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A beachside installation made of 3D-printed concrete stars by artist Carlos Betancourt and a series of giant jewellery by designer Nicole Nomsa Moyo will be on view as part of Miami art week 2024. More
Design firm Studio Collective has created a boutique hotel inside The Moore building in Miami Design District, completing the landmark’s transformation into a multi-functional hospitality venue.
Recently opened, The Hotel at The Moore occupies the building’s fourth floor and includes 13 suites designed by Studio Collective to feel like private residences.
“The hotel suites are a new addition to the fourth floor, but were designed to fit the building’s original footprint within its historic interior,” said the hotel team.
Each room inside The Hotel at The Moore has a unique design conceptThe rooms range from 700 to 1,000 square feet (65 to 93 square metres) and each is designed differently to create a unique experience for guests.
One suite is decorated primarily in light neutral tones, where textured plaster walls allow walnut bed frames and furniture to stand out.
Another features wood-panelled walls and woven textured ceilings, complemented by details like rattan lampshades, while colour is introduced through rugs and throw pillows.
One suite features wood-panelled walls and a woven ceilingThe rooms include art and custom furnishings by makers such as Dallas-based furniture brand Mous and sustainably-focused Brazilian company Sossego.
The Moore building’s central atrium features a sculptural installation by architect Zaha Hadid, titled Elastika, which was added in 2005 when the space was used as an events venue.
Colour is subtly introduced through rugs and other detailsThe artwork has lent its name to a public restaurant that now occupies the space, where diners can enjoy a menu by chef Joe Anthony beneath the sinuous white forms that span across and up the four-level void.
Interiors for the Elastika restaurant were created collaboratively by operators Woodhouse and design firm Icrave, and include velvet banquette seating and an 18-cover bar.
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Constructed in 1921 to as a showroom for Moore and Sons furniture, the neoclassical-style building now also accommodates a private members club, which has its own restaurant and dining room.
Members also have access to a karaoke room, hidden cocktail lounges, game rooms, a library, various dining rooms with distinct themed decor, a photo booth, sun room and a late-night speakeasy called The Rabbit Hole.
The Moore building’s lobby is outfitted with black and white flooring, and contrasting colourful furnitureThe Club spaces are populated with furniture and accessories in muted red, blue and green hues, and many have rounded shapes that echo the architectural details through the building.
Lower levels have terracotta floor tiles, which are swapped for wooden planks on the upper storeys.
The building’s Elastika restaurant sits within an atrium housing a Zaha Hadid-designed sculpture of the same nameBolder colours are used in the lobby area, where black and white marble flooring contrasts the bold tones of paintings and furniture.
A grand black and honey-toned stone staircase connects the ground level with the open balconies that overlook the atrium and Elastika.
Many of the furniture pieces in the building’s private members club are rounded to echo the architectural featuresMiami Design District continues to add distinctive architecture and retail interiors as it develops, from a sculptural block of buildings planned by Kengo Kuma to a Louis Vuitton store wrapped in a diamond-patterned facade completed by Marcel Wanders.
Boutiques that have recently opened in the area include a Nodaleto shoe store, a Diesel store, and locations for PatBo and Cult Gaia.
The photography is by Kris Tamburello.
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A hand-painted tile mural covers the front of this Miami Design District boutique designed by New York studio Sugarhouse Design and Architecture for fashion brand Cult Gaia.
Sugarhouse Design and Architecture designers Jess and Jonathan Nahon followed up their New York City store for Cult Gaia founder Jasmin Larian Hekmat with a flagship in Miami intended to align with the brand and the location.
The gabled front of the Cult Gaia boutique in Miami is covered in a hand-painted tile muralThe duo “sought inspiration from temple architecture, Larian Hekmat’s Persian heritage and iconic historical archetypes” for the 1,502-square-foot (140-square-metre) retail space, and also modelled the building on local casitas.
To cover the gabled front facade, Design and Architecture commissioned artist Michael Chandler to create a mural using ceramic tiles.
The mural by artist Michael Chandler is titled Tree of Life and references Henri Rousseau’s painting The DreamThe resulting 1,800-piece Tree of Life mural is based on French post-impressionist artist Henri Rousseau’s painting The Dream.
