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    Norm Architects designs spa-like dental clinic modelled on art galleries

    Warm oak and smooth concrete are among the materials that Danish studio Norm Architects used to create the interiors for this Antwerp dental surgery, which aims to defy traditional, more clinical designs.

    The clinic, called Dentology+, is spread over a cavernous basement area and a ground-floor level. Both have been clad in a neutral material palette that was designed to evoke a sense of calm.
    The dental clinic was designed to defy traditional medical interiorsThe private dental clinic’s basement is made up of a set of dusty grey corridors, which Copenhagen-based Norm Architects designed to make it look as if the rooms were carved from a block of concrete.
    These concrete volumes are interrupted only by carefully selected minimal design elements such as geometric alcoves, pared-back black pendant lights and an earthy-hued circular artwork by Sara Martinsen.
    A cavernous basement area defines half the surgeryA low-slung sofa finished in a light-coloured textile also features in the basement, which was designed by Norm Architects’ longtime collaborator Keiji Ashizawa for Japanese brand Ariake.

    “The need to dwell and retreat to intimate nooks is a basic human requirement that we cannot dismiss when shaping living spaces,” Norm Architects co-founder Jonas Bjerre-Poulsen told Dezeen.
    Circular artwork by Sara Martinsen hangs above a low-slung sofaDentology+’s upper level was designed to be brighter and airier than its basement, while maintaining the clinic’s overall neutral theme.
    Cubes of light oak create walls and doors that are interspersed with objects including a pebble-like vase on a plinth, in a design that takes cues from the interiors of an art gallery.
    Translucent curtains line the windows of the operating rooms.

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    The choice to design Dentology+’s interior using materials that might be considered unusual for medical spaces was made in an attempt to enhance patients’ wellbeing, according to architect Sofie Thorning.
    “In many ways, we looked more to beautiful spa resorts than classic white dental clinics for inspiration,” she told Dezeen.
    Operating rooms exist within light oak walls”Material translucency and soft, warm light paired with carefully considered, crafted materials work to reshape the patient experience and perception,” she added. “The space is nothing like an ordinary dental clinic.”
    “What we surround ourselves with simply has a great impact on our mood and behaviour, which is why working with natural materials in architecture and design is a simple way to enrich our surroundings and enhance our quality of life,” added Bjerre-Poulsen.
    Afteroom chairs by Menuspace feature on the upper levelFounded in 2008, Norm Architects is a multidisciplinary design studio based in Copenhagen. Other projects by the practice that celebrate neutral and calming interiors include a minimal Chinese tea parlour and a jewellery store in Copenhagen informed by modernist artists’ studios.
    The photography is by Jonas Bjerre-Poulsen.
    Project credits:
    Architect & Partner: Sofie ThorningArchitect: Qing YeClient: Dentology+

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    Kingston Lafferty Design creates “otherworldly” interiors for Dublin skin clinic

    A palette of plaster, marble, terrazzo and stainless steel was chosen to create interiors that customers want to “reach out and touch” in this Dublin skin clinic by Kingston Lafferty Design.The local firm was commissioned by the Fitzgerald Private Clinic to capture a sense of calm, quiet luxury while maintaining the cleanliness expected from a surgery.

    Top image: the Fitzgerald Private Clinic has a marble-clad archway. Above: its retail space features marble counters
    “The service offer is premium and luxury, and the spaces that encapsulate it were designed to echo that at every touchpoint,” Kingston Lafferty Design founder Roisin Lafferty told Dezeen.
    “We wanted to design a space that was tactile and all-encompassing with a sense of otherworldliness, incorporating associations of sterility with a balance of warmth.”

    Kingston Lafferty Design plays with scale inside Dublin restaurant Cinnamon

    Spread across two tight, 46-square-metre floors, the Dublin clinic houses retail, storage and waiting areas on the lower level while the first floor encapsulates three treatment rooms, a toilet, staff room and secondary waiting area.
    “It is a very small space, so we needed to be clever when designing the layout to get the absolute maximum use from the space,” explained Lafferty. “Every element is jigsawed together to double up, offering both functionality and beauty.”

    The interior of the arch is finished with terracotta-coloured tiles

    Customers enter the clinic through a street-facing, pink-hued retail store with a micro cement floor and a curved wall lined with plaster tubes. According to Kingston Lafferty Design (KLD), these were designed to resemble putty and made from multiple layers of warm-toned plaster that were built up within a custom mould.
    “We wanted the different surfaces to be tactile and combined in unexpected ways, almost calling for people to reach out and touch, and for everything to appear as though it was formed from the structure of the building, as though it was all meant to be there,” said Lafferty.

