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      Crosby Studio and Zero10 launch fashion pop-up that lets people “try on” virtual clothes

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      Design firm Crosby Studios has teamed up with augmented reality technology company Zero10 for a pop-up store in Manhattan that aims to provide a virtual retail experience.

      The pop-up, which is located in Manhattan’s SoHo neighbourhood, lets visitors digitally try on a selection of outfits in interiors designed by local studio Crosby Studios.
      Crosby Studio designed a store oriented around AR fashion technologyThe physical space of the pop-up was designed to complement the augmented reality (AR) experience and be a “physical entrance into the metaverse”, according to the team.
      “This is my first experience working with digital clothes and rather than try to blend the digital with the physical — to soften the virtual reality aspect of it if you will — I instead sought to celebrate the digital nature of the collection,” said Crosby studio founder Harry Nuriev.
      The interiors are covered with a pixelated designThe facade of the store features a classic pillared SoHo storefront painted over with grey-and-white checkers to suggest the integration of the physical and virtual.

      Visitors enter the space into a stark-white antechamber that leads into a hallway covered with a checkered fluorescent “pixel” pattern that features in many of Crosby Studios’ designs.
      The entrance hallway leads to a large lounge areaOn one side of this hallway is a bar area where the team provides boba tea to visitors.
      At the end of the hallway is a large lounge area with booths lining the walls, as well as plush stools and cocktail tables. The same pixelated pattern continues in almost every aspect of this room, and ceiling tiles have even been removed to suggest the pattern.
      The space is geared towards the digital fashion experienceFrom here, visitors can enter “changing rooms” equipped with QR codes that streamline the digital retail experience.
      A digital-only fashion collection featuring five different was also developed by Crosby Studios together with Zero10.
      The space has no physical clothingVisitors try the clothes on by downloading an app on their smartphones and then point the phone at themselves in the mirror to see how the clothes would look on them, or at another person to project the clothes onto them.
      The collection features a series of glossy, futuristic outfits that change size depending on the body type of the wearer.

      Crosby Studios designs virtual sofa upholstered with green Nike jackets

      The goal of the project was to make consumers more comfortable with digital fashion by integrating it with the familiar routine of visiting a physical storefront, according to the team.
      “Our project with Crosby Studios is a showcase of how the design and technology could co-exist in both physical and digital worlds that merge more and more,” said Zero10 CEO George Yashin.
      Changing rooms with QR codes allow visitors to “try on” the clothing”We wanted to create a new concept of pop-up space responding to retailers’ needs to attract a new generation of consumers but also evolving the format of pop-ups that are not about product display any longer,” said Yashin.
      Crosby Studios is based in New York City. Other of its design projects include a couch upholstered with Nike jackets and an apartment with industrial details and purple couches created for the founder.
      The images are courtesy of Crosby Studios.
      The pop-up is open to visit from 7 to 18 September in SoHo. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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      Andrea Leung conceals “secret spaces” within renovated Tribeca Loft

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      A dividing wall that’s part transparent, part mirrored separates the public and private spaces of this loft apartment in Manhattan, which architect Andrea Leung has renovated for herself.

      New York-based Leung discovered the 1,600-square-foot (150-square-metre) Tribeca Loft within a historic building, and gut-renovated its interiors to suit her needs and tastes.
      The Tribeca Loft is divided by a partition that runs the full length of the space”One look at the raw space, and I knew exactly the sort of refuge I wanted to create,” said Leung. “One that unfolds and reveals itself slowly, that wows you initially with its grandeur and then capitalises on your curiosity.”
      The architect used the hidden spaces of her grandmother’s Vancouver apartment as a precedent for the project, which she completed during the Covid-19 pandemic while living in the space throughout.
      The building’s original cast-iron columns contrast white walls and oak floors”Secret spaces fascinate me,” she said. “My grandmother’s penthouse pied-à-terre was full of them. Push on the correct mirror, and it opened into a hidden tatami room. Lean on the right bookcase, and a dimly lit hallway led you to her own personal oasis of calm.”

