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      Modern Age longevity clinic creates calm with 3form resin interiors

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      Promotion: longevity clinic Modern Age has opened its flagship studio in New York City, with an interior design featuring translucent 3form materials, which aims to create a welcoming environment.

      The Modern Age studio offers a wide range of treatments and products, including IV drip therapy, botox and wrinkle relaxers, vitamins and hormone therapy.
      The flagship clinic was designed in-house by the brand’s head of studio design Madelynn Ringo, who wanted to create a calm and welcoming environment for clients undertaking treatments.
      The Modern Age studio uses translucent 3form Chroma resin throughout its interiorTo achieve a futuristic look, 3form’s Chroma resin material was chosen to feature in several places to create consistency throughout the interior while conjuring the desired mood.
      Chroma is a thick resin that 3form describes as offering high clarity and light transmission, which is durable and cleanable enough to be used even for horizontal applications such as tables, benches, boxes and counters.

      Its look is highly customisable with an array of finishes, diffusions and effects, and a choice of more than 250 colours.
      A peachy coral hue of Chroma was chosen for the suite doorsRingo wanted to create private spaces within the studio without reducing the light transmission, so she used Chroma in a peachy coral hue to make translucent pocket doors for the suites, and then applied the material again as shelving in the retail area to tie the interior together.
      The material helps the space to look glowy and inviting and has the advantage of being easy to work with.
      “3form’s materials are similar to glass, but are much lighter weight,” said Ringo. “This allows us to fabricate it in other ways that would be too heavy if we tried to use glass.”
      “Sometimes we can send it to our fabricators to craft into different shapes, which is easier and safer to cut than glass onsite.”
      The same colour is echoed in the retail area’s resin shelvesModern Age was also keen to work with environmentally friendly materials, and 3form’s material has the GreenGuard Gold certification for being low in chemical emissions and the Declare Label disclosing all of the ingredients in the final product.
      Ringo completed the space with more textured materials and finishes that provide a contrast to Chroma. They are also meant to hint at the ageing process and the beauty of imperfections.
      “Everyone has their own imperfections and we highlight that through the materiality of the space,” said Ringo. “The veininess of the terracotta tiles represents signs of ageing. The walls have a painterly limewash, to not show something that was too refined.”
      3form is an American brand that manufactures a range of resin, glass and felt materials for various architectural applications. In addition to its environmental sustainability goals, it also holds a Just Label, which recognises its social justice and equity outcomes.
      Visit 3form’s website for more information on Chroma and its other products.
      Partnership content
      This article was written by Dezeen for 3form as part of a partnership. Find out more about Dezeen partnership content here.

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      Fabric arches divide Jonathan Simkhai store in SoHo by Aruliden

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      Design agency Aruliden has created a retail space for fashion brand Jonathan Simkhai in New York City, translating cut-out shapes from its clothing into architectural partitions and furniture.

      For New York-based womenswear brand Jonathan Simkhai, Aruliden designed a temporary installation within the space on Mercer Street in SoHo – a prime shopping area in Lower Manhattan.
      A series of metal structures wrapped in translucent fabric divide the Jonathan Simkhai storeThe geometric shapes and signature cut-outs of the brand’s clothing were translated into a variety of spatial interventions and furniture pieces, creating a store in which the brand can present new collections and host events.
      “Translating Simkhai’s identity into a vision for a spatial environment required a clear and strategic idea that was not just shoppable, but also memorable and visually iconic,” said Aruliden’s senior director of industrial design Erik Kreider.
      “We wanted visitors to be fully immersed in this world, but at the end of the day it was also important that we celebrated and showcased the products the right way.”

