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      Aston Martin collaborates with S3 Architecture to design first residential project

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      US studio S3 Architecture worked with luxury carmaker Aston Martin’s architectural design service to create Sylvan Rock, an angular black-cedar home in Hudson Valley, New York.With building works set to start in early 2021, Sylvan Rock by S3 Architecture will be the first property to be fully realised under Aston Martin’s Automotive Galleries and Lairs service, which launched last year.

      The form of Sylvan Rock house will mimic jagged rock formations nearby
      The service sees the carmaker team up with architecture practices across the world to design bespoke spaces where its clients can show off their most cherished motors.

      Sylvan Rock will be situated two hours away from Manhattan, hidden amongst a 55-acre plot of forested land in Hudson Valley that will allow inhabitants to “reconnect with nature”.

      Luxury cars will be displayed in a glass gallery-style room
      A sweeping driveway that spans 2,000 feet (609 metres) will lead up to the front door of the house. The facade will be composed of expansive panels of glazing and blackened cedar.
      Its dark metal roof will be faceted to emulate the jagged shape of surrounding rock formations, at one point dramatically dipping downwards to form a covered entryway.

      The house will also include a subterranean office
      “When designing, we always let the land speak first and respond to it,” said Christopher Dierig, partner at S3 Architecture.
      “It’s as if the home is born of and launching from the landscape. The resulting design blends our modernist aesthetic with the privacy and context of the rural location to create a unique luxury experience.”

      Parquet flooring and dark-wood joinery will feature throughout living spaces on the ground floor
      Cars will be displayed in a subterranean gallery-style room that’s completely enclosed by panels of glass.
      It will look through to a wine lounge where bottles are kept in floor-to-ceiling latticed shelves that subtly nod to the intersecting lines seen in Aston Martin’s logo.

      Lounge areas will overlook the green landscape
      At this level there will also be an office where the inhabitants can escape to do work without interruption. It will feature a huge window that offers an up-close glimpse of the craggy rocks outdoors.
      From here guests can head upstairs to the ground floor where there will be a kitchen, cosy den, dining room, formal sitting area and an array of other shared living spaces that look out across the home’s decked pool area and verdant landscape.

      Other rooms will have views of the home’s pool
      Aston Martin – which will be responsible for the home’s interiors – imagines each room to be finished with parquet flooring and rich chocolate-brown storage cabinetry.
      Marble-topped tables and plush, leather-trimmed soft furnishings will further enhance the opulent feel of the home.

      The first-floor master bedroom will cantilever towards the Catskill mountains
      Elevated views across the treetops and towards the nearby Catskill Mountains will be available up in the first-floor master bedroom, which will cantilever over the house’s ground floor.

      Aston Martin launches architectural service to design homes focused around your car

      “Our architecture and design team was immediately in sync with the Aston Martin design team, both emphasizing clean lines and the luxury of natural materials and textures,” the studio’s partner, Doug Maxwell, told Dezeen.
      “Working with them we evolved our creative process to view the residence in a similar way as designing an Aston Martin car – by designing in 360 degrees, where no specific angle or facade took precedence or dominates.”

      Sylvan Rock will also include three pods where guests can stay
      The grounds of Sylvan Rock will additionally accommodate three gabled guest pods that will stagger down a grassy embankment towards a pond.
      They will enable visiting friends and family to have a sense of privacy when they come to stay but, when not in use, can alternatively serve as a health and fitness space or a quiet area for homeschooling.
      There will also be a small produce garden where fruit and vegetables can be grown, as well as a pitched-roof treehouse where inhabitants or guests can choose to spend a night under the stars, closer to the site’s wildlife.

      There will also be a treehouse on site
      Aston Martin’s Automotive Galleries and Lairs service is not the brand’s first venture outside of carmaking. Last year it unveiled its inaugural motorcycle model, AMB 001, which features a 180-horsepower turbocharged engine and a carbon-fibre body.
      Images are by S3 Architecture, courtesy of Corcoran Country Living.

