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      Isern Serra turns renderings into reality to form pink Moco Concept Store in Barcelona

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      Design studio Isern Serra has transformed a computer-generated image by digital artist Six N Five into a rose-coloured retail space for the Moco Museum in Barcelona.

      Situated in Barcelona’s El Born neighbourhood, the Moco Museum exclusively exhibits the work of modern artists such as Damien Hirst, Kaws, Yayoi Kusama and Jeff Koons.
      The institution’s eponymous concept store has a similarly contemporary offering, selling a mix of design, fashion and lifestyle goods.
      The store’s interior is completely covered in pink micro-cementIts surreal pink interior started out as a computer-generated image by Six N Five, a digital artist known for envisioning other-worldly dreamscapes in pastel hues.
      Barcelona-based design studio Isern Serra then brought the image to life, using pink micro-cement to achieve the same uniform, ultra-smooth surfaces seen in the drawing.

      Products are displayed inside huge circular display niches”The Moco Concept Store represented an interesting challenge, as I had to combine the purpose of the store with actual architecture remaining true to our original dreamy world I had built in CGI,” explained Six N Five, whose real name is Ezequiel Pini.
      “But these concepts were able to go one level further, both in decisions and execution, thanks to Isern Serra who brought its extraordinary talent and experience.”
      Arched and square niches have also been punctured into the wallsThe store’s rosy interior can be seen through two large openings in its facade – one of them is rectangular, while the other is slightly curved and contains the entrance door.
      A series of chunky columns run through the middle of the space. Surrounding walls have been punctured with arched, square and circular display niches, some of which are dramatically backlit.
      Rows of shelves and a frame for a tv screen have also been made to project from the wall.
      A faux skylight sits directly above pink display plinthsThe store’s largely open floor plan is only interrupted by a few pink cylindrical plinths used to showcase products, and a bespoke pink cashier desk with an integrated computer system.
      Custom spotlights have been installed on the ceiling, along with a faux skylight.
      The store’s custom furnishings, like the cashier desk, are also rendered in pinkAn increasing number of creatives are making their virtual designs a reality.
      Last year, digital artist Andres Reisinger collaborated with furniture brand Moooi to produce a physical version of his Instagram-famous Hortensia chair, which was initially a rendering.
      The piece is covered with 20,000 pink fabric petals, emulating the almost fluffy appearance of a hydrangea flower.
      In Sweden, designer Christoffer Jansson passed off a virtual apartment as an Instagram home renovation project.
      The photography is by Salva Lopez.
      Project credits:
      Authors: Six N Five and Isern SerraBuilder: Tegola Rosso SL

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      “The world ran out of pink” due to Barbie movie production

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      The sets of Greta Gerwig’s upcoming Barbie movie required such vast amounts of pink paint, they swallowed up one company’s entire global supply, according to production designer Sarah Greenwood.

      Speaking to Architectural Digest, Gerwig revealed that the team constructed the movie’s fluorescent Barbie Land sets almost entirely from scratch at the Warner Bros Studios Leavesden – all the way down to the sky, which was hand-painted rather than CGI rendered.
      Barbie Land sets were built from scratch in a movie lot”We were literally creating the alternate universe of Barbie Land,” she told the magazine. “Everything needed to be tactile, because toys are, above all, things you touch.”
      To recreate the almost monochromatic colour palette of Barbie’s Dreamhouses, the set design team had to source a bottomless supply of pink paint to cover everything from lampposts to road signs.
      Almost everything from lamp posts to sidewalks is rendered in vibrant pinkIn particular, the production used a highly saturated shade by US manufacturer Rosco to capture the hyperreality of Barbie Land.

      “I wanted the pinks to be very bright, and everything to be almost too much,” Gerwig told Architectural Digest.
      So much paint was needed, in fact, that Greenwood says the movie’s production caused a worldwide shortage of that particular hue.
      “The world ran out of pink,” she joked.