      The fabric partitions are installed to fit around existing architectural elementsTowards the front of the building, a double-height space is painted entirely white and further brightened by the glass facade.
      This long, narrow room is divided by a series of tall structures, comprising translucent fabric stretched over metal frames.
      Mannequins flank a staircase that leads to the store’s lower levelFitted around existing architectural elements, the temporary walls wrapped in white, peach and pink fabric are punctured with archways that curve asymmetrically at the top, forming a passage from one end of the store to the other.
      Shoppers are led through the archways and down a flight of stairs, flanked by mannequins positioned on larger steps along one side.
      Units of a flexible display system are shaped similarly to the arched openings in the partitionsOn the lower level, where the ceiling height is considerably lower, podiums for displaying products and decorative accessories are shaped similarly to the archway cut-outs.
      At various sizes and heights, these beige-toned units form a flexible display system that can be moved around when needed.

      AMO cocoons Jacquemus store in pillows to create “bedroom-like” interior

      “Clothing and products break the cadence of the fabric arches,” said Kreider.
      “Together with the graphic cutouts, this creates a natural flow to the back area where more products, seating and changing rooms are located,
      The archways, furniture and podiums are based on the cut-out shapes of Jonathan Simkhai’s clothingThroughout the store, garments are presented on identical sets of hangers along minimal white rails.
      The minimalist interior is also enlivened by simple floral displays, presented in a variety of crafted vases.
      The minimalist interior is enlivened with simple floral decorationsAruliden, which was founded in 2006 by Rinat Aruh and Johan Liden, is headquartered in New York City with offices in San Francisco and Amsterdam.
      The agency has several products shortlisted for this year’s Dezeen Awards, including the Whoop 4.0 fitness wearable and the Series One Desk 27 video-conferencing device. It has also designed a series of mirrored structures to be built in a forest in Ontario, Canada.
      The photography is by Sharon Radisch.

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      In Common With opens lighting studio and showroom in Brooklyn warehouse

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      Lighting brand In Common With has opened a studio, showroom and production facility inside a Brooklyn warehouse.

      The 3,500-square-foot (325-square-metre) space is located in a former industrial building in Gowanus, which was recently renovated by Morris Adjmi Architects and is home to a variety of creative companies.
      In Common With founders Nick Ozemba and Felicia Hung gave their showroom a residential feelBringing all of In Common With’s operations under one roof, the set-up allows founders Nick Ozemba and Felicia Hung to assemble and showcase their products in a residential-style setting.
      The opening of the space also coincides with the launch of In Common With’s 20-piece glass lighting collection, Flora, which was created in collaboration with French-American designer Sophie Lou Jacobsen.
      Lighting from the brand’s Flora collection join vintage and contemporary furniture”Five years ago, Felica and I set out to create a different kind of lighting brand based on a collaborative model with other makers and centered around material exploration,” said Ozemba.

      “Our new space will allow us to push this approach further, grow our team and take on more ambitious projects.”
      Plastered walls and custom millwork contribute earthy tones to the interiorThe showroom presents new and previous lighting collections – designed with ceramicists, glassmakers and metalworkers from around the world – amongst a mix of vintage and contemporary furniture.
      A Mario Bellini sofa and a Tapestry Chair by Giancarlo Valle anchor a living room area, lit by a chandelier and a floor lamp from the Flora range.

      In Common With launches lamps with handmade clay shades

      Plastered walls and custom millwork join the exposed wooden ceiling, uniting a selection warm earthy tones.
      Artworks by Charlotte Hallberg, Al Svaboda and more were also commissioned for the showroom.
      The studio and production space features custom workstations”Highly tactile and hand-crafted details create an immersive environment while celebrating the architectural details, generous proportions, and ample light of the industrial building where they are based,” said the team.
      In the studio, custom work tables, oak shelving, storage and technical lighting were all installed to aid production.
      There’s a dedicated area for prototyping new productsComponents for In Common With’s modular Up Down Sconce and Alien Orb Pendant are arranged by colour on the shelves. There’s also a dedicated area for the team to prototype new products.
      Ozemba and Hung met while studying at RISD, and founded their brand in 2017 before debuting a range of handmade clay designs a year later.
      Components for In Common With’s Up Down Sconce are arranged by colour on oak shelvingBrooklyn is home to a thriving creative community, with many artists and designers living and working in the New York City borough.
      Other workspaces that have opened there recently include a series of historic factory buildings converted by Worrell Yeung, and retailer Radnor’s studio and showroom in another former factory.
      The photography is by William Jess Laird.

