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    Ten Adam Štěch photographs of “one-of-a-kind” architecture and interior designs

    Architecture historian Adam Štěch highlights ten images from his recent exhibition Elements: Unique Details of the 20th Century Architecture and Interior and explains the stories behind them.

    The exhibition brought together an edited selection of nearly 3,000 photographs from Štěch’s archive of buildings and interiors and their bespoke details.
    Elements: Unique Details of the 20th Century Architecture and Interior was created for Milan design week and provided a welcome respite from the week’s influx of new products.
    It was displayed in one of the previously abandoned warehouse tunnels behind Milan Central Station, as part of the Dropcity series of exhibitions.
    Over more than 15 years, Štěch estimates he has photographed about 7,000 projects in 45 countries, capturing buildings and interiors that were completed between 1910 and 1980.

    “It’s hard to count them all,” Štěch told Dezeen when asked how many photographs are in the ever-evolving archive.

    Eight Alastair Philip Wiper photographs that turn architecture into fantasy

    For this exhibition, he focused on ten specific elements from his archive, grouped according to certain details ranging from entrances, windows and handrails to furniture, lighting, fireplaces and surfaces.
    “All of these elements were created by architects as one-of-a-kind and bespoke design solutions for specific houses and buildings all around the world,” Štěch said.
    “The ultimate selection of elements celebrate the modernist idea of the total work of art, the so-called Gesamtkunstwerk, and tell stories about the versatile skills of modernist architects from Art Nouveau to modernism and beyond.”
    The paper-printed photos in the exhibition were folded simply over an aluminium construction, making the show quick to assemble and lightweight and compact to transport.
    “The images were freely divided into typological sections in which visitors could explore various formal similarities and analyse modernist architecture in its differences and transformations,” explained Štěch.
    “My ambition for this project is to create the biggest database of one-of-a-kind designs from specific buildings and interiors captured by a single person and survey a never before seen chapter in the history of applied art.”
    Below, Štěch highlights ten featured photographs, one from each of the typological sections of the exhibition:

    Schlegel and Brunhammer Apartment by Valentine Schlegel, Paris, France, 1970s
    “Valentine Schlegel’s vases from the 1950s are among the pinnacle of French post-war artistic ceramics. Despite the fact that her work was largely forgotten, interest in her has increased again recently.
    “I visited her own apartment and studio in Paris, which she shared with her friend Yvonne Brunhammer, writer, curator and director of Musée des Arts Décoratifs in Paris. I was there just a few weeks before its interior was completely emptied and sold at auction.
    “Designed during the 1970s, her apartment and studio were conceived as an artificial cave, organically modelled by plaster. It was created at the time when she specialised in designing private apartment interiors, which she transformed into organically shaped spaces. I was amazed by the leather-covered door she designed for the space.”

    Grand Hotel Minerva by Carlo Scarpa and Edoardo Detti, Florence, Italy, 1957-1964
    “If you talk to architects, many are celebrating Carlo Scarpa as an ‘architect of the detail’. It is also why I focused on his work and have visited almost all of his projects.
    “The one which is not so well known is the Grand Hotel Minerva in Florence, which he designed together with the architect Edoardo Detti. The hotel is located in the historical building close to Santa Maria Novella church.
    “The architects created public spaces spread around the external patio which you can look at through this exceptional double window. I enjoyed an amazing breakfast there while photographing this great detail of Scarpa’s.”

    Chamber of Commerce, Work and Industry by Jože Plečnik, Ljubljana, Slovenia, 1925-1927
    “Two years ago I was commissioned to photograph a collection of Jože Plečnik’s buildings in Ljubljana.
    “This was an amazing opportunity to experience the work of Plečnik who I find to be one of the most important European architects for his ability to combine all historical architectural styles together with absolutely original results.
    “This staircase and metal handrail is located inside Plečnik’s first project after he came back to Ljubljana from his stay in Prague. This robust metal handrail beautifully shows Plečnik‘s sensitive approach to details and his skills with metal craft.”