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      Outdoor dining on New York City streets becomes permanent

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      New York City mayor Bill de Blasio has made the Open Restaurants Program, which allows restaurants in the city to extend seating onto streets, sidewalks and public spaces, permanent following the coronavirus pandemic.First temporarily initiated in June to allow restaurants to continue doing business while adhering to social distancing restrictions, the programme will now be a year-round fixture, De Blasio announced on 25 September.
      The Open Restaurants Program, which has seen outdoor dining spaces pop up across the city, will boost the capacity of restaurants as they open indoor dining at 50 per cent capacity as New York gradually reopens after the coronavirus lockdown.
      Restaurants allowed to heat outdoor spaces and build tents
      Under the scheme, eateries are allowed to extend seating onto sidewalks and roadways, or onto adjacent outdoor spaces with their neighbours’ consent. Establishments must follow a list of requirements for an Open Restaurant design, which include a clear path on the pavement, a maximum distance from the curb and a required height of enclosing barriers.
      De Blasio’s extension will also introduce guidelines for restaurants to heat outdoor areas during the colder winter months, which will be released by the end of September.

      David Rockwell unveils kit to build restaurants on streets following pandemic

      These regulations will allow the installation of electrical heaters on both sidewalks and roadways, and propane and natural gas heaters only on pavements. Propane will require a permit from New York City Fire Department.
      Restaurants will also be able to build tents, ranging from partial to full enclosures, in order to keep diners warm.
      Outdoor seating enables safe dining amid pandemic
      Food establishments will have to apply online for permission to become an Open Restaurant. Three or more restaurants on a street that is closed to traffic can also apply together to expand outdoors in another option known as Open Streets: Restaurants.
      Following the city lockdown, more than 10,300 restaurants citywide reopened with activities outdoors over summer, according to the New York Times, allowing them to stay afloat amid the coronavirus pandemic.
      A number of architects and designers also came up with creative ways for restaurants to allow safe dining post-Covid-19. In May, ahead of New York’s outdoor dining programme, designer David Rockwell created a kit of parts to turn the city’s streets into outdoor restaurants with socially distanced dining.
      His firm, Rockwell Group, later built a pro-bono DineOut NYC project (pictured top) comprising 120 seats for restaurants on Mott Street in Chinatown.
      Arts centre Mediamatic also developed a socially distanced dining experience in Amsterdam where guests sit in their own greenhouse and hosts wear face shields.
      Photograph of DineOut NYC is by Emily Andrews for Rockwell Group.

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      New York clothing store Nanamica is designed like a Japanese house

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      Woodwork form the frame of a gabled house inside this clothing store in New York designed by Japanese architect Taichi Kuma.

      Tokyo-based Kuma designed the store cn the city’s Soho neighbourhood for Japanese clothing brand Nanamica.

      Large mirrors reflect the gabled structure
      Marking its second outpost following another in Tokyo, the store was designed to draw on the brand’s Nanamica, which means house of seven seas. Working with the brand founder, Eiichiro Hommam, Kuma developed the interior design to take cues from a Japanese beach house.

      Shelving is made from matching wood
      The aim is to express “the free and relaxed feeling of the seaside, but with a distinctly Japanese aesthetic sensibility meaning the true highlight is the nanamica products”, according to the brand.

      Shelving and clothing rails tucked outside the wood frame
      A key part of this is a series of gabled structures made from light oak that are intended to outline a house. The frame is slightly smaller that the store to leave space on the outside for shelving for handbags and plants, and clothing rails built on the walls made out of matching wood.
      Wooden shelving for clothing and benches for customers to relax are also arranged inside the house-like structure. The free-standing shelving is backed by a translucent, recycled corrugated plastic matching the wall of the material at the front of the store and the rear, where it shields changing rooms placed behind.

      Corrugated plastic shields changing rooms at the rear
      Two large mirrors are placed on columns that protrude into the space creating the illusion of more room. White spotlighting is arranged along the top of the gable running down the middle of the space.
      Kuma and Hommam stripped back the initial space to create Nanamica New York, creating a bare backdrop for the simple intervention. Walls and ceiling beams are painted white, while the floor is polished concrete.

      Nanamica is located on Wooster Street
      Other recently completed stores in New York City include ONS Clothing store, which features a stage with a green curtain for hosting events, and Los Angeles clothing brand Lunya’s space in Nolita, which takes cues from “upscale New York” apartments.

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      Architensions creates colourful Children's Playspace with plywood climbing frame and tunnel

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      New York studio Architensions has designed structures modeled on clouds, treehouses, tunnels and igloos for an indoor playground for children in Brooklyn.Called Children’s Playspace, the space was designed for a wellness professional who wanted an intimate play area for children.
      Architensions’ response was to create structures in different colours and shapes that could offer different sensory experiences based on natural landscapes.