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      Denniston Architects converts 1920s skyscraper into Aman New York hotel

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      Denniston Architects has converted New York City’s Crown Building in the heart of bustling Midtown into a space for the Aman Resorts luxury hotel group.

      Aman New York hotel opened in August 2022 in a beaux-arts building at 57th Street and Fifth Avenue completed in 1921 by Warren & Wetmore – the architecture studio behind Grand Central Station.
      Fabric umbrellas cover the Aman New York’s outdoor terrace bar, which enjoys views of ManhattanJean-Michel Gathy and his studio Denniston Architects, which is frequently tapped for Aman locations, restored and converted the 25-storey tower to create 82 suites and 22 residences.
      To create a feeling of quiet and relaxation in the middle of New York City, elements like glass soundproofing were combined with a muted, minimalist colour and material palette throughout the building.
      The hotel is designed to capitalise on its location at the corner of 57th Street and Fifth AvenueGold details were also added throughout as a nod to its ornamental spire.

      “Every detail of the design effortlessly contributes to Aman New York’s aura of rarefied calm,” said Aman Resorts.
      A circular fire pit sits within a square reflecting pool on the garden terraceOak, walnut and cinnamon woods are used for finishes, floors, doors and custom furnishings, while bronze, brass, and stainless and blackened steel add warmth.
      Japanese influences are found in elements including textured stone floors laid in a pattern reminiscent of woven rattan baskets.
      Suites feature pivoting doors that allow guests to open and close off their spacesEach suite features a large mural inspired by the 15th-century Japanese artwork Pine Trees by Hasegawa Tōhaku.
      Pairs of pivoting louvre doors with backlit rice-paper panels can be angled by guests to open up or contain the spaces within their rooms.
      A minimalist colour and material palette is used throughout the hotelThese doors envelop the bathrooms, which are fitted with free-standing oval bathtubs, marble rain showers and twin vanities.
      All of the guest rooms and residences also have a working fireplace to help occupants feel cosy.
      The pivoting doors wrap around the suite bathrooms, which include freestanding tubsHotel guest amenities include a 20-metre swimming pool on the 10th floor, a fitness centre, and a 650-square-metre outdoor terrace that can be covered with a retractable glass roof.
      An atrium on level 14 hosts a series of giant paper and bamboo sculptures by Peter Gentenaar that float between four stone columns.
      Double vanities are also provided in the bathroomsOf the two restaurants within the building, Italian-influenced Arva is arranged around a central open kitchen and surrounded by floor-to-ceiling wine cabinets.
      Meanwhile, Nama serves traditional Japanese cuisine and features a hinoki wood counter for omakase-style dining, as well as staggered ceilings and pendant lights influenced by the work of American architect Frank Lloyd Wright.
      Asian influences seen in the decor and artwork nod to the Aman brand’s rootsThe Aman Spa is open to the public and is spread over three storeys and 2,300 square metres.
      “Active spaces including the pool and fitness centre feature light timbers and grey tones, while passive spaces where treatments are enjoyed at the very core of the building are more nurturing, with curves and warmer hues,” said the Aman Resorts team.

      Yabu Pushelberg designs The Times Square Edition as “ultimate counterpoint to its surroundings”

      Founded by Indonesian hotelier Adrian Zecha in 1988, the Swiss-headquartered company operates 34 properties in 20 countries.
      All are known for offering privacy and seclusion, and each is designed as a unique experience that pays homage to its location.
      The Aman Spa is open to the public and includes a retail spaceOthers in the portfolio include Amanyangyun near Shanghai, which was created by moving an area of threatened historic houses and forest 800 kilometres, and Aman Kyoto, named Hotel of the Year at the AHEAD Asia 2021 awards.
      The Aman New York joins myriad hotels in Midtown Manhattan, with high-end options including the Edition Times Square, and more affordable alternatives like the AC Hotel and Moxy Times Square.

