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      Rafael Prieto creates “secret garden” for Gohar World store in New York

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      Designer Rafael Prieto has lined tableware store in New York City with wallpaper made from photos taken in the south of France and antique furniture.

      Located at 181 Lafayette Street in SoHo, the Gohar World store showcases tableware products designed by sisters Laila and Nadia Gohar.
      The Gohar World store is lined with wallpaper created using designer Rafael Prieto’s photos”Gohar World is a tableware universe that embraces tradition, time, craft, and humour,” said the duo, who founded their brand in 2020.
      The space was designed by Rafael Prieto, founder and creative director of Savvy Studio, to capture the varied cultures and crafts involved in making the tableware.
      The wallpaper features peel-away elements that represent the “secret world” that Laila and Nadia Gohar have created”Because Laila and Nadia work with ateliers all over the world, from Egypt to Italy, Gohar World is inherently a brand that transports you to different places,” said Prieto. “Sometimes, even to your grandmother’s living room.”

      “So my idea when designing the store was to transport visitors to another world,” he added.
      An eclectic mix of antique domestic furniture and objects decorate the storeUsing photos he took in the south of France, the designer created a custom layered wallpaper with Wallpaper Projects to cover the walls.
      The imagery of crumbling and weathered stonework mixed with scenes from fields and woodland lends an otherworldly atmosphere to the store.
      Gohar World products are displayed in a variety of ways throughout the store”The outer layer shows monumental stone archways which are torn away to reveal a secret garden, representing Laila and Nadia’s secret Gohar World, which everyone is now invited to step into,” said the brand.
      An eclectic mix of antique domestic furniture pieces adds to the surreality of the space, with fabric ruffles surrounding table bases, and sections of Grecian-style columns supporting surfaces and acting as pedestals.

      “My work is a universe that I’ve created for myself” says Laila Gohar

      Some of the Gohar World tableware is presented in open cabinets or glass vitrines, while other pieces are laid out as table settings as if ready for dinner.
      The storefront is painted a warm cream colour, and white fabric is hung in the lower halves of the windows and glass doors.
      Laila and Nadia Gohar founded their brand to collaborate with global artisans and help preserve “dying and disappearing” craftsLaila is known for her creative food installations and projects that blend design, food and art, which she catalogues via her Instagram account Lailacooks.
      Partnering with Nadia to move into homeware design, the aim is to work with global artisans to help preserve “dying and disappearing” crafts, she told Dezeen in a recent interview.
      The store is located on Lafayette Street in New York’s SoHo neighbourhoodRecently, several brands have opted for a more surreal, eclectic aesthetic for their stores compared to the cohesive, monochrome approach that’s pervaded retail design over the past few years.
      The Awake NY store by Rafael de Cárdenas, the Boyy flagship in Milan by Thomas Poulsen and the Tons boutique in Pittsburgh by NWDS are all examples of this.
      The photography is by Clement Pascal.

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      Format Architecture designs “delightfully untraditional” Cafe Mars in Brooklyn

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      Bright colours, neon lighting and expressive furniture create a playful mood inside this Brooklyn restaurant, designed by local studio Format Architecture Office.

      Cafe Mars is an Italian eatery located in Gowanus, founded by co-chefs Jorge Olarte, and Paul D’Avino – whose grandfather lived across the street when he first emigrated from Campania in 1901.
      Playful furniture throughout Cafe Mars includes chairs with hot-pink arched and zigzag legsHonouring these roots, the restaurant is designed as a celebration of all things Italy: from the Memphis design movement of the 1980s to the glamorous Amalfi Coast.
      “It was important to connect the intent of the culinary experience with the intent of the spatial experience,” said Format principal and co-founder Andrew McGee.
      The bar and open kitchen are framed by white oak panels”If the driving force of the menu was to showcase knowledge and love of traditional Italian cuisine, twisted and subverted at just the right moments to create something playfully rebellious and unusual, it seemed only natural to reference the character and movement in [Ettore] Sottsass and the Memphis style with a similar vintage in the architecture and design realm,” he continued.

