Google opens first physical retail space in NYC by Reddymade
Google has opened its first physical retail space in New York’s Chelsea, designed by architecture studio Reddymade to include cork furniture and recycled materials. More
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in RoomsGoogle has opened its first physical retail space in New York’s Chelsea, designed by architecture studio Reddymade to include cork furniture and recycled materials. More
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in RoomsCurved oak kitchen cabinetry is among the new additions to a 25-year-old, half-dome dwelling in the Catskills partially renovated by American studio DAAM. More
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in RoomsDesign firm Home Studios used a medley of bespoke furniture and vintage finds to revamp this family apartment in New York’s NoHo neighbourhood.The 20 Bond apartment measures 2000 square feet (186 square metres) and is set within a building that dates back to 1925. Since the 1980s, it hasn’t undergone any significant renovations.
Above: custom lights hang above the dining area. Top image: the apartment’s living room
Brooklyn-based Home Studios was asked to carry out the much-needed overhaul of the dated apartment.
Its owners – a couple with young kids – had grown to be a fan of the studio’s aesthetic after frequenting two New York restaurants it had designed, Elsa and Goat Town.
This is, to date, only the second residential project that the studio has worked on, but founder Oliver Haslegrave says the creative process was much like developing a restaurant.
A copper hood contrasts the kitchen’s blue-grey cabinetry
“Like our hospitality projects, we envisioned an updated and modern space that defies the conformity of a typical residence,” Haslegrave told Dezeen.
“20 Bond is a direct reflection of our practice in that the end product is both expressive and finely detailed, and marries contemporary and vintage influences.”
Copper frames the apartment’s curved internal windows
In the open-plan kitchen, a trio of ring-shaped pendant lamps made bespoke by Home Studios dangle above a walnut dining table. The nickel and brass spotlights that illuminate the central breakfast island were also crafted by the studio.
Opposite the island is a series of cupboards painted a blue-grey hue called Pigeon by Farrow & Ball, accompanied by a custom extractor hood that’s clad in gleaming copper.
Home Studios designs cinematic cocktail bar in West Hollywood
Copper goes on to border the apartment’s rounded door frames and skirting boards. The metal also frames the guest bathroom’s internal window, which bows outwards to form a curved wall.
Curved forms continue into the guest bathroom
Curves continue throughout the rest of the bathroom, where a mosaic of tan-coloured tiles sinuously winds around the shower, tub and a seating nook which is inbuilt with a storage box for towels.
Haslegrave says that these features are meant to act as a small homage to the shapely form of buildings created by Finnish architect Alvar Aalto.
Tan-coloured tiles serve as a backdrop to the shower and bathtub
“The freeform curves found in [Aalto’s] work represent both a fluid motif and an engaging playfulness that we aim to incorporate in all Home Studios projects,” he explained.
“We included images of Aalto’s Screen 100 and the Maison Louis Carré – the residential building in Bazoches-Sur-Guyonne, France designed by him and his wife, Elissa – in our initial project mood board.”
The doorways and skirting in the apartment are also edged with copper
More bespoke and vintage pieces can be found in the master bedroom, for which Home Studios has made a walnut and travertine headboard.
A French floor lamp from the 1940s stands in the corner of the room, beside a boucle-upholstered armchair by LA brand Atelier de Troupe.
A bespoke headboard and vintage French lamp feature in the master bedroom
In the living room, two antique Danish chairs with woven leather seats have been contrastingly paired with a blocky side table by Sabine Marcelis, which is cast from candy-pink resin.
An oak and brass shelving unit made by Home Studios dominates a peripheral wall.
“The final product is a near-ideal extension of our process and values – a tailored place that offers its residents something special,” Haslegrave concluded.
The nearby living area is dominated by a shelving unit made by the studio
Home Studios was established by Haslegrave in 2009. Previous projects by the studio include the revamp of Bibo Ergo Sum, an eclectic bar in West Hollywood which takes visual cues from the early 20th-century Viennese architecture, French film posters and the 1967 film The Graduate.
Photography is by Brian Ferry.
Project credits:
Architecture, interior design, furniture and lighting, styling: Home StudiosFabrication: Works Manufacturing, Shelton Studios, Zalla Studios, Anthony Hart, Anders RydstedtConstruction: Vertical Space
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in RoomsDavid Adjaye has partnered with luxury carmaker Aston Martin to design homes and limited edition SUVs for five residents who will live in the British-Ghanaian architect’s first New York skyscraper.Five Aston Martin Residences will be located on the 59th and 60th floors of 130 William – Adjaye’s 244-metre-tall residential tower under construction in Manhattan. Each resident will also receive a limited-edition, Adjaye-designed Aston Martin DBX.