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      Crosby Studio and Zero10 launch fashion pop-up that lets people “try on” virtual clothes

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      Design firm Crosby Studios has teamed up with augmented reality technology company Zero10 for a pop-up store in Manhattan that aims to provide a virtual retail experience.

      The pop-up, which is located in Manhattan’s SoHo neighbourhood, lets visitors digitally try on a selection of outfits in interiors designed by local studio Crosby Studios.
      Crosby Studio designed a store oriented around AR fashion technologyThe physical space of the pop-up was designed to complement the augmented reality (AR) experience and be a “physical entrance into the metaverse”, according to the team.
      “This is my first experience working with digital clothes and rather than try to blend the digital with the physical — to soften the virtual reality aspect of it if you will — I instead sought to celebrate the digital nature of the collection,” said Crosby studio founder Harry Nuriev.
      The interiors are covered with a pixelated designThe facade of the store features a classic pillared SoHo storefront painted over with grey-and-white checkers to suggest the integration of the physical and virtual.

      Visitors enter the space into a stark-white antechamber that leads into a hallway covered with a checkered fluorescent “pixel” pattern that features in many of Crosby Studios’ designs.
      The entrance hallway leads to a large lounge areaOn one side of this hallway is a bar area where the team provides boba tea to visitors.
      At the end of the hallway is a large lounge area with booths lining the walls, as well as plush stools and cocktail tables. The same pixelated pattern continues in almost every aspect of this room, and ceiling tiles have even been removed to suggest the pattern.
      The space is geared towards the digital fashion experienceFrom here, visitors can enter “changing rooms” equipped with QR codes that streamline the digital retail experience.
      A digital-only fashion collection featuring five different was also developed by Crosby Studios together with Zero10.
      The space has no physical clothingVisitors try the clothes on by downloading an app on their smartphones and then point the phone at themselves in the mirror to see how the clothes would look on them, or at another person to project the clothes onto them.
      The collection features a series of glossy, futuristic outfits that change size depending on the body type of the wearer.

      Crosby Studios designs virtual sofa upholstered with green Nike jackets

      The goal of the project was to make consumers more comfortable with digital fashion by integrating it with the familiar routine of visiting a physical storefront, according to the team.
      “Our project with Crosby Studios is a showcase of how the design and technology could co-exist in both physical and digital worlds that merge more and more,” said Zero10 CEO George Yashin.
      Changing rooms with QR codes allow visitors to “try on” the clothing”We wanted to create a new concept of pop-up space responding to retailers’ needs to attract a new generation of consumers but also evolving the format of pop-ups that are not about product display any longer,” said Yashin.
      Crosby Studios is based in New York City. Other of its design projects include a couch upholstered with Nike jackets and an apartment with industrial details and purple couches created for the founder.
      The images are courtesy of Crosby Studios.
      The pop-up is open to visit from 7 to 18 September in SoHo. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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      Andrea Leung conceals “secret spaces” within renovated Tribeca Loft

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      A dividing wall that’s part transparent, part mirrored separates the public and private spaces of this loft apartment in Manhattan, which architect Andrea Leung has renovated for herself.

      New York-based Leung discovered the 1,600-square-foot (150-square-metre) Tribeca Loft within a historic building, and gut-renovated its interiors to suit her needs and tastes.
      The Tribeca Loft is divided by a partition that runs the full length of the space”One look at the raw space, and I knew exactly the sort of refuge I wanted to create,” said Leung. “One that unfolds and reveals itself slowly, that wows you initially with its grandeur and then capitalises on your curiosity.”
      The architect used the hidden spaces of her grandmother’s Vancouver apartment as a precedent for the project, which she completed during the Covid-19 pandemic while living in the space throughout.
      The building’s original cast-iron columns contrast white walls and oak floors”Secret spaces fascinate me,” she said. “My grandmother’s penthouse pied-à-terre was full of them. Push on the correct mirror, and it opened into a hidden tatami room. Lean on the right bookcase, and a dimly lit hallway led you to her own personal oasis of calm.”