    Casa Carcano by Ico and Luisa Parisi, Maslianico, Italy, 1949-1950
    “It took me more than two years before I was finally able to arrange a visit to the unique Casa Carcano designed by my absolutely favourite Italian architects and designers Ico and Luisa Parisi.
    “They built it near the famous Lake Como in 1949-1950 at the beginning of their rich career. Parisi was born in Palermo, Sicily in 1916 and settled in Como in the 1930s. Together with his wife Luisa, they designed exceptional houses from the late 1940s to the 1970s.
    “I have already visited five of them since 2011. Casa Carcano is their early masterpiece with much bespoke furniture including this wonderful built-in sofa in the middle of the stairs, which is housed in the spectacular entrance hall.”

    Former Czechoslovak Embassy in New Delhi by Karel Filsak, Karel Bubeníček, Zdeněk Dvořák, Jan Kozel, Karel Filsak and Zbyněk Hřivnáč, India, 1966-1974
    “As my diploma project at the Art History department at the Charles University in Prague, I focused on the work of interior designer Zbyněk Hřivnáč. He collaborated with the best of Czech architects during the socialist time from the 1950s to 1980s, designing mostly bespoke interior furnishings.
    “These projects included Czechoslovakian embassies all around the world. Back in my student years, I did not have any chance to travel to see these buildings. Finally, now I have resources that allow me to travel worldwide.
    “I was finally able to visit two of the Czechoslovakian embassies (now divided into Czech and Slovak) in Cairo and New Delhi. The one in India is an amazing brutalist building with all of the original furnishing details still preserved.
    “Hřivnáč also designed this series of wooden lamps including balloon shades.”

    The Box by Ralph Erskine, Lovön, Sweden, 1941-1942
    “Not far from the Drottningholm Royal Castle on the island of Lovön near Stockholm, there is a miniature house that Ralph Erskine built as a starter home in the early 1940s. Its architecture is synonymous with frugality and minimalism.
    “If you want to see Ralph Erskine’s house, you must first pick up the keys at the reception of the ArkDes architecture centre in Stockholm. After paying the deposit, they will entrust you with the keys and you have nothing else to do but go to the island of Lovön and open this unique house yourself.
    “I did the same to visit this masterpiece by the famous Swedish-British architect who was a pioneer of Scandinavian modernism. He designed this organic fireplace as a centrepiece of the minimal functional interior.”

    Bossard House (Kunststätte Bossard) by Johann Michael Bossard, Jesteburg, Germany, 1911-1950
    “One of my many specific interests with 20th-century architecture is totally-designed interior environments. These are spaces where all the surfaces are given the attention of the designer.
    “This kind of interior can often be found in Germany. They were created by artists influenced by the expressionist movement, very often by painters or sculptors and not architects.
    “This is also the case of Johann Michael Bossard who created his own world in the middle of forests in Jesteburg, close to Hamburg. His own house is completely painted inside by mixing mythology and his original visions of the future. I called these interiors ‘3D paintings’.”

    Maison Wogenscky by André Wogenscky and Marta Pan, Saint-Rémy-Lès-Chevreuse, France, 1952
    “I was desperate to visit this house, built near Paris by Le Corbusier’s disciple André Wogenscky and his wife, sculptor Marta Pan.
    “Despite the house only opening to the public a few times a year, it was one of the most challenging visits because I did not get any answer from the foundation for years. Finally, I made it there in 2022.
    “The bathroom, with the beautiful mosaic-clad curve, presents the essence of postwar French interior design.”

    Girard House by Wolfgang Ewerth, Casablanca, Morocco, 1954
    “Casablanca boasts a rich collection of art deco architecture, as well as modernist and brutalist. That’s why I decided to go there in 2019. With the help of architects from preservation group Mamma, I was able to visit some exceptional houses.
    “Originally German architect Wolfgang Ewerth was a follower of progressive modernist tendencies after the second world war and built several remarkable villas in Casablanca. I was lucky enough to visit House Girard, which Ewerth completed in 1955.
    “The spacious terraces, glass facades and open living space stand in bold comparison with the best contemporary examples of Californian modernism by Richard Neutra, Raphael Soriano or Craig Elwood, who, like Ewerth, used simple steel frames to allow for freely articulated interiors.
    “But unlike his American colleagues, Ewerth also designed more sculptural features including this massive boomerang-like planter.”