Above image: crosshatched bronze, an emblem of Aston Martin, will cover Adjaye-design wallpaper. Top image: residences will have outdoor loggias
“The 130 William Aston Martin homes have been touched in a very particular way that merges our design sensibilities,” said Adjaye.
“Together with the limited edition SUVs that come with these units, we’ve created a truly unique signature that blends our two disciplines.”
Differing from the other homes in the 242-unit tower, these five will be decorated with materials, textiles and furniture sourced from the Aston Martin Home Collection by the Italian manufacturer Formitalia, with additional touches by Adjaye.
The living and dining room will feature items from Aston Martin’s home collection
The entry hallway will be covered with a bronze cross-hatch, a signature of the Aston Martin brand, that will cover over dark Adjaye-designed wallpaper. A large arched smoked-glass mirror by Aston Martin’s design team will hang on the wall, as a reference to the arched windows of the skyscraper.
Renderings show these windows will flood daylight into the lounge and dining room, whose furnishings will include leather, metal and fabric chairs that are intended to draw on the aesthetic of Astin Martin car interiors.
Residents can customise a bedroom into a study
An open-plan kitchen adjoining the living room will have rich materials like blackened-oak Italian cabinetry, marble countertops from Italy’s Apuan Alps and a cantilevered Nero Marquina marble top.
In the main bathroom, meanwhile, dark Italian Salvtori will be carved into a bathtub and double vanity sinks. Design details in the main bedroom will include Formitalia furniture and a custom cashmere headboard.
The spare room can also be turned into a racing simulator
Residents will also be able to turn one of the rooms in the two- or three-bedroom homes into a racing simulator, an office and library space or a bedroom. The racing simulator will be made in partnership with British technology company Curv Racing Simulators.
Each residence will also have an expansive outdoor space with bespoke slatted screens to divide up lounging areas.
The main bathrooms with have a bathtub carved from marble
The Adjaye-designed Aston Martin DBX that will accompany the purchase of each residence will feature rich materials to mirror the homes – including marble, walnut wood and hand-stitched leather with green trim.
The five Aston Martin Residences include two penthouses for sale at $11,500,000 and $10,500,000, and three loggia residences priced from $3,985,000, $5,985,000 and $10,000,000.
130 William skyscraper for New York will be “great for drones” says David Adjaye
First unveiled in 2017, 130 William is a 66-storey skyscraper in Downtown Manhattan that Adjaye has designed with local firm Hill West Architects for developer Lightstone.
It will have a textural hand-cast concrete exterior to complement the materiality of the surrounding historic, brick commercial buildings, which Adjaye has previously said will make it ideal for close-up drone photography.
Each resident of the five homes will get an Adjaye-designed Aston Martin DBX luxury car
The partnership with Aston Martin is not the first time the car marker has turned its hand to architecture and design.
“This is a fascinating project for the Aston Martin design team to work on and a great opportunity to collaborate with David,” Aston Martin CCO Marek Reichman said.
Rich materials inside the SUV are intended to reference the homes
“It is our first real estate project in New York City but our second collaboration in real estate design after the Aston Martin Residences in Miami,” he added. “We can apply what we have learnt in Miami and also bring our unique automotive design skills to these beautiful luxury homes.’
Last year, the brand also launched an architectural design service called Automotive Galleries and Lairs to design homes around the resident’s cars. It has since teamed up with US studio S3 Architecture to create Sylvan Rock, an angular black-cedar home in Hudson Valley, New York.
Renderings are courtesy of Aston Martin.
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in RoomsOver 13,000 flattened aluminium cans decorate the facade of Dutch fashion label Daily Paper’s inaugural shop in the US, which has opened in Manhattan, New York. The two-storey Daily Paper store spans 1,140 square feet (106 square metres) and occupies a prominent corner building in Manhattan’s Lower Eastside. Up until now, the brand has exclusively
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Set designer Es Devlin has created two clock-like gallery spaces for the latest fashion exhibition at New York’s Metropolitan Museum of Art, which compares design over 150 years.The Met’s Costume Institute opens About Time: Fashion and Duration at the museum’s Fifth Avenue location on 29 October – the original planned opening in May 2020 was postponed due to the coronavirus pandemic.
Featured fashion dates back 150 years to 1870 to coincide with The Met’s 150th anniversary. Rather than presenting designs chronologically, the exhibition mixes up the timeline in order to compare the cyclical nature of fashion across the years.
