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      David Adjaye and Aston Martin design five residences in New York skyscraper 130 William

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      David Adjaye has partnered with luxury carmaker Aston Martin to design homes and limited edition SUVs for five residents who will live in the British-Ghanaian architect’s first New York skyscraper.Five Aston Martin Residences will be located on the 59th and 60th floors of 130 William – Adjaye’s 244-metre-tall residential tower under construction in Manhattan. Each resident will also receive a limited-edition, Adjaye-designed Aston Martin DBX.

      Above image: crosshatched bronze, an emblem of Aston Martin, will cover Adjaye-design wallpaper. Top image: residences will have outdoor loggias
      “The 130 William Aston Martin homes have been touched in a very particular way that merges our design sensibilities,” said Adjaye.
      “Together with the limited edition SUVs that come with these units, we’ve created a truly unique signature that blends our two disciplines.”
      Differing from the other homes in the 242-unit tower, these five will be decorated with materials, textiles and furniture sourced from the Aston Martin Home Collection by the Italian manufacturer Formitalia, with additional touches by Adjaye.

      The living and dining room will feature items from Aston Martin’s home collection

      The entry hallway will be covered with a bronze cross-hatch, a signature of the Aston Martin brand, that will cover over dark Adjaye-designed wallpaper. A large arched smoked-glass mirror by Aston Martin’s design team will hang on the wall, as a reference to the arched windows of the skyscraper.
      Renderings show these windows will flood daylight into the lounge and dining room, whose furnishings will include leather, metal and fabric chairs that are intended to draw on the aesthetic of Astin Martin car interiors.

      Residents can customise a bedroom into a study
      An open-plan kitchen adjoining the living room will have rich materials like blackened-oak Italian cabinetry, marble countertops from Italy’s Apuan Alps and a cantilevered Nero Marquina marble top.
      In the main bathroom, meanwhile, dark Italian Salvtori will be carved into a bathtub and double vanity sinks. Design details in the main bedroom will include Formitalia furniture and a custom cashmere headboard.

      The spare room can also be turned into a racing simulator
      Residents will also be able to turn one of the rooms in the two- or three-bedroom homes into a racing simulator, an office and library space or a bedroom. The racing simulator will be made in partnership with British technology company Curv Racing Simulators.
      Each residence will also have an expansive outdoor space with bespoke slatted screens to divide up lounging areas.

      The main bathrooms with have a bathtub carved from marble
      The Adjaye-designed Aston Martin DBX that will accompany the purchase of each residence will feature rich materials to mirror the homes – including marble, walnut wood and hand-stitched leather with green trim.
      The five Aston Martin Residences include two penthouses for sale at $11,500,000 and $10,500,000, and three loggia residences priced from $3,985,000, $5,985,000 and $10,000,000.

      130 William skyscraper for New York will be “great for drones” says David Adjaye

      First unveiled in 2017, 130 William is a 66-storey skyscraper in Downtown Manhattan that Adjaye has designed with local firm Hill West Architects for developer Lightstone.
      It will have a textural hand-cast concrete exterior to complement the materiality of the surrounding historic, brick commercial buildings, which Adjaye has previously said will make it ideal for close-up drone photography.

      Each resident of the five homes will get an Adjaye-designed Aston Martin DBX luxury car
      The partnership with Aston Martin is not the first time the car marker has turned its hand to architecture and design.
      “This is a fascinating project for the Aston Martin design team to work on and a great opportunity to collaborate with David,” Aston Martin CCO Marek Reichman said.

      Rich materials inside the SUV are intended to reference the homes
      “It is our first real estate project in New York City but our second collaboration in real estate design after the Aston Martin Residences in Miami,” he added. “We can apply what we have learnt in Miami and also bring our unique automotive design skills to these beautiful luxury homes.’
      Last year, the brand also launched an architectural design service called Automotive Galleries and Lairs to design homes around the resident’s cars. It has since teamed up with US studio S3 Architecture to create Sylvan Rock, an angular black-cedar home in Hudson Valley, New York.
      Renderings are courtesy of Aston Martin.

