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    22RE invokes “stillness” inside green Miami golfing boutique

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    Los Angeles studio 22RE has used pale-green stucco informed by Miami’s colours and golf courses for the interiors of a golf clothing boutique in the city.

    A few blocks from the ocean, the Malbon store in Coconut Grove serves a large customer base for the brand in South Florida – a popular golfing destination thanks to year-round warm weather.
    The Malbon Miami store revolves around a central area, from which handmade tiles emanate in a radial pattern across the floorThe verdant neighbourhood and Miami’s distinct architecture provided 22RE with a starting point to build upon, aiming to create a tranquil space amongst such vibrancy.
    “We intended to create an oasis within the city, one that invoked stillness – a feeling that Malbon customers are accustomed to while they’re out on the green,” 22RE founding principal Dean Levin told Dezeen.
    Pale green stucco covers the walls, columns and ceiling beamsThe store’s most striking feature is the pale green stucco that covers the majority of vertical surfaces and ceiling beams that form square archways overhead.

    “The shade of green used throughout the space was inspired by the studio’s first visit to the location, and inspired by the vibrant hues associated with Miami as a city,” said Levin.
    Merchandise is kept to the perimeter of the store, displayed on stainless steel rails and shelvesThe placid hue is contrasted with stainless steel elements including the sales counter and a doorway to the stock room.
    From the centre of the space, mid-grey handmade Mexican tiles are laid across the floor in a radial pattern, emanating from a circular plaque that displays the brand’s monogram.
    Filleted stucco surfaces contrast the aluminium open-cell grid ceilingA ring-shaped installation above, suspended from an aluminium open-cell grid ceiling, also bears the Malbon logo scribed repeatedly in white neon.
    Four columns and a pair of stainless steel benches define this central area, which is intentionally devoid of merchandise to create a moment for pause and conversation between customers.

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    Clothing and accessories are kept to the perimeter, displayed in illuminated niches on stainless steel rails or shelves.
    “In retail stores, there is a predominantly unchanging relationship between salesperson and customer,” Levin said. “We wanted to consider and account for the things we could – foot traffic, merchandising and general flow.”
    A pair of stainless steel benches offer a place for pause and conversation in the middle of the boutiqueBehind the street-facing windows, white stones cover the floors and plants so that the store “feels like a natural extension of the vegetation and foliage” in the surrounding area, said Levin.
    “Through juxtaposing a variety of different materials both organic and industrial, the Malbon Miami storefront is an accurate reflection of the values we celebrate and preserve as an architecture and design firm,” he added.
    The storefront contains greenery to create a natural extension of the verdant surroundings of Coconut GroveMiami has grown significantly as a retail destination over the past decade, with a large concentration of new luxury stores in the city’s Design District.
    Brands including Louis Vuitton, Off-White and Christian Louboutin all have distinctly designed outposts in the neighbourhood.
    The photography is by Erik Stackpole.

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      Bentley presents oceanfront residences in Miami featuring a patented car elevator

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      Promotion: Bentley Motors’ first Bentley-branded residential tower will include a vehicle lift that allows residents to seamlessly travel from the road up to their homes without exiting their cars.

      Located in Sunny Isles Beach, Miami, the Bentley Residences tower will contain 216 luxury homes designed in collaboration with Bentley, architectural firm Sieger Suarez Architects and US property developer Dezer Development.
      Bentley Motors’ first Bentley-branded residential tower in Miami will include a vehicle liftStanding 61 stories high, the 749-foot building will be completed in 2027 and aims to be an iconic figure on Miami’s Sunny Isles Beach coastline.
      The brand says that the building will have a focus on indoor-outdoor living spaces exemplified by its cylindrical form and floor-to-ceiling windows, which are designed to ensure each of the residences enjoys uninterrupted views of the Atlantic Ocean and the intracoastal waterways.
      The vehicle lift will allow residents to travel from the road up to their homes inside their carsBentley’s design language is integrated throughout the design. For instance, Bentley’s signature diamond motif – a shape used across all of the brand’s products and cars – is echoed in everything from the meticulous diamond-shaped glass facade panels that are carefully angled to create the natural light refraction, to the elegant diamond-shaped tiles adorning the floor of the lobby.