“The hand-painted ceramic mural depicts a silhouetted tree with its branches extending across the storefront, featuring stylised vegetation, birds and flower-crowned nymphs,” said Sugarhouse Design and Architecture.
In the centre of the store’s first space is a concrete sculpture by Angela LarianPainted in blue “lapis lazuli” hues, similar to those that decorate Persian mosques, the artwork references everything from Indian textiles to botanical illustrations.
A trio of arched openings in the facade contain windows and a larger, recessed entryway that holds wood-framed glass doors and aligns with the store’s central axis.
The 12-foot sculpture of the Greek goddess Gaia stands below an oculusThe first in a series of interiors spaces is an open room decorated in creamy Bianco Avorio limestone and Bianco Santa Caterina travertine.
Unlacquered brass rods, designed to mimic Cult Gaia’s jewellery, drop from behind ceiling coves to display garments and custom amorphous mirrors by New Vernacular Studio hang on the walls.
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On both sides of the central axis, sandstone blocks are stacked into vertical checkerboard grids that allows accessories to be displayed in the gaps.
These partitions enclose the fitting rooms, which can be illuminated from within so that light glows through a translucent membrane and the grid holes.
“Designed to reference rock-cut cave temples, the structures provide privacy while also allowing merchandise to be displayed within their illuminated niches,” said the team.
In the second space is a banyan tree that grows from a pale-green sofaA second space identical to the first is reached past the threshold created by the fitting rooms, and a bar is hidden beyond a brass door on the far wall.
Over each of the two main rooms presides a domed ceiling and a seven-foot-wide oculus, based on the roof of the Pantheon in Rome.
Brass rods drop from behind ceiling coves to display garments and custom amorphous mirrors hang on the wallBelow the first is a 12-foot-tall concrete sculpture of the Greek goddess Gaia – after whom the brand is named – by Larian Hekmat’s mother, artist Angela Larian.
“An elongated, Giacometti-like female nude that soars toward the heavens, the work is a foil to the nymphs from the facade and her angularity is intentional: like the brand, this is a fully composed, confident, and in control Gaia,” said the team.
The banyan tree also sits below a domed ceiling and oculus, which are based on the roof of the Pantheon in RomeIn the second room, a large banyan tree reminiscent of the facade decoration is planted within a serpentine sofa designed by Brandi Howe.
“Like the sacred tree from Buddhism, it invites visitors to sit and achieve their own awakening within this temple of fashion,” the team added.
Sandstone blocks are stacked around the fitting rooms, which glow from within, and are used to display accessoriesMiami Design District is home to a host of luxury fashion brands, which have each taken a unique approach to designing their stores both inside and out.
Brazilian brand PatBo recently opened a flagship in the neighbourhood with a pink slatted facade by BoND, while Kengo Kuma and Associates is set to create a sculptural block of buildings nearby that will also serve as retail locations.
The photography is by Kris Tamburello.
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New York studio BoND has created a “feminine, organic” interior for Brazilian brand PatBo’s store in Miami Design District, complete with a dramatic sweeping staircase.
The two-level retail space was designed by BoND following the studio’s work on the PatBo headquarters in Manhattan, which opened last year.
The ground floor space at PatBo’s Miami store features tall ceilings, terrazzo flooring and sculptural displaysThe team took a similarly soft, feminine approach in the Miami flagship, pairing white and pale pink with rich woods and brass accents.
“The new store is an artful and site-specific reinterpretation of the feminine, organic aesthetic that is synonymous with the brand’s stores in Brazil,” said BoND.
A ribbon-like balustrade follows the staircase up through the store, circling oversized silk flowers by Hana FormEntering under a dramatic arched canopy, customers find themselves within a tall, bright space featuring terrazzo flooring, geometric wooden display plinths and brass rails.
Hints of green marble can be spied in custom furniture pieces, as well as the stair treads and risers hidden behind a solid, ribbon-like guardrail.
An arched opening leads through to bright coral-coloured fitting roomsAn arched opening beside the register leads into a bright, coral-coloured changing area, where terracotta tiles cover the floor.
The staircase glides up the curved back wall of the store, and rises through a gap in the upper floor plate, around which the balustrade circles back on itself.
Darker woods and carpet create a more intimate atmosphere on the upper level”A winding white and green marble staircase serves as a focal point of the space connecting visitors to the second-floor salon and dressing area,” said the studio.