      Above each table in the main dining space is a yellow panel with a hole cut-out, exposing the building’s original brickTo enter the 1,100-square-foot (100-square-metre) restaurant, visitors must turn a pasta die door handle sourced from local third-generation manufacturer D Malardi & Sons.
      “The detail is a charming nod to the building’s pasta factory and Italian grocery history whilst ushering in its restaurant future,” the studio said.
      The custom banquettes are coloured one yellow for every two whiteOnce inside the long narrow front space, the bar area can be found on the right and a row of back-to-back banquettes runs along the left.
      The bar and the open kitchen further down are framed by white oak panelled arches, revealing a bright blue back bar that echoes the same shape.
      The “blue room” in the back features cobalt-coloured seating that contrasts the exposed brickworkA tall, light grey counter forms an L-shape within the first arch, with a lower surface for diners seated in custom chairs by Studio Apotroes with hot pink zig-zag legs.
      More seats – this time with white details – face the kitchen area, beside a bright green shelving unit for tableware tucked under the bar counter.
      Hot pink reappears in the cords of pendant lights, which have shades made from mushroom myceliumOpposite, the custom double-sided banquettes have ribbed edges and are coloured one yellow for every two white.
      In between are arched yellow panels with circular holes that expose the original brick walls behind, and Stuff by Andrew Neyer globe pendants that hang above each table.
      Pasta illustrations by artist Massimo Mongiardo are found throughout the interior, including in the bathroomThe “blue room” in the back features cobalt-coloured seating that contrasts the exposed brick walls, black window frames and white hexagonal floor tiles.
      Hot pink reappears in the cords of pendant lights with MushLume shades made from mushroom mycelium, while bespoke wooden tables have puzzle-piece tops that slot together in various configurations.

      Usonian architecture informs Sereneco restaurant in Greenpoint by Carpenter + Mason

      At night, colourful LED lights within the circular wall elements, under the bar counter and above the back bar all match a neon sign in the window, which traces the Cafe Mars logo designed by artist Massimo Mongiardo.
      His illustrations of pasta shapes can be found throughout the interiors, including in the bathrooms, and across the black-painted roller shutters pulled down when the restaurant is closed.
      Mongiardo’s illustrations also cover the black roller shutter on the exterior”The goal was to strike a delicate balance between fanciful and comforting, transformative and familiar,” said Format co-founder and principal Matthew Hettler.
      “The design, however loud, becomes a backdrop for a quality experience, and that is something we are excited about.”
      A neon version of the Cafe Mars logo sits in the window, matching the colorful LED lighting insideOther relative newcomers to Brooklyn’s ever-evolving culinary scene include Nabila’s, a Lebanese spot designed by Frederick Tang Architecture, and Usonian-inspired eatery Sereneco featuring interiors by Carpenter + Mason.
      Over in Manhattan, the number of Italian restaurants continues to balloon, with Bad Roman and Cucina Alba among the many to have opened in the past year.
      The photography is by Nick Glimenakis.
      Project credits:
      Architecture and interior design: Format Architecture OfficeProject team: Clare Hačko, David Hettler, Matt Hettler, Andrew McGeeConstruction: RuskStructural engineer: Blue Sky DesignMEP engineer: Department of Approvals

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      Gachot Studios creates cosy New York neighbourhood bar

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      New York City-based Gachot Studios has revamped a NoHo townhouse to host a snug cocktail bar, in which exposed stone walls and dark wood contrast a creamy colour palette.

      Named after Jack Champlin, a beloved member of the NoHo community, Jac’s on Bond opened in February 2023 within a 1800s townhouse formerly occupied by The Smile cafe.
      Jac’s on Bond features a series of niches for enjoying cocktailsBoth the previous and new iterations are owned and operated by Authentic Hospitality, which tapped Gachot Studios to overhaul the interiors.
      “We wanted to open a place that felt like a causal hang out for our Bond Street neighbours, but also elevated and expertly executed, where adults could gather around a well-made cocktail and meet each other – a lost art in New York!” said the Gachot team, whose office is just a few blocks away.
      Original fireplace surrounds were recovered in limewash plaster during the renovation workEntered below grade through a heavy velvet curtain, the main bar space unfolds as a series of cosy niches and warmly lit corners.