      Built to suit the needs of luxury car owners, each residence boasts an in-unit multi-car garage with storage for up to four cars per home, with convenient access to a state-of-the-art patented car elevator nestled in the core of the building.
      Bentley’s signature diamond motif is echoed in the designNamed the “Dezervator” after Bentley’s partner Dezer Development, this innovative lift will allow residents to travel directly up to their residences inside their cars.
      An RFID sticker placed in residents’ cars will be automatically scanned on arrival into the building. This triggers a sophisticated lighting system to guide the driver to the correct Dezervator to reach their own floor.
      The technology recognises this ID and takes them directly to their residence, without the driver having to step out of their vehicle or press a button.
      The building will have a focus on indoor-outdoor living spacesEach lift features a hydraulic system that gently secures a car by its tyres to smoothly bring it on top of a robotic shuttle system, which in turn transports a car up or down to the correct story. The lower floors of the elevator shaft are enclosed by glass, granting passengers a full panoramic view of the shared spaces of the building.
      Each of the Bentley Residences will additionally feature an oversized private balcony, a swimming pool, sauna and an outdoor shower. The building’s amenities will include a gym, spa, pet spa, whisky bar, a resident-only restaurant, wellness centre and cinema.
      All homes will include a private swimming poolDesigned in accordance with the Florida Green Building Coalition (FGBC) certification to ensure maximum protection of the local environment and its wildlife, the tower’s architectural design incorporates environmentally safe building materials and reduced coastal lighting, safeguarding the habitat of endangered sea turtles.
      The interiors of Bentley Residences will be made from sustainably sourced, natural materials and finishes such as wood, leather and glass, thoughtfully curated to create a calming colour palette that reflects the residence’s coastal surroundings.
      The building is scheduled to be completed in 2027In the lobby space, structural pillars are veined with wood that has been ingrained with copper dust to add a subtle, metallic finish. This technique was used in Bentley’s concept car, the EXP 100 GT.
      In order to appeal to a luxury consumer, the design team, led by Chris Cooke, head of design collaborations at Bentley, ensured that the residences were designed with the same unwavering dedication to detail found in every Bentley car.
      Prospective buyers have the opportunity to explore a full-size 6,000-square-foot replica unit luxuriously appointed by Bentley Home within the on-site beachfront sales gallery”One of the biggest achievements when we design a car, is to have a whole group of designers working together, but to make it look like it came from one person’s hand,” said head of design collaborations at Bentley, Chris Cooke
      “We have the same exciting challenge with Bentley Residences Miami but on a 61-storey scale.”
      The tower has been designed by Bentley in collaboration with Sieger Suarez Architects and Dezer Development”In reality, each element has been considered, understood and designed by the Bentley Design Team, by our partners at Dezer Development and by Sieger Suarez Architects, but the overall effect is seamless,” Cooke added.
      “We have applied the same attention to detail that goes into our cars into this very building.”
      Bentley Residences also includes an oceanfront gym as one of its distinguished featuresFor example, Bentley’s design DNA is subtly woven into communal amenities, epitomised in such as the cinema, which is designed to mimic the concept of a Bentley car interior.
      “A cosseting sofa wraps around the back of the rear three walls, embracing residents in the space,” said Cooke.
      The whisky bar will reference the matrix grille of Bentley’s cars and feature a bar suspended from the ceiling to appear weightless and floating.
      The tower contains 216 luxury homesWhile the building completion is slated for 2027, potential buyers can view a full-size 6,000-square-foot replica residence, lavishly appointed by Bentley Home, within the on-site beachfront sales gallery.
      The sales gallery can be found at 18325 Collins Ave, Sunny Isles Beach, FL 33160.
      To learn more about the development visit Bentley Residencies Miami’s website.
      Partnership content
      This article was written by Dezeen as part of a partnership with Bentley. Find out more about Dezeen partnership content here.

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      Space-age design informs Nodaleto shoe store by Rafael de Cárdenas

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      French shoe brand Nodaleto has chosen Miami as the location of its first US store, which New York studio Rafael de Cárdenas designed with sci-fi-influenced red and chrome interiors.