Above image: the all-bacl Clock One gallery space. Top image: the mirrored Clock Two gallery space
“About Time: Fashion and Duration considers the ephemeral nature of fashion, employing flashbacks and fast-forwards to reveal how it can be both linear and cyclical,” said The Met director Max Hollein.
“The result is a show that presents a nuanced continuum of fashion over the museum’s 150-year history.”
Devlin, who has created stage sets for musicians The Weekend and Katy Perry, worked with The Met’s Design Department to create a time-travelling-themed exhibition.
White markings or light divide galleries into 60 “minutes”
It is located in two galleries in the museum’s Iris and B Gerald Cantor Exhibition Hall that are in a circular formation like a clock. Called Clock One and Clock Two, they have different material finishes. The former is nearly all black, and the latter is covered in mirrors.
White markings on the floor or thin white lights punctuate both spaces, resembling the marks on a clock face.
These marks split the galleries into 60 segments or “minutes”. Each minute showcases two garments – one that follows time chronologically and another from a different time period to showcase similarities or differences in form.
One of the spaces is covered in mirrors
Examples include an 1870s black silk faille princess-line dress paired with a 1990s Alexander McQueen skirt and a mid-1890s silk satin dress with puffed sleeves contrasted by 2004 Comme des Garçons ensemble.
“Fashion is indelibly connected to time,” said Andrew Bolton, the Wendy Yu curator in charge of The Costume Institute.
“It not only reflects and represents the spirit of the times, but it also changes and develops with the times, serving as an especially sensitive and accurate timepiece.”
It is located in two galleries in the museum’s Iris and B Gerald Cantor Exhibition Hall
There are 125 fashions in the exhibition with a number sourced from The Costume Insitute’s collection. It includes work from well-known contemporary and historic designers and brands like Virgil Abloh, Azzedine Alaïa, Jonathan Anderson, Iris van Herpen, Karl Lagerfeld and Vivienne Westwood.
First announced last year, The Met’s About Time exhibition is based on French 20th-century philosopher Henri Bergson’s idea of time as la durée, or duration – something which can be measured through images but never perceived as a whole.
The Met celebrates “resurgence of camp” in new exhibition Camp: Notes on Fashion
The Met closed its main building on Fifth Avenue, as well as its Met Breuer and Met Cloisters locations, in early March in response to the emergence of outbreaks of coronavirus in New York City.
In lieu of the spring opening, the museum created a virtual version of About Time: Fashion and Duration on Youtube.
Garments include this spring/summer 2020 haute couture by Viktor + Rolf
The annual Costume Institute Benefit, also known as the Met Gala, was due to take place in May 2020 to coincide with the original opening of the exhibition. It was also cancelled due to the pandemic.
The Met’s Costume Institute organises a spring exhibition every year. Last year’s exhibition Camp: Notes on Fashion celebrated the “resurgence of camp”, while the 2018 showcase Heavenly Bodies was themed on religion.
Others have included a retrospective of Comme des Garcons founder Rei Kawakubo, a study of handcraft and machine production and an exploration of China.
About Time will run from 29 October 2020 to 7 February 2021. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.
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A sinuous wooden walkway connects different amenities in this private leisure club that architecture and design firm Rockwell Group has created for residents of New York’s Waterline Square development.The Waterline Club by Rockwell Group links together the trio of skyscrapers that make up Waterline Square, a five-acre residential development located on Manhattan’s Upper West Side between West 59th and 61st streets.
Each of the three buildings was designed by a different architect – Rafael Viñoly, Richard Meier and KPF – and together accommodates 263 luxury apartments.
An elevated wooden walkway crosses over Nexus, the club’s central gathering spot
Residents now have exclusive access to 77,000 square feet (7,153 square metres) of leisure amenities available in The Waterline Club, which occupies three subterranean levels beneath the development.
When devising the interiors, Rockwell Group made sure to make room for activities that “appeal to both left and right-brain thinking”.
Residents can use The Waterline Club’s fitness centre
“Our research led to a major observation: New Yorkers have diverse, dynamic interests,” the firm explained.
“Rather than offer only the typical athletic facilities, we wanted to appeal to New Yorkers’ balanced approach to life, which includes art, music, community, and play,” it continued.
“We grouped active amenities together, and social and cultural amenities together, establishing a micro-community and an oasis within the city.”
The club also includes a basketball court
The central hub of the club is a vast travertine-lined room, dubbed Nexus, which is located down on the third, lowest level. Dotted with an array of plush leather sofas and sculptural armchairs, the room has sightlines through to activity rooms at this level like the gym and tennis court.