Curved wood panels and caramel-coloured carpet provide a more intimate atmosphere upstairs, exaggerated by the lower ceiling height.
The warmly lit fitting rooms on the upper level are lined with curved wood panelsThe brass railings continue, whereas the coral fitting rooms are swapped for wood-lined chambers with curved corners and warm lighting.
“An overarching geometry of soft curves is a running thread that ties all spaces together,” the studio said.
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Furniture pieces including Frank Gehry’s Wiggle chair, a green marble coffee table and a curved grey sofa form a seating area for customers to relax while they shop.
Overhead are a pair of oversized silk flowers by artist Hana Form, which also appear on the ground floor suspended through the staircase void.
Green marble appears behind the facade, as well as on the staircase and custom furniture insideBoND also created a facade of pale pink wooden slats to help the building to stand out in the Miami Design District, where brands are encouraged to get creative with their frontages.
A Louis Vuitton store wrapped in a diamond-patterned facade by Marcel Wanders and a Kengo Kuma-designed block of sculptural buildings are among other examples.
BoND wrapped the store exterior in pale pink wood slats to help it stand out in the Miami Design DistrictBoND was founded by Noam Dvir and Daniel Rauchwerger, whose studio has also completed a bold yellow scheme for a men’s apparel store in New York.
The firm’s other projects include the renovation of a mid-century Sears Catalog kit house in Fire Island Pines and a Manhattan hair salon featuring wooden frames and moveable styling stations.
The photography is by Studio Pyg.
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Fashion brand Diesel has debuted a retail design concept at its store in the Miami Design District, featuring raw metal surfaces and a red lacquered spiral staircase.
Designed under the creative direction of Glenn Martens, who joined the brand in 2020, the industrial-style store is intended to reflect “the brand’s signature bold attitude”.
Diesel’s new store in Miami Design District debuts an industrial-style retail concept”Envisioned as a fresh, powerful expression of Diesel’s design edge and identity, the store is anchored by a glass facade framed in signature Diesel red with the brand’s red-and-white Biscotto logo,” said the design team.
Red was also applied selectively to interior elements, including a statement spiral staircase and a wall behind at the back of the store.
The store’s focal point is a red lacquered-metal spiral staircaseThe helical lacquered-metal form has solid balustrades and steps with a diamond-plate texture for added grip.
It leads up to a second level where another red wall with floating shelves is used for product displays.
The staircase has solid balustrades and steps with diamond-plate texture for added gripAcross the two floors, the 1,900-square-foot (177-square-metre) store presents the full Diesel collection.
Bags, shoes, accessories and fragrances are presented on the lower level, while areas dedicated to denim, ready-to-wear apparel and footwear can be found upstairs.
The upper level also has a red display wall that stands out against the concrete and metallic surfacesExposed concrete floors and ceilings, and walls covered in riveted raw metal panels and mirrors create a monochromatic backdrop that allows the red elements to stand out.
“Throughout the space, minimalist red leather couches and streamlined silver fixtures create a strong sense of structure with a touch of softness,” said the team.
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Vitrines for displaying accessories on the ground floor sit atop crinkled metal bases, though the sales counter opposite is flat and sleek.
Both levels have floor-to-ceiling glass across the street facade, and at night, fluorescent lighting throughout the store gives off a harsh white glow.
The ground floor features vitrines atop crinkled metal basesFollowing the Miami store unveiling, the interior concept will be rolled out to global Diesel locations.
The brand was founded in 1978 by Italian entrepreneur Renzo Rosso, who still serves as its president.
The Diesel store joins many luxury fashion brands in Miami Design DistrictMiami Design District is home to the stores of many luxury fashion labels, each of which has exterior and interior treatments designed to reflect its distinct brand identity.
Other examples include Louis Vuitton’s menswear space, which Dutch studio Marcel Wanders wrapped in a patterned facade informed by the brand’s monogram, and a Christian Louboutin boutique that’s covered in tree bark.
The photography is courtesy of Diesel.
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Los Angeles studio 22RE has used pale-green stucco informed by Miami’s colours and golf courses for the interiors of a golf clothing boutique in the city.
A few blocks from the ocean, the Malbon store in Coconut Grove serves a large customer base for the brand in South Florida – a popular golfing destination thanks to year-round warm weather.
