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    One Wall Street skyscraper completes conversion from offices to apartments

    Work to convert an art deco skyscraper from offices to residential use has completed, becoming the largest building in New York City to undergo this type of adaptive reuse.

    A total of 566 homes now occupy One Wall Street, designed by Ralph Walker and completed in 1931, in Lower Manhattan’s Financial District.
    The completion of One Wall Street’s conversion was marked by the reveal of a new model apartmentDeveloper Harry Macklowe of Macklowe Properties is behind the transformation, which encompasses one million square feet (92,900 square metres) of residential and 250,000 square feet (23,200 square metres) of commercial amenities.
    “In the heart of the iconic financial district, One Wall Street, one of New York City’s most significant buildings, both in history and sheer size, has set the standard for residential conversions, marking yet another historic success,” said Macklowe.
    The apartment was designed by Guillaume Coutheillas of FrenchCalifornia”The goal was to incarnate empty spaces into thoughtfully redesigned residences that will stand the test of time and continue to answer future demands of modern living.”

    The building’s opening was marked by the reveal of a new model residence, designed by Guillaume Coutheillas of FrenchCalifornia.
    Residence 3404 features three bedroom and multi-aspect viewsResidence 3404, one of the building’s largest, includes three bedrooms and multi-aspect views of New York harbour.
    Coutheillas envisioned the interiors as if Macklowe himself were to live there, blending European influences using warm neutral colours.
    Amenities in the tower include a “sky pool” with a glass ceilingMany of the furniture and decor items were sourced from Mexico City studio Atra and are debuting in the space.
    Other model residences completed last year were designed by Elizabeth Graziolo of Yellow House Architects and French architect and designer Cyril Vergniol.

    Residential skyscrapers on the rise in Manhattan’s Financial District

    A 6,500-square-foot (600-square-metre) co-working space available exclusively to residents and their guests was outfitted in partnership with architect Deborah Berke.
    More amenity spaces cover the 38th and 39th floors, including a 75-foot (23-metre), glass-enclosed Sky Pool with a wraparound terrace, and a private restaurant, bar and dining room for residents.
    One Wall Street was designed by Ralph Walker and completed in 1931The Financial District, known locally as FiDi, is named for being home to the New York Stock Exchange and many global banking headquarters.
    However, the area has gradually seen a rise in residential developments over the past decade.
    The skyscraper is the largest office building to be converted for residential use in New York City’s historyMany of Manhattan’s office buildings are still struggling with low occupancy rates following the Covid-19 pandemic, so this type of office-to-residential conversion may become more common in the near future.
    The photography is by Colin Miller.

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    Dumbo Loft by Crystal Sinclair Designs features a book-filled mezzanine

    Interiors studio Crystal Sinclair Designs has renovated a loft apartment in Brooklyn’s Dumbo neighbourhood to include a mezzanine with a wall of books and a bedroom behind a glass partition.

    Upstate New York studio Crystal Sinclair Designs overhauled the space for a well-travelled lawyer and writer.
    The loft’s high ceilings enabled a mezzanine library to be addedThe client purchased the loft during the early Covid-19 pandemic in Dumbo, an area that has seen extensive conversion of buildings into luxury apartments.
    Sinclair’s aim was to retain the industrial look of the space, while incorporating a mix of furnishings that offer a European flair and nod to some of the locations where her client has spent time.
    Crystal Sinclair Designs retained the industrial materials and kept surfaces bright”[She] wanted to incorporate certain elements that are representative of the places she’s lived and worked before,” Sinclair said.

    “To that end, we worked in a nuristani mirror and a tribal qashqai rug purchased in Afghanistan, a statement chandelier from Italy, and her entire and not insubstantial library.”
    In the kitchen area, arabascato marble contrasts a farmhouse-style islandThe concrete shell was largely left exposed, balanced with antique pieces like an easel and a leather wingback chair to add more story and a “lived-in” feel.
    “The space itself led the way,” said Sinclair, who founded her eponymous studio with her husband, Ben. “The idea was to draw attention to the high ceilings with floor-to-ceiling drapes and a metal/glass partition wall. As the space is bright, we decided to paint everything white.”
    Floor-to-ceiling glass panels divide the living space and the bedroomThe 1,190-square-foot (110-square-metre) apartment features a concrete coffered ceiling that reaches over 14 feet (four metres).
    Thanks to this height, an L-shaped mezzanine could be added to provide a space to store the client’s book collection.
    One wall is covered in wooden battens that create a relief patternA ladder beside a window provides access to the upper level, where bookshelves displaying the extensive library almost cover the whole wall.
    Underneath are a row of tall cabinets, and the kitchen that features slabs of white and grey arabascato marble that contrasts a wooden farmhouse-style island.
    The eclectic selection of furniture was chosen to help give the space a lived-in feelIn the living room, a cream boucle sofa is paired with a Moroccan rug, while a giant crystal chandelier hangs overhead.
    The corner bedroom is partitioned from the rest of the space by floor-to-ceiling glass panels housed within black metal frames.