    University Library by Henry Lacoste, Leuven, Belgium, 1948
    “Last summer I had the chance to stay for three weeks in Belgium, supported by the Czech Centre in Brussels. I took advantage of this and visited dozens of Belgian modernist houses and interiors. Every day I woke up very early, travelling to different Belgian cities and documenting marvels of Belgian architecture and design.
    “Hidden behind the historical neo-Renaissance facade of the monumental Leuven University Library is the main reading room, which was one of my intended destinations.
    “It is a perfectly carved interior treasure, created by Belgian architecture legend Henry Lacoste after the second world war when the library was completely destroyed for the second time. The space is full of sculptural details and symbolic motives carved into oak, including this monumental wall clock.”
    The photography is by Adam Štěch. Main image by Piercarlo Quecchia.
    Elements: Unique Details of the 20th Century Architecture and Interior was on show as part of Dropcity during Milan design week from 12 to 21 April 2024. See Dezeen Events Guide for all the latest architecture and design events taking place around the world.

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    Twelve scenes froms America’s “hidden” industrial world

    Pencil production in New Jersey and the fabrication of massive turbines for wind power in North Dakota feature in this roundup of American industrial facilities photographed by Christopher Payne.

    Payne has spent the last decade exploring factories in America, ranging from “traditional industries” like wool carders to the production of contemporary technological machines that he says are often “hidden from view”.
    His reasons for creating Made in America stem from the lack of awareness of where products come from, and from American manufacturing “making a comeback” after Covid-19.
    “Most people I know have never set foot in a factory,” said Payne. “Decades of global outsourcing and a flood of cheap imports have decimated sectors of American manufacturing and hollowed out once-thriving communities.”
    “Yet, we still live in a physical world, and we surround ourselves with material things, and many of these things are still made in America. As environmental concerns and the pandemic have become urgent wake-up calls for us to rethink global supply chains, US manufacturing is making a comeback.”

