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Studio Cáceres Lazo designs headquarters for Chilean startup Fintual
Design firm Studio Cáceres Lazo has overhauled part of a 1930s mansion to create a flexible office space in Santiago for financial startup Fintual. More
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Home, office and hybrid: the future of work is nuanced, finds Steelcase
Dezeen promotion: the majority of employees expect to return to the office for at least four days a week post-pandemic, according to research from workplace leader Steelcase. More
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Laurent Troost turns abandoned Brazilian building into co-working venue
Workspaces look upon a mini jungle in this 125-year-old brick building in Manaus, Brazil, which has been thoughtfully revitalised by design studio Laurent Troost Architectures.Called the Cassina Innovation House, the project entailed the adaptive reuse of a dilapidated historic structure in Manaus, the capital of the state of Amazonas.
Cassina Innovation House sits in a 125-year-old building
The building, which now serves as a co-working venue, is located in an emerging digital district within the city. Its name was selected through a public vote organized by the municipality, which owns the building.
Its original structure was constructed in the late 1890s to house the luxurious Hotel Cassina, owned by an Italian man named Andrea Cassina.The building was abandoned and taken over by vegetation
After a financial crisis devastated the region, the building became a spot for gambling and prostitution called Cabaré Chinelo.
It closed around 1960 and began to deteriorate, according to local firm Laurent Troost Architectures.Laurent Troost Architectures inserted a prefabricated steel structure
Over the decades, the interior crumbled and vegetation overtook the building, resulting in a striking visual image that the architect wanted to honour in some way.
Troost said that artists and designers have long been intrigued by ruins, citing figures such as Piranesi, Gordon Matts-Clark and Robert Smithson.Greenery and exposed walls evoke the building’s crumbling grandeur
“The beauty of the ruin’s imperfection raises interest and questions, and invites reflection on the past and the action of time and man in the city – and on heritage buildings in general,” the architect said.
The team opted to preserve the building’s exterior brick walls, along with the remaining foundation walls made of stone. It decided to reconstruct the interior using a prefabricated steel system, and to add a glazed volume atop the roof.The staircase is open to the sky
The building now totals 1,586 square metres, spread across four levels.
The facades were cleaned, and great care was taken to preserve original elements such as a plaster made of pigment from red sandstone powder. On the eastern elevation, new shading devices help mitigate solar heat gain.Laurent Troost Architects folds weathered steel roof over concrete house in Brazilian Amazon
“The east facade, hit by the rising sun, has received contemporary frames with tempered glass fins to create a ventilated, double-skin facade that keeps the heat out,” the studio said.
Glazed walls overlook the gardens
Inside, the team used the steel system to form new floors and a stairwell, along with space for an elevator. The system stands independent from the building’s outer shell.
“We have basically constructed a squared tower with four new columns,” Troost told Dezeen. “The perimeter beams of our structure have allowed us to anchor the existing facades to avoid the collapse towards the street.”There are a variety of co-working spaces available
The metal system was prefabricated off-site, which sped up the project timeline.
Moreover, it reduced the number of on-site construction workers, which helped with social distancing – an important factor given that Manaus was hit hard by the coronavirus, the studio said.Greenery is visible through areas of glazing
A tropical garden was planted in a triple-height space just inside the front door.
“The building houses an exuberant garden behind the main facade, creating its very own microclimate,” the team said. “A walkway crosses the void over the garden, reminding one of Manaus’s intrinsic reason for being: the Amazon rainforest.”There are desks and meeting rooms in the offices
Adjoining the stairs are open rooms with glazed walls that provide views of the interior garden. A range of flexible spaces can be found within the building, including work zones, meeting rooms and training areas.
The rooftop addition holds a restaurant with sweeping views of the city’s historic centre and the Rio Negro. Large roof overhangs clad in ipe wood – also known as Brazilian walnut – help shade the structure.An overhanging roof shades the rooftop restaurant
The team noted that the building’s design allows for physical distancing and the circulation of fresh air, which will remain important considerations in our post-pandemic world.
Born in Brussels, Laurent Troost has worked in various countries and taught at several Brazilian universities.
Other projects by his studio include Casa Campinarana in Manaus, which won a 2019 Dezeen Award for Rural House of the Year. The concrete house features outdoor living areas and a swimming pool that are elevated above the forested surroundings.
Photography is by Joana França.