    Andrea Leung conceals “secret spaces” within renovated Tribeca Loft

    A white linen curtain can be pulled across to obscure the neutral-toned sleeping area from view. A desk also runs the length of a wall, for the client to use on the days that she works from home.
    Elsewhere, original structural columns are wrapped in tiles around their lower halves, and a section of wall is covered with wood battens that create a relief pattern.
    Linen curtains can be drawn to provide privacy in the bedroom”We played with it and kept everything bright and airy,” Sinclair said. “All we needed to do was to layer in order to give the space depth and purpose.”
    Loft apartments are typified by high ceilings, large windows and expansive open floor plans, and are commonly found in former industrial neighbourhoods of Brooklyn.
    Antique pieces help to imbue the spaces with a European flairOther areas of New York City, like Tribeca, are similarly full of historic warehouses and factories that have been converted for residential use.
    In these types of buildings, recently completed projects include an apartment by Andrea Leung with “secret spaces” hidden behind a mirrored wall and a penthouse by Worrell Yeung where industrial finishes are contrasted with the “pure minimal lines” of new fittings.
    The photography is by Seth Caplan.
    Project credits:
    Interior design: Crystal Sinclair DesignsStylist: Mariana Marcki-Matos

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    No Architecture inserts “garden folly” into New York duplex apartment

    Wooden structures supporting net hammocks rise up through the two-storey interior of this apartment in New York’s West Village, designed by No Architecture.

    The Urban Tree House residence comprises two units in a skyscraper overlooking the Hudson River called 165 Charles Street, designed by Richard Meier & Partners and completed in 2005.
    A spiral staircase connects the pair of timber towers added into the double-height living space”We combined two units by first, redrawing all rooms into a cohesive ‘matrix plan’ and second, inserting a ‘garden folly’ that relates the interior to the adjacent Hudson River Greenway,” said New York-based No Architecture.
    Spanning 3,512 square feet (326 square metres), the apartment’s new double-height living space is surrounded by 22-foot-tall (6.7-metre) glass walls on three sides.
    Net hammocks are suspended above seating areasTo reduce the scale of this volume without blocking the light from entering, the architects added two “tree houses” constructed from vertical, horizontal and diagonal timber beams.

    One of the structures aligns with the home’s floor plan, while the other is rotated to face the park and the river beyond.
    One structure is aligned with the floor plan and the other is angled to face the park and river beyondBoth incorporate elevated hammocks made from black netting stretched between the beams, which are accessed via a spiral staircase between the two towers.
    “Like inhabitable diagrams, these installations can be read as two fragments of a 3D gridded matrix – the timber framework expressing x-, y- and z-lines of interconnecting spatial relations,” said No Architecture.
    Rooms are made flexible thanks to operable walls, like a bookshelf that rotates 360 degreesUnder and around these structures, tall plants add to the tree house aesthetic, and furniture is coloured in grey and neutral shades to match the exposed concrete columns and ceilings.
    This palette continues throughout the apartment, which includes four bathrooms and four bedrooms that the architects refer to as “chambers” due to their multi-functional capabilities.