      Work to update the tall, sun-drenched corner unit involved removing a mezzanine level to relieve areas squashed below.
      Leung custom designed several pieces of brass and walnut furniture for her apartmentIn its place, the private rooms were grouped and neatly organised along one side, leaving the public space for entertaining completely open.
      An entrance hall, two bathrooms, a kitchen, a closet and a bedroom are now enclosed behind a partition that stretches the full width of the apartment, and can be accessed through swinging and folding panels.
      The bedroom is visible from the living area through transparent panels, while the primary bathroom is only revealed when mirrored doors are folded backWhile the bedroom remains visible through floor-to-ceiling, transparent glass panes, the other smaller rooms are concealed by mirrors and reduced in height to help with spatial proportions.
      “The wall of mirrored doors allows the main living space to transcend its physical limitations and appear to double in size, while the generous windows with their original wavy glass are also reflected, bathing the walls with soft refracted light,” Leung said.
      A freestanding oval tub is surrounded by pale grey stoneThe building’s original cast-iron Corinthian columns remain exposed and stand out against the minimalist colour scheme of white walls and wide-plank oak floors.
      In the living area, the furniture includes several brass and walnut pieces that Leung custom designed, including the dining table, credenza and console.

      Raad Studio turns two Tribeca lofts with exposed arches into huge apartment

      Brass accents are continued in Lee Broom’s Eclipse Chandelier and a custom coffee table designed by Leung while an associate at Steven Harris Architects for the now-shuttered Barneys Chelsea Flagship.
      The kitchen is lined with marble and patinated brass millwork, while the primary bathroom features a freestanding oval tub framed by surfaces of softly-veined grey stone.
      The kitchen features marbled walls and patinated brass millworkDecor in the bedroom is also restrained by a greyscale palette, whereas the second bathroom accessed from the entryway is enveloped in veined marble with bright metallic accents.
      Tribeca, a Lower Manhattan neighbourhood defined by and named after the triangle below Canal Street, has an abundance of loft spaces in formerly industrial and warehouse buildings.
      Bright metallic accents enliven the otherwise minimal second bathroomA large number of these have been converted into residences and later renovated, with examples including an apartment where walnut cabinetry and sliding doors replace walls, and a duplex connected by a hanging, blackened steel spiral staircase.
      Leung’s Tribeca Loft is shortlisted in the Apartment Interior category for the 2022 Dezeen Awards – see the full Interiors shortlist here.
      The photography is by Sarah Elliott.

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      Zaytinya NYC restaurant by Rockwell Group “transports” diners to the Mediterranean

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      Blue glass discs, hand-painted linen pendants and ombre curtains were combined by design studio Rockwell Group to evoke the Mediterranean coast at this restaurant in New York City.

      Zaytinya opened in July 2022 inside the new Ritz-Carlton Hotel in Manhattan’s NoMad district, housed within a tower designed by Rafael Viñoly.
      Zaytinya’s interior features a screen of two-toned blue discs behind the barLocated on the ground floor, the all-day restaurant occupies a 3,000-square-foot (280-square-metre) wedge at the corner of the hotel, facing onto 28th Street and Broadway.
      The interiors by New York-based Rockwell Group were designed to echo the menu created by chef José Andrés, which combines mezze-style dishes influenced by Turkish, Greek, Lebanese and Italian cuisines.
      The restaurant benefits from high ceilings and full-height glazingThis Eastern Mediterranean flavour is echoed across the light and neutral space, which benefits from high ceilings and full-height glass along two walls.

      Entering from Broadway, diners are greeted by a custom mural painted in blues that recalls vistas of the Aegean sea.
      The interior has a neutral palette injected with hints of blueThe same cobalt colour can be found on leather banquette seats and the patterned fabrics used for their backs, as well as in the ombre linen curtains that gently blend to white from the bottom upward.
      “Distinctive pops of blue are injected throughout for a playful nod to the pristine waters of the Mediterranean Islands,” said Rockwell Group.
      Arched openings and tambour walls allude to ancient Greek and Roman architectureBehind the bar is a backlit screen comprising two-toned blue glass discs based on the Greek “evil eye” talisman, housed within a frame that curves towards the ceiling.
      Blue Lavastone forms the bar counter, while the surrounding floor tiles feature an abstract motif of olives and leaves.
      Other splashes of blue include leather banquette seat and ombre curtainsThe remainder of the flooring is wood, laid in chevron patterns in rows divided by lines of blue tiles that follow beams installed across the ceiling.
      Curved and arched elements were introduced to subtly divide the dining areas, and as a nod to ancient architecture.

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      Sections of the walls feature tambour details, also alluding to the fluting of Greek and Roman columns, and a neutral plaster effect is applied to others.
      “Soft curves and a variety of textures transport guests to a modern abstraction of the coast,” the studio said.
      Booth seating runs along a wall of bronze-toned mirrorsPendant lamps in a variety of shapes and sizes are illustrated with scenes drawn by Rockwell Group’s graphics team, which were hand-painted onto the linen shades by The Alpha Workshops – a non-profit dedicated to arts education based nearby.
      “The line drawings celebrate Mediterranean culture, its harvests and ancient arts,” said Rockwell Group.
      Linen lampshades were hand-painted by arts non-profit The Alpha WorkshopsZaytinya is the latest of several restaurant interiors completed by the firm, founded by architect David Rockwell, in New York City.
      Earlier this year, the studio’s Spanish-influenced Casa Dani opened in the Citizens food hall at Manhattan West, closely followed by sushi spot Katsuya in the same development.
      The photography is by Jason Varney.