    Nine municipal buildings in North America that reject bland utilitarianism

    The book includes close-up photography gathered from Payne’s personal exploration and editorial commissions and has an introduction from British author Simon Winchester.
    Payne said that he wanted to preserve the legacy of certain industries while showing the continued innovation and skill of workers – many of whom are featured in the photography.
    “All of these places share a commitment to craftsmanship and quality that can’t be outsourced,” he said.
    “There is, for sure, a certain romance in the idea of making our own goods here in the US, but it is no longer entirely nostalgia; it is also necessity and opportunity.”
    Read on for Payne’s commentary on scenes from twelve industrial facilities in the United States:
    Wool carders at the S & D Spinning MillS & D Spinning Mill, Millbury, Massachusetts
    “In 2010 I discovered an old yarn mill in Maine that reminded me of the state hospital workshops that I photographed for my book Asylum. While most such places had long been abandoned, this mill was fully operational, a scene from the past miraculously coexisting with the present.”
    “I learned of other mills around New England, remnants of a once-dominant industry that had moved south long ago, and then overseas, in search of cheap labor. I befriended mill owners, who, in addition to opening their doors, would inform me of a colorful production run, an invaluable tip that transformed a drab, monochromatic scene into something photogenic and magical.”
    A tipping machine adds metal ferrules and erasers to pencils General Pencil Company, Jersey City, New Jersey
    “General Pencil is one of two remaining pencil companies in the US, and it took five years to win the trust of the owners and gain access to the factory.”
    “I focused on essential steps in the manufacturing process to reveal a fresh look at this humble, everyday object.”
    Wafer (a thin slice of semiconductor material used to make microchips) sorterGlobal Foundries, Malta, New York
    “There is a familiarity to traditionally made objects like pianos and pencils that makes them easier to photograph than tiny microchips [featured above] or complex, one-of-a-kind spacecraft; they’re recognizable in all stages of production and we know exactly what they do.”
    “Whenever possible, I try to include people in my pictures to humanize a subject that might otherwise seem incomprehensible.”
    Vertical assembly of a CFM LEAP jet engine core
    GE Aerospace, Lafayette, Indiana
    “From the window of a plane, it is impossible to appreciate the size and complexity of a jet engine.”
    “Seen up close and uncovered, it becomes an intricate, dazzling work of art, the perfect balance of form and function.”
    Inspection of a low-pressure steam turbine rotorGE Gas Power, Schenectady, New York
    “Gaining access to modern factories is never easy. There are concerns about safety and intellectual property that didn’t exist in the 1940s and 50s, when American companies spent lavishly on annual reports and were eager to pull back the curtain for popular magazines like LIFE and Fortune.”
    “Sometimes I’ll make a beautiful picture only to find out later that I can’t use it, prompting me to look elsewhere for a replacement, like this one, which was my second – and successful attempt – at photographing a turbine rotor.”
    A technician tracing a part template for optimized glass utilization on a boule of Corning HPFS fused silica Corning Inc, Canton, New York
    “Glass is an ancient material continually being pushed to new limits, but it is not easily photographed. It’s transparent, reflective, and often quite thin and fragile.”
    “Finding this technician hovering over a massive circle of glass, lit up like an ice sculpture, was something I had never seen before, and it remains one of my favorite pictures.”
    An R1 vehicle hood in the closures area of the body shopRivian, Normal, Illinois
    “Car factories are so vast that a golf cart is needed to get around. The environment is visually overwhelming and everything beckons the camera.”
    “I never have enough time to show even a fraction of the production process so I search for quiet, simple moments that serve as stand-ins for the larger story.”
    Workers weld parts to the steel frame of an electric public transit busBuild Your Dreams (BYD) factory, Lancaster, California
    “I approach industrial subjects and busy, cluttered factories the same way I do buildings: I try to find an underlying order within the visual chaos.”
    “Here, I was able to use the bus frame as a geometric backdrop upon which the action could unfold, like a stage set.”
    Gathering yarn to be fed into a carpet tufterInterface, LaGrange, Georgia
    “New technologies are often integrated seamlessly into everyday products in ways that are indiscernible, as is the case here, where captured carbon dioxide will be fused into the backing of a commercial carpet.”
    “Even though the product is ‘high tech’, the manufacturing process still requires the deft touch of the human hand.”
    Sanding infused fiberglass inside a wind turbine blade shellLM Wind Power, Grand Forks, North Dakota
    “Clean energy is another booming sector in manufacturing. Wind turbine blades are 200 to 300 feet long (60 to 91 metres), so there’s no elegant way to show their length without including a lot of distracting context.”
    “Seen in section, though, the half circle of a blade shell becomes a pleasing composition that fills the frame.”
    Inside Stargate, the world’s largest metal 3D printer, prints a Terran 1 rocketRelativity Space, Long Beach, California
    “Essential technologies like aerospace have been reenergized by the private sector and new technologies, like 3D printing, and some factories I visited had the buzz of tech startups.”
    “Relativity Space 3D prints rocket engines, reducing the time to do so from years to months. To work around the UV light of the laser we had to wear protective gear to avoid a nasty sunburn.”
    American flags in production on a rotary screen printerAnnin Flagmakers, South Boston, Virginia
    “Even in its unfinished state the American flag is instantly recognizable, a whole greater than the sum of its parts.”
    “I like to think that a factory is similar, a whole that is only complete when everyone works together as a team. These are the people who make the stuff that fuels our economy, and in this time of social polarization and increasing automation, they offer a glimmer of hope.”