Project credits:
Contractor: Manaus MunicipalityArchitect-in-charge: Laurent TroostArchitecture team: Rejane Gaston, Juliana Leal, Nayara Mello, Erick Saraiva, Eloisa Serrão, Victor Marques, Marcelo Costa, Ingrid Maranhão, Eduardo Corrêa, Amanda Perreira, Fernanda Martins, Kauã MendesRestoration: Landa BernardoHistory consultants: Centro Cultural Reunidos, Fábio Augusto de Carvalho PedrosaArchaeology: Margaret Cerqueira, Vanessa BeneditoInteriors: Rejane Gaston, Juliana LealLighting: Juliana LealVisual communication: Elter BritoLandscape: Nayara Mello, Hana Eto GallConstruction: Biapó Constutora and MCA EngenhariaSteel structure: Marco Antônio de OliveiraConcrete structure: MPa Engenharia EstruturalHVAC: LR EngenhariaLightning protection system: Raimundo OnetyDatas CCTV electrical: Alah Emir VeronezHydraulics: Gerson Arantes Consultoria e EngenhariaFire protection system: Andrey Costa BarbosaRead more: More
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Studio Anton Hendrik Denys designs Belgian office informed by 1960s colour schemes
Studio Anton Hendrik Denys and Steen Architecten have transformed an industrial office building in Belgium by cladding it in corrugated metal and adding colourful graphic interiors.Studio Anton Hendrik Denys, in collaboration with Steen Architecten, stripped the existing office building in Heverlee back to its core and used the company’s corporate identity to create a design that it calls a “contemporary twist on modernism”.
The AEtelier office was designed for an IT consulting company in Belgium and contains a combination of private workspaces, meeting rooms, open plan communal areas, and event rooms that can be used for events and conferences.Top: AEtelier by Studio Anton Hendrik Denys. Above: walls and the ceiling are painted a deep blue.
“I love and always apply a minimalistic design-language, but simultaneously I feel the need to add something extra,” studio founder Anton Hendrik Denys told Dezeen.
“Modernism often balances minimal shapes wonderfully with splashes of colour and new, unfamiliar materials.”Wood-panneled areas provide a contrast against the blue walls
Informed by the bold interior colour schemes of the 1960s, the designer chose a deep blue colour for the walls of the office and used teal carpeting and a green floor throughout.
A welcome desk and lockers at the entrance of the office have a muted grey colour palette and are framed by a wood-panelled backdrop, while the blue walls and ceiling create a colourful contrast.Midcentury-inspired seating areas are built into nooks
An existing dropped ceiling was replaced with circular soundproofing panels that expose the height of the space and its industrial piping and fixtures.
Circular acoustic panels have been added to the ceilings throughout the interior. These are mimicked in large halo lighting fixtures suspended over tables, as well as on cabinetry details that feature circular cut-outs, and have also been added to a wall in a private office.Colours zone different spaces within the open-plan areas
Denys used colour in an informative way to define different spaces. The orange hue used for the company’s corporate identity was chosen for kitchen areas, bars, toilets and soft furnishings, to make these easy to find.Studio Aisslinger designs LOQI office with social distancing in mind
“The main colour of my client’s corporate identity happened to be orange, which was both a welcome coincidence and a perfect starting point to build my midcentury-inspired colour palette,” Denys said.
“In the meeting rooms eventually, less bright shades of the main colours were applied to create a more relaxed atmosphere,” he added.Bars are painted one block colour, so that guests and users can easily navigate the space
A visual language was developed by Jaap Knevel, an information designer, to create iconography and signage so that staff and guests can easily navigate within the space.
The green floor defines shared spaces and guides users through the building. These hard floor surfaces are juxtaposed with a soft teal carpet that covers the floors of private offices and meeting rooms.Halo lighting fixtures match the circular acoustic panels
Studio Anton Hendrik Denys and Steen Architecten also renovated the exterior of the building, which is now clad in corrugated aluminium that contrasts and frames glimpses of the bold interior that can be seen through the windows.
The aluminium cladding continues into a central landscaped courtyard that houses plants, as well as bright red furniture and a concrete bridge that connects two parts of the office.A concrete bridge runs through the courtyard between wild landscaping
“For the outdoor renovation, the goal was to create a calm and subtle look that would serve as a frame for the bright interior,” Denys explained.