      Six Barbie Dreamhouses that chart the evolution of the American home

      Rosco later told the LA Times that the company’s supply chain had already been disrupted when the movie began production at the start of 2022, due to the lingering aftereffects of the coronavirus pandemic and the winter storm that shocked Texas the previous year.
      “There was this shortage and then we gave them everything we could – I don’t know they can claim credit,” Rosco’s vice president of global marketing Lauren Proud told the LA Times, before conceding that “they did clean us out on paint”.
      Margot Robbie plays the movie’s main characterSince stills for the upcoming movie were first released a year ago, the all-pink hyper-feminine “Barbiecore” aesthetic has infiltrated the design world, with Google searches skyrocketing and the term accumulating more than 349 million views on TikTok.
      Earlier this year, Barbie manufacturer Mattel collaborated with Pin-Up magazine to release a monograph on the architecture and interiors of Barbie’s Dreamhouse to mark its 60th anniversary.
      “There have been so many books and entire PhDs on Barbie, but never really on her many houses and her furniture,” Pin-Up founder Felix Burrichter told Dezeen.
      “So we thought it would be a good idea to make one and treat it as a serious subject, in the same way that Barbie has been treated as a serious subject over the years.”
      The image is by Mattel.

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      Il Capri Hotel receives pink-heavy revamp from Graziella Buontempo and Arnaud Lacombe

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      A husband-and-wife hotelier duo has renovated a hotel in a Venetian-style palazzo on the island of Capri, refreshing its pastel-pink facade and continuing the hue into the guest rooms.

      Il Capri Hotel was built in the 19th century as a private villa in the Neo-gothic Venetian style before being transformed into a hotel in 1899.
      Il Capri Hotel is located in a Venetian-style palazzo in the centre of CapriIts current owners, Graziella Buontempo and Arnaud Lacombe, redesigned the interiors to reflect the grandeur of the property while imbuing it with a sense of contemporary chic.
      The duo retained the building’s signature pink-and-white facades, repairing and repainting them. They also chose to repeat some of the same hues and external architectural details throughout the interiors.
      The reception area features a marble-topped desk and a retail space”Honoring the property’s history and location, the hotel’s colour palette is inspired by the pink found across the island of Capri and the striking volcanic reds of Mount Vesuvius,” said the hotel team.

      A bright red curved awning signals the hotel’s entrance, located close to the town square in the centre of the famous Italian holiday destination, leading guests to a reception desk topped with reddish marble.
      A checkerboard floor runs through the communal lounge spacesRoom keys are stored individually in small arched niches within a wood-panelled wall behind, while local gifts are displayed on built-in shelves nearby.
      The hotel’s public areas feature checkerboard flooring, black lighting fixtures and red curtains to the match sofa cushions and rug trims.
      The hotel has 21 guest rooms spread over several floorsA variety of antique furniture pieces were curated to make the lounges feel homely while artworks and photos were sourced from the personal collection of Buontempo, whose family has long associations with the island.
      Archways divide various seating areas from corridors and one another, creating several distinct areas where guests can relax.
      The pink of the building’s exterior is continued in the guest roomsIn the bedrooms, pink appears again as wainscoting and on upholstered headboards shaped as ogee arches.
      The rooms include sisal floors and other natural materials and are simply decorated so that attention isn’t drawn away from the views.
      The rooms are decorated sparingly to draw attention to the views”Each of the 21 guest rooms pays homage to the culture of the island with decor imbuing a feeling of comfort, no-frills luxury and understated elegance,” the hotel team said.
      Il Capri offers several options for dining and drinking, many of which allow these activities to be enjoyed al fresco with views of the island’s dramatic coastline and the Gulf of Naples.

      Two buildings in Rome merge to form boutique hotel Condominio Monti

      These include the street-level Caprirama Bar, connected to the lobby and extended onto an expansive terrace with a herringbone-pattern tiled floor and groupings of terracotta plant pots, landscaped by garden designer Jonathan Froines.
      The all-day restaurant Vesuvio also has a shaded outdoor dining terrace, where caned bistro chairs accompany wood-topped tables.
      The hotel has several terraces for relaxing outdoorsSun loungers line up along the rooftop swimming pool, shaded by red parasols with crenellated white edges.
      There’s also a subterranean nightclub, Rumore, which is used as a cinema and an events space during the off-season.
      The terraces feature herringbone-tiled floors and groups of potted plantsA short boat ride from Naples on the Amalfi Coast, Capri is a popular destination for both Italian and international tourists.
      Elsewhere in the country, recently opened or revamped hotels include the Palazzo Daniele in Puglia, the Condominio Monti in Rome, and the Aeon Hotel near Bolzano.
      The photography is by Jonathan Froines.