      Among these is an eight-foot-tall (2.4-metre-tall) green cylinder, known as the Treehouse, which is composed of a stepped bottom and gridded top wrapped in mesh.

      The Tunnel meanwhile has a slanted, gridded exterior and arched opening carved through it that leads up steps and down a ramp. Geometric windows with colourful frames protrude from the exterior to offer views out and inside to the brightly coloured orange walls.

      “As designers, we had to challenge ourselves and ask a number of questions,” said Architensions co-principal Alessandro Orsini.
      “How can the built environment relate to children’s imagination, cognitive development, and aesthetic appeal? Is it possible to merge aesthetics and function for a space that appeals to children?”

      Another structure, called Igloo, has a circular white base and a suspended triangular top covered with semi-translucent washi paper.
      Architensions said the project took cues from other architect-designed playgrounds such as the structures architect Aldo van Eyck’s built in his series of of Amsterdam playscapes and the never-built Contoured Playground Japanese American artist and landscape architect Isamu Noguchi designed to encourage freeform play.

      “The goal is to iconise the forms to make them recognisable and welcoming for the children,” Orsini added. “And, at the same time, to create inspiring spaces where they will always feel in control of their environments.”
      ‘This environment allows them to assume different body postures, to create boundaries, and to manipulate and re-invent their surroundings,” added co-principal Nick Roseboro.

      Other playgrounds recently completed by architects and designs with bold forms include a colourful playground in Madrid designed by Aberrant Architecture and an open-air space made of geometric structures by French designer Olivier Vadrot.

      Olivier Vadrot designs sculptural outdoor playground for children

      In Children’s Playspace, all the plywood is sanded and clear stained, ​and covered in non-VOC (volatile organic compounds) natural stain paint, in order to make it safe for the children.

      Three cloud-like structures made from slats of white-painted foam also hang from in the 875-square-foot (81-square-metre) playground, while a soft tan-coloured rubber floor was chosen to reference a forest floor covered in pine needles.
      Some of the walls are draped with with a silky textile to look like water or sky, while another is covered in a mural of woodland.

      Children’s Playspace joins a number of projects Architensions, which has offices in New York and Rome, has completed in New York borough Brooklyn. They include the renovation and extension of a Brooklyn townhouse and a tiny writer’s studio.
      Photography is by Cameron Blaylock.

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      Ravi Raj and Evan Watts expose chunky timber in Spears Building Loft renovation

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      Architects Ravi Raj and Evan Watts have created a monolithic, concrete-like chimney in the overhaul of a loft apartment inside a former cigarette packing factory in New York City’s Chelsea neighbourhood. Raj, who runs RARARA, worked with Watts of D&A Companies to overhaul the residence in the former factory, which was completed by the Kinney Brothers in 1880. It also served as a furniture warehouse before it was converted into a condo building in 1996.

      Previously featuring “dark dwelling spaces”, as described by the team, the residence was renovated to create a bright and open living space for a couple.

      This included stripping out walls and dropped ceilings to create larger spaces and revealing existing brickwork and timber columns and beams.

      At the rear of the residence, the team reconfigured the layout of the bedrooms and bathrooms, creating a third bedroom and making a new hallway.

      “Extraneous millwork and partitions blocking daylight to the interior were thoughtfully removed to help open each room and improve the flow between them,” said Ravi Raj Architect.
      “The great room presented an unexpected discovery after the team removed the dropped ceilings and unnecessary wall enclosures, revealing the original heavy timber structure – in surprisingly great condition. This move both simplified the layout while also paying homage to the building’s historical fabric.”

      Throughout Spears Building Loft, the designers chose a soft and pale material palette that complements the existing details and also brightens the interiors.
      Bleached walnut planks covers the floor in the living area, while the walls and built-in storage are painted bright-white or yellow.

      Gold paint drips down green mural at Chelsea Pied-à-Terre by Stadt Architecture

      A wood-burning stove is updated with a hearth covered in a plaster that looks like concrete and extends into a bench either side. The team chose the render because it is meant to reference the warehouse’s poured concrete floors.