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      Recycled drink cans decorate exterior of Daily Paper's first US store

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      Over 13,000 flattened aluminium cans decorate the facade of Dutch fashion label Daily Paper’s inaugural shop in the US, which has opened in Manhattan, New York. The two-storey Daily Paper store spans 1,140 square feet (106 square metres) and occupies a prominent corner building in Manhattan’s Lower Eastside. Up until now, the brand has exclusively
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      About Time: Fashion and Duration exhibition at The Met celebrates 150 years of fashion

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      Set designer Es Devlin has created two clock-like gallery spaces for the latest fashion exhibition at New York’s Metropolitan Museum of Art, which compares design over 150 years.The Met’s Costume Institute opens About Time: Fashion and Duration at the museum’s Fifth Avenue location on 29 October –  the original planned opening in May 2020 was postponed due to the coronavirus pandemic.
      Featured fashion dates back 150 years to 1870 to coincide with The Met’s 150th anniversary. Rather than presenting designs chronologically, the exhibition mixes up the timeline in order to compare the cyclical nature of fashion across the years.

      Above image: the all-bacl Clock One gallery space. Top image: the mirrored Clock Two gallery space

      “About Time: Fashion and Duration considers the ephemeral nature of fashion, employing flashbacks and fast-forwards to reveal how it can be both linear and cyclical,” said The Met director Max Hollein.
      “The result is a show that presents a nuanced continuum of fashion over the museum’s 150-year history.”
      Devlin, who has created stage sets for musicians The Weekend and Katy Perry, worked with The Met’s Design Department to create a time-travelling-themed exhibition.

      White markings or light divide galleries into 60 “minutes”
      It is located in two galleries in the museum’s Iris and B Gerald Cantor Exhibition Hall that are in a circular formation like a clock. Called Clock One and Clock Two, they have different material finishes. The former is nearly all black, and the latter is covered in mirrors.
      White markings on the floor or thin white lights punctuate both spaces, resembling the marks on a clock face.
      These marks split the galleries into 60 segments or “minutes”. Each minute showcases two garments – one that follows time chronologically and another from a different time period to showcase similarities or differences in form.

      One of the spaces is covered in mirrors
      Examples include an 1870s black silk faille princess-line dress paired with a 1990s Alexander McQueen skirt and a mid-1890s silk satin dress with puffed sleeves contrasted by 2004 Comme des Garçons ensemble.
      “Fashion is indelibly connected to time,” said Andrew Bolton, the Wendy Yu curator in charge of The Costume Institute.
      “It not only reflects and represents the spirit of the times, but it also changes and develops with the times, serving as an especially sensitive and accurate timepiece.”

      It is located in two galleries in the museum’s Iris and B Gerald Cantor Exhibition Hall
      There are 125 fashions in the exhibition with a number sourced from The Costume Insitute’s collection. It includes work from well-known contemporary and historic designers and brands like Virgil Abloh, Azzedine Alaïa, Jonathan Anderson, Iris van Herpen, Karl Lagerfeld and Vivienne Westwood.
      First announced last year, The Met’s About Time exhibition is based on French 20th-century philosopher Henri Bergson’s idea of time as la durée, or duration – something which can be measured through images but never perceived as a whole.

      The Met celebrates “resurgence of camp” in new exhibition Camp: Notes on Fashion

      The Met closed its main building on Fifth Avenue, as well as its Met Breuer and Met Cloisters locations, in early March in response to the emergence of outbreaks of coronavirus in New York City.
      In lieu of the spring opening, the museum created a virtual version of About Time: Fashion and Duration on Youtube.

      Garments include this spring/summer 2020 haute couture by Viktor + Rolf
      The annual Costume Institute Benefit, also known as the Met Gala, was due to take place in May 2020 to coincide with the original opening of the exhibition. It was also cancelled due to the pandemic.
      The Met’s Costume Institute organises a spring exhibition every year. Last year’s exhibition Camp: Notes on Fashion celebrated the “resurgence of camp”, while the 2018 showcase Heavenly Bodies was themed on religion.
      Others have included a retrospective of Comme des Garcons founder Rei Kawakubo, a study of handcraft and machine production and an exploration of China.

      About Time will run from 29 October 2020 to 7 February 2021. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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      Rockwell Group completes luxury residents-only leisure club for New York's Waterline Square

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      A sinuous wooden walkway connects different amenities in this private leisure club that architecture and design firm Rockwell Group has created for residents of New York’s Waterline Square development.The Waterline Club by Rockwell Group links together the trio of skyscrapers that make up Waterline Square, a five-acre residential development located on Manhattan’s Upper West Side between West 59th and 61st streets.
      Each of the three buildings was designed by a different architect – Rafael Viñoly, Richard Meier and KPF – and together accommodates 263 luxury apartments.

      An elevated wooden walkway crosses over Nexus, the club’s central gathering spot
      Residents now have exclusive access to 77,000 square feet (7,153 square metres) of leisure amenities available in The Waterline Club, which occupies three subterranean levels beneath the development.

      When devising the interiors, Rockwell Group made sure to make room for activities that “appeal to both left and right-brain thinking”.