“Creating a contrast between a silver-ish facade with windows framing shots of blue, orange, green and pink behind them,” he added.Opal-framed windows and doors sit within the corrugated aluminium facade
“I wanted to move away from the general perception of how office spaces should look like nowadays,” Denys explained.
“Besides that, I wanted to create a space that could be reorganised as time evolves and people might have different needs for their work environment.”
Studio Anton Hendrik Denys was founded by Anton Hendrik Denys, a Belgian-born designer based in Copenhagen who works across art, furniture design, interior and spatial design.
Colourful office interiors are on the rise. Beyond Space recently completed this colourful office designed around a reconfigurable grid system, while Note Studio also created a bold interior that aims to “break the grid” of 1930s office buildings.
Photography is by Hannelore Veelaert.
Project credits:
Designer and creative lead: Studio Anton Hendrik DenysCollaborating architect: Steen ArchitectenLandscape design: Van Dyck TuinarchitectuurRead more: More
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Ministry of Design creates lush “banking conservatory” for Citibank Singapore
Offices and meeting rooms are nestled among tropical plants in this wealth management centre in Singapore by local studio Ministry of Design.Conceived as a “banking conservatory”, the verdant scheme won an international competition launched by Citibank Singapore last year that invited entrants to reimagine the conventional interiors often associated with financial institutions.
Ministry of Design has created a conservatory within the Citi Wealth Hub
The brief set out by Citibank was to create a wealth management centre dedicated to its high net-worth clients, over an area of 2,787 square metres across floors six to nine of an office building on Singapore’s Orchard Road.
Across its four levels, the Citi Wealth Hub has more than 30 client advisory rooms alongside flexible office and event spaces, making it the bank’s largest wealth advisory hub in the world.Levels seven and eight are filled with sinuous brass planters
The site is distinguished by its soaring atrium with tinted glass walls and skylights that create ideal conditions for growing tropical plants.
In recognition of this, the studio proposed an office scheme based around a lush conservatory that would anchor the entire office.Seating alcoves are nestled into the greenery
On floors seven and eight, a series of social spaces are nestled within the greenery, including a bar, observation deck, garden pods, banquette seating and a central garden lounge with a honed Grigio Carnico marble bar.
“The choreographed verdant and lush greenery evokes an atmosphere where everything seems to flourish in a natural and sustainable manner – a nod to the ideals of wealth management,” said Ministry of Design’s (MOD) director of development Joy Chan Seah.Garden pods replace traditional meeting rooms
“Although drawing from the virtues of biophilic design, the scheme aims to create a cultured conservatory and not a wild forest,” she added. “Introducing a measure of control and order amidst nature’s abundance, we created a series of carefully detailed planter box arrangements.”
These sinuous, hairline brass containers are lit from below to signpost pathways and meeting spaces among the foliage.They are outfitted with TV screens and acoustic panels
On the seventh floor, garden pods were installed as an alternative to traditional meeting rooms. These are lined with acoustic panels and equipped with curved TV screens, concealed power points and cables for connecting laptops.
In collaboration with landscape architecture studio ICN Design, MOD carefully selected plants that would adapt easily to an air-conditioned environment, thrive even in the shade and create four distinct vertical layers to offer varied views at every level.The planters are lit from below to help signpost pathways
For the tallest level, the designers selected betel nut feature palms, while elegant, feathery parlour palms sit below their crowns at the second level with bushy saplings and big-leafed arums in the foreground.
Feathery Boston ferns, rosette-leafed bird’s nest ferns and money plants occupy the lowest level, fringed by jungle-floor plants that are spotlit at night.Marble planters decorate the eighth floor
The eighth floor is dedicated to Citigold Private Clients, leading the design team to opt for more luxurious materials such as walnut and marble, while an observation deck offers aerial views of the conservatory on the level below.SelgasCano completes plant-filled co-working space inside Lisbon market hall for Second Home
Since this floor is less open to natural daylight, the planting here is smaller in both the horizontal and vertical scale, with planters set between desk alcoves and pathways.
Walnut wood lines the walls to create a high-end finish
Floors six and nine were conceived as “backstage areas” offering office space for the bank’s 210 relationship managers.
They hold a variety of hot desks, collaboration tables and a town hall for meetings.Collaborative tables are fringed in planters
Large planters help create a calming work environment on these levels and are filled with shade-loving plants that, in the wild, would grow low on the rainforest floor.