      A neutral palette of creams, browns and black was applied to create “a wonderful juxtaposition of the old and new; the rough and the sophisticated that we felt accurately captured the building and neighborhood’s history”, according to the team.
      A new guardrail with curved newel posts surrounds the staircase to the basementThe bar counter is wrapped in dark wood panels and features a St Laurent marble top, while a mahogany-framed arched bronze mirror reflects the scene from the bar back.
      Two cylindrical columns and a pair of vintage 1920s sconces frame the bartenders as they mix cocktails, including the establishment’s signature Caprese Martini.
      A pool table with a custom camel-coloured top is positioned towards the back of the main barOpposite, newly revealed stonework above charcoal-painted wainscoting and a drinks rail spans between open fireplaces, which are lime plastered above.
      “When considering the build out of the bar, we knew we wanted to preserve and showcase as much of the original 1800s townhouse as possible,” the design team said.
      The Back Room offers additional space for expanded weekend service or private eventsA series of circular two- and four-top tables topped with back-painted glass run along this wall, while seven Artemest barstools line up along the underlit bar.
      In the centre of the room, a solid guardrail with curved newel posts wraps around an opening for a staircase, which descends to the basement.
      A dining table is placed within a niche accessed via mahogany-trimmed archesA geometric fabric-wrapped pendant light hangs above the stairwell, and a pool table with a custom camel-coloured surface is positioned behind.
      Formerly a wine cellar, the downstairs space has a dimly lit speakeasy vibe and features velvet-upholstered seats built into arched niches in the stone walls.

      GRT Architects references “vacation Italian” at New York bar and restaurant

      The original metal and wood ceiling was restored, and four 1970s table lamps by Czech lighting firm Kamenicky Senov Preciosa were added to create the right ambience for small private parties.
      For larger events and expanded walk-in service on weekends, The Back Room is decorated like a parlour with lime-washed bricks.
      In the former wine cellar is another space that can be rented for private eventsThis space has a second bar, and can be configured with long dining tables, seating for small groups, or cleared for standing room depending on its requirements.
      There’s also a dining space with tiled flooring tucked into a corner, accessed through mahogany-trimmed arched openings.
      Banquettes are built into the original stonework and the lighting is kept low for an intimate atmosphereAdorning the walls throughout Jac’s on Bond are photographs of New York’s hip-hop scene in the 1980s and ’90s, by local artist Janette Beckman.
      “Her photos are of a New York past – they highlight the up and comers of 1980s and 90s New York hip hop, including some names that went on to become world famous: Run DMC, LL Cool J, Salt n Pepa, Andre 3000,” the team said.
      Jac’s on Bond occupies the lower floors of an 1800s townhouse on Bond Street, in New York’s NoHo neighbourhoodFounded by John and Christine Gachot, Gachot Studios has previously completed hospitality projects that range from a boutique hotel in Detroit for watchmaker Shinola to an open-air restaurant on NYC’s Union Square.
      The firm also designed the New York flagship store for the cosmetics brand Glossier, which includes soft-pink plasterwork and a Boy Brow Room.
      The photography is by William Jess Laird.

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      Studio Tre models Bronx chocolate cafe on Puerto Rican general stores

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      This South Bronx cafe that serves a chocolate-focused menu is designed by Brooklyn-based Studio Tre to reflect the brand’s Caribbean roots.

