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    Jan Hendzel tracks down “super special” London timbers to overhaul Town Hall Hotel suites

    Reclaimed architectural timber and wood from a felled street tree form the furnishings of two hotel suites that designer Jan Hendzel has revamped for London’s Town Hall Hotel in time for London Design Festival.

    Suites 109 and 111 are set on the first floor of the Town Hall Hotel, which is housed in a converted Grade II-listed town hall in Bethnal Green dating back to 1910.
    Each of the apartment-style suites features a living room with a kitchen alongside a bedroom and en-suite, which Hendzel has outfitted with bespoke furnishings. Like all of the furniture maker’s pieces, these are crafted exclusively from British timbers.
    Jan Hendzel has overhauled suites 109 (top) and 111 (above) of the Town Hall HotelBut for his first interiors project, Hendzel took an even more hyper-local approach with the aim of finding all of the necessary products inside the M25 – the motorway that encircles the British capital.
    “We started out with the idea that we could source everything within London,” he told Dezeen during a tour of the suites.

    “Some timbers have come from Denmark Hill, some are reclaimed from Shoreditch. And we used Pickleson Paint, which is a company just around the corner, literally two minutes from here.”
    The living area of suite 111 features green upholstery by Yarn CollectiveThe reclaimed timber came in the form of pinewood roof joists and columns, which Hendzel found at an architectural salvage yard.
    These had to be scanned with a metal detector to remove any nails or screws so they could be machined into side tables and tactile wire-brushed domes used to decorate the suites’ coffee tables.
    Rippled wooden fronts finish the kitchen in both suitesIn Suite 111, both the dining table and the rippled kitchen fronts are made from one of the many plane trees that line the capital’s streets, giving them the nickname London plane.
    “This London plane is super special because it has come from a tree that was taken up outside Denmark Hill train station in Camberwell,” Hendzel explained. “We couldn’t find timber from Bethnal Green but it’s the closest we could get.”
    The dining table in suite 111 is made from London planeFor other pieces, materials had to be sourced from further afield – although all are either made in the UK or by UK-based brands.
    Hendzel used British ash and elm to craft mirrors and benches with intricate hand-carved grooves for the suites, while the patterned rugs in the living areas come from West London studio A Rum Fellow via Nepal.
    “People in the UK don’t make rugs, so you have to go further afield,” Hendzel said. “Same with the upholstery fabrics. You could get them here but if they are quadruple your budget, it’s inaccessible.”

    Jan Hendzel explores potential of British hardwood in Bowater furniture collection

    Hendzel’s aim for the interior scheme was to create a calm, pared-back version of a hotel room, stripping away all of the “extra stuff” and instead creating interest through rich textural contrasts.
    This is especially evident in the bespoke furniture pieces, which will now become part of his studio’s permanent collection.
    Among them is the Wharf coffee table with its reclaimed wooden domes, worked with a wire brush to expose the intricate graining of the old-growth timber and offset against a naturally rippled tabletop.
    “It’s a genetic defect of the timber, but it makes it extra special and catches your eye,” Hendzel said.
    Grooves were hand-carved into the surfaces of mirrors and benches featured throughout the suitesThe coffee table, much like the nearby Peng dining chair, is finished with faceted knife-drawn edges reminiscent of traditional stone carving techniques. But while the table has a matt finish, the chair is finished with beeswax so its facets will reflect the light.
    Unexpected details such as loose-tongue joints, typically used to make tables, distinguish the Mowlavi sofa and armchair, while circular dowels draw attention to the wedge joint holding together their frames.
    Reclaimed architectural timber was used to bedside tables in room 109Alongside the bespoke pieces, Hendzel incorporated existing furniture pieces such as the dresser from his Bowater collection, presented at LDF in 2020. Its distinctive undulating exterior was also translated into headboards for the bedrooms and cabinet fronts for the kitchens.
    These are paired with crinoid marble worktops from the Mandale quarry in Derby, with roughly-hewn edges offset against a perfectly smooth surface that reveals the fossils calcified within.
    “It’s a kajillion years old and it’s got all these creatures from many moons ago that have fallen into the mud and died,” Hendzel said. “But then, when they get polished up, they look kind of like Ren and Stimpy.”
    A rippled headboard features in both suitesGoing forwards, the Town Hall Hotel plans to recruit other local designers to overhaul its remaining 94 rooms.
    Other installations on show as part of LDF this year include a collection of rotating public seating made from blocks of granite by designer Sabine Marcelis and an exhibition featuring “sympathetic repairs” of sentimental objects as the V&A museum.
    The photography is by Fergus Coyle.
    London Design Festival 2022 takes place from 17-25 September 2022. See our London Design Festival 2022 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks taking place throughout the week.