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      AvroKO draws on Korean culture for Oiji Mi restaurant in New York

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      Traditional designs from Korea, from houses to hairpins, are reworked to create the interiors of this Manhattan restaurant by New York studio AvroKO.

      AvroKo, a studio that focuses on hospitality, completed Oiji Mi, an upscale Korean dining spot in the Flatiron District – an area once home to over 100 social clubs during the Gilded Age.
      Elements throughout Oiji Mi informed by traditional Korean designs include custom lighting”Oiji Mi’s design recalls these classic Manhattan social clubs through bold marbles, rich leather and velvet fabrics and dark walnut woods, but reimagines them to represent the fusion of Korean and American culture,” said the design studio.
      AvroKO based the main dining room on a hanok, a traditional Korean home dating back to the 14th century.
      Interlocking wooden beams mimic those used to build hanok housesInterlocking timber beams across the ceiling and walls mimic those used to construct the hanok, while gridded partitions echo the windows and screens found inside.

      A wooden flooring system known as daecheong runs through the restaurant, from the bar area at the front to the open dining space behind.
      The bar is located at the front of the space, while the dining area is found behindLighting is also based on the shapes and textures of Korean jewellery, and decorative hairpins called binyeo.
      Among these bespoke designs are pendants suspended straight above the tables, bead-like sconces and chandeliers that arc out from a central column.

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      “The designers also brought in elements of dansaekhwa, or the repetition of action which is known to stabilise and restore those in its presence,” AvroKO said.
      This principle is apparent in the use of textiles, such as a custom installation above the bar influenced by jogakbo, a style that uses patchwork to create flowing patterns and shapes.
      Materials like walnut and brass are used to evoke the social clubs of the Gilded AgeTabletops of walnut and marble accompany a palette of teal and claret across the walls and upholstery.
      Mirrored and tinted metal panels under the tall ceilings make the space feel larger, and also harken back to the Gilded Age clubs.
      Mirrored panels help to visually extend the dining spaceAvroKO is behind the designs of many well-known restaurants and hotels in New York City and beyond.
      The firm’s recent projects have included a members’ club in Chicago and an eatery and entertainment space in Nashville.
      The photography is by Christian Harder.

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      BAAO extends Carroll Gardens Townhouse around a magnolia tree

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      A family home in Brooklyn has been extended and renovated by local studio Barker Associates Architecture Office, to expand the kitchen and create larger rooms for the daughters.

      The Carroll Gardens Townhouse, located a block away from the Gowanus Canal, was the family of four’s home for a decade before they decided they needed more space.
      BAAO extended the home in Brooklyn to create more living space on all three floorsWorking around a magnolia tree in the back yard, Barker Associates Architecture Office (BAAO) designed an extension to all three storeys that provides additional living areas both inside and out.
      At parlour level, the floor plan was opened up and storage was created through built-ins.
      A dining roon occupies the extension at parlour levelIn the lounge area, colourful decor includes a custom Bower Studios mirror that hangs above the existing marble wood-burning fireplace.

      “The finishes feature lots of vibrant colour, pattern, texture, and cozy nooks,” said the architecture studio.
      The kitchen features white lacquer and fir cabinetryThe kitchen has white lacquer and fir cabinetry to complement the pine floors, which run through the majority of the home.
      The dining table is placed in the extension, where it enjoys views of the back yard through a large window that also accommodates a built-in bench.
      At garden level, a grey felt curtain can be drawn to partition the space for guestsLinking the multiple levels, the staircase was restored and modified to fit widened openings that make the most of the skylight above the hallway on the upper floor.
      Reorganised bedrooms upstairs are now more spacious, with bright colours and patterned wallpaper used to personalise each room.
      A seating area looks onto the back yardThe parents’ suite is at the front of the building, while the daughters’ twin rooms occupy the extended volume at the back.
      At garden level, a small kitchen for entertaining joins a sunken blue-tiled living space, a home office and a pegboard wall that allows the family to organise their outdoor gear.
      The architects created a giant pegboard wall for the family to store their outdoor gearA grey felt curtain can be drawn across to separate an area for guests.
      Outdoors, a new steel staircase with wooden treads leads down from the parlor-level deck to the garden.