The Malbon Miami store revolves around a central area, from which handmade tiles emanate in a radial pattern across the floorThe verdant neighbourhood and Miami’s distinct architecture provided 22RE with a starting point to build upon, aiming to create a tranquil space amongst such vibrancy.
“We intended to create an oasis within the city, one that invoked stillness – a feeling that Malbon customers are accustomed to while they’re out on the green,” 22RE founding principal Dean Levin told Dezeen.
Pale green stucco covers the walls, columns and ceiling beamsThe store’s most striking feature is the pale green stucco that covers the majority of vertical surfaces and ceiling beams that form square archways overhead.
“The shade of green used throughout the space was inspired by the studio’s first visit to the location, and inspired by the vibrant hues associated with Miami as a city,” said Levin.
Merchandise is kept to the perimeter of the store, displayed on stainless steel rails and shelvesThe placid hue is contrasted with stainless steel elements including the sales counter and a doorway to the stock room.
From the centre of the space, mid-grey handmade Mexican tiles are laid across the floor in a radial pattern, emanating from a circular plaque that displays the brand’s monogram.
Filleted stucco surfaces contrast the aluminium open-cell grid ceilingA ring-shaped installation above, suspended from an aluminium open-cell grid ceiling, also bears the Malbon logo scribed repeatedly in white neon.
Four columns and a pair of stainless steel benches define this central area, which is intentionally devoid of merchandise to create a moment for pause and conversation between customers.
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Clothing and accessories are kept to the perimeter, displayed in illuminated niches on stainless steel rails or shelves.
“In retail stores, there is a predominantly unchanging relationship between salesperson and customer,” Levin said. “We wanted to consider and account for the things we could – foot traffic, merchandising and general flow.”
A pair of stainless steel benches offer a place for pause and conversation in the middle of the boutiqueBehind the street-facing windows, white stones cover the floors and plants so that the store “feels like a natural extension of the vegetation and foliage” in the surrounding area, said Levin.
“Through juxtaposing a variety of different materials both organic and industrial, the Malbon Miami storefront is an accurate reflection of the values we celebrate and preserve as an architecture and design firm,” he added.
The storefront contains greenery to create a natural extension of the verdant surroundings of Coconut GroveMiami has grown significantly as a retail destination over the past decade, with a large concentration of new luxury stores in the city’s Design District.
Brands including Louis Vuitton, Off-White and Christian Louboutin all have distinctly designed outposts in the neighbourhood.
The photography is by Erik Stackpole.
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Promotion: Bentley Motors’ first Bentley-branded residential tower will include a vehicle lift that allows residents to seamlessly travel from the road up to their homes without exiting their cars.
Located in Sunny Isles Beach, Miami, the Bentley Residences tower will contain 216 luxury homes designed in collaboration with Bentley, architectural firm Sieger Suarez Architects and US property developer Dezer Development.
Bentley Motors’ first Bentley-branded residential tower in Miami will include a vehicle liftStanding 61 stories high, the 749-foot building will be completed in 2027 and aims to be an iconic figure on Miami’s Sunny Isles Beach coastline.
The brand says that the building will have a focus on indoor-outdoor living spaces exemplified by its cylindrical form and floor-to-ceiling windows, which are designed to ensure each of the residences enjoys uninterrupted views of the Atlantic Ocean and the intracoastal waterways.
The vehicle lift will allow residents to travel from the road up to their homes inside their carsBentley’s design language is integrated throughout the design. For instance, Bentley’s signature diamond motif – a shape used across all of the brand’s products and cars – is echoed in everything from the meticulous diamond-shaped glass facade panels that are carefully angled to create the natural light refraction, to the elegant diamond-shaped tiles adorning the floor of the lobby.
Built to suit the needs of luxury car owners, each residence boasts an in-unit multi-car garage with storage for up to four cars per home, with convenient access to a state-of-the-art patented car elevator nestled in the core of the building.
Bentley’s signature diamond motif is echoed in the designNamed the “Dezervator” after Bentley’s partner Dezer Development, this innovative lift will allow residents to travel directly up to their residences inside their cars.
An RFID sticker placed in residents’ cars will be automatically scanned on arrival into the building. This triggers a sophisticated lighting system to guide the driver to the correct Dezervator to reach their own floor.