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      Golem creates “pleasure-driven” pink interior for Superzoom gallery

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      Bubblegum-pink walls, floors and furniture create unconventional spaces for displaying art at this gallery in Paris designed by local studio Golem.

      Headed by architect and artist Ariel Claudet, the practice was invited to design the interior for the Superzoom art gallery, which is located in the historic Le Marais district.
      Superzoom gallery in Paris features bubblegum-pink interiorsThe gallery comprises three spaces arranged in an unusual order, with the gallery director’s office at the entrance, a white-cube gallery space in the centre and an accessible storage space at the rear.
      “We flipped upside-down the classic and elitist sequence of an art gallery, offering visitors a new pleasure-driven experience and the gallery managers three spatial tools for a large range of curatorial approaches,” explained Claudet.
      Pink is Superzoom’s signature colourSuperzoom’s signature colour pink was used as the basis for the design, reflecting the vibrancy of the local nightlife and techno scene where the gallery mingles with artists and collectors, according to Claudet.

      An integrated sound system hooked up to a vinyl record player provides a soundtrack of electronic music to enhance this connection.
      The “pink den” contains a built-in bench for visitors and a synthetic grassBy placing the director’s bright-pink office at the front, Golem aimed to create an entrance that is warmer and more inviting than a typical white gallery space.
      The “pink den” contains a built-in bench for visitors and a fake grass carpet that contributes to the warm, tonal aesthetic.
      The integrated sound system is hooked up to a record playerVisitors can continue through into a large and versatile white-walled gallery. This display area remains connected to the main spatial concept thanks to the pink openings on either side.
      The final space within the gallery is a storage area with walls painted the same shade of lively pink. In a conventional gallery setting, this space would be hidden away. But here, it is open and accessible to visitors.

      Balenciaga wraps London store in pink faux fur to celebrate its Le Cagole “it-bag”

      Each of the spaces in Superzoom’s gallery can be used for exhibiting work, either independently or together.
      For example, Golem suggested the white cube could be used for a solo show while other artists’ work is presented in the director’s office and storage space.
      A white-walled gallery provides more space for exhibiting artAll of the furniture and the pink wall separating the white cube from the director’s office are mobile and can be removed to create a larger space for exhibitions or parties.
      Golem designed the baby pink table featured in the director’s office as an emblem of the gallery that can be taken to art fairs or used for client dinners.
      The pink office table can be removed and brought to art fairsClaudet founded Golem in 2021 after working as an architect for practices including Rem Koolhaas’s Rotterdam-based firm OMA.
      Other all-pink interiors published on Dezeen include a fur-covered Balenciaga store in London and the Minimal Fantasy holiday apartment in Madrid.
      The photography is by Cyrille Lallement.

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      Patricia Urquiola creates lofty showroom for Moroso in Manhattan

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      Moroso has opened a new showroom in Manhattan designed by Patricia Urquiola, marking the 70th anniversary of the Italian brand.

      The 4,300 square-foot showroom (400 square metres) has a double-height space that was previously occupied by an art gallery.
      There are spaces for meetings and officesDespite its scale, Spanish designer Patricia Urquiola sought to replicate the feeling of a home, by setting up the furniture in smaller configurations that could be seen in a living room or another intimate setting.
      The space is located at 105 Madison Avenue, in central Manhattan. It replaces the brand’s previous showroom in the SoHo neighbourhood, which opened in 2007.
      The showroom is located in New York City”The new Moroso showroom in New York transcends the concept of the exhibition space,” said the Italian brand founded in 1952 by Agostino and Diana Moroso.