      Residents can use The Waterline Club’s fitness centre
      “Our research led to a major observation: New Yorkers have diverse, dynamic interests,” the firm explained.
      “Rather than offer only the typical athletic facilities, we wanted to appeal to New Yorkers’ balanced approach to life, which includes art, music, community, and play,” it continued.
      “We grouped active amenities together, and social and cultural amenities together, establishing a micro-community and an oasis within the city.”

      The club also includes a basketball court
      The central hub of the club is a vast travertine-lined room, dubbed Nexus, which is located down on the third, lowest level. Dotted with an array of plush leather sofas and sculptural armchairs, the room has sightlines through to activity rooms at this level like the gym and tennis court.

      David Rockwell and Joyce Wang team up for first Equinox Hotel in New York

      At this level there’s also a 30-foot-tall (nine-metre-tall) rock climbing wall, a half-pipe skate park, a golf simulation room, a music recording studio and an indoor greenhouse where residents can do gardening.

      Musical residents can make use of the club’s recording studio
      Winding up and across the Nexus is a sinuous wooden bridge that connects visitors to amenities on the club’s upper floors.
      Rockwell Group, which describes the structure as a “circulation ribbon”, took cues from other notable pedestrian paths in New York such as the spiralling walkway inside the Guggenheim Museum and the looping running track that goes around Central Park’s reservoir.
      “The bridge inspires guests to seek out new adventures,” added the firm. “It dips down in the centre, which gives the illusion of tension or stretching and also evokes speed and movement.”

      There’s additionally a series of playrooms for residents’ children
      Among the selection of amenities on the club’s second floor are children’s playrooms, a games arcade, a pets area and a variety of fitness spaces including a basketball court, kickboxing studio and mini athletics field which is fit-out with astroturf.
      This is followed by a sauna, spa treatment rooms and two swimming pools – one of which is Olympic-sized – up on the club’s first floor.

      One of the two swimming pools which can be found on the club’s first floor
      The Waterline Club is a short distance from the high-end hotel that Rockwell Group and Joyce Wang Studio designed for fitness brand Equinox.
      Opened to the public at the end of the last year, the hotel includes 212 guest rooms, a state-of-the-art gym and a rooftop pool that directly overlooks Thomas Heatherwick’s Vessel project.
      Photography is by Evan Joseph, excluding top image by Scott Frances.

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      Mythology crafts warm plywood interiors for Shen beauty store in Brooklyn

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      Plywood covers almost every surface in this store that creative studio Mythology has designed for beauty retailer Shen in Brooklyn, New York.Shen’s new retail space is nestled in Brooklyn’s Cobble Hill neighbourhood and measures 1,550 square metres.
      The former store of the beauty retailer – which is known for selling a roster of independent makeup and skincare brands – had been located in the nearby area of Carroll Gardens and featured a mix of white and lavender-pink walls.

      The interior of Shen’s store is lined with plywood
      Manhattan-based Mythology has fashioned a warmer fit-out for this location, opting to line every surface in Baltic birch plywood.

      “We challenged ourselves to use a singular material because we wanted to juxtapose a humble utilitarian material like plywood with the high-end products featured in Shen’s product offering,” Ted Galperin, a partner and director of retail at Mythology, told Dezeen.
      “Using both the face and end-grain of the plywood allowed us to create a multitude of custom applications, and add visual variety to the space.”

      Colour is provided by hand-drawn wall murals
      Inside, Shen has been loosely divided into three sections. The first section is dedicated to customer browsing and lies towards the left of the store.
      Plywood has been used here to make a sequence of storage units that fan outwards from the wall, each one complete with vanity mirror and shelving where products are openly displayed. Names of different brands that are on offer have been carved into plywood panels set directly above the units.

      Plywood counters displaying products slope out from the walls
      The second section comprises a couple of triangular plywood islands in the middle of the store, where Shen staff can spotlight certain products and talk through them in detail with customers or demonstrate how they’re used.
      On the right-hand side of the store is the third section, which is used for services like makeup tutorials. There’s also an angled plywood counter here that showcases candles and scents for the home, running beneath a three-dimensional plywood sign of Shen’s company logo.

      The store includes an area for makeup tutorials
      Excluding a handful of restored 1950s stools from Thonet, furnishings and decorative elements in the store have been kept to a minimum.
      A splash of colour is added by a bespoke mural created by New York artist Petra Börner, which features a black-line illustration of a person’s face surrounded by wobbly blotches of green and turquoise paint.