    The clinic’s undulating pink plaster wall has three inset shelves
    Set with three brass shelves, the undulating wall doubles as a retail display area and also conceals added storage space behind a fully tube-clad door.
    The entrance area is anchored by a black and white terrazzo reception desk that sits under an Acquasanta marble archway. The underside of the arch is clad with zig-zagging matt red tiles that complement the tone of the marble.

    The walls and floor of the waiting area are covered in black and white terrazzo
    “The arch is the strongest element that frames the clinic experience,” the designer explained. “It highlights the sales and reception desk while encasing and concealing an existing structural beam. We built the arch to align with the depth of the custom reception desk, focusing on materiality both on the front facade and the inner depth.”
    The skin clinic, which sits beyond the arch, contrasts with the soft pink tones of the store. It features a stainless steel staircase and black and white terrazzo flooring, with the archway marking the junction between the two.

    Treatment rooms are clad in stainless steel
    “The staircase was the only structural element that we kept in the design. We sought to make a feature of its angular form and framed it in steel and glass, the steel providing both a tactile wall covering and a vital storage bank with additional retail display for product,” Lafferty said.
    An intimate waiting room wrapped in terrazzo and housing a bench seat upholstered in blue leather is located on the other side of the store’s curved, undulating wall.

    Brass accents in the toilets add an element of warmth
    On the first floor, mirror- and walnut-clad boxes create a series of interconnecting treatment rooms and corridors.
    “The treatment rooms needed to be highly clinical, sterile and very easy to keep clean,” said Lafferty. “Hygiene was of the utmost importance to the client. So we wanted to find a balance so that it didn’t feel cold and unwelcoming.”

    Blue terrazzo counters the sterility of the stainless steel
    Lozenge-shaped mirrors were added to disrupt the rooms’ clean lines and add softness, while subtle colour changes were introduced through a blue tone in the terrazzo and a hint of green in the textured plaster walls and ceilings.
    A seamless, full-height wall of walnut wood was added to the corridor outside the treatment rooms to contrast against the steel cabinetry and add warmth to the upper floor.
    Health and self-care was a central theme in another of KLD’s recent refurbishment projects. Earlier this year, the studio incorporated green walls, a yoga studio and rooftop terrace into a co-working office in Belfast to help workers unwind.
    Photography is by Ruth Maria Murphy.

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    Van Eijk & Van der Lubbe designs Utrecht care facility like a boutique hotel

    Domstate Zorghotel is a rehabilitation centre in Utrecht, the Netherlands, designed by Dutch studio Van Eijk & Van der Lubbe to give patients a hotel experience.Van Eijk & Van der Lubbe deliberately approached the interiors of the 84-bed health facility like they were creating a 4-star hotel to give patients a more comfortable stay.
    “Unlike similar ‘healing environments’, this care hotel is designed from the user’s perspective,” said the studio.
    “The interior actively participates in the rehabilitation process of the patients,” they added. “From small interior accessories to large spatial gestures, everything is focussed on the process of healing.”

    Top: the care facility has 84 bedrooms. Above: a grand piano sits in the lobby

    In the patients’ rooms elements such as a mirror, a shelf and a headboard hang from a curved rail on the wall on thick leather straps. As well as providing a striking visual element, the rail can be used for rehabilitation exercises.
    Straps on handles and peepholes placed at different levels cater to patients with different levels of mobility.

    Door handles have accessible straps
    To add to the boutique hotel vibe, each floor of rooms has a different colour scheme.
    Colour is a central part of making the interiors feel less institutional. The lobby features a grey-blue curving reception desk and rounded seating with a mustard-yellow base.

    Parking for mobility walkers and plants
    Fabric curtains on rails can be used to screen areas off and a grand piano can be used for practices and performances.
    Graphic markings on the floor mimic different floor finishes and change colour according to the area, such as blue in the lobby, green in the dining room and pink in staff areas.

    Staff areas are also colourful
    In Domstate Zorghotel’s restaurant, a curving green unit provides a discreet place to park wheelchairs and walkers. Rooms such as this are designed to subtly encourage guests to practise for real-world situations when they leave.
    Plants spill out of boxes in the built-in dividers and seating areas.

    Colourful patterns cover the floors
    Van Eijk & Van der Lubbe were careful to make sure the staff areas are fun and comfortable too.
    A pink curved multi-level banquette screened by plants in pink planters forms an attractive place for employees to sit outside of their desks. Geometric markings in the pink floor add interest to another staff area.

    Integrated Field decorates children’s hospital in Thailand with slides and a pool

    “In the areas of the building where employees work, it’s OK for them to colour outside the lines,” said Van Eijk & Van der Lubbe.
    “The design for these areas is aimed at making the most of innovation and diversity in day-to-day work.”