      The shop opened in Miami Design District during the city’s art week earlier this month, starting a two-year lease in the 1,000-square-metre space (10,764 feet).
      Sculptural red seats run through the middle of the Nodaleto storeRafael de Cárdenas based the interior on mid-century French design, as a homage to the influence this movement had on sets created for sci-fi movies.
      The studio also linked the shape of Nodaleto’s signature heels to chairs featured in Stanley Kubrick’s film 2001: A Space Odyssey.
      The interiors pay homage to midcentury French design and space-age movie sets”The design, driven by the concept of ‘hyper-modern hospitality’, explores shapes and materials that echo the feel of a space station as well as an idea of a glamorous future,” said the Rafael de Cárdenas team.

      “In many ways, midcentury French design defined the frontier of space as much as NASA; the interior reflects that.”
      Shoes are displayed on white shelves in front of brushed chrome panelsSci-fi references can be seen across the store, which is fully carpeted in bright red and features brushed chrome panels divided by thin light strips along its walls.
      “In cinematographic style, a warm satin velvet floor meets cold steel shelves,” the studio said. “The store space – in line with brand’s creative tone – strives to induce the experience of contemporary luxury.”
      The shape of Nodaleto’s signature heel reminded Rafael de Cárdenas of the seats in 2001: A Space OdysseyShoe displays run the length of the narrow space, with white shelves suspended in front of the metallic panels.
      Through the middle are a series of sculptural, undulating modular seats for shoppers to sit and try on the footwear.

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      A large red volume right at the centre is emblazoned with the brand’s backlit logo, as well as three pairs of white mannequin legs that emerge from the vertical surface.
      “The store serves as a moldable creative field for the brand and strives to offer an intimate immersion into Nodaleto’s mischievous personality,” said the studio.
      White mannequin legs emerge from a wall under the Nodaleto logoRafael de Cárdenas was shortlisted for interior design studio of the year at the Dezeen Awards 2022. Named after its founder, the studio’s previous projects include a bar inside New York’s Nordstrom department store and the Manhattan offices of beauty brand Glossier.
      Miami Design District is home to the stores of many luxury brands, with architecture and interiors by internationally renowned studios, including Louis Vuitton’s menswear store wrapped in a diamond-patterned facade by Marcel Wanders.
      The brand’s first US store is located in Miami Design DistrictThe city, seen by some as the capital of Latin America, received an influx of creative talent during the Covid-19 pandemic and continues to grow as a cultural destination.
      “Nodaleto chooses Miami because it’s a crossroad of cultures, a city permanently kissed by the sun, a hub for arts and design, because of its daring nerve and unapologetic energy,” said the studio.
      Also during this year’s Miami Art Week, Kelly Wearstler debuted a collection of knotted marble furniture and Nike showcased hundreds of Virgil Abloh-designed sneakers.
      The photography is by Kris Tamburello.

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      Concrete creates art-oriented space for CitizenM's first Miami hotel

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      Dutch hotel group CitizenM has opened a hotel in Downtown Miami in a high-rise building with multiple terraces that was designed to be a “3D art piece”.

      For the 277-foot-tall (84-metre-tall) building in Downtown Miami, Amsterdam-based architecture studio Concrete worked with Gensler as the local architect to carry out the design of the tower.
      Concrete worked with Gensler to create a CitizenM hotel in MiamiThe envelope features large swathes of concrete and glass organised in a series of discreet boxes that break up the massing of the facade.
      Since construction, much of the facade has been dedicated to a massive mural by American artist Jen Stark.
      The hotel was designed to showcase local artists”The architecture is considered as a 3D art piece with large colorful murals by Jenny Stark on every side of the building; by this the building is recognizable among all the other buildings,” said Concrete.

      “By using twisted boxes, you can experience the art from all sides.”
      Vitra supplied most of the hotel’s furnitureInside, a glass-lined entryway is meant to act as an “art gallery” as visitors access the set of elevators that go up to the lobby level on the second floor.
      The lobby space features a number of modular couches, workstations and plenty of light, with exposed concrete beams supporting a ceiling with wood accents.