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    R for Repair London exhibition features “sympathetic” repairs to sentimental objects

    A rattan cast created to protect the damaged wing of a toy puffin and a fractured plate held together with steel staples feature in R for Repair, an exhibition of repaired objects presented at the V&A museum as part of London Design Festival.

    Curated by Jane Withers and Hans Tan, the exhibition is the second edition of R for Repair, and follows the first iteration of the show that was held in Singapore last year.
    R for Repair is on display at the V&A in LondonThe show presented at London’s V&A museum includes 10 damaged objects repaired by 10 different designers from Singapore or the UK. They are displayed alongside three repaired objects from the original exhibition.
    Responding to an open call, members of the public were invited to contribute sentimental but broken objects to the project. Designers chosen by Withers and Tan then repaired the objects in various creative ways.
    Ng Si Ying repaired a toy puffin by creating a rattan cast for its wingDesigner Ng Si Ying created a cast and belt out of rattan and thread for Graham Secrets, a toy puffin owned by UK-based Oli Stratford, which was a gift from the owner’s parents on his 30th birthday.

    Originally made by Danish silversmith and designer Kay Bojesen in 1954, the object was damaged by Stratford’s cat. Ying created a cast for the puffin’s wing in Singapore using an intricate weaving technique.
    Rio Kobayashi used Japanese joinery to adapt an antique sewing chest”We wanted to pair designers who would be sympathetic to the owner’s emotional attachment and what are often quite moving stories behind the objects and why the owners treasure them, but might also have an unexpected take on the object and add new layers of meaning, enriching this evolving narrative of ownership,” Withers told Dezeen.
    “We also looked for designers who might bring interesting techniques and unexpected experimentation to the repairs.”
    The chest now has space to display drawings and paintingsAnother object repaired for the 2022 edition of the exhibition is an 18th-century antique sewing chest owned by Eleanor Suggett Stephens in the UK, which she inherited from her grandmother.
    Suggett Stephens discovered that the chest contained previously unseen sketches and watercolour paintings by her grandmother, who wanted to be an artist but never achieved her dream.
    Other objects include a repaired doll’s house by StudiomamaLondon-based designer Rio Kobayashi used traditional Japanese joinery techniques to raise the furniture’s feet, and also created a large tabletop designed to display and celebrate the secret artwork.
    Kobayashi used walnut, ash, cherry, sapele, paint and glass to repair the chest, which Suggett Stephens said “represents that creative dream which never happened for [my grandma] and reminds me how fortunate I am to have a career in the arts.”
    Studio Dam put a broken plate back together with staplesOther objects in the exhibition include a porcelain dinner plate that broke down the middle and was repaired with steel staples and epoxy glue by Studio Dam in Singapore.
    British owners Karen Birkin and screenwriter Andrew Birkin, brother of actor Jane Birkin, submitted the plate for repair with an entirely open brief. Andrew Birkin quipped that Studio Dam could make a spaceship out of it.