The technology recognises this ID and takes them directly to their residence, without the driver having to step out of their vehicle or press a button.
The building will have a focus on indoor-outdoor living spacesEach lift features a hydraulic system that gently secures a car by its tyres to smoothly bring it on top of a robotic shuttle system, which in turn transports a car up or down to the correct story. The lower floors of the elevator shaft are enclosed by glass, granting passengers a full panoramic view of the shared spaces of the building.
Each of the Bentley Residences will additionally feature an oversized private balcony, a swimming pool, sauna and an outdoor shower. The building’s amenities will include a gym, spa, pet spa, whisky bar, a resident-only restaurant, wellness centre and cinema.
All homes will include a private swimming poolDesigned in accordance with the Florida Green Building Coalition (FGBC) certification to ensure maximum protection of the local environment and its wildlife, the tower’s architectural design incorporates environmentally safe building materials and reduced coastal lighting, safeguarding the habitat of endangered sea turtles.
The interiors of Bentley Residences will be made from sustainably sourced, natural materials and finishes such as wood, leather and glass, thoughtfully curated to create a calming colour palette that reflects the residence’s coastal surroundings.
The building is scheduled to be completed in 2027In the lobby space, structural pillars are veined with wood that has been ingrained with copper dust to add a subtle, metallic finish. This technique was used in Bentley’s concept car, the EXP 100 GT.
In order to appeal to a luxury consumer, the design team, led by Chris Cooke, head of design collaborations at Bentley, ensured that the residences were designed with the same unwavering dedication to detail found in every Bentley car.
Prospective buyers have the opportunity to explore a full-size 6,000-square-foot replica unit luxuriously appointed by Bentley Home within the on-site beachfront sales gallery”One of the biggest achievements when we design a car, is to have a whole group of designers working together, but to make it look like it came from one person’s hand,” said head of design collaborations at Bentley, Chris Cooke
“We have the same exciting challenge with Bentley Residences Miami but on a 61-storey scale.”
The tower has been designed by Bentley in collaboration with Sieger Suarez Architects and Dezer Development”In reality, each element has been considered, understood and designed by the Bentley Design Team, by our partners at Dezer Development and by Sieger Suarez Architects, but the overall effect is seamless,” Cooke added.
“We have applied the same attention to detail that goes into our cars into this very building.”
Bentley Residences also includes an oceanfront gym as one of its distinguished featuresFor example, Bentley’s design DNA is subtly woven into communal amenities, epitomised in such as the cinema, which is designed to mimic the concept of a Bentley car interior.
“A cosseting sofa wraps around the back of the rear three walls, embracing residents in the space,” said Cooke.
The whisky bar will reference the matrix grille of Bentley’s cars and feature a bar suspended from the ceiling to appear weightless and floating.
The tower contains 216 luxury homesWhile the building completion is slated for 2027, potential buyers can view a full-size 6,000-square-foot replica residence, lavishly appointed by Bentley Home, within the on-site beachfront sales gallery.
The sales gallery can be found at 18325 Collins Ave, Sunny Isles Beach, FL 33160.
To learn more about the development visit Bentley Residencies Miami’s website.
Partnership content
This article was written by Dezeen as part of a partnership with Bentley. Find out more about Dezeen partnership content here.
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French shoe brand Nodaleto has chosen Miami as the location of its first US store, which New York studio Rafael de Cárdenas designed with sci-fi-influenced red and chrome interiors.
The shop opened in Miami Design District during the city’s art week earlier this month, starting a two-year lease in the 1,000-square-metre space (10,764 feet).
Sculptural red seats run through the middle of the Nodaleto storeRafael de Cárdenas based the interior on mid-century French design, as a homage to the influence this movement had on sets created for sci-fi movies.
The studio also linked the shape of Nodaleto’s signature heels to chairs featured in Stanley Kubrick’s film 2001: A Space Odyssey.
The interiors pay homage to midcentury French design and space-age movie sets”The design, driven by the concept of ‘hyper-modern hospitality’, explores shapes and materials that echo the feel of a space station as well as an idea of a glamorous future,” said the Rafael de Cárdenas team.
“In many ways, midcentury French design defined the frontier of space as much as NASA; the interior reflects that.”
Shoes are displayed on white shelves in front of brushed chrome panelsSci-fi references can be seen across the store, which is fully carpeted in bright red and features brushed chrome panels divided by thin light strips along its walls.