      Pale wood also forms the base of the white-marble island in the kitchen topped and old corner cabinets are ebonized black. They form a series of dark detail throughout, like the dark wooden dining chairs and artwork.
      “The owners took care in selecting minimal yet soft and textured furnishings paired with colourful art that highlight the industrial-like quality of the space,” the team added.

      The red brick is painted white in the bedrooms to make them all them light and bright, while the bathrooms display a mix of black, white and grey marbles.
      Spears Building Loft is located in New York’s Chelsea neighbourhood next to the city’s elevated park, the High Line.
      Other renovation projects in the area include a residence that architecture duo BoND turned into a light-filled home with a stainless steel fireplace surround and an apartment with a green mural dripping in gold paint.
      Photography is by Nick Glimenakis.

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      New York hair salon Hawthorne Studio is designed for social distancing

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      Wooden frames, moveable styling stations and plants are used to encourage social distancing in this New York hair salon, which local studio BoND designed during the coronavirus pandemic. BoND, led by architecture duo Noam Dvir and Daniel Rauchwerger, began working on the design of Hawthorne Studio in January this year, just a few months before
      The post New York hair salon Hawthorne Studio is designed for social distancing appeared first on Dezeen. More

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      Pale woodwork updates 1920s Riverside Apartment in New York’s Upper West Side

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      New York practice Format Architecture Office has reorganised a 1920s apartment with custom millwork in the city’s Upper West Side.The renovated apartment by Format Architecture Office is in a Gothic Revival building on Riverside Drive, giving the project its name, Riverside Apartment.

      Completed before the second world war, the original apartment building had large residences that were later converted into smaller homes, which the studio said formed “a series of unconventional layouts”.

      “The building was originally constructed in 1926 and arranged around opulently scaled residences with multiple bedrooms and gallery spaces,” Format Architecture Office added.

      “It was converted to cooperative ownership in 1968, which created a large variety of accessible unit types, but also a series of unconventional layouts, as formerly single apartments were subdivided into two or even three different units,” it said.
      The renovation reorganised the existing one-bedroom unit to include another bedroom that doubles as an office, as well as a powder room and a reorganised galley-style kitchen. The decor was updated with custom cabinets and enlarged wood-clad corridors across the 1,000-square-foot (92-square-metre) space.

      “The primary goals for the project were to create flexible connections between spaces, enhance access to natural light and maximise storage,” the studio continued.
      Upon entering is a foyer with a coat closet, and a cabinet with a glass portion above that pulls natural light in from windows in a home office. A bedroom adjacent is complete with an ensuite and walk-in closet.

      A sliding wood door separates the office from a living and dining room. The pocket door is in one of the home’s corridors, which are intended to mark different areas.
      “Large thresholds between public spaces celebrate transitions and become extensions of different wood-clad storage solutions that complement the myriad needs of a small domestic space,” said the studio.

      All of the millwork at Riverside Apartment, including the corridors and custom cabinets, are made from Anigre wood – an African hardwood commonly used for furniture and cabinetry.
      Other corridors are in the entry and kitchen, while built-in bookshelves are prominent in the living room and office.

      Format Architecture Office imbues Manhattan office with “boutique sensibility” and cafe seating

      Contemporary details are accompanied by the apartment’s existing elements, like original wood-panelled doors with the glass transoms.
      Format Architecture Office aimed to emulate the early 20th-century style through other details to create “a mixture of clean lines and pre-war inspired details to celebrate the eclectic tastes of its owner”.

      The glass wall in the entry is a reinterpretation of existing glazing, which bring light through the home. Another ribbed glass detail partially conceals the dining room from the kitchen.
      A wood table, 1950s Eames Wire Chairs and a minimal white light fixture furnish the dining room, while the living room has a blue sofa and an Eames moulded plywood lounge chair from the second world war.
      Off-white walls are paired with white moulding and new oak flooring for a pared-down aesthetic, while an orange-painted front door adds another pop of colour that complements teal accents.

      Format Architecture Office founded in 2017 by architects Andrew McGee and Matthew Hettler, who met as undergraduates at the University of Michigan. The studio is based in Brooklyn and has also designed an office for a tech company in New York’s Midtown area with cafe-style seating and muted interiors.
      Other renovated homes in the Upper West Side are an apartment with a built-in bed by Stadt Architecture and a townhouse by Space4Architecture with a white spiral staircase.
      Photography is by Nick Glimenakis.

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