Throughout the office, the temperature of the lighting is programmed to mirror human’s natural circadian rhythm and the movement of the sun, changing from blue to reddish undertones over the course of the day.A marble reception centres the eighth floor
To keep the plants healthy the project uses a hydroponic system, in which plants are held in place by absorbent granules instead of soil.
Grow lights with special LED bulbs that mimic natural sunlight are integrated within the recessed architectural lighting.Integrated lighting follows humans’ circadian rhythm
“We’ve had really good responses from Citibank and from their clients so far,” the studio said. “They’ve said this is unlike any other wealth management hub they have seen.”10 plant-covered buildings that point to a greener future
Studies have shown that access to green spaces, or even pictures of nature, can benefit workers’ mental health and improve performance in the office.
As a result, a plethora of plant-filled workplace interiors have sprung up over the past few years, including this co-working space in Lisbon with over 1,000 potted plants and trees, while tropical flora provides privacy for workers inside an office in Utrecht.
Photography is by KHOOGJ.Read more: More
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Beyond Space designs colourful office around reconfigurable grid system
Beyond Space has created a flexible office interior for a security company in Amsterdam using a colourful grid system that allows the user to change the layout when needed.Informed by an endless repeating grid system, the studio used a structure made from beams and columns to knit together two office floors.
Top: office interior by Beyond Space. Above: white aluminium beams and columns run throughout the interior
The rigid grid was constructed from aluminium to create a structural framework that gives the client the freedom to organise and reconfigure the space within it, by dismantling and moving walls as needed.
“Should the nature or ambitions of the company change, the grid offers flexibility. Walls can easily be dismantled and rebuilt on another point in the grid,” Beyond Space said.Yellow-trimmed windows and doors frame private workspaces
Multicoloured trimmed doors and windows create privacy for workspaces and contrast against the rigid white framework. The studio also hoped the colour would emphasise the flexibility of the space.
“We wanted to put the emphasis on the fact that these doors and windows are infills in the grid and by making them a contrasting colour, the difference between the grid and the infills becomes clear,” Beyond Space cofounder Stijn de Weerd told Dezeen.Plants are encouraged to grow around and up the frame
Painted concrete serves as a base for the office floor, while zoned areas and infill rooms were made from a wide range of materials including coloured MDF, corrugated sheets and fabrics.
Carpets in meetings rooms and felt contouring against corrugated-metal walls add texture and softness to the otherwise rigid theme.Note Design Studio creates colourful interiors to “break the grid” of 1930s office building
“The corrugated metal, coloured MDF, felt, solid surface and carpet were chosen to create a diverse palette of different colours and rich textures which don’t remind you of a typical office,” said de Weerd.
Plants have been spread out throughout the space and add an organic feel to the aluminium grid.Glass partitions divide the spaces within the white frame
A white perforated spiral staircase centres the space and links the two levels of the office.
Pastel-hued furnishings provide a contrast against the white grid and fixtures, as the studio said it was important to maintain a balanced feel.
“We wanted to combine the apparently opposite: strict but playful, cosy as well as radical,” said de Weerd.Colourful furnishings contrast with the starkness of the fixtures
Beyond Space was launched in 2020 by Remi Versteeg and de Weerd, who had previously founded Space Encounters, and works across art, architecture and product design.
Among the architects’ projects at Space Encounters are a tile-clad office building on stilts above a brick warehouse and also and office interior which uses soft partitions to divide space.
Photography is by Lorenzo Zandri.
Project credits:
Project team: Remi Versteeg, Stijn de Weerd, Arnoud Stavenuiter, Menno Brouwer, Matilde ScaliContractor: Verwol, OpmeerPlants: Het Groenlab, AmsterdamContract furniture: Lensvelt Contract Furniture, BredaConsultant fire safety: DGMRStructural engineer: De Ingenieursgroep, AmsterdamRead more: More
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Note Design Studio creates colourful interiors to “break the grid” of 1930s office building
Stockholm-based Note Design Studio used neutral colours and contrasting bright hues to reinvigorate the interiors of the Douglas House office building in London.Note Design Studio designed the Douglas House office space, which has 700 desks spread over six floors, for office developer The Office Group (TOG). It had previously designed the Summit House property for the company.