“In cinematographic style, a warm satin velvet floor meets cold steel shelves,” the studio said. “The store space – in line with brand’s creative tone – strives to induce the experience of contemporary luxury.”
The shape of Nodaleto’s signature heel reminded Rafael de Cárdenas of the seats in 2001: A Space OdysseyShoe displays run the length of the narrow space, with white shelves suspended in front of the metallic panels.
Through the middle are a series of sculptural, undulating modular seats for shoppers to sit and try on the footwear.
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A large red volume right at the centre is emblazoned with the brand’s backlit logo, as well as three pairs of white mannequin legs that emerge from the vertical surface.
“The store serves as a moldable creative field for the brand and strives to offer an intimate immersion into Nodaleto’s mischievous personality,” said the studio.
White mannequin legs emerge from a wall under the Nodaleto logoRafael de Cárdenas was shortlisted for interior design studio of the year at the Dezeen Awards 2022. Named after its founder, the studio’s previous projects include a bar inside New York’s Nordstrom department store and the Manhattan offices of beauty brand Glossier.
Miami Design District is home to the stores of many luxury brands, with architecture and interiors by internationally renowned studios, including Louis Vuitton’s menswear store wrapped in a diamond-patterned facade by Marcel Wanders.
The brand’s first US store is located in Miami Design DistrictThe city, seen by some as the capital of Latin America, received an influx of creative talent during the Covid-19 pandemic and continues to grow as a cultural destination.
“Nodaleto chooses Miami because it’s a crossroad of cultures, a city permanently kissed by the sun, a hub for arts and design, because of its daring nerve and unapologetic energy,” said the studio.
Also during this year’s Miami Art Week, Kelly Wearstler debuted a collection of knotted marble furniture and Nike showcased hundreds of Virgil Abloh-designed sneakers.
The photography is by Kris Tamburello.
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Dutch hotel group CitizenM has opened a hotel in Downtown Miami in a high-rise building with multiple terraces that was designed to be a “3D art piece”.
For the 277-foot-tall (84-metre-tall) building in Downtown Miami, Amsterdam-based architecture studio Concrete worked with Gensler as the local architect to carry out the design of the tower.
Concrete worked with Gensler to create a CitizenM hotel in MiamiThe envelope features large swathes of concrete and glass organised in a series of discreet boxes that break up the massing of the facade.
Since construction, much of the facade has been dedicated to a massive mural by American artist Jen Stark.
The hotel was designed to showcase local artists”The architecture is considered as a 3D art piece with large colorful murals by Jenny Stark on every side of the building; by this the building is recognizable among all the other buildings,” said Concrete.
“By using twisted boxes, you can experience the art from all sides.”
Vitra supplied most of the hotel’s furnitureInside, a glass-lined entryway is meant to act as an “art gallery” as visitors access the set of elevators that go up to the lobby level on the second floor.
The lobby space features a number of modular couches, workstations and plenty of light, with exposed concrete beams supporting a ceiling with wood accents.
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Also on the second floor is the canteen area, which features a black-and-white checkered floor and a wraparound bar with a black marble countertop and wood panelling topped with a hanging bar cage that holds a number of plants.
The 20-storey building has 252 rooms, as well as a series of meeting rooms on the third floor. The rooms are mostly micro-suites, with some of the smallest clocking in at less than 200 square feet (60 metres).
The second storey includes workspaces and terracesDespite the small size, most of the rooms have an extra large bed that sits under the window with storage space underneath.
The bathrooms are tucked across from a compact sink and wrapped in polycarbonate that has been outfitted with LED lights. These can be controlled through a tablet that manages most of the room’s functions, including the blinds, television and room services.
Throughout the property, most of the furniture was sourced from Swiss furniture company Vitra, with whom the hotel chain has a long-standing relationship.
The hotel features a series of micro-suitesFor decoration, the hotel held a competition that selected local artists. CitizenM Miami Brickell is also the first location to have a rooftop pool for the brand.
Since its inception in 2008, the hotel chain has expanded internationally with 27 hotels, and the hotel plans to open two more in Miami.
Earlier this year, CitizenM announced a project that aimed to make it the first hospitality company to have a hotel in the digital space known as the Metaverse.
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