    Van Eijk & Van der Lubbe designed the facility to be fun
    Van Eijk & Van der Lubbe was founded in 1998 by Dutch designers Miriam van der Lubbe and Niels van Eijk. Their previous work includes a mirrored concept car and the refurbishment of a concert hall in Eindhoven.
    Domstate Zorghotel has been shortlisted for Dezeen Awards 2020 in the leisure and wellness interior category, alongside a children’s hospital in Thailand and an underground spa in New York.

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  • Integrated Field decorates children's hospital in Thailand with slides and a pool

    Design studio Integrated Field has created colourful arched interiors filled with animals and clouds to provide an enjoyable experience for children at a hospital in Samut Sakhon, Thailand.Playful touches in EKH Children’s Hospital include a bright yellow slide that spirals through the reception and animal shapes above hospital beds and light-up constellations that act as night lights.

    A yellow slide spirals through the entrance
    EKH Children’s Hospital has been shortlisted for leisure and wellness interior of the year at Dezeen Awards 2020.

    Integrated Field wanted the young visitors to the medical facility to be put at ease in what can be a scary and unfamiliar place.

    Waiting rooms have play areas and soft benches
    The designers put fun elements, such as clouds above an indoor swimming pool and soft play areas in the waiting rooms, to help distract children who could be nervous or feeling unwell.
    “Imagine being a kid dreading going into the hospital, the slide will definitely make you stop crying,” said the studio.
    “The waiting area of each clinic is designed into a playground, which becomes something of a burden for the parents when having to convince the kids to leave the hospital.”

    Slides make hospital visits so fun sometimes children don’t want to leave
    An indoor swimming pool adds to the fun, with arched windows that form circular reflections in the water and white clouds decorating the walls against a sky-blue backdrop.
    In the pharmacy, the play area is designed so that parents can easily keep an eye on their charges when they’re waiting at the counter.

    The rooms are themed around animals such as rabbits
    Arches above doorways and alcoves and rounded seating areas were all designed with a child’s perspective in mind, and these architectural elements were scaled to their height.
    Rooms are painted in soft pastel tones, including pink, blue and yellow.

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    “The pastel colour tone encourages the children’s use of imagination,” Integrated Field told Dezeen.
    “As a kid, we all create our own imaginary world when we are experiencing a space for the first time,” it added. “Each specific colour refers to a specific animal representing each zone, such as sky blue for whales.”

    Ceiling decorations double as nightlights
    Rooms for overnight stays are given animal themes to make them more appealing – Whale, Turtle, Lion and Rabbit Constellation.
    The animal’s outline is picked out on the ceiling so that it is visible during the day. At night, soft lightbulbs and glow in the dark strips pick out a constellation of stars that acts as a comforting nightlight.

    Arches feature in the hospital’s bathrooms
    Lighting in all of the hospital rooms and corridors is also designed to be soft, rather than the harsh fluorescent lights usually found in hospital settings.
    In the hospital bathrooms, the girls’ toilets are tiled pink and the boys’ yellow. Sinks and urinals are set into arched alcoves, with half of the facilities placed at a child’s height for easy access.

    The facade is also decorated with animals
    On the exterior facade, pastel-coloured metal screens have perforations that form the shape of animals.
    “As adults, we find ourselves amazed if not a bit jealous by the mesmerising variety and development of children’s toys or even snacks these days,” said the studio.
    “EKH Children Hospital will change everyone’s perception about what the space of a children’s hospital can be.”
    Integrated Field was founded in 2011 and is based in Bangkok.
    Other colourful children’s hospitals include a hospital in Brisbane with a colourful facade and a layout inspired by trees, and a brightly coloured children’s outpatient clinic in Kyiv that is also designed to be deliberately un-threatening.
    Photography is by Ketsiree Wongwan.
    Project credits:
    Owner: Ekachai HospitalInterior architect: Integrated FieldArchitect: S:CSBLandscape architect: S:CSBLighting designer: Nopporn SakulwigitsinthuEnvironmental graphics: Integrated FieldStructural engineer: S:CSBElectrical engineer: S:CSBSanitary engineer: S:CSBMain contractor: Adisorn ConstructionInterior contractor: Open Interior, PansinSignage contractor: D.R. Advertising

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    Adam Nathaniel Furman brightens up London maternity centre with “flowerburst” mosaic

    London designer Adam Nathaniel Furman has applied his signature colourful aesthetic to a tiled entrance and reception area for the maternity centre at the Chelsea and Westminster Hospital. The London hospital received a donation from the Reuben Foundation to create an artwork for its new maternity centre and approached Furman to enhance its reception and […] More