      Bright colours, palm fronds, references to Spanish architecture and wallpaper made of advertisements feature in the second cafe location of the chocolate manufacturer Chocobar Cortés.
      Several design elements in the cafe nod to spaces in Viejo San Juan, including arched openings and chequerboard floorsChocobar Cortés is a fourth-generation family company that has been growing cacao and manufacturing chocolate since 1929, first in the Dominican Republic and then in Puerto Rico.
      In 2013, they opened their first cafe-restaurant in Viejo San Juan (Old San Juan) – Puerto Rico’s historic capital – where every dish or drink incorporates chocolate in some way.
      Studio Tre travelled to Puerto Rico at the project’s onset to learn about the Chocobar Cortés brandThe second location in The Bronx brings the concept to New York City and is modelled on the “colmadito” general stores found in Viejo San Juan as a nod to its origins.

      “The design embraces the warmth of the Caribbean and recognisable textures, colours and patterns of the Viejo San Juan neighbourhood of the first location,” said Studio Tre.
      The 1,600-square-foot (150-square-metre) space on Alexander Avenue features a variety of elements borrowed from the colmaditos, including chequerboard cement-tile flooring.
      Historic photos and a rotation of works by local artists are displayed on the wallsA trio of arches that form niches for the back bar and an opening to the bathrooms echo Spanish colonial architecture.
      These arches were painted in the brand’s signature yellow hue, matching the front of the cafe counter and together adding warmth and vibrancy to the space.
      Pale green-grey plaster was applied above wood wainscoting in the cafe”Retired chocolate bar moulds repurposed as design feature above the cafe counter,” said the Studio Tre team, who travelled to San Juan at the project’s onset to learn about the company and its values.
      Ogee wood panelling and bronze hardware on the bar were chosen as an homage to the large doors found across the old city.

      Fumihiko Sano Studio creates cedar-lined chocolate cafe in Kyoto

      On the cafe walls, pale green-grey plaster was applied above wood wainscoting, and a mix of historic photos and a rotation of works by local and Caribbean artists are displayed.
      The bathrooms are lined with a collage of brightly coloured cartoons and old advertisments, while radio jingles play over the speakers.
      Yellow counterfronts match the brand’s signature colour, while chocolate moulds are installed aboveThe cafe also hosts a series of events and cultural programming for the neighborhood’s queer community, creating a “spirit of acceptance and celebration”.
      “Imbuing this Caribbean spirit into the design, with also the vibrant and artistic spirit of the neighborhood in The Bronx, the interiors of the restaurant establish Chocobar Cortés as the joyful celebration of culture, chocolate, and community that it is,” said Studio Tre.
      The bathrooms are lined with a collage of old advertismentsChocolate shops and cafes are popular across the globe, and their interiors vary dramatically based on their context.
      Others around the world include one that occupies a century-old house in Kyoto and another in São Paulo where the production processes are put on show.
      The photography is by Grant Legan.

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      Alp Bozkurt creates “calming” interior for Brooklyn tattoo parlour

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      Arched niches provide stations for tattoo artists at Atelier Eva, located in a former Brooklyn hardware store transformed by designer Alp Bozkurt.

      The Atelier Eva Grand Street parlour is the second in Brooklyn run by tattoo artist Eva Karabuda, who is renowned for her detailed, micro-realism tattoos.
      Polycarbonate panels punctured by arched niches line the interior of Atelier Eva’s Grand Street studio”Created with an ambitious vision to reimagine tattoo culture following Eva’s own experiences feeling uncomfortable and unsafe as a woman in her early work environments, Atelier Eva offers a new kind of tattooing experience with the goal of providing an inclusive and welcoming environment for all people,” said the studio.
      While her first location on Havemeyer Street was designed in house, Karabudak turned to Alp Bozkurt for the Grand Street space – which at 3,000 square feet (280 square metres) is almost twice the size.
      The arches reveal details of the original building, which was formerly a hardware storeThe building dates back to 1895 and was originally constructed as a hardware store, occupying a single story space that extends 115 feet back from the street facade.

