShould the resident artist want some fresh air, they can head outside to the small private patio.
    Here, a concrete planter that winds around the edge of the space is overspilling with leafy tropical plants, while volcanic stone pebbles are scattered over the floor.
    Foliage lines the private outdoor patio of the artists’ residenceOpen Hearts Lisbon has been shortlisted in the civic and cultural interior category of this year’s Dezeen Awards.
    Other projects in the running include a cow shed-turned-library, a historic cinema in Berlin and the world’s first multi-storey skatepark.
    The photography is by Ricardo Oliveira Alves.

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    Five key exhibitions at Lisbon Architecture Triennale 2022

    Lisbon Architecture Triennale has returned for its sixth edition, with exhibitions, installations and contributions by the likes of Dutch studio MVRDV and Japanese studio Tomoaki Uno Architects.

    Titled Terra, the Latin word for earth, this year’s Lisbon Architecture Triennale is a call to action centring on sustainability and forging a balance between communities, resources and processes.
    The 14-week-long event was curated by Portuguese architects and educators Cristina Veríssimo and Diogo Burnay. It takes place until 5 December 2022 and includes a number of exhibitions, book launches, conferences and fringe events across the city of Lisbon.
    Each of the exhibitions and events highlights climate change, human reliance on resources as well as social, economic and environmental injustices and how these issues are connected.
    Read on for five key exhibitions at the 2022 edition of Lisbon Architecture Triennale:

    Multiplicity
    Curated by Cityscapes Magazine co-founder Tau Tavengwa and anthropologist and writer Vyjayanthi Rao, Multiplicity is an exhibition that looks at ways architecture and design can respond better to global challenges such as inequality, climate change and conflict.
    The exhibition is organised across several of the National Museum of Contemporary Art’s minimally decorated rooms, with books, posters and other exhibits arranged on folio cabinets and plywood tables to encourage visitors to engage with them.
    It also includes case studies of architecture projects, such as Wiki House by Architecture 00, BookWorm pavilion by Nudes and Plugin House by People’s Architecture Office, which highlight architectural and design-led initiatives and solutions to social and global issues.

    Retroactive
    Retroactive is an exhibition at Lisbon’s Museum of Art, Architecture and Technology (MAAT), curated by design studio Taller Capital founders Loreta Castro Reguera and José Pablo Ambrosi.
    It identifies ways to help communities living in “vulnerable places due to overcrowding, lack of resources and basic service infrastructure” through the use of architectural initiatives.
    “Retroactive explores the suturing tools of communities in urgent need of architectural solutions that may reconcile their sense of belonging and spatial dignity,” explained Lisbon Architecture Triennale organisers.

    Cycles
    At the Garagem Sul museum, Cycles highlights the circular economy of materials, presenting ways in which designers, architects and creatives can reuse waste. The exhibition was designed by local office Rar.Studio and curated by architect Pedro Ignacia Alonso with art curator Pamela Prado.
    “Cycles addresses the role of architecture within the endless processes of transformation and redistribution of matter, and showcases the possible encounter between architecture and sustainability, economy, heritage and memory,” said organisers of Lisbon Architecture Triennale.
    A focal point of the exhibition is Falca, a mound of cork piled in the rear corner of the gallery by artist Lara Almarcegui.

    Visionaries 
    Visionaries is described by its curator Anastassia Smirnova as an “invitation for action”. It is arranged within the Culturgest centre across a collection of rooms, which each shed light on radical ideas spanning different categories or themes.
    Among the visionary projects is Dutch architecture studio MVRDV’s proposal to raise Eindhoven’s cathedral by 55 metres to insert social and public functions below it, alongside an exploration into French architect Roger Anger’s utopian city Auroville in India. Other contributors include Japanese studio Tomoaki Uno Architects, Spanish architect Andrés Jaque and Spanish office Ensamble Studio.
    “Their projects, more than mere physical and spatial structures, are ambitious and controversial prescriptions for planetary strategies,” said Lisbon Architecture Triennale.
    “In many different forms, from the bedroom scale to city models, these radical prototypes are open to being productively interpreted, not just replicated, by future generations.”