    No Architecture arranges Flower House in the Berkshires around hexagonal courtyard

    The flexibility is made possible by a series of operable walls that can be shifted to control levels of privacy or connectivity.
    For example, giant moveable bookshelves divide the open living space and adjacent chambers. One slides sideways on tracks, while the other rotates 360 degrees.
    Douglas fir panelling is used throughout the apartmentThe same concept is applied to several of the doors, which are detailed to match the full-height Douglas fir panelling found in many of the rooms.
    “Across these multiple iterations, the architectural question of the ‘wall’ no longer functions primarily as separation, but also –through the added quality of motion – as connection,” No Architecture said.
    A neutral and grey palette complements the exposed concrete structureThe studio was founded by Andrew Heid in 2014, and has completed projects across the US – from a family nature retreat in rural Massachusetts to a house designed around a glazed garden in Oregon’s wine country.
    The Urban Tree House is one of many homes that incorporates net hammocks as playful furniture to occupy spare space – see six examples here.
    The photography is courtesy of No Architecture.
    Project credits:
    Team: Andrew Heid, Chengliang Li, Chuhan Zhou, Feng Zhao, Kun Qian, Nadya Mikhaylovskaya, Theo Dimitrasopoulos, Trendelina Salihu, Wanpeng Zu, Xiangxiang Wang, Zhe Cao, Ziwei DengCollaborators: GMS, Gallon Engineering, Blueberry Construction

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    DDG and IMG outfit penthouse in art deco-influenced Manhattan skyscraper

    Arched openings frame views of New York City from this duplex penthouse apartment in a Carnegie Hill residential tower, designed and developed by American real estate company DDG.

    The penthouse sits atop the newly constructed 180 East 88th Street, an art deco-influenced building that tallest residence north of 72nd Street on Manhattan’s Upper East Side.
    The arched opening that crowns 180 East 88th Street frame views from the interiorSpilt over two storeys, its 5,508 square feet (512 square metres) of interiors were designed by the tower’s architects and developers DDG and staged by New York firm IMG.
    The residence also enjoys an additional 3,500 square feet (325 square metres) of exterior spaces across multiple levels — including a private rooftop terrace overlooking Central Park.
    A sculptural staircase connects the two storeys and the roof terrace of the penthouseHuge arches in the grey-brick facades that wrap the building’s crown are visible from the inside, thanks to large expanses of glazing that enclose the apartment on both floors.

    There are views across the city in all directions, the most dramatic of which is of the Midtown skyline to the south.
    The kitchen features a golden cooker hood that echoes the building’s pinnacleThere are two living spaces, a large dining area and a separate eat-in kitchen, five bedrooms and a den, and four full and two half bathrooms.
    The two internal levels and the roof terrace are connected by a curvaceous staircase that rises through centre of the penthouse.

    Grey brickwork to clad Upper East Side residential tower by DDG

    Spaces are neutrally decorated, with sculptural light fixtures and expressive artworks adding visual interest.
    In the kitchen, a golden cooker hood echoes the colour and shape of an architectural feature on the building’s pinnacle.
    Expansive terraces enjoy unobstructed views across ManhattanCompleted earlier this year, 180 East 88th Street includes 46 half- and full-floor residences, along with amenities such as a partial indoor basketball court and soccer pitch, a game room, a residents’ lounge, a private fitness and yoga studio, and a children’s playroom with a slide.
    The building’s exterior design was influenced by “the boom in high-rise masonry construction in New York in the early 20th century”, and is one of many recent skyscrapers in the city that have ditched glass in favour of more solid-looking materials.
    Full-height glass walls allow the vistas to be enjoyed from the majority of rooms”Paying homage to the lost art of traditional craftsmanship, the intricate exterior features a striking hand-laid brick facade made of 600,000 handmade bricks by Denmark’s master brickworks Petersen Tegl,” said a statement from DDG.
    Manhattan has no shortage of luxury penthouses, with some of the most notable including a residence at the top of Rafael Viñoly’s 432 Park Avenue and the premium unit at Zaha Hadid’s 520 West 28th Street development.
    The photography is by Sean Hemmerle.

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    Messana O'Rorke places marble bathrooms in Malin + Goetz founders' New York apartment

    New York studio Messana O’Rorke has extended its collaboration with skincare brand Malin + Goetz by designing an apartment for its founders on Manhattan’s Upper West Side, where special attention was paid to the bathrooms.

    After creating store interiors for the brand across the US for several years, Messana O’Rorke turned its attention to a space for co-founders Matthew Malin and Andrew Goetz to live in.
    Messana O’Rorke renovated the apartment in a historic building on West 76th StreetThe apartment on West 76th Street was fully renovated for the couple to reflect their passions for beauty and wellness, while embracing the building’s history.
    “The space creates a gentle push and pull between the comfort of the past and the vigor of the present – embedded in the architectural details,” said Messana O’Rorke.
    A mixture of contemporary and vintage furniture and artworks imbue the spaces with personalityThese details include a traditional baseboard that encircles the main living spaces but ends abruptly in the central vestibule, where it is replaced with a quarter-inch (0.6-centimetre) shadow gap between the walls and floor for a more modern look.