David Rockwell and Joyce Wang team up for first Equinox Hotel in New York
At this level there’s also a 30-foot-tall (nine-metre-tall) rock climbing wall, a half-pipe skate park, a golf simulation room, a music recording studio and an indoor greenhouse where residents can do gardening.
Musical residents can make use of the club’s recording studio
Winding up and across the Nexus is a sinuous wooden bridge that connects visitors to amenities on the club’s upper floors.
Rockwell Group, which describes the structure as a “circulation ribbon”, took cues from other notable pedestrian paths in New York such as the spiralling walkway inside the Guggenheim Museum and the looping running track that goes around Central Park’s reservoir.
“The bridge inspires guests to seek out new adventures,” added the firm. “It dips down in the centre, which gives the illusion of tension or stretching and also evokes speed and movement.”
There’s additionally a series of playrooms for residents’ children
Among the selection of amenities on the club’s second floor are children’s playrooms, a games arcade, a pets area and a variety of fitness spaces including a basketball court, kickboxing studio and mini athletics field which is fit-out with astroturf.
This is followed by a sauna, spa treatment rooms and two swimming pools – one of which is Olympic-sized – up on the club’s first floor.
One of the two swimming pools which can be found on the club’s first floor
The Waterline Club is a short distance from the high-end hotel that Rockwell Group and Joyce Wang Studio designed for fitness brand Equinox.
Opened to the public at the end of the last year, the hotel includes 212 guest rooms, a state-of-the-art gym and a rooftop pool that directly overlooks Thomas Heatherwick’s Vessel project.
Photography is by Evan Joseph, excluding top image by Scott Frances.
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Plywood covers almost every surface in this store that creative studio Mythology has designed for beauty retailer Shen in Brooklyn, New York.Shen’s new retail space is nestled in Brooklyn’s Cobble Hill neighbourhood and measures 1,550 square metres.
The former store of the beauty retailer – which is known for selling a roster of independent makeup and skincare brands – had been located in the nearby area of Carroll Gardens and featured a mix of white and lavender-pink walls.
The interior of Shen’s store is lined with plywood
Manhattan-based Mythology has fashioned a warmer fit-out for this location, opting to line every surface in Baltic birch plywood.
“We challenged ourselves to use a singular material because we wanted to juxtapose a humble utilitarian material like plywood with the high-end products featured in Shen’s product offering,” Ted Galperin, a partner and director of retail at Mythology, told Dezeen.
“Using both the face and end-grain of the plywood allowed us to create a multitude of custom applications, and add visual variety to the space.”
Colour is provided by hand-drawn wall murals
Inside, Shen has been loosely divided into three sections. The first section is dedicated to customer browsing and lies towards the left of the store.
Plywood has been used here to make a sequence of storage units that fan outwards from the wall, each one complete with vanity mirror and shelving where products are openly displayed. Names of different brands that are on offer have been carved into plywood panels set directly above the units.
Plywood counters displaying products slope out from the walls
The second section comprises a couple of triangular plywood islands in the middle of the store, where Shen staff can spotlight certain products and talk through them in detail with customers or demonstrate how they’re used.
On the right-hand side of the store is the third section, which is used for services like makeup tutorials. There’s also an angled plywood counter here that showcases candles and scents for the home, running beneath a three-dimensional plywood sign of Shen’s company logo.
The store includes an area for makeup tutorials
Excluding a handful of restored 1950s stools from Thonet, furnishings and decorative elements in the store have been kept to a minimum.
A splash of colour is added by a bespoke mural created by New York artist Petra Börner, which features a black-line illustration of a person’s face surrounded by wobbly blotches of green and turquoise paint.
Beauty treatment rooms lie towards the rear of the store
Another mural by Börner using pink and orange tones appears in the treatment area at the rear of the store, where customers can come for treatments like facials, waxing, and microblading.
Walls here have also been painted a pinkish hue, but exposed plywood can still be seen on the floor, built-in sofas and beauticians’ cupboards.
Walls in the treatment rooms have been painted pink
Mythology isn’t the only design studio that has created a striking retail interior using just one material.
Brooks + Scarpa lined the walls of an Aesop shop in downtown Los Angeles with cardboard fabric rolls salvaged from local fashion houses and costume shops, while Valerio Olgiati blanketed a Celine store in Miami in blue-tinged marble.
An Ace & Tate store in Antwerp is also lined exclusively in white terrazzo tiles inlaid with red and blue aggregate.
Photography is by Brooke Holm.
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