      Work to update the tall, sun-drenched corner unit involved removing a mezzanine level to relieve areas squashed below.
      Leung custom designed several pieces of brass and walnut furniture for her apartmentIn its place, the private rooms were grouped and neatly organised along one side, leaving the public space for entertaining completely open.
      An entrance hall, two bathrooms, a kitchen, a closet and a bedroom are now enclosed behind a partition that stretches the full width of the apartment, and can be accessed through swinging and folding panels.
      The bedroom is visible from the living area through transparent panels, while the primary bathroom is only revealed when mirrored doors are folded backWhile the bedroom remains visible through floor-to-ceiling, transparent glass panes, the other smaller rooms are concealed by mirrors and reduced in height to help with spatial proportions.
      “The wall of mirrored doors allows the main living space to transcend its physical limitations and appear to double in size, while the generous windows with their original wavy glass are also reflected, bathing the walls with soft refracted light,” Leung said.
      A freestanding oval tub is surrounded by pale grey stoneThe building’s original cast-iron Corinthian columns remain exposed and stand out against the minimalist colour scheme of white walls and wide-plank oak floors.
      In the living area, the furniture includes several brass and walnut pieces that Leung custom designed, including the dining table, credenza and console.

      Raad Studio turns two Tribeca lofts with exposed arches into huge apartment

      Brass accents are continued in Lee Broom’s Eclipse Chandelier and a custom coffee table designed by Leung while an associate at Steven Harris Architects for the now-shuttered Barneys Chelsea Flagship.
      The kitchen is lined with marble and patinated brass millwork, while the primary bathroom features a freestanding oval tub framed by surfaces of softly-veined grey stone.
      The kitchen features marbled walls and patinated brass millworkDecor in the bedroom is also restrained by a greyscale palette, whereas the second bathroom accessed from the entryway is enveloped in veined marble with bright metallic accents.
      Tribeca, a Lower Manhattan neighbourhood defined by and named after the triangle below Canal Street, has an abundance of loft spaces in formerly industrial and warehouse buildings.
      Bright metallic accents enliven the otherwise minimal second bathroomA large number of these have been converted into residences and later renovated, with examples including an apartment where walnut cabinetry and sliding doors replace walls, and a duplex connected by a hanging, blackened steel spiral staircase.
      Leung’s Tribeca Loft is shortlisted in the Apartment Interior category for the 2022 Dezeen Awards – see the full Interiors shortlist here.
      The photography is by Sarah Elliott.

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      Zaytinya NYC restaurant by Rockwell Group “transports” diners to the Mediterranean

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      Blue glass discs, hand-painted linen pendants and ombre curtains were combined by design studio Rockwell Group to evoke the Mediterranean coast at this restaurant in New York City.

      Zaytinya opened in July 2022 inside the new Ritz-Carlton Hotel in Manhattan’s NoMad district, housed within a tower designed by Rafael Viñoly.
      Zaytinya’s interior features a screen of two-toned blue discs behind the barLocated on the ground floor, the all-day restaurant occupies a 3,000-square-foot (280-square-metre) wedge at the corner of the hotel, facing onto 28th Street and Broadway.
      The interiors by New York-based Rockwell Group were designed to echo the menu created by chef José Andrés, which combines mezze-style dishes influenced by Turkish, Greek, Lebanese and Italian cuisines.
      The restaurant benefits from high ceilings and full-height glazingThis Eastern Mediterranean flavour is echoed across the light and neutral space, which benefits from high ceilings and full-height glass along two walls.