    Independent Projects
    Alongside the main exhibitions, a total of 16 projects have been developed in response to the triennale’s theme of Terra. Twelve of these are exhibited at the event’s headquarters at Palacio Sinel de Cordes, while the other four are dotted across the city of Lisbon.
    Among them is After Plastics, a project by KALA.studio that imagines a landscape where microplastics play a vital role in a new plant growth. Meanwhile, designers Zhicheng Xu, Mengqi Moon He, Stratton Coffman, Calvin Zhong and Wuyahuang Li, are presenting Lodgers, a proposal for temporary housing for different life forms in Nevada, built from local materials.
    Lisbon Architecture Triennale takes place from 1 October to 5 December 2022 in Lisbon, Portugal. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.
    The photography is by Sara Constança.

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  • Aurora Arquitectos transforms ruined Lisbon building into fun family home

    A fireman’s pole lets children slide down between floors in this house that Aurora Arquitectos has created in Lisbon, Portugal.The building that the house occupies is nestled along Bartolomeu Dias street, west of central Lisbon.

    Although the structure had fallen into a state of almost complete ruin, it was purchased by a couple who wanted to establish a home where they could live for the foreseeable future and raise their three young children.

    Aurora Arquitectos was tasked with carrying out the residential conversion.

    “This is an upstream project in a time when the city has been gradually emptied from its inhabitants under the pressure of tourism and real estate speculation,” said the practice.
    “This is a project of resistance since it grows from the desire of a family wanting to remain in its own neighbourhood.”

    The original building was two storeys and measured just 60 square metres.
    As Aurora Arquitectos had to reconstruct nearly the entire building, it decided to extend the structure to create three more storeys and an extra 169 square metres of space.
    The new portion of the building has been painted bright white.

    “The family lived for some years in the Netherlands in a typical townhouse, known as a typology that has a vertical distribution of the program, so we can also say that influenced the design process,” the practice explained to Dezeen.

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    Inside, the traditional arrangement of rooms has been reversed. The sleeping quarters are on the bottom two floors, while the communal living spaces have been spread across the upper three floors to benefit from views of the nearby Tejo river.

    This excludes the playroom that has been situated at the rear of the ground floor, complete with curving in-built shelves where the kids can display their toys.
    The room can be reached via a fireman’s pole that extends from the kid’s bedroom directly above.

    “The family has three children and they like to spend all their time together, so the option was to concentrate their sleeping area,” added practice.
    “But once they grow up and need separate bedrooms one can transform the playroom into a bedroom, and the pole area into a bathroom.”

    As the playroom faces onto a narrow lane often frequented by pedestrians, the rear elevation of the home has been fitted with oversized privacy shutters that can be slid across the windows.
    On the home’s front elevation, the practice has simply restored the existing patterned tiles and freshened up the “Lisbon-green” paint that features on the doors.

    Rooms across all levels of the home have timber flooring and white walls, cabinetry and light fixtures. Perforated white metal forms the treads of some of the staircases.
    A splash of colour is provided by a recessed window in the kitchen that the practice refers to as “the green eye” as it is lined with jade-coloured Verde Viana marble.

    On the fifth floor is an outdoor terrace inset in the house’s pitched roof.
    The terrace is backed by a glass wall that looks down to the home’s living room on the fourth floor. Here there is a large window seat where the inhabitants can sit and relax with a book.

    Aurora Arquitectos was established in 2010 by Sofia Couto and Sérgio Antunes.
    The practice has completed a number of other projects around the Portuguese city of Lisbon – others include a brightly-hued hostel that occupies an old family home, and a renovated 1970s apartment that features angular skylights and folding walls.
    Photography is by Do Mal O Menos.
    Project credits:
    Architecture: Aurora ArquitectosArchitecture team: Sérgio Antunes, Sofia Reis Couto, Carolina Rocha, Bruno Pereira, Tânia Sousa, Rui Baltazar, Dora JerbicBuilding supervision: GesconsultEngineering: Zilva, Global, LDAConstruction: Mestre Avelino

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