      Beauty treatment rooms lie towards the rear of the store
      Another mural by Börner using pink and orange tones appears in the treatment area at the rear of the store, where customers can come for treatments like facials, waxing, and microblading.
      Walls here have also been painted a pinkish hue, but exposed plywood can still be seen on the floor, built-in sofas and beauticians’ cupboards.

      Walls in the treatment rooms have been painted pink
      Mythology isn’t the only design studio that has created a striking retail interior using just one material.
      Brooks + Scarpa lined the walls of an Aesop shop in downtown Los Angeles with cardboard fabric rolls salvaged from local fashion houses and costume shops, while Valerio Olgiati blanketed a Celine store in Miami in blue-tinged marble.
      An Ace & Tate store in Antwerp is also lined exclusively in white terrazzo tiles inlaid with red and blue aggregate.
      Photography is by Brooke Holm.

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      Aston Martin collaborates with S3 Architecture to design first residential project

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      US studio S3 Architecture worked with luxury carmaker Aston Martin’s architectural design service to create Sylvan Rock, an angular black-cedar home in Hudson Valley, New York.With building works set to start in early 2021, Sylvan Rock by S3 Architecture will be the first property to be fully realised under Aston Martin’s Automotive Galleries and Lairs service, which launched last year.

      The form of Sylvan Rock house will mimic jagged rock formations nearby
      The service sees the carmaker team up with architecture practices across the world to design bespoke spaces where its clients can show off their most cherished motors.

      Sylvan Rock will be situated two hours away from Manhattan, hidden amongst a 55-acre plot of forested land in Hudson Valley that will allow inhabitants to “reconnect with nature”.

      Luxury cars will be displayed in a glass gallery-style room
      A sweeping driveway that spans 2,000 feet (609 metres) will lead up to the front door of the house. The facade will be composed of expansive panels of glazing and blackened cedar.
      Its dark metal roof will be faceted to emulate the jagged shape of surrounding rock formations, at one point dramatically dipping downwards to form a covered entryway.

      The house will also include a subterranean office
      “When designing, we always let the land speak first and respond to it,” said Christopher Dierig, partner at S3 Architecture.
      “It’s as if the home is born of and launching from the landscape. The resulting design blends our modernist aesthetic with the privacy and context of the rural location to create a unique luxury experience.”

      Parquet flooring and dark-wood joinery will feature throughout living spaces on the ground floor
      Cars will be displayed in a subterranean gallery-style room that’s completely enclosed by panels of glass.
      It will look through to a wine lounge where bottles are kept in floor-to-ceiling latticed shelves that subtly nod to the intersecting lines seen in Aston Martin’s logo.

      Lounge areas will overlook the green landscape
      At this level there will also be an office where the inhabitants can escape to do work without interruption. It will feature a huge window that offers an up-close glimpse of the craggy rocks outdoors.
      From here guests can head upstairs to the ground floor where there will be a kitchen, cosy den, dining room, formal sitting area and an array of other shared living spaces that look out across the home’s decked pool area and verdant landscape.

      Other rooms will have views of the home’s pool
      Aston Martin – which will be responsible for the home’s interiors – imagines each room to be finished with parquet flooring and rich chocolate-brown storage cabinetry.
      Marble-topped tables and plush, leather-trimmed soft furnishings will further enhance the opulent feel of the home.

      The first-floor master bedroom will cantilever towards the Catskill mountains
      Elevated views across the treetops and towards the nearby Catskill Mountains will be available up in the first-floor master bedroom, which will cantilever over the house’s ground floor.

      Aston Martin launches architectural service to design homes focused around your car

      “Our architecture and design team was immediately in sync with the Aston Martin design team, both emphasizing clean lines and the luxury of natural materials and textures,” the studio’s partner, Doug Maxwell, told Dezeen.
      “Working with them we evolved our creative process to view the residence in a similar way as designing an Aston Martin car – by designing in 360 degrees, where no specific angle or facade took precedence or dominates.”

      Sylvan Rock will also include three pods where guests can stay
      The grounds of Sylvan Rock will additionally accommodate three gabled guest pods that will stagger down a grassy embankment towards a pond.
      They will enable visiting friends and family to have a sense of privacy when they come to stay but, when not in use, can alternatively serve as a health and fitness space or a quiet area for homeschooling.
      There will also be a small produce garden where fruit and vegetables can be grown, as well as a pitched-roof treehouse where inhabitants or guests can choose to spend a night under the stars, closer to the site’s wildlife.