Note Design Studio used natural materials and bright colours for the interiors of Douglas House
The Swedish studio aimed to “break the grid” of the 14,235-square-metre 1930s office building, which has a vertical layout and red brick-facade.
“As a building, Douglas House is very ‘rational’ in its architecture,” designer Johannes Carlström told Dezeen. “Even though it stretches quite far horizontally, it was vertical in its structure and spatial program.”Pieces by contemporary design brands are used throughout the space
“We realised early that we wanted to ‘break the grid’ of the building and deliver an interior less predictable than what is expected from the industrial appearance of the facade,” he added.
“That also related to a more abstract idea about breaking the conformity of our everyday lives, to design a place that actually shakes you up a bit when entering for your workday.”The studio focused on how the space would make users feel
While many office spaces are designed to enhance productivity, Note Design Studio said its focus for Douglas House was more on creating the right feeling and mood.
To create a space that would, in the words of the studio, bring a “gentle punch” to office design, it used contrasting colours and materials throughout the space.
“The palette ranges from deep ochres to brisk light blues, calm chalk tones, popping reds and vivid blues,” Carlström said.Meeting rooms are painted in calm blue nuances
The studio aimed to keep as much of the original details as possible but had to replace a lot of materials that were in poor condition. The original wooden floors, however, were lifted, renovated and put back into place.
“We have worked with giving the building a more defined character by using materials that will live long together with the building itself,” Carlström said.A curvilinear glass wall connects the main spaces and adds privacy to meeting rooms
A curvilinear wall made from glass blocks has been added to the ground floor to connects its three main public spaces.Note Design Studio includes recharge room in central London co-working space for TOG
“It stretches through the whole building giving spatial richness to the promenade between different functions of the ground floor as well as a vivid backdrop enhanced by the activity of the meeting rooms that are blurred through the glass blocks,” Carlström explained.
“The curve also creates unique footprints for the meeting rooms and the three communal spaces, which with a straight wall would have been more or less identical to one another in terms of space.”Materials such as ceramic tiles were chosen for their durability
Other materials used for the project were chosen for their durability, as office buildings experience extensive wear and tear, and their reusability. They include steel, glass and ceramic tiles, as well as 100 per cent recyclable Tarkett IQ plastic wall and floor coverings.
Douglas House was also given solar panels and a green biodiverse roof to further enhance its sustainability credentials.The Douglas House reception features a desk clad in Ettore Sottsass’ veneer
Note Design Studio also added a number of design touches to the interior, including a reception desk in Ettore Sottsass veneer for Alpi in a striking blue-grey colour, and pieces from brands including Artrex and Muller van Severen in bright hues.
Newly commissioned pieces from artists and designers including Jenny Nordberg, Jochen Holz, Wang & Söderström, Philipp Schenk-Mischke, James Shaw, Mijo Studio and Studio Furthermore also fill the building.Pale blue chairs contrast beige tiles and dark wood
Douglas House also includes an “oxygen room” – a plant-filled space where the idea is that workers can relax and connect with nature, the “recharge room”, gym, cafe and a mothers’ room which is dedicated to nursing mothers.
“We have worked with the whole building and designed small or big things on every square metre basically,” Carlström said. “A lot of the office spaces are done in the same manner, but the public and communal spaces all have their unique design attributes.”Earthy, warm hues create a welcoming feel
Douglas House has 700 desks for over 1,000 employees and opened in November 2020. Note Design Studio thinks the final design has succeeded in creating a different kind of office space.
“From our point of view it differs on many levels – it has a lot more expression than you normally see in an office space, a diversity of tempos and functions allowing people to choose what suits them best that specific day,” Carlström said.
Among the studio’s other recent projects are the pastel-coloured Mantelpiece Loft interiors in Stockholm and a reusable trade fair stand for Vestre.
Photography is courtesy of The Office Group.Read more: More
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DU Studio revamps Zhengzhou Yutong Bus headquarters
Dezeen promotion: DU Studio has redesigned the headquarters of Zhengzhou Yutong Bus in Zhengzhou, China, creating an updated corporate identity while reusing up to 60 per cent of the existing structure and materials.Zhengzhou Yutong Bus – China’s largest electric bus manufacturer – commissioned interior design firm DU Studio in 2017 to update its head office and create a space that better reflected company’s successful development in recent years.