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      Also on the second floor is the canteen area, which features a black-and-white checkered floor and a wraparound bar with a black marble countertop and wood panelling topped with a hanging bar cage that holds a number of plants.
      The 20-storey building has 252 rooms, as well as a series of meeting rooms on the third floor. The rooms are mostly micro-suites, with some of the smallest clocking in at less than 200 square feet (60 metres).
      The second storey includes workspaces and terracesDespite the small size, most of the rooms have an extra large bed that sits under the window with storage space underneath.
      The bathrooms are tucked across from a compact sink and wrapped in polycarbonate that has been outfitted with LED lights. These can be controlled through a tablet that manages most of the room’s functions, including the blinds, television and room services.
      Throughout the property, most of the furniture was sourced from Swiss furniture company Vitra, with whom the hotel chain has a long-standing relationship.
      The hotel features a series of micro-suitesFor decoration, the hotel held a competition that selected local artists. CitizenM Miami Brickell is also the first location to have a rooftop pool for the brand.
      Since its inception in 2008, the hotel chain has expanded internationally with 27 hotels, and the hotel plans to open two more in Miami.
      Earlier this year, CitizenM announced a project that aimed to make it the first hospitality company to have a hotel in the digital space known as the Metaverse.

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      Snarkitecture uses recycled materials for Pharrell Williams' streetwear brand store in Miami

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      New York design studio Snarkitecture has designed a flagship store for the streetwear clothing brand Billionaire Boys Club, created by American musician Pharrell Williams and Japanese graphic designer Nigo.

      Located in a former warehouse on a corner in Miami’s Wynwood neighbourhood, the store is a flagship for Billionaire Boys Club (BBC), which was founded in 2003 and includes sub-brands Icecream, Bee Line and Billionaire Girls Club.
      Snarkitecture designed a flagship for Billionaire Boys Club in Miami”I’m very grateful that we have the opportunity to bring our flagship store to Miami,” said Williams. “It’s going to be a place where people can come in to get inspired by the mix of fashion, culture, art and design.”
      The 5,000-square-foot (465 metres) store includes retail space as well as art installations created for the store by Snarkitecture.
      The space used to be a warehouseIn order to light up the warehouse space, the studio added windows to the side of the structure and created a domed entryway, also with panelled windows.

      The exterior of the store is clad in a light plaster material and the walls feature decorative murals.
      Recycled materials were used throughoutInside, the designers used influences from Florida’s Everglades National Park as well as brand imagery from BBC to create an open space for the retail experience.
      “The space is a reimagination of the traditional retail model, taking the form of an art gallery, with the goal to drive social engagement and exploration,” the clothing brand said.
      Cages were designed to hold some of the goodsWooden panels with a beige hue clad the walls of the store, creating a solid base element to contrast the colourful retail elements – such as the white and seafoam green cages that hold the merchandise.
      According to BBC, many of the elements used for the interiors were reused.
      Displays line the walls”The design makes use of environmentally-friendly materials, such as recycled plastics, glass and wood panels,” it said.
      The ceiling is covered with white slats that are top-lit between the exposed HVAC elements.
      An astronaut statue is the centrepiece”The store also features a spacious open-concept layout that was designed to meet BBC’s need for a flexible retail environment,” said the brand.
      “Now, more than ever, we believe that curating brand physical experiences via brick-and-mortar shopping locations and in-store experiences are imperative to connect on a deeper level with our customers,” said BBC chief sales officer Matt Kaden.
      Beige panels line the wallsGlass elements with stainless-steel accents line the walls of the store, creating space for smaller items to be displayed.
      In the centre is a large blue-painted astronaut statue – the symbol of the brand as well as a nod to Florida’s space-faring history.

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      Miami’s Wynwood neighbourhood was chosen for the store as it has become the epicentre of the city’s art, fashion and design scenes.
      “The choice of Wynwood, Miami for the new storefront is a conscious move to be in the heart of the art community and within a cultural environment that speaks to the brand’s values and inspirations,” said BBC general manager Loic Villepontoux.
      Glass display cases hold smaller itemsOther stores in the area include a showroom for Mexican stone company Grupo Arca designed by Mexico-based Esrawe Studio in collaboration with art collective Superflex.
      Other projects by Snarkitecture – a studio founded by Alex Mustonen and Daniel Arsham – include a “self-care” club in Washington DC and a Parisian mansion-turned-streetwear-outlet that includes a Nike Air Max chandelier.
      The photography is by Billionaire Boys Club.