    Ten must-see installations at London Design Festival 2022

    In response, the multidisciplinary studio took visual cues from Stanley Kubrick’s film 2001: A Space Odyssey, which Andrew Birkin worked on early in his career.
    Studio Dam was informed by juci, a traditional Chinese porcelain repair technique that involves the use of metal staples.
    At the V&A, the objects are presented on bright yellow boxes”On one hand, the primary motivation was to bring creativity to repair through design,” explained Tan, discussing the exhibition.
    “At the same time, we thought having designers and objects from two countries would add a dimension to the project as a design and cultural exchange.”
    Tzen Chia playfully repaired a glass bottle for an anonymous ownerWithers also added that the exhibition intends to celebrate the process of repair and encourage the idea of giving possessions a second life.
    “I think it is important to broaden the discussion around repair and explore the psychological as well as functional dimension,” concluded Withers.
    “To understand why we keep things and how that can inform the design of products. How can things be designed with repair in mind so they improve with age?”
    As London Design Festival kicks off in the capital, see other installations that are part of the event, such as a collection of rotating stone chairs by Sabine Marcelis.
    The photography is by Zuketa Film Production. 
    R for Repair is on display at the V&A in London from 17 September to 2 November. 
    London Design Festival 2022 takes place from 17-25 September 2022. See our London Design Festival 2022 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks taking place throughout the week.

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    Get your event listed in Dezeen's London guide for London Design Festival 2022

    If you’re exhibiting during London Design Festival, there’s still time to get your event listed in our digital guide to the festival on Dezeen Events Guide.

    Our London guide will list the key events taking place during the week-long festival, which runs from 17 to 25 September 2022.
    London Design Festival hosts hundreds of events across its 12 districts, including the trade fair Design London and exhibitions, installations, talks and open studios.
    Dezeen will publish its London guide one week before the festival, which will include listings for all the key events.
    The digital guide will benefit from Dezeen’s high-ranking SEO and will sit on Dezeen Events Guide, which has received over 700,000 views since it launched in 2020.

    The London guide follows the success of our Milan design week 2022 guide, which received over 40,000 page views.
    If you want to be considered for the guide, please contact [email protected]. The Dezeen team will review the events to ensure the best are featured.
    Get listed in Dezeen’s digital London guide
    For only £100, you can feature your event in the guide, which includes up to 75 words of text, the date, location, a link to your website and an image.
    For more information about partnering with us to help amplify your event, contact the team at [email protected].
    About Dezeen Events Guide
    Dezeen Events Guide lists events across the globe, which can be filtered by location and type.
    Events taking place later in the year include Helsinki Design Week 2022, France Design Week 2022 and Copenhagen Architecture Festival 2022.
    The illustration is by Rima Sabina Aouf.

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    Get listed in Dezeen's digital guide for London Design Festival 2022

    Are you exhibiting at this year’s London Design Festival? Get your event listed in our digital guide to the week on Dezeen Events Guide, which will feature the festival’s key events.

    Taking place from 17 to 25 September 2022, London Design Festival features hundreds of events across the city, including the trade fair Design London and a programme of must-see events, exhibitions, talks and installations.
    Dezeen’s guide will go live one week before the London Design Festival. It will provide visitors with all the information they need to know about the festival.
    The digital guide will benefit from Dezeen’s high-ranking SEO and will sit on Dezeen Events Guide, which has received over 700,000 views since it launched in 2020.
    It follows the success of our digital guide for Milan design week 2022, which received over 40,000 page views.

    To be considered for inclusion in the guide, email [email protected]. Events will be selected by the Dezeen team to ensure that the best events are included.
    Get listed in Dezeen’s digital London guide
    For only £100, you can include your event in the list, which includes up to 75 words of text, the date, location, a link to your website and an image.
    For more information about partnering with us to help amplify your event, contact the team at [email protected].
    About Dezeen Events Guide
    Dezeen Events Guide lists events across the globe, which can be filtered by location and type.
    Events taking place later in the year include Tallinn Architecture Biennale 2022, Design Miami 2022 and Top Drawer S/S 2023.
    The illustration is by Rima Sabina Aouf.

    Read more: More