    Reclaimed oak parquet flooring is laid in a herringbone pattern throughout most of the rooms, providing the air of a European pied-à-terre.
    Light materials were used for surfaces in the narrow kitchenA simplified version of a plaster relief detail – found during the demolition of a dropped ceiling in the bedroom – also wraps the wall and ceiling junctions, suggestive of crown moulding.
    While these details all tie the living spaces together, it’s in the bathrooms that Messana O’Rorke has made the most dramatic interventions.
    In the two bathrooms, Carrera marble lines the walls, floors and showers”Given that the homeowners are the founding partners of Malin + Goetz, Messana O’Rorke paid particular attention to the design of the two bathrooms, which reflect the beauty brand’s ethos as a modern apothecary,” said the studio.
    Unlacquered brass fixtures and hardware are installed against Carrera marble, which clads the walls, floors and showers to create a “spa-like” feeling.
    A hidden light strip appears to wash the stone in the shower with daylightIn one bathroom, mirrors surround a window above the sink, where more brass is used to line the recess and forms a trim around the perimeter.
    A shower is illuminated from a hidden pocket in the ceiling, giving the illusion that the stone wall is washed with daylight.

    Messana O’Rorke uses wood, marble and concrete for Malin+Goetz’s US stores

    The same marble is continued in the narrow kitchen as countertops and backsplash, keeping the space light in tandem with white cabinets and stainless steel appliances.
    Furniture is a blend of contemporary and vintage, mixing dark woods with sofas in muted velvet upholstery.
    Unlacquered brass is used for fixtures and to line a window recessA variety of artworks decorate the living room and den walls, while a large collection of books fills shelves in the office – both providing more colour and personality to the apartment.
    “Much like the Malin + Goetz boutiques the firm had previously designed, a single vintage display element subtly offsets the taut architectural envelope; the furnishings and interior appointments bridge the traditional and the modern,” Messana O’Rorke said.
    Herringbone patterned parquet was laid through the living spacesThe studio was founded in 1996 by Brian Messana and Toby O’Rorke, and has previously renovated an 18th-century home in Upstate New York.
    Renovations on the Upper West Side completed by other studios include a residence by Stadt Architecture where existing brickwork walls were paired with walnut floors and a 1920s apartment overhauled with custom millwork by Format Architecture Office.
    The photography is by Stephen Kent Johnson.

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    GRT Architects combines oak and mosaic tiles for East Village Apartment renovation

    New York-based GRT Architects has rearranged the layout of an apartment in the East Village and added warm materials during its renovation.

    The studio undertook the project in Onyx Court, a six-storey corner Beaux-Arts structure on Second Avenue built in 1902 by Harde & Short.
    The East Village Apartment renovation involved relocating the kitchen to a brighter spaceGoals for the renovation included reorganising rooms to improve sightlines through the apartment and optimising the natural light available in each room.
    “Our renovation completely rethought the apartment’s layout while preserving its turn-of-the-century disposition,” said the GRT Architects team. “The space is neither more open nor closed than when we found it.”
    The kitchen, living and dining areas are all connected but intended to be read as separate roomsThe first move was to straighten a corridor from the entrance, to provide a view of an east-facing window from the front door.

    To enable this, a shallow-arched opening was created in a load-bearing brick wall – the only structural change made during the overhaul.
    A full storage wall in the living room includes a panel that hides the TV”The journey down this corridor celebrates the building’s irregularity with asymmetrical niches and rounded openings in thick plaster walls,” GRT Architects said.
    This journey ends at the semi-open kitchen, which was relocated from diagonally across the apartment, to an area with better light and improved integration into the rest of the home.
    A textured sliding door reveals a small office behindAn island clad in oxblood-coloured tiles sits at the centre, surrounded by white oak cabinetry with oversized handles and a satin white countertop.
    Chequerboard two-inch mosaic tiling across the kitchen floor ends below a storage unit suspended from brass bars, clearly defining this space from the adjacent dining room.
    The primary bedroom now sits where the kitchen once wasA minimal brass pendant hangs above the walnut dining table, while the living room is found through a cased opening and also demarcated by a strip of herringbone parquet flooring.
    Largely decorated in a cooler grey hue compared to the warmer tones elsewhere, the living room features accents like a yellow armchair that matches the upholstery of the dining chairs, and a storage wall backed with sienna-coloured panels.
    Custom built-in closets were added to the bedroom”We organised this space around a full wall of built-in shelves which includes a sliding panel that conceals a television,” said GRT Architects.
    “A series of complementary colours emphasise the relief of this composition while oak pulls tie it back to the kitchen.”
    The second bedroom acts as both an office and a sleeping area thanks to a retractable murphy bedTucked behind a sliding textured glass door, a small office continues the same sienna shade across all four walls.
    The primary bedroom is located in place of the old kitchen and includes custom built-in closets – one occupying the shaft of a defunct dumbwaiter.