    Read more: More

  • in

    Twelve scenes from America’s “hidden” industrial world

    Pencil production in New Jersey and the fabrication of massive turbines for wind power in North Dakota feature in this roundup of American industrial facilities photographed by Christopher Payne.

    Payne has spent the last decade exploring factories in America, ranging from “traditional industries” like wool carders to the production of contemporary technological machines that he says are often “hidden from view”.
    His reasons for creating Made in America stem from the lack of awareness of where products come from, and from American manufacturing “making a comeback” after Covid-19.
    “Most people I know have never set foot in a factory,” said Payne. “Decades of global outsourcing and a flood of cheap imports have decimated sectors of American manufacturing and hollowed out once-thriving communities.”
    “Yet, we still live in a physical world, and we surround ourselves with material things, and many of these things are still made in America. As environmental concerns and the pandemic have become urgent wake-up calls for us to rethink global supply chains, US manufacturing is making a comeback.”

    Nine municipal buildings in North America that reject bland utilitarianism

    The book includes close-up photography gathered from Payne’s personal exploration and editorial commissions and has an introduction from British author Simon Winchester.
    Payne said that he wanted to preserve the legacy of certain industries while showing the continued innovation and skill of workers – many of whom are featured in the photography.
    “All of these places share a commitment to craftsmanship and quality that can’t be outsourced,” he said.
    “There is, for sure, a certain romance in the idea of making our own goods here in the US, but it is no longer entirely nostalgia; it is also necessity and opportunity.”
    Read on for Payne’s commentary on scenes from twelve industrial facilities in the United States:
    Wool carders at the S & D Spinning MillS & D Spinning Mill, Millbury, Massachusetts
    “In 2010 I discovered an old yarn mill in Maine that reminded me of the state hospital workshops that I photographed for my book Asylum. While most such places had long been abandoned, this mill was fully operational, a scene from the past miraculously coexisting with the present.”
    “I learned of other mills around New England, remnants of a once-dominant industry that had moved south long ago, and then overseas, in search of cheap labor. I befriended mill owners, who, in addition to opening their doors, would inform me of a colorful production run, an invaluable tip that transformed a drab, monochromatic scene into something photogenic and magical.”
    A tipping machine adds metal ferrules and erasers to pencils General Pencil Company, Jersey City, New Jersey
    “General Pencil is one of two remaining pencil companies in the US, and it took five years to win the trust of the owners and gain access to the factory.”
    “I focused on essential steps in the manufacturing process to reveal a fresh look at this humble, everyday object.”
    Wafer (a thin slice of semiconductor material used to make microchips) sorterGlobal Foundries, Malta, New York
    “There is a familiarity to traditionally made objects like pianos and pencils that makes them easier to photograph than tiny microchips [featured above] or complex, one-of-a-kind spacecraft; they’re recognizable in all stages of production and we know exactly what they do.”
    “Whenever possible, I try to include people in my pictures to humanize a subject that might otherwise seem incomprehensible.”
    Vertical assembly of a CFM LEAP jet engine core
    GE Aerospace, Lafayette, Indiana
    “From the window of a plane, it is impossible to appreciate the size and complexity of a jet engine.”
    “Seen up close and uncovered, it becomes an intricate, dazzling work of art, the perfect balance of form and function.”
    Inspection of a low-pressure steam turbine rotorGE Gas Power, Schenectady, New York
    “Gaining access to modern factories is never easy. There are concerns about safety and intellectual property that didn’t exist in the 1940s and 50s, when American companies spent lavishly on annual reports and were eager to pull back the curtain for popular magazines like LIFE and Fortune.”
    “Sometimes I’ll make a beautiful picture only to find out later that I can’t use it, prompting me to look elsewhere for a replacement, like this one, which was my second – and successful attempt – at photographing a turbine rotor.”
    A technician tracing a part template for optimized glass utilization on a boule of Corning HPFS fused silica Corning Inc, Canton, New York
    “Glass is an ancient material continually being pushed to new limits, but it is not easily photographed. It’s transparent, reflective, and often quite thin and fragile.”
    “Finding this technician hovering over a massive circle of glass, lit up like an ice sculpture, was something I had never seen before, and it remains one of my favorite pictures.”
    An R1 vehicle hood in the closures area of the body shopRivian, Normal, Illinois
    “Car factories are so vast that a golf cart is needed to get around. The environment is visually overwhelming and everything beckons the camera.”
    “I never have enough time to show even a fraction of the production process so I search for quiet, simple moments that serve as stand-ins for the larger story.”
    Workers weld parts to the steel frame of an electric public transit busBuild Your Dreams (BYD) factory, Lancaster, California
    “I approach industrial subjects and busy, cluttered factories the same way I do buildings: I try to find an underlying order within the visual chaos.”
    “Here, I was able to use the bus frame as a geometric backdrop upon which the action could unfold, like a stage set.”
    Gathering yarn to be fed into a carpet tufterInterface, LaGrange, Georgia
    “New technologies are often integrated seamlessly into everyday products in ways that are indiscernible, as is the case here, where captured carbon dioxide will be fused into the backing of a commercial carpet.”
    “Even though the product is ‘high tech’, the manufacturing process still requires the deft touch of the human hand.”
    Sanding infused fiberglass inside a wind turbine blade shellLM Wind Power, Grand Forks, North Dakota
    “Clean energy is another booming sector in manufacturing. Wind turbine blades are 200 to 300 feet long (60 to 91 metres), so there’s no elegant way to show their length without including a lot of distracting context.”
    “Seen in section, though, the half circle of a blade shell becomes a pleasing composition that fills the frame.”
    Inside Stargate, the world’s largest metal 3D printer, prints a Terran 1 rocketRelativity Space, Long Beach, California
    “Essential technologies like aerospace have been reenergized by the private sector and new technologies, like 3D printing, and some factories I visited had the buzz of tech startups.”
    “Relativity Space 3D prints rocket engines, reducing the time to do so from years to months. To work around the UV light of the laser we had to wear protective gear to avoid a nasty sunburn.”
    American flags in production on a rotary screen printerAnnin Flagmakers, South Boston, Virginia
    “Even in its unfinished state the American flag is instantly recognizable, a whole greater than the sum of its parts.”
    “I like to think that a factory is similar, a whole that is only complete when everyone works together as a team. These are the people who make the stuff that fuels our economy, and in this time of social polarization and increasing automation, they offer a glimmer of hope.”