      Home Studios renovates Fort Greene Townhouse designed for entertaining

      A bluestone terrace curves around the magnolia tree and is sheltered by the deck above.
      Pavers lead past planting to another seating nook, built into the cedar fencing at the back of the property.
      The extension is designed around a magnolia tree”An arborist was consulted to determine the sizing and placement of the extension, deck, and garden terrace, and a plant consultant was employed to help choose appropriate native species for the garden,” the team said.
      BAAO was founded by Alexandra Barker in 2006, and the Brooklyn studio has worked extensively in the New York borough and beyond.
      A bluestone terrace is sheltered by a deck aboveLast year, the team’s completed projects included two daycare centres: one featuring curved apertures and blue tones, and another with house-shaped openings and cheerful hues.
      The photography is by Francis Dzikowski/OTTO.
      Project credits:
      Flooring: Hudson FlooringLighting: Allied Maker, Cedar and Moss, Dutton Brown, Hand and Eye Studio, Hollis and Morris, ApparatusWallpaper: Farrow and Ball, Hygge and West, SpoonflowerTile: Cle, Complete TilePlumbing fixtures and fittings: Vola, Watermark, California Faucets, KastRugs: Aelfie, Studio Proba

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      Frederick Tang Architecture transforms New York loft into light-filled wellness studio

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      Interior architecture and design studio Frederick Tang Architecture (FTA) has updated Moxi, a wellness studio and acupuncture centre in Soho, New York by re-arranging its interiors around an expansive oval skylight.

      Frederick Tang Architecture, based in Brooklyn, was tasked with reordering and redesigning the open-plan, top-floor studio into a space that accommodates a reception area, six treatment rooms, offices, bathrooms, herb dispensary and pantry.
      Frederick Tang Architecture wanted to capture natural lightThe studio took the 1901 mercantile building’s skylight as the starting point for the refurbishment of the rectangular-shaped space.
      Its dense urban context required an innovative solution to increase the floor area while introducing natural light throughout.
      Moxi is arranged around a central skylight”Architecturally we wanted to organise the many different components in a plan that felt logical and complete which was difficult with space constraints,” said Frederick Tang, director of design and principal architect at Frederick Tang Architecture (FTA).

      “We started by organizing the plan around the sources of natural light,” he told Dezeen.
      An office space has been added to the interiorVisitors enter the wellness studio and arrive at a reception area framed by four arched windows overlooking Broadway.
      Here, a custom bench crafted from white oak slats and copper detailing curves along two walls while sculptural pendant lights hang from the ceiling.
      To maximise space and take full advantage of the natural light, this area doubles as a site for gatherings and classes.
      The reception is flanked by four arched windowsFTA reconfigured Moxi’s rooms as well as softened corners and created arches that echo some of the existing architecture of the space for the client who wanted the interior to feel “holistic, natural, calm and inspiring”.
      A single corridor leads to all six treatment rooms, which were also coloured in shades of green.
      The walls were lime-washed in a soft cypress green, with wainscotting wooden panels painted in a darker shade of the same hue.

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      FTA wanted the colour to contrast traditional wellness studios which are often white and feel more clinical.
      “The predominant colour was green –lime washed in a cypress and deep forest – chosen for its property to heal, critical at the front where the patron first experiences the space,” said the architects.
      Each acupuncture treatment room has a different wallpaperThe treatment rooms, which are the most intimate sections in the studio, contain two bedrooms and a bathroom arranged around the lightwell.
      The green was offset by hints of pale peach throughout the interior and natural finishes including terrazzo, concrete, boucle and ribbed glass add depth and texture.
      A kitchenette is located at the end of the central corridorAt the end of the corridor, a second archway opens into a back-of-house area, where FTA has inserted a new office, herb dispensary, staff pantry, and bath.
      Other design-focused wellness spaces include the Shelter wellness centre in Sydney, which is located in a former restaurant and Yoko Kitahara spa in Israel, which was transformed from an Ottoman-era home.
      The photography is by Gieves Anderson.

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      Olson Kundig's New York office includes a timber cityscape table

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      Earthy tones and a wooden table in the shape of a cityscape feature in the Olson Kundig’s first New York office, which was designed with sensitivity to the 100-year-old building it occupies.

      Located in Midtown Manhattan, the office is spread across the 10th floor of a mid-rise tower constructed in 1923.
      The office features a central living room with a sculptural tableOlson Kundig – a studio with its primary offices in Seattle – created the interior to be its first New York City hub with a material and colour palette that responded to the building’s 100-year-old history.
      The open-plan office is defined by a central “living room” that features a 144-square-foot (13-square-metre) wooden table on wheels with a statement geometric cityscape.
      The cityscape was informed by the office’s New York locationCreated from raw timber offcuts, the table is divided into quarters for different configurations. It was designed by studio principal Tom Kundig and fabricated by Spearhead.