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      Esme Hotel in Miami draws on the “bohemian grandeur” of its past

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      Saturated tones, Mediterranean patterns and decadent furnishings are found throughout this renovated boutique hotel in Miami with interiors by New York studio Jessica Schuster Design.

      Originally built in 1927 as a cultural hub for artists, the building, formerly known as Spanish Village, is located on Miami Beach’s pedestrian plaza, Española Way.
      Esme Hotel is located along Miami Beach’s pedestrian stripEvent planning and design company Infinity Hospitality Group collaborated with Jessica Schuster Design on the transformation of the hotel, which has 145 guest rooms.
      The architecture of Española Way resembles the Mediterranean villages of Spain and France. Schuster looked to the rich local architectural history as a starting point for the interiors.
      Jessica Schuster Design transformed the building into a boutique hotel”We wanted to create an artful collage of bohemian grandeur alongside Miami’s historic Española Way,” said Jessica Schuster, founder of Jessica Schuster Design.”We had fun playing with furniture, lighting and fabrics to create something timeless and exciting at the same time,” Schuster told Dezeen.

      The interior has Art Deco elementsGuests arrive at a lobby with plush velvet flooring and benches clad in a fabric that recalls the patterned ceramic tiles often seen in southern European countries. Plants potted in wicker pots add to the hotel’s bohemian theme.
      “We wanted to create something that spoke to the Mediterranean culture of South Beach, Miami,” said Shuster.
      “This was achieved using vibrant colours, fun textures and details that remained true to the historical aspect of the hotel’s original design.”
      Clashing patterns feature throughout the hotelAfter passing through the lobby, visitors can sip cocktails or sample Latin-inspired dishes at El Salón, a cocktail bar inside the Esme Hotel.
      Here, stools fringed with tassels are stationed around the edge of a circular mahogany bar. The adjoining, dimly lit dining area has a similar decadent arrangement, with candlelit tables spread across the checkered floor.

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      Schuster worked closely with the Historic Preservation Board of Miami to replicate some of the original building’s elements.
      The studio used materials such as the limestone travertine and plaster, which featured heavily in Mediterranean revival design in Miami.
      The rooms are coloured in saturated, rich hues associated with opulence”It was a historical property, so we worked to bring back the integrity of the original designs that are unique to South Beach, being that most buildings are from the Art Deco period,” Shuster explained.
      “We reused a lot of pecky cypress wood detailing on the ceilings and throughout the hotel. We also uncovered an original fireplace that we gave life to again and kept the original arches,” she added.
      The bathrooms incorporate gold elementsThe Art Deco aesthetic is continued upstairs in the hotel’s bedrooms and bathrooms where bath and skincare products by Grown Alchemist can be found.
      Many of the rooms have a rose and emerald colour scheme with gold accents and vibrant clashing patterns that create striking decorations for floors and walls.
      On the rooftop, there is a vintage bar and swimming pool with frilly red awnings and pinstriped seating.
      The rooftop has pinstriped furnishingsEsme Hotel isn’t the only interior that references the opulence of Miami’s past. American designer Ken Fulk styled The Goodtime Hotel to reflect the art deco architecture of the area.
      Fulk also decorated the interior of the Swan restaurant in Miami with soft, candy colours that remind diners of Miami’s 1920s heyday.
      Photography is by Christian Harder.
      Project credits:Client: Infinity HospitalityInterior design: Jessica Schuster Design

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      Stitched brick wall welcomes guests to Uchi Miami restaurant by Michael Hsu

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      Masonry bricks are tied together to form a curved entryway at this sushi restaurant in Miami’s Wynwood neighbourhood, by Michael Hsu Office of Architecture.

      At Uchi Miami, the American firm aimed to create a “perfect contrast” between the materials, techniques and styles of Japan and Florida.
      Uchi Miami in Wynwood is fronted by a white structure wrapped in slats”Uchi tells a story of tactility, honoring Japanese tradition, but has been infused with local notes,” said Michael Hsu Office of Architecture.
      “Wrapping, layering and stitching, inspired by native art forms, apply sophisticated design to simple objects to elevate ordinary materials found in daily life.”
      A wall of woven bricks by Vas Bets greets guests upon entryFlanked by troughs filled with tropical plants, the entrance is surrounded by a pure white frame wrapped with vertical slats.