      There will also be a treehouse on site
      Aston Martin’s Automotive Galleries and Lairs service is not the brand’s first venture outside of carmaking. Last year it unveiled its inaugural motorcycle model, AMB 001, which features a 180-horsepower turbocharged engine and a carbon-fibre body.
      Images are by S3 Architecture, courtesy of Corcoran Country Living.

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      Outdoor dining on New York City streets becomes permanent

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      New York City mayor Bill de Blasio has made the Open Restaurants Program, which allows restaurants in the city to extend seating onto streets, sidewalks and public spaces, permanent following the coronavirus pandemic.First temporarily initiated in June to allow restaurants to continue doing business while adhering to social distancing restrictions, the programme will now be a year-round fixture, De Blasio announced on 25 September.
      The Open Restaurants Program, which has seen outdoor dining spaces pop up across the city, will boost the capacity of restaurants as they open indoor dining at 50 per cent capacity as New York gradually reopens after the coronavirus lockdown.
      Restaurants allowed to heat outdoor spaces and build tents
      Under the scheme, eateries are allowed to extend seating onto sidewalks and roadways, or onto adjacent outdoor spaces with their neighbours’ consent. Establishments must follow a list of requirements for an Open Restaurant design, which include a clear path on the pavement, a maximum distance from the curb and a required height of enclosing barriers.
      De Blasio’s extension will also introduce guidelines for restaurants to heat outdoor areas during the colder winter months, which will be released by the end of September.

      David Rockwell unveils kit to build restaurants on streets following pandemic

      These regulations will allow the installation of electrical heaters on both sidewalks and roadways, and propane and natural gas heaters only on pavements. Propane will require a permit from New York City Fire Department.
      Restaurants will also be able to build tents, ranging from partial to full enclosures, in order to keep diners warm.
      Outdoor seating enables safe dining amid pandemic
      Food establishments will have to apply online for permission to become an Open Restaurant. Three or more restaurants on a street that is closed to traffic can also apply together to expand outdoors in another option known as Open Streets: Restaurants.
      Following the city lockdown, more than 10,300 restaurants citywide reopened with activities outdoors over summer, according to the New York Times, allowing them to stay afloat amid the coronavirus pandemic.
      A number of architects and designers also came up with creative ways for restaurants to allow safe dining post-Covid-19. In May, ahead of New York’s outdoor dining programme, designer David Rockwell created a kit of parts to turn the city’s streets into outdoor restaurants with socially distanced dining.
      His firm, Rockwell Group, later built a pro-bono DineOut NYC project (pictured top) comprising 120 seats for restaurants on Mott Street in Chinatown.
      Arts centre Mediamatic also developed a socially distanced dining experience in Amsterdam where guests sit in their own greenhouse and hosts wear face shields.
      Photograph of DineOut NYC is by Emily Andrews for Rockwell Group.

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      New York clothing store Nanamica is designed like a Japanese house

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      Woodwork form the frame of a gabled house inside this clothing store in New York designed by Japanese architect Taichi Kuma.

      Tokyo-based Kuma designed the store cn the city’s Soho neighbourhood for Japanese clothing brand Nanamica.

      Large mirrors reflect the gabled structure
      Marking its second outpost following another in Tokyo, the store was designed to draw on the brand’s Nanamica, which means house of seven seas. Working with the brand founder, Eiichiro Hommam, Kuma developed the interior design to take cues from a Japanese beach house.

      Shelving is made from matching wood
      The aim is to express “the free and relaxed feeling of the seaside, but with a distinctly Japanese aesthetic sensibility meaning the true highlight is the nanamica products”, according to the brand.

      Shelving and clothing rails tucked outside the wood frame
      A key part of this is a series of gabled structures made from light oak that are intended to outline a house. The frame is slightly smaller that the store to leave space on the outside for shelving for handbags and plants, and clothing rails built on the walls made out of matching wood.
      Wooden shelving for clothing and benches for customers to relax are also arranged inside the house-like structure. The free-standing shelving is backed by a translucent, recycled corrugated plastic matching the wall of the material at the front of the store and the rear, where it shields changing rooms placed behind.

      Corrugated plastic shields changing rooms at the rear
      Two large mirrors are placed on columns that protrude into the space creating the illusion of more room. White spotlighting is arranged along the top of the gable running down the middle of the space.
      Kuma and Hommam stripped back the initial space to create Nanamica New York, creating a bare backdrop for the simple intervention. Walls and ceiling beams are painted white, while the floor is polished concrete.

      Nanamica is located on Wooster Street
      Other recently completed stores in New York City include ONS Clothing store, which features a stage with a green curtain for hosting events, and Los Angeles clothing brand Lunya’s space in Nolita, which takes cues from “upscale New York” apartments.

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