      “[The showroom] introduces visitors to the company through a series of appealing domestic settings in which interiors in restrained colours heighten the appeal of the furniture on display,” Moroso added.
      Large columns were finished with handmade terracotta tilesThe team refinished the interiors with colourful pink finishes, new wooden floors and curved surfaces rather than corners.
      “The interiors are reinterpreted with an emphasis on their gently curved contours and lack of sharp angles, while particular attention is paid to colour,” said Moroso.
      The inaugural collection includes a sofa that is meant to look like moss-covered rocksLarge columns within the space were finished with shiny, handmade terracotta tiles, complementing the prevailing colour palette.
      Along the walls at the periphery of the space, Studio Urquiola created plant-filled alcoves, which help break up the space into smaller sections.
      Plant-filled alcoves line the walls of the space”Everything is studied in detail, and even the lighting is designed to make the space elegant and welcoming, while plants and niches create focal points in the different rooms,” said Moroso.
      In addition to the main exhibition space, the showroom includes a smaller mezzanine at the back, where the brand can host architects or other design professionals for meetings.

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      The mezzanine space is divided into a lounge area, workstations and a glass structure with meeting rooms and a private office.
      A blue staircase connects this level to the ground floor and to the cellar, which has larger pieces.
      “Studio Urquiola’s architectural design alters the existing structure while maintaining its spatial characteristics, perfecting and emphasizing their soft, enveloping language with warm tones of terracotta and wood,” said Moroso.
      Patricia Urquiola also created furniture for the inaugural connectionThe inaugural collection on display at the showroom includes a sofa that is meant to look like moss-covered rocks by Sofia Lagerkvist and Anna Lindgren of Swedish design studio Front, and a series of colourful furniture that was designed by Patricia Urquiola called Pacific, which is finished in wool upholstery.
      Patricia Urquiola founded her eponymous studio in 2001, with her partner Alberto Zontone. The studio takes on architectural commissions, as well as designing furniture, products, and exhibitions.
      Other projects by the Spanish designer include the Haworth Hotel in Michigan, which was revamped to become a “design showcase” and a table with mix-matched legs for Cassina.
      The photography is by Alex Kroke unless otherwise indicated.

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      Great White Melrose in LA offers outdoor dining on a pink-plaster patio

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      Pink plastered columns and fireplaces surround this open-concept restaurant on Los Angeles’ Melrose Avenue, which co-founder and creative director Sam Cooper coloured to match his childhood home.

      Cooper and his business partner Sam Trude recently opened Great White Melrose as their third and largest location in the city, following outposts in Venice Beach and Larchmont Village.
      Fireplaces face each other across the patio dining area at Great White MelroseOn the site of a former laundromat, the 5,000-square-foot (465-square-metre) restaurant was designed by Cooper and his in-house team. Along with its casual menu by chef Juan Ferreiro, the space combines influences from coastal cultures in Australia, Mexico and Europe.
      Dining is available on a partially open patio facing the street, beneath a roof of slatted panels between weathered timber beams.
      The pink-toned plasterwork was chosen to match the colour of co-founder Sam Cooper’s childhood homePink fireplaces face each other across this area, which is lit with a soft glow from large woven pendants found in Pakistan.

      “Completely visible from the street, the open concept was developed very intentionally to create a relationship with the neighborhood, the antithesis of the way so many Los Angeles – and specifically West Hollywood – hospitality venues operate,” said the restaurant team.
      Reclaimed cobblestones sourced from Germany cover the floors inside and outGuests arrive via a ramped cobblestone walkway that passes through a procession of pink arches, each draped in greenery and featuring sconces built into the plasterwork.
      The colour was chosen to match the home where Cooper grew up in Australia, adding “a sentimental touch” to the project.
      The interior space swaps pink for neutral tonesThe reclaimed cobblestone flooring sourced from Germany continues inside, where pink is swapped for neutral tones and a focus is placed on craft.
      A bar made from Portuguese limestone runs along the back of the space, with arched niches behind displaying wine bottles on wooden shelves.
      A bar made from Portuguese limestone runs along the back of the roomOn the main wall hangs a large painting by Berlin-based artist Danny Gretscher that brings hints of the colours found outside into the room.
      Glazed doors with black metal frames concertina open to connect the indoor and outdoor areas.