The goal was to improve the building’s spatial efficiency, aesthetics and sustainability, creating a multifunctional environment while reusing the majority of the existing structure and materials.A three-storey green wall towers over the main sales lobby at the Zhengzhou Yutong Bus headquarters
Located in Zhengzhou’s Jingkai District, the headquarters comprises of a 12-storey research and development building and a 15-storey sales office – totalling approximately 60,000 square metres that encompasses multiple lobbies, public spaces, workspaces and VIP areas.
“The main challenge of this renovation was to make the best use of the existing structure, materials, and equipment, and to upgrade the function and aesthetics of the space as much as possible so that it better fit Yutong’s corporate culture,” said DU Studio founder Zhu Ping.Curving room dividers and tables in the financial hall mimic the design of the brand’s buses
The studio overhauled the main lobby of the sales building, creating a green wall that stretches three levels to bring plants into the building and underscore the renovation’s sustainability goals.
A new sculptural reception desk features three metal rings, one on the floor as the desk itself and two suspended from a central column.DU Studio added improved lighting in the financial hall, including a light box to create a more human scale
These rings symbolise the wheels of the buses manufactured by the company, and one features a bright digital display screen. DU Studio added new ceiling lights to make the space feel brighter and more welcoming.
The studio also switched up the lighting in the building’s financial hall, putting a large light box in the ceiling to create softly diffused light. Low, curving room dividers and tables mimic the design of the brand’s buses.In the sales reception hall, planters represent gears and the lights are wheels
The light box “brings the space to the human body scale, increasing the intimacy and forming a cozy waiting area,” according to Ping.
DU Studio also channelled this mechanical inspiration into the tree-filled planter benches in the sales reception hall, which are designed to look like gears biting together.Black panels were added to the hall to help absorb sound
Ring-shaped pendant lamps are suspended over this atrium and also represent wheels, while doubling as sound-absorption units. To further improve the acoustics in the hall, black panels were added to act as sound baffles and break up the harsh reflective surfaces.
Each office floor has a dedicated coffee area for employees to use, as well as two new cafes for visitors to the headquarters.Wood panels fixed to the walls at different angles are influenced by the movement of gear wheels
For the second-floor cafe, located next to the exhibition area, DU Studio used burnished metal panels to evoke machinery parts.
Another cafe, located on the building’s 15th floor, is intended to be used by overseas business visitors. Tranquil blue hues were chosen to evoke the ocean, while white ceiling panels installed at different heights mimic clouds.The 15th-floor cafe for overseas visitors is designed to be calm
Wooden panels line the atrium reserved for VIP guests, which also features trees in planters to represent growth and prosperity. “The renovation design used dense and varied wood grain grids to raise up the three-story height, unifying the visual effect and strengthening the vertical sense of the space,” said Ping.
In the research and development building, DU Studio transformed the previously cramped lobby into a two-storey space covered with a futuristic stainless steel ceiling and glass walls.Wood panels and trees can be found in the VIP atrium
Each R&D office floor is equipped with exhibition and social spaces for employees to gather in, helping to foster a sense of community.
For the communal spaces of the offices, display shelves feature a decorative pattern of tyre tracks. Lots of different types of seating give employees a range of comfortable places to meet or work from.Tyre tracks are printed on the walls of the office space
Splashes of blue, the Yutong Bus livery colour, brighten up the open-plan desk areas, which feature lots of plants too. A pattern of buses picked out in grey over a blue wall decorates the office’s storage space.
Since its completion in November 2020, over 5,000 employees have moved into the revamped headquarters. DU Studio hopes to have created an environment in which they can work more efficiently and enjoyably.A motif of buses decorates the open-plan office
“It was important to analyse in great detail the corporate structure and functional requirements of the spaces, take full use of the existing materials and conditions, and strive to achieve maximum improvement on the quality of the spaces that are functional, aesthetically pleasing, and same time provide a strong sense of comfort and well-being,” said Ping.
The designer founded her Shanghai-based studio around the principles of developing “healthy, humanistic and happy” spaces that include retail, offices, education centres and more. Visit the firm’s website for more information.
Project credits:
Client: Zhengzhou Yutong BusInterior design: DU Studio (向合空间)Design director: Zhu PingInterior design group: Cai Xinhang, Jiang Yishan, Shen YiwenTechnology consultant: Yan GangLighting: BPI
Partnership content
This article was written by Dezeen for DU Studio as part of a partnership. Find out more about Dezeen partnership content here.Read more: More