      Original features such as large roof trusses, skylights and brick walls were all restored and highlighted during the renovation work.
      A pink-concrete table used for tattoo consultations is shrouded by a sheer curtainThe trusses are painted black, drawing the eye up to the ceiling, while the remaining structural elements are whitewashed for a clean look.
      “A distilled material palette is deployed to create a warm and calming environment from otherwise industrial materials retaining the building’s original ethos,” said Bozkurt.
      In the main space, the arched niches provide areas for the tattoo artists to store their equipmentWrapping the perimeter of the interior are translucent polycarbonate panels that sit a few inches in front of the brickwork, unifying the sequence of spaces.
      All the way around, arches puncture the panels to frame original corbeling, and reveal other historic elements.
      A planter is positioned in the centre of the otherwise sparsely populated spaceIn the front of the studio, beside the floor-to-ceiling glass facade, one arch provides a backdrop for a seating area with boucle-covered chairs, and pendant lights by Apparatus above.
      Behind a pink-concrete reception counter is a consultation area, shrouded by a sheer curtain suspended from a curved metal track.

      Williamsburg tattoo parlour Atelier Eva is designed to feel like a spa

      “Visitors are offered glimpses of activity in the studio flooded by natural light while the artists and their clients maintain privacy,” Bozkurt said.
      The group of artists offering a range of tattoo styles and piercings work in the large space beyond, where each is allocated a station aligned with an arch.
      Pink concrete is also used for the reception counter and other furnitureFoldable padded tables for clients to lay on, stools for the artists and cabinets for storing equipment all tuck neatly into these niches when not in use.
      The open space – which also hosts creative gatherings and events – is sparsely populated, other than a central pink-concrete planter that matches the consultation table and the counter.
      The location on Grand Street is Atelier Eva’s second in BrooklynTogether, Bozkurt’s interventions create “a carefully choreographed sequence of experiences through varying degrees of transparency offered by various design elements”.
      Other tattoo parlours with unconventional interiors include a minimalist space in Kyiv with holes slashed through its walls, a stark monochromatic space in New York and a studio in Paris featuring curtains printed with Hieronymus Bosch paintings.
      The photography is by Atticus Radley.

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      Home Studios utilises reclaimed timber for Montauk restaurant renovation

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      Brooklyn-based Home Studios has renovated a bar and restaurant in Montauk, using materials like white-washed plaster, glazed tiles and reclaimed timber for a “deliberately minimal approach”.

      Formerly known as Bird on the Roof, the establishment reopened as The Bird earlier this year with refreshed interiors by Home Studios.
      The bar and restaurant areas at The Bird are connected through a cased openingThe space is run by the team behind the Daunt’s Albatross motel, located across the street, which Home Studios overhauled the previous year. The menu was created by chef Marcos Martinez Perez and a beverage programme by Sophia Depasquale.
      “[The clients’] intent was to celebrate the legacy of a 40-year-old adored Montauk establishment, imbuing a familial sense of warmth and hospitality threaded throughout the experience and the design,” said the team.
      Reclaimed timber clads the back bar, while white tiles cover the front of the counter”The aim of the space is to capture the spirit of old Montauk, providing a welcoming home-away-from-home for both visitors and locals to gather at any hour and any season.”

      Located in the town centre, the A-frame building that houses the restaurant has a white bird painted on the side of its roof – hence the original name.
      Red brick flooring is laid in a basketweave bond in the barThe interior is divided in two, with the bar area on one side and the restaurant on the other, connected through a cased opening.
      A muted colour palette across the spaces echoes that used at Daunt’s Albatross and is based on the natural coastal surroundings.
      A similar muted palette continues into the dining roomHome Studios describes it as “a spectrum of whites, warm grays, browns, faded yellows, rusts and ocean blues”.
      In the bar area, red bricks are laid in a basketweave pattern across the floor, and the russet hue is continued by the leather that covers the built-in seating and stool tops.
      Blue tapestries hang above wooden tables and chairsFlooring shifts to reclaimed timber in the dining area, where banquette cushions are upholstered in yellow fabric and the accompanying vintage chairs are all slightly different designs.
      “The restaurant includes a deliberately minimal approach to furniture, lighting and decor, which allows the materiality to shine on its own,” said Home Studios.
      Blue-grey glazed ceramic tiles surround the window and door framesBlue-grey glazed ceramic tiles surround the window and door frames, while thin white tiles wrap the front of the bar counter.
      The same white tiling is found in the bathroom, accessed via a powder-blue door, but with red grouting for a more contemporary twist.