      Six of the best restaurant interiors in California

      Rattan chairs and brown-toned seat cushions found across both echo the laid-back style typically found at hospitality venues in the Mexican resort of Tulum.
      “Our West Hollywood location is an extension of what we’ve found to be a successful formula that considers all of the necessary elements for an unforgettable dining experience,” said Trude.
      Lighting is integrated into the plasterworkGreat White Melrose combines “interesting art, design, architecture, music, and a variety of options as it pertains to both food and beverage that feature the best ingredients and an ever-growing list of talented makers”, he added.
      Melrose Avenue is a popular destination for tourists and locals alike, thanks to its wealth of boutique shops like Forte Forte, eateries such as the now-shuttered Auburn and design galleries including Francis Gallery LA.
      Great White Melrose is the third outpost from Cooper and business partner Sam Trude, following locations in Venice Beach and Larchmont Village”I have always enjoyed this part of West Hollywood, which seems to seamlessly connect all of the different worlds within it such as entertainment, nightlife, tourism, etc,” said Cooper.
      “There is a real energy about this space and the surrounding area and we are excited to tap into that with Great White Melrose.”
      Other hospitality projects to open recently in LA include Hotel Per La, designed by Jaqui Seerman in a neoclassical building.
      Last year, we rounded up six of the best restaurant designs in California.

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      Ten interiors tickled pink with Color of the Year Viva Magenta

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      For our latest lookbook, we’ve cherry-picked 10 interiors clad in shades that recall Viva Magenta after American colour company Pantone named the bright pink hue as its Color of the Year for 2023.

      Pantone describes Viva Magenta as “a brave and fearless red shade that vibrates with vim and vigour” and reflects current attitudes towards experimentation and fearlessness.
      “It’s assertive but it’s not aggressive – we refer to it as a fist in a velvet glove,” said vice president of the Pantone Institute Laurie Pressman.
      Shades of bright pink magenta have been used by interior designers in the projects below to brighten up spaces in locations ranging from Copenhagen to Tokyo.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring homes with sliding doors, lounges with suspended fireplaces and cottage interiors.