      “The design was the result of a conversation Alan [Maskin] and I had about our teacher, [the late architect] Astra Zarina, and our fond memories of gathering around the table at her home in the centre of Rome,” Kundig told Dezeen.
      “She always had a big pile of candles in the centre of the table, similar to the abstract masses at the centre of our table.”
      “We want to foster the same spirit of conversation and sharing between colleagues and collaborators in this new office space, so it was a natural place to draw inspiration.”
      An unenclosed kitchen is also located adjacent to the stationsA series of wooden workstations are arranged across the open-plan office, while conference rooms feature around its perimeter. An open kitchen is also located adjacent to the stations.
      Platforms are positioned above the workstations offering a display area for sculptures and models. According to the studio, this continues its tradition of integrating art into everyday life.

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      The office interior was designed to reflect its Manhattan location, rather than mirror the firm’s flagship office in Seattle, according to Kundig.
      “The existing shell of the office was largely concrete and glass. We added wood and warmer tones to soften the space, with natural materials to add texture and interest,” explained Alan Maskin, partner at the studio.
      Artwork is displayed around the officeA mixture of vintage and contemporary furniture was sourced locally from locations in Brooklyn and Tribeca.
      Like the Seattle office, the New York space will also host various art events, tying the otherwise-unique locations together.
      Wooden elements define the spaceOlson Kundig was founded in 2000. The firm has completed multiple international architecture projects including a beach house with louvred shutters in Sydney and a timber floating home in Seattle.
      Another practice that designed its own studio is Urselmann Interior, which created its office using only biodegradable and recycled materials.
      The photography is by Angela Hau.

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      Light and Air updates Financial District apartment with open floor plan

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      Brooklyn studio Light and Air has renovated a loft in New York City’s financial district by removing partitions to create an open, inviting space.

      Occupying the 12th storey of a converted commercial building in one of Manhattan’s historic neighbourhoods, the apartment has generous windows and floor area, but previously made poor use of these qualities and felt cramped.
      The apartment occupies the 12th storey of a Manhattan building”The existing conditions stifled the unit’s access to light and air,” said the design team. The owners tapped Shane Neufeld, of  Brooklyn-based Light and Air Studio, to rethink the space.
      “The space featured a low-hanging storage loft that hovered over the entry and a sprawling closet that loudly commanded the center of the space, disrupting any potential for meaningful visual connections,” said Neufeld.
      It was updated to have an open floor plan”Our goal was to maintain the functionality of the storage loft while creating a more generous entry and rethinking the programming and materiality of the apartment in its entirety,” the designer added.

      The team removed many of the apartment’s internal walls and reduced the footprint of the overhead storage loft to allow taller ceilings. Within the reconfigured welcome area, custom closets, shelving, and a sculptural wooden bench provide plenty of storage, some behind a slatted wooden wall.
      A minimal material palette was used throughoutLight and Air also updated the flooring in this area, marking the transition between the concrete of the building’s corridors and the apartment’s hardwood. The polished concrete is also found in the kitchen and bathroom.
      Within the 1,200 square-foot (111-square-metre) apartment, Light and Air partitioned the space using open shelving, allowing some perspectives to stay open between the living room and bedroom.
      Custom desks were built into the space”Our strategy took the shape of an open floor plan with minimal partitions and reducing the existing material complexity through a more straightforward approach,” said Neufeld.
      The living and dining room is positioned in the corner of the unit and has windows facing in two different directions.
      “Two exterior walls with multiple southeast and southwest exposures allow for significant natural light and impressive views of lower Manhattan,” said Neufeld.

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      These spaces were connected to the kitchen, which remained in the same location, but was updated with matching cabinetry, new appliances, and an additional sink that provides more functionality.
      Throughout the apartment, the designers employed a minimal palette. The walls have no base moulding, there is flush cabinetry, and custom, built-in desks.
      Wood takes centre stage in the project”As one moves in and around the different elements (some floating effortlessly off the ground), its functional variety and formal character become more readily apparent,” Neufeld concluded.
      Light and Air studio, also known as L/AND/A, was founded in 2017. The firm also designed a townhouse in Brooklyn, with a skylight illuminating a central staircase.
      Other New York City apartment renovations include a “minimal but warm” apartment that was designed by Selma Akkari and Rawan Muqaddas, and a loft on Broadway that local studio Worrell Yeung reconfigured to meet the needs of a growing family.
      The photography is by Kevin Kunstadt.

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