      Home Studios refreshes Daunt’s Albatross motel in Montauk

      Both The Bird and Daunt’s Albatross are run by third-generation proprietor Leo Daunt and his sister Zoe, who grew up in the town and wanted to return both properties to their former glory while retaining their neighbourhood feel.
      “Open year round and transforming with the seasons, [The Bird] will proudly continue its legacy as a community staple – and true Montauk landmark,” said the team.
      Wooden dining chairs that accompany the two-top tables are all slightly different designsSituated at the eastern tip of Long Island, Montauk is a popular summer getaway for New Yorkers that offers a more affordable alternative to the Hamptons nearby.
      However, it’s not without its fair share of expansive beach houses, with a grey wood-clad home by Desciencelab and a residence topped with a swimming pool by Bates Masi as examples.
      Accessed via a powder-blue door, the bathroom features white tiles and red groutingHome Studios was founded by Oliver Haslegrave in 2009 and has since completed a variety of hospitality projects across the US.
      Most recently, it has carried out a revamp of a Nantucket bar and restaurant using maritime references and an Italian restaurant close to Harvard University filled with plush booths and banquettes.
      The photography is by Brian W Ferry.

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      Light and Air opens up Z House in Brooklyn to the outdoors

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      Local studio Light and Air has introduced a light-filled void at the centre of a Brooklyn townhouse as part of a major reconfiguration and extension project.

      The home in the leafy Clinton Hill neighbourhood was bought by a family of four with roots in India and required a complete gut renovation to open up the spaces to the outside.
      The overhaul of Z House involved a significant rear extension, comprising cube volumes clad in pale brick”They wanted a house that exhibited a strong connection to nature, featuring a more seamless integration between inside and out,” said Light and Air.
      The project involved extending the building one level vertically, bringing its total number of storeys to four, as well as pushing it out significantly at the back.
      The brick continues into the kitchen and dining area on the lower floorWhile the historic front facade was carefully restored, the rear elevation now presents as a contemporary stack of pale-brick cube volumes.

      The interior was completely reorganized to allow sightlines between the original spaces, the new extensions and the outdoors.
      Oak millwork in the kitchen continues through the minimal interiorsThe most dramatic change involved swapping the stacked staircase with a switchback configuration – a similar approach taken by the studio at another Brooklyn townhouse in 2018.
      This arrangement allows for improved visual connections between the levels and gave the project its name, Z House.
      Reconfiguring the house involved swapping the stacked staircase for a switchback arrangement from the parlour level to the top floorIn addition, an angled skylight was added above the staircase void, bringing in light all the way down to the parlour 40 feet (12 metres) below.
      “Filled by light and air, the stair’s drama is heightened by the placement of large windows punctuating the rear facade, allowing the vertical space to open to the exterior,” said the studio.
      A skylight over the staircase void brings light down into the homeOf the home’s four storeys, the lower levels are occupied by the public spaces including the kitchen, dining, living and media rooms.
      The top two levels are reserved for the children’s rooms and the primary suite respectively. The uppermost floor also accommodates a home office and provides access to a roof terrace created by the rear extension.

      Light and Air Architecture transforms Brooklyn row house with “switchback” staircase

      “This private, elevated, exterior space offers a unique domestic experience not typically found in most Brooklyn rowhouses,” Light and Air said.
      Interiors throughout are clean and minimal, with white walls and custom oak millwork, built-ins and furniture.
      The primary bedroom on the top floor features a custom oak bed and built-insThe pale brick of the rear facade is also expressed inside the double-height kitchen and dining area, which is open to the back patio.
      “Located above the garden level addition is a green roof that buffers sightlines from the parlor floor, creating the effect of a floating garden beyond,” said Light and Air.
      The historic street facade of the Clinton Hill townhouse was also restored as part of the renovationFounded by Anne Diebel in 2018, the studio has completed many staging and interior design projects across New York City.
      These include a Brooklyn apartment retrofitted with ample custom cabinetry and a spiral staircase and a Financial District loft where partitions were removed to create an open, inviting space.
      The photography is by Kevin Kunstadt.