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    IKEA unveils “powerful” first photos by artist-in-residence Annie Leibovitz

    Swedish furniture brand IKEA has released two images from a series of photographs taken by Annie Leibovitz, its first-ever artist-in-residence, showing people in their homes across the world.

    The American photographer, who is best known for her portraits, travelled to twenty-five homes around the globe to take photos of people in their residences. She visited houses and apartments in Sweden, India, Italy, Japan, Germany, England and the US.
    “The home has always been important in my work,” Leibovitz said when appointed artist-in-residence in 2023.
    “I’ve been photographing people in their homes since I began,” she added. “It’s a way to understand who a person is. The advice I give to young photographers is to photograph their families. It’s one of the best ways to start.”
    Annie Leibovitz photographed 25 homes for IKEA, including this one in GermanyLeibovitz’s photos for IKEA show a variety of different interiors in seven different countries.

    “The result is a powerful photographic document that illuminates the nuances of life at home – across borders, ethnicities and professions,” the furniture brand said of the project.
    The series, which comprises 25 photos in total, was commissioned by IKEA after its IKEA Life at Home Report showed that 48 per cent of people globally don’t feel the media represents their home.
    The first two images released by IKEA, show the homes of Yusuke Onimaru in Japan and Maria Arrechea in Germany – specifically Onimaru’s ceramic workshop and Arrechea’s living space filled with friends.