      Photo is courtesy of BHDMShoreline Waikiki, Hawaii, by BHDM
      The interior of the beachside Shoreline Waikiki hotel in Hawaii has a flamboyant colour scheme, giving it a jubilant feel that matches the island’s surrounding tropical flora and fauna.
      Redesigned by US studio BHDM for the “millennial-minded traveller”, the accommodation has a hot-pink carpet that stretches from the reception to the ground floor lounge and contrasts the brightly coloured yellow, teal, blue and red furniture upholstery.
      Find out more about Shoreline Waikiki ›
      Photo is by Tim LenzAtrium, US, by Smith Hanes Studio
      Rich tones of green, raspberry and gold collide with smooth terrazzo, shiny tiles and tropical wallpaper in Atlanta bistro and restaurant Atrium.
      Local architecture studio Smith Hanes Studio looked to the lines, patterns and shapes found in colourful French cafes and art deco buildings for the space, which is filled with an array of large leafy plants.
      Find out more about Atrium ›
      Photo is by James McDonaldFamily Kitchen, UK, by Mizzi Studio
      British design studio Mizzi Studio renovated this restaurant in London botanical garden Kew Gardens, creating a whimsical eatery that wouldn’t look out of place in the Charlie and the Chocolate Factory film.
      Designed to introduce young children to new foods, the space features playful decor such as an apple-shaped seat, giant timber-weaved fungi sculptures and a magenta-coloured Ethiopian Enset tree.
      Find out more about Family Kitchen ›
      Photo is by John ShortMaggie’s Centre, UK, by Ab Rogers Design
      At this Maggie’s Centre cancer treatment site in Sutton, England, patients can rest and convalesce in a pinky-purple-toned living area that studio Ab Rogers Design wanted to feel cheerful, yet sensitive.
      “Believing in colour’s sensual and psychological power, we coloured the surrounding rooms to suit the functions and activities they host,” said Ab Rogers Design founders Ab Rogers and Ernesto Bartolini.
      Find out more about Maggie’s Centre ›
      Photo is courtesy of Patricia UrquiolaRotazioni and Visioni by Patricia Urquiola
      The rust, mustard, dusty pink, baby blue, yellow and caramel block colours and black lines in these rugs by Spanish designer Patricia Urquiola contrast the circular openings that punctuate the walls in this pared-back room.
      Made from Himalayan wool and silk, the soft rugs have been used to add depth and warmth to the space.
      Find out more about Rotazioni and Visioni ›
      Photo is by John ShortScape, UK, by Ab Rogers Design
      A ribbon of magenta pink courses through the central areas of Scape, a housing block that Hackney-based studio Ab Rogers Design refurbished for students in London’s East End.
      Vibrant colour-coding knits the buildings’ internal parts together, while the bedrooms are informed by the sleeping quarters of train carriages, with space-saving furniture such as cupboards that double up as desks and seating nooks nestled in the windows.
      Find out more about Scape ›
      Photo is by Shingo NakashimaToggle Hotel, Japan, by Klein Dytham Architecture
      Sandwiched between a raised expressway, a railway line and Tokyo’s Kanda River, Toggle Hotel was designed by Tokyo-based Klein Dytham Architecture to stand out from the neighbouring infrastructure.
      Inside each of the rooms, which guests are able to choose based on their colour preferences, the furniture, bedding, carpets and soft furnishings are all coloured in the same shade.
      Find out more about Toggle Hotel ›
      Photo is by Gianluca Di IoiaCasa Lana, Italy, by Triennale di Milano
      A plush pinkish-red carpet covers the floor of this model apartment, which was recreated within the Triennale di Milano as part of a permanent new installation.
      Originally designed by Memphis Group founder Ettore Sottsass for a friend, Casa Lana is arranged around a wooden enclosure with built-in shelving and sofas.
      Find out more about Casa Lana ›
      Photo is by MasquespacioResa San Mamés , Spain, by Masquespacio
      Valencia-based studio Masquespacio injected splashes of its signature colour-blocking style throughout Resa San Mamés, a 1,850 square-metre building that houses 351 students in Bilbao, Spain.
      In the main lobby, millennial pink paint clashes with the crimson tiles that line the walls, while soft furnishings and partitions were used to define zones elsewhere on the ground floor.
      Find out more about Resa San Mamés ›
      Photo is by Itay BenitHayarden school, Israel, by Sarit Shani Hay, Chen Steinberg Navon and Ayelet Fisher
      A rainbow of colours, including a bright pink that straddles fuschia and magenta, have been used to brighten up this two-storey school in Tel Aviv, which local designer Sarit Shani Hay, architect Chen Steinberg Navon and Ayelet Fisher overhauled in 2019.
      Situated in Tel Aviv’s Hatikva Quarter – a neighbourhood with a high number of asylum-seekers – the school has a house-shaped reading nook and colourful paintwork, which the team hoped would help to create an inspiring learning area for the children of refugees.
      Find out more about Hayarden school ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring Bauhaus-informed interiors, homes in converted warehouses and neutral living rooms.

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      Ten playful pink kitchens that use colour in unexpected ways

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      From the bubble-gum-coloured cabinets of a Tokyo apartment to the rosy mosaics found in a modernist Grecian villa, our latest lookbook rounds up 10 pink kitchens from the Dezeen archives.

      Architects and designers often reach for different shades of pink when they want to add interest and personality to a functional space, such as a kitchen.
      Sometimes this takes the form of isolated pops of colour, as seen below in the kitchen islands in a Minsk design office and a creekside home in Lithuania.
      Elsewhere, all of the surfaces from the walls and floors down to the kitchen sink are finished tonally in different shades of pink, as evidenced here by two different Spanish apartments.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks showcasing home interiors that make use of statement windows, board-formed concrete and textured cork-covered walls.