      Once through the glass doors, guests are guided around to the host stand by a curved wall of concrete blocks created by locally based artist Vas Bets.
      A chalk mural by Sam Angus Jackson is found above the sushi barThe blocks are tied together with rope, which weaves through their holes in a repeated pattern that is reflected in the polished floor.
      In the main dining area, a mix of banquettes, bar seating and high-top tables offers a variety of configurations for parties of different sizes.
      Warbach’s woven light fixtures create patterns across the ceilingThe wooden banquettes feature curved woven back panels and grey upholstered cushions – in a bouclé fabric for the backs and leather for the seats.
      Walnut table tops and ash chairs match panelling on the walls and ceiling, while other surfaces are lined with bright red and orange wallpaper.

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      Other artist collaborations within the restaurant include a hand-drawn chalk mural of jellyfish by artist Sam Angus Jackson, found above the sushi bar.
      Hand-woven wall hangings by Miami artist Elan Byrd decorate the series of private dining areas, which run along one end of the restaurant behind black-framed glass panels.
      Bright red wallpaper offers a contrast to the natural materialsPositioned over the bars and dining tables, lighting studio Warbach’s bespoke fixtures continue the woven motif.
      “The overhead large, custom basket light provides a warm glow to illuminate the wall’s shapes and textile-inspired characteristics,” said Michael Hsu’s team.
      The studio aimed to blend a variety of textures and materials throughout the restaurantMichael Hsu Office of Architecture has previously completed a restaurant with a curved wooden ceiling in its home city of Austin, Texas.
      The studio has also designed a remote home in Texas Hill Country and the interiors for Shake Shack’s headquarters in New York City.
      The photography is by Chase Daniel.
      Project credits:
      Owner: Hai HospitalityArchitect of record: Form Group ArchitectureGeneral contractor: City Construction GroupProject management: Amicon ManagementKitchen consultant: Trimark USAMEP: RPJ EngineeringLandscape designer: Plant the Future

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      Sarah Coleman puts a psychedelic twist on the brand's logo at the Fendi Caffe

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      Artist Sarah Coleman has added a psychedelic twist to Fendi’s distinctive double-F logo for a pop-up cafe she designed for the brand in the Miami Design District.

      Stylised as the Fendi Caffe, the cafe designed for the Italian fashion house was located on the outdoor corridor of OTL restaurant in the heart of Miami’s Design District from May to early July.

      Coleman manipulated the traditional Fendi logoThe cafe was informed by the brand’s Summer Vertigo capsule collection, which New York artist Sarah Coleman designed in collaboration with Fendi’s creative director Silvia Venturini Fendi.
      Defined by yellow and blue tones, the ready-to-wear collection features 90s streetwear references as well as shapes borrowed from 70s psychedelia.
      The entrance to the cafe was on an outdoor corridorCentral to the cafe’s bold design was FF Vertigo, Fendi’s iconic FF logo that Coleman and Venturini Fendi warped for the capsule collection and repeated throughout the cafe in a series of bold colours.
      The artist explained the influences that prompted her to explore the 70s in her design process.

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      “When I first began brainstorming, I went straight to my bookshelf and dove into everything I have about the 1970s, a period of spontaneity and extreme self-expression,” Coleman told Dezeen.
      “I think the 70s are the greatest fashion era of the 20th century. The spirit of disco, the flowing post-psychedelic art,” she added. “There were so many inspiring aesthetic references to draw upon.”
      FF Vertigo was repeated throughout the spaceVisitors to the cafe were greeted with an expanse of bright yellow canopy that contrasted with green potted plants lining the permanent Fendi boutique that is located opposite the pop-up’s site.
      FF Vertigo featured as a bold motif throughout, topping the space’s various tables and barstools while more abstract swirly shapes tumbled over the cafe’s yellow walls.
      A permanent Fendi boutique is opposite where the pop-up wasOrb-style pendant lights and menus also included FF Vertigo in their design, while a more traditional version of the Fendi logo featured on the cafe’s edible items such as cappuccinos and toast.
      Fendi is a luxury fashion house founded in 1925 by Adele and Edoardo Fendi.
      Other previous projects by the brand that are informed by the past include a travelling installation for an edition of Design Miami featuring pastel 50s furniture.
      The images are courtesy of Fendi.

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