    IKEA and H&M’s design incubator unveils products by 22 emerging London studios

    Leibovitz’s photos will be shown as part of the IKEA+ exhibition in Paris, which will take place during Paris Fashion Week.
    It will also feature a collaboration with online radio station Rinse and showcase the Tesammans collection made by IKEA together with Eindhoven-basd design duo Raw Color.
    Six emerging designers from the Casa93 fashion education program are also taking part in the IKEA+ showcase. They worked with “home furnishing mentors” from IKEA to create designs that focus on upcycling and sustainable design.
    The photography is by Annie Leibovitz for IKEA.
    IKEA+ will take place on 28 Rue de Lappe, Paris, from 29 February to 3 March. For more worldwide events, exhibitions and talks in architecture and design, visit Dezeen Events Guide. 

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    Twelve Berlin architecture studios photographed by Marc Goodwin

    British photographer Marc Goodwin has gone behind the scenes at 12 architecture studios in Berlin including Barkow Leibinger and Sauerbruch Hutton for the latest in his photography series exploring where architects work.

    Goodwin, who is the founder of studio Archmospheres, has documented architecture studios in cities across the world including Istanbul, Shanghai and São Paulo.
    Following a brief hiatus caused by the coronavirus pandemic, he is now continuing his global tour by visiting offices across Europe including those in the German capital.
    “We are working our way around Europe at the moment and Berlin is of course one of the major stops on that tour,” he told Dezeen.
    “The idea was to go there two years ago but a little something got in the way.”

    São Paulo studios of Brazilian architects including Paulo Mendes da Rocha captured in photos

    The Berlin series offers a glimpse inside 12 architecture studios including Barkow Leibinger, LAVA, Sauerbruch Hutton and Studio Karhard, the designer of the city’s renowned nightclub Berghain. The studios range in size from three employees to 140 members of staff and occupy a mix of purpose-built offices and adaptively reused buildings.
    Goodwin described the experience as “Vorsprung durch Technik” – referring to the famous slogan of German carmaker Audi, which translates as “progress through technology”.
    “There was little of the Bohemian Berlin of bygone days – that was what struck me most,” Goodwin explained.
    “It seemed a very professional place of work and I’ll be interested to compare it with upcoming shoots in Munich, Frankfurt and Stuttgart.”
    Scroll down for a look inside 12 architecture studios in Berlin:

    Barkow Leibinger
    In this space since: 1997Number of members of staff: 80Building’s history: located at Schillerstraße 94 by Georg Lewy

    Bundschuh Architekten
    In this space since: 2007Number of members of staff: nineBuilding’s history: former counselling centre

    Christoph Hesse Architects (Berlin)
    In this space since: 2018Number of members of staff: threeBuilding’s history: old workshop

    FAR
    In this space since: 2019Number of members of staff: 10Building’s history: new build

    Graft
    In this space since: 2007Number of members of staff: 90Building’s history: former carburetor production facility

    Studio KarhardIn this space since: 2010Number of members of staff: nineBuilding’s history: residential

    Jasper
    In this space since: 2017Number of members of staff: 26Building’s history: office building

    JWA
    In this space since: 2018Number of members of staff: 27Building’s history: commercial building

    Kleihues
    In this space since: 1989Number of members of staff: 80Building’s history: former waste-loading station by Paul Baumgarten

    LAVA
    In this space since: 2021Number of members of staff: 29Building’s history: brewery and bottle store

    Richter Musikows
    In this space since: 2015Number of members of staff: eightBuilding’s history: new build

    Sauerbruch Hutton
    In this space since: 1991Number of members of staff: 140Building’s history: historic barracks

    Tchoban Voss (Berlin)
    In this space since: 1995Number of members of staff: total: 80Building’s history: located atHackesche Höfe complex by Kurt Berndt

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    “I don't want my pictures to tell people what they should think” says Alastair Philip Wiper

    British photographer Alastair Philip Wiper explores all kinds of factories, from pork slaughterhouses to sex doll workshops. He says he isn’t trying to shock or influence, just to show people where things come from. Wiper photographs the facilities that make mass production possible. His images show the machines, the people and the processes used to […] More