    GRT Architects blends old and new at renovated Brooklyn townhouse

    An adjacent bathroom combines a variety of hard and soft materials, ranging from flecked terrazzo and green mosaic tiles to oak cabinet doors that visually tie back to the kitchen.
    In the second bedroom, a murphy bed enables the space to be used as another office when needed.
    Materials in the bathroom echo those in the kitchenA powder room was also slotted into the floor plan as part of the reorganisation.
    “We found space for this small room by greatly reducing circulation space without compromising privacy,” the team said.
    The apartment is now organised along a straight corridorGRT Architects, founded by Tal Schori and Rustam-Marc Mehta in 2014, has worked on a variety of projects in New York City – from a Brooklyn townhouse overhaul to a cosy bakery.
    More recently, the firm has expanded further afield, completing a cedar bungalow above marshland on the Connecticut shoreline and a black house with huge triangular windows in Dutchess County.
    The photography is by Nicole Franzen.
    Project credits:
    Design architect and architect of record: GRT Architects: Rustam Mehta, Tal Schori, Pablo Taberna, Chelsea StittMEP engineer: ANZStructural engineer: Old Structures

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    Andrea Leung conceals “secret spaces” within renovated Tribeca Loft

    A dividing wall that’s part transparent, part mirrored separates the public and private spaces of this loft apartment in Manhattan, which architect Andrea Leung has renovated for herself.

    New York-based Leung discovered the 1,600-square-foot (150-square-metre) Tribeca Loft within a historic building, and gut-renovated its interiors to suit her needs and tastes.
    The Tribeca Loft is divided by a partition that runs the full length of the space”One look at the raw space, and I knew exactly the sort of refuge I wanted to create,” said Leung. “One that unfolds and reveals itself slowly, that wows you initially with its grandeur and then capitalises on your curiosity.”
    The architect used the hidden spaces of her grandmother’s Vancouver apartment as a precedent for the project, which she completed during the Covid-19 pandemic while living in the space throughout.
    The building’s original cast-iron columns contrast white walls and oak floors”Secret spaces fascinate me,” she said. “My grandmother’s penthouse pied-à-terre was full of them. Push on the correct mirror, and it opened into a hidden tatami room. Lean on the right bookcase, and a dimly lit hallway led you to her own personal oasis of calm.”

    Work to update the tall, sun-drenched corner unit involved removing a mezzanine level to relieve areas squashed below.
    Leung custom designed several pieces of brass and walnut furniture for her apartmentIn its place, the private rooms were grouped and neatly organised along one side, leaving the public space for entertaining completely open.
    An entrance hall, two bathrooms, a kitchen, a closet and a bedroom are now enclosed behind a partition that stretches the full width of the apartment, and can be accessed through swinging and folding panels.
    The bedroom is visible from the living area through transparent panels, while the primary bathroom is only revealed when mirrored doors are folded backWhile the bedroom remains visible through floor-to-ceiling, transparent glass panes, the other smaller rooms are concealed by mirrors and reduced in height to help with spatial proportions.
    “The wall of mirrored doors allows the main living space to transcend its physical limitations and appear to double in size, while the generous windows with their original wavy glass are also reflected, bathing the walls with soft refracted light,” Leung said.
    A freestanding oval tub is surrounded by pale grey stoneThe building’s original cast-iron Corinthian columns remain exposed and stand out against the minimalist colour scheme of white walls and wide-plank oak floors.
    In the living area, the furniture includes several brass and walnut pieces that Leung custom designed, including the dining table, credenza and console.