      Entering from Broadway, diners are greeted by a custom mural painted in blues that recalls vistas of the Aegean sea.
      The interior has a neutral palette injected with hints of blueThe same cobalt colour can be found on leather banquette seats and the patterned fabrics used for their backs, as well as in the ombre linen curtains that gently blend to white from the bottom upward.
      “Distinctive pops of blue are injected throughout for a playful nod to the pristine waters of the Mediterranean Islands,” said Rockwell Group.
      Arched openings and tambour walls allude to ancient Greek and Roman architectureBehind the bar is a backlit screen comprising two-toned blue glass discs based on the Greek “evil eye” talisman, housed within a frame that curves towards the ceiling.
      Blue Lavastone forms the bar counter, while the surrounding floor tiles feature an abstract motif of olives and leaves.
      Other splashes of blue include leather banquette seat and ombre curtainsThe remainder of the flooring is wood, laid in chevron patterns in rows divided by lines of blue tiles that follow beams installed across the ceiling.
      Curved and arched elements were introduced to subtly divide the dining areas, and as a nod to ancient architecture.

      Rockwell Group models Casa Dani restaurant in New York on Andalusian patios

      Sections of the walls feature tambour details, also alluding to the fluting of Greek and Roman columns, and a neutral plaster effect is applied to others.
      “Soft curves and a variety of textures transport guests to a modern abstraction of the coast,” the studio said.
      Booth seating runs along a wall of bronze-toned mirrorsPendant lamps in a variety of shapes and sizes are illustrated with scenes drawn by Rockwell Group’s graphics team, which were hand-painted onto the linen shades by The Alpha Workshops – a non-profit dedicated to arts education based nearby.
      “The line drawings celebrate Mediterranean culture, its harvests and ancient arts,” said Rockwell Group.
      Linen lampshades were hand-painted by arts non-profit The Alpha WorkshopsZaytinya is the latest of several restaurant interiors completed by the firm, founded by architect David Rockwell, in New York City.
      Earlier this year, the studio’s Spanish-influenced Casa Dani opened in the Citizens food hall at Manhattan West, closely followed by sushi spot Katsuya in the same development.
      The photography is by Jason Varney.

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      AvroKO draws on Korean culture for Oiji Mi restaurant in New York

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      Traditional designs from Korea, from houses to hairpins, are reworked to create the interiors of this Manhattan restaurant by New York studio AvroKO.

      AvroKo, a studio that focuses on hospitality, completed Oiji Mi, an upscale Korean dining spot in the Flatiron District – an area once home to over 100 social clubs during the Gilded Age.
      Elements throughout Oiji Mi informed by traditional Korean designs include custom lighting”Oiji Mi’s design recalls these classic Manhattan social clubs through bold marbles, rich leather and velvet fabrics and dark walnut woods, but reimagines them to represent the fusion of Korean and American culture,” said the design studio.
      AvroKO based the main dining room on a hanok, a traditional Korean home dating back to the 14th century.
      Interlocking wooden beams mimic those used to build hanok housesInterlocking timber beams across the ceiling and walls mimic those used to construct the hanok, while gridded partitions echo the windows and screens found inside.

      A wooden flooring system known as daecheong runs through the restaurant, from the bar area at the front to the open dining space behind.
      The bar is located at the front of the space, while the dining area is found behindLighting is also based on the shapes and textures of Korean jewellery, and decorative hairpins called binyeo.
      Among these bespoke designs are pendants suspended straight above the tables, bead-like sconces and chandeliers that arc out from a central column.

      AvroKO creates residential feel inside Chief members club in Chicago

      “The designers also brought in elements of dansaekhwa, or the repetition of action which is known to stabilise and restore those in its presence,” AvroKO said.
      This principle is apparent in the use of textiles, such as a custom installation above the bar influenced by jogakbo, a style that uses patchwork to create flowing patterns and shapes.
      Materials like walnut and brass are used to evoke the social clubs of the Gilded AgeTabletops of walnut and marble accompany a palette of teal and claret across the walls and upholstery.
      Mirrored and tinted metal panels under the tall ceilings make the space feel larger, and also harken back to the Gilded Age clubs.
      Mirrored panels help to visually extend the dining spaceAvroKO is behind the designs of many well-known restaurants and hotels in New York City and beyond.
      The firm’s recent projects have included a members’ club in Chicago and an eatery and entertainment space in Nashville.
      The photography is by Christian Harder.

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