      Photo is by Jan VranovskyNagatachō Apartment, Japan, by Adam Nathaniel Furman
      A saccharine, bubblegum-pink kitchen suite sits at the heart of this apartment in Tokyo by British designer Adam Nathaniel Furman, clashed playfully with stripes of “watermelon-green” vinyl flooring.
      “A lot of the way I described the project as I was developing it was through taste and references to cooking and food, so that the colour scheme became a matter of choosing ingredients for a beautifully calibrated visual feast,” Furman told Dezeen.
      Find out more about Nagatachō Apartment ›
      Photo is by Lorenzo ZandriSt Minas House, Greece, by Neiheiser Argyros
      Neiheiser Argyros used playful colours and materials to complement the existing modernist details of a 1970s villa near Athens, which the architecture practice overhauled last year.
      The kitchen’s limited material palette of exposed brick and board-formed concrete was rounded off with unexpected touches, such as perforated aluminium cabinets and a dusty-pink mosaic backsplash with matching counters.
      Find out more about St Minas House ›
      Photo is by JC de MarcosMinimal Fantasy apartment, Spain, by Patricia Bustos Studio
      All of the rooms and most of the surfaces in this holiday apartment in Madrid are finished in some shade of pink – all the way down to the kitchen sink.
      Local practice Patricia Bustos Studio only broke from the colour scheme when it came to the cupboard fronts, which are interrupted by brass detailing and geometric shapes in denim and baby blue.
      Find out more about Minimal Fantasy apartment ›
      Photo is by Luis Díaz DíazMixtape Apartment, Spain, by Azab
      Pale pink walls and cupboard doors help to jazz up this kitchen in a 1960s apartment, which Spanish architecture studio Azab has overhauled for a retiree in Bilbao.
      Mismatched herringbone floor tiles tie the colour scheme together, bringing in little flavours of mint green and cherry red alongside a muted beige to match the timber trim on the kitchen frons.
      Find out more about Mixtape Apartment ›
      Photo is by Dmitry TsyrencshikovStudio11 office, Belarus, by Studio11
      When designing its own workplace in Minsk, interiors practice Studio11 aimed to steer clear of the simple industrial aesthetic favoured by many design and architecture offices.
      That meant juxtaposing the interior’s raw concrete and plaster surfaces with vibrant accents, such as an abstract portrait by Belarusian painter Zakhar Kudin or a blush-coloured counter, which is set in front of the half-painted blue walls in the shared kitchen.
      Find out more about the Studio11 office ›
      Photo is by Javier Agustín RojasLerma workshop, Argentinia, by Estudio Nu
      Argentinian practice Estudio Nu created this communal kitchen when dividing up its own design studio, set in a former dental mechanics workshop in Buenos Aires, in order to create accessible office spaces for other local creatives.
      Here, speckled pink tiles were chosen to match the interior’s muted material palette, which combines rippled glass doors with pale timber walls and concrete floors.
      Find out more about Lerma workshop ›
      Photo is courtesy of ReformDesigners Remix showroom, Denmark, by Reform
      Danish brand Reform, which specialises in customising IKEA kitchen suites, took inspiration from the colour schemes and gradients of makeup palettes when designing the break-out area of this fashion showroom in Copenhagen.
      Here, kitchen fronts from Reform’s Basis collection are finished in progressively deeper pastel shades ranging from peach to blush and dark rose, contrasted against a jet-black sink and tap.
      Find out more about Designers Remix showroom ›
      Photo is by Giedrius MamavičiusHouse and the River, Lithuania, by After Party
      White walls, floors and ceilings create a bright, modern backdrop inside this creek-side house in northern Lithuania, with character added in the form of antique Soviet-era furnishings and splashes of unexpected colour.
      Its monochrome kitchen is tucked under a mezzanine and punctuated by a salmon-coloured island with a terrazzo countertop in ballet-slipper pink.
      Find out more about House and the River ›
      Photo is by Roberto RuizApartment in Born, Spain, by Colombo and Serboli Architecture
      An arched, coral-pink volume squeezes in a second bathroom next to the kitchen of this compact apartment, which is set in a 13th-century residential building in Barcelona’s historic El Born neighbourhood.
      This same motif is repeated in the breakfast island with its curved worktop made of pink quartz and the matching rose-tinted dining table.
      Find out more about Apartment in Born ›
      Photo is by Richard ChiversMaison Pour Dodo, UK, by Studio Merlin
      Pale, plaster-coloured walls and Douglas fir floorboards are contrasted against smokey blue cabinets inside this flat in London’s Stoke Newington, which local practice Studio Merlin overhauled for founder Josh Piddock and his girlfriend.
      The interior combines what Piddock describes as a “spectrum of storage”, ranging from a hacked IKEA kitchen suite topped with a concrete Caesarstone counter to open, pantry-style shelves squeezed in above a small seating nook.
      Find out more about Maison Pour Dodo ›
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing statement windows, board-formed concrete and textured cork-covered walls.

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