    Raad Studio turns two Tribeca lofts with exposed arches into huge apartment

    Brass accents are continued in Lee Broom’s Eclipse Chandelier and a custom coffee table designed by Leung while an associate at Steven Harris Architects for the now-shuttered Barneys Chelsea Flagship.
    The kitchen is lined with marble and patinated brass millwork, while the primary bathroom features a freestanding oval tub framed by surfaces of softly-veined grey stone.
    The kitchen features marbled walls and patinated brass millworkDecor in the bedroom is also restrained by a greyscale palette, whereas the second bathroom accessed from the entryway is enveloped in veined marble with bright metallic accents.
    Tribeca, a Lower Manhattan neighbourhood defined by and named after the triangle below Canal Street, has an abundance of loft spaces in formerly industrial and warehouse buildings.
    Bright metallic accents enliven the otherwise minimal second bathroomA large number of these have been converted into residences and later renovated, with examples including an apartment where walnut cabinetry and sliding doors replace walls, and a duplex connected by a hanging, blackened steel spiral staircase.
    Leung’s Tribeca Loft is shortlisted in the Apartment Interior category for the 2022 Dezeen Awards – see the full Interiors shortlist here.
    The photography is by Sarah Elliott.

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    Martin Hopp adds space-saving “micro elements” to his Manhattan apartment

    New York architect Martin Hopp aimed to make the most of his dark, irregularly shaped apartment by using lots of white and creating clever “micro elements” like a retractable dining table.

    Encompassing 700 square feet (65 square metres), the Hopp Apartment is located on the garden level of a 1930s, multi-storey building in the city’s Chelsea neighbourhood.
    The unit has various limitations and idiosyncrasies due to renovations that were made to the building’s foundation.
    Martin Hopp renovated his small, irregularly shaped Chelsea apartment”Its odd layout and challenging features of exposed foundation walls and large structural columns were further complicated by being partially submerged below grade and hemmed in by foundations,” Martin Hopp, who runs the eponymous local studio.
    “This gave the apartment a subterranean feel that only allowed for brief moments of natural daylight.”

    Hopp used white to brighten the dark basement suiteHopp set out to introduce a feeling of lightness and brightness, along with maximising space by using built-in millwork and flexible “micro-elements” that enable openness, privacy and multi-functionality.
    In the L-shaped social area – which accommodates cooking, dining and lounging – he and his team lined the walls with all-white cabinetry.
    Built into one spot is a “rotating table” that can be easily tucked away when not in use. The team also added a folding door that forms a separation between the kitchen and the rest of the room.

    Across from the dining nook is a living room with a built-in, white sofa. Between the dining and lounge space are steps to the unit’s front door, and beyond it, a wooden deck.
    The bedroom is located just off the kitchen and is fitted with simple furnishings and ample storage space. To the other side of the kitchen is a corridor that leads to a bathroom and an office space.
    The apartment features a storable tableThe bathroom features shelving and backlit glass panels that were made possible by the discovery of a two-foot-deep cavity during demolition. The discovery “gave us the opportunity to think creatively about how to use the space”, the design studio said.
    Similarly, the team got creative when designing the office, which was formerly a large closet. In addition to serving as a work area, the space now doubles as guest quarters, owing to the insertion of a Murphy bed designed by Hopp.
    The bedroom is off the main roomPrivacy is provided by sliding wooden doors, along with a pivoting door that extends across the hallway.
    “A slightly oversized closet was an opportunity to create a multi-functional space that could be guest room, home office and storage area all at the same time,” the studio said.
    A Murphy bed in the office folds down for guests”Conceived of pre-Covid, the value of the multi-functional spaces have proven invaluable.”
    In terms of materials, Hopp and his team used an abundance of white oak, which is found on the floors and walls. Only oil was used to protect the wood and enhance its grain.

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    Additional finishes in the apartment include lacquer, fabric, terrazzo, stone and metal.
    “Creative lighting strategies work as additional micro-gestures to make the space feel more functional and pleasurable,” the team added.
    The bathroom walls are filled with backlit shelvingOther small apartments with space-saving strategies include a micro apartment in Ecuador that features a central organizing element with hidden furniture, and a tiny London residence that has an elevated sleeping area wrapped in translucent panels that reference Japanese shoji screens.
    The photography is by Fei Liu.

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