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      Studio Becky Carter creates “distinctly New York” interiors for Cecchi’s restaurant

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      Brooklyn-based Studio Becky Carter has pulled varied references, from Bauhaus luncheonettes to comedic characters, for the interiors of a bistro in Manhattan’s West Village.

      Art deco dining rooms, 1960s Milanese architecture and “a distinctly New York feel” are all evoked at Cecchi’s, the first establishment from veteran restaurant maitre d’ Michael Cecchi-Azzolina.
      At the entrance to Cecchi’s, pistachio leather banquettes sit below a mural by Jean-Pierre VillafañeStudio Becky Carter was given creative control to produce an environment that felt distinctively New York, but also presented a departure from the typical bistros.
      “My style is retro-futurist, so I take strong cues from historic design narratives and process them through the lens of an imagined future society,” Carter told Dezeen. “When people enter Cecchi’s, I want them to feel like they’ve stepped into old-school, underground, NYC exclusivity, only this time everyone is invited.”
      Elements retained from the space’s previous iteration as Café Loup include a marble lectern used as a host standA starting point for the design was the whimsical murals of artist Jean-Pierre Villafañe, who was brought on early in the process to create scapes for the restaurant’s walls.

      His “transportational” depictions of lively party scenes helped to inform the colour palette for the rest of the space, a mix of reds, blues and tonal browns.
      Villafañe’s murals informed the colour palette for the restaurant’s interiorsSome of the dancing figures appear as historic European comedic characters, so Carter also looked to these for influences.
      The spheres placed within dividing screens, for example, are reminiscent of those found on a Pierrot costume, a figure in French pantomime theatre, while mosaic floor tiling at the entrance is adapted from Harlequin patterns.
      Large columns and louvred dividers break up the space into different yet visually connected areas”The beautifully finished spheres are just so tactile,” said Carter.”I can’t not touch them every time I’m in the restaurant.”
      The long, narrow space posed several challenges, such as the lack of natural light towards the rear and large structural columns that interrupted the flow.
      The mahogany bar top was also retained, while high-gloss burgundy lacquer was added to the frontCarter’s approach involved dividing up the restaurant into multiple areas, demarcated by the wood-wrapped columns, louvred dividers and built-in seating – all at different heights to allow visual connections across them.
      At the entrance, pistachio green leather banquettes occupy the bright window niches, then the mood shifts to darker and cosier as guests venture further inside.
      Soft lighting around the bar adds to the mood in the spaceSeveral elements from the space’s previous iteration as Café Loup were retained or refinished as part of the new design, including the mahogany bartop and the restored caned bistro chairs.
      The marble lectern that serves as the host stand and a chrome cash register were also saved, while 1970s Czech lighting was introduced overhead.

      GRT Architects references “vacation Italian” at New York bar and restaurant

      White tablecloths lend to the classic, old-school atmosphere, while contemporary details like custom wall sconces and the burgundy lacquered bar front add a more casual twist.
      “Michael envisioned the servers being able to pull up a chair and have a conversation about the menu in a convivial manner, and the style was to reflect this,” Carter said.
      A private dining room for parties is located at the back of the restaurantA private room for parties at the back features another Villafañe mural, as well as a rust-coloured ceiling and sci-fi lighting.
      Overall, Cecchi’s offers a fine-dining experience that still feels approachable, warm and not too serious.
      The private room features another Villafañe mural, as well as a rust-coloured ceiling and sci-fi lightingCarter founded her eponymous studio in 2016 and has completed a mix of residential and hospitality spaces on both coasts.
      Other recently completed restaurants in the US that feature retro-futurist interiors include 19 Town, a Chinese eatery in Los Angeles by Jialun Xiong, while new openings in the West Village include the worker-owned Donna designed by Michael Groth.
      The photography